answers
sequencelengths 4
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listlengths 1
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| messages
listlengths 1
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[
"Sorry. I cannot find the answer based on the context.",
"no",
"yes",
"No"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
}
] |
[
"yes",
"yes",
"yes",
"Yes"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
}
] |
[
"tell the men that he is a downright horse thief",
"by letting Jack Blowfen taken him to the next camp",
"Lynching",
"Threatened to have him lynched"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "In what way?",
"role": "user"
}
] |
[
"yes",
"yes",
"yes",
"Yes"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "In what way?",
"role": "user"
},
{
"content": "tell the men that he is a downright horse thief",
"role": "assistant"
},
{
"content": "Did that work?",
"role": "user"
}
] |
[
"told all he knew",
"all that he knew",
"not much",
"Not much"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "In what way?",
"role": "user"
},
{
"content": "tell the men that he is a downright horse thief",
"role": "assistant"
},
{
"content": "Did that work?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "What did he tell them?",
"role": "user"
}
] |
[
"yes",
"yes",
"liberty",
"they would do the best they could"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "In what way?",
"role": "user"
},
{
"content": "tell the men that he is a downright horse thief",
"role": "assistant"
},
{
"content": "Did that work?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "What did he tell them?",
"role": "user"
},
{
"content": "told all he knew",
"role": "assistant"
},
{
"content": "Did he have any conditions on his cooperation?",
"role": "user"
}
] |
[
"best they can do for him",
"to do the best they can for him",
"iberty",
"They do the best they could"
] | [
{
"text": "CHAPTER XX. \n\nMoving against Captain Grady \n\nBoth Paul and Chet Winthrop were deeply interested in the words uttered by Jeff Jones, the colored member of the horse thieves' gang. \n\n\"So you know something of Captain Grady and our uncle, Barnaby Winthrop?\" cried Chet, excitedly. \"What do you know?\" \n\n\"Dat's fer you two fellers ter find out--onless yer let's me go,\" replied Jeff Jones, suggestively. \n\n\"You mean you won't speak unless we grant you your liberty?\" put in Paul. \n\n\"Dat's de way to figure it.\" \n\nPaul looked at Chet inquiringly. \n\n\"We can't promise anything until Mr. Dottery gets back,\" said Chet. \"But if you know anything about our uncle you had better speak out, if you wish us to do anything at all for you.\" \n\n\"I won't say a word,\" growled the colored man. \n\nChet bit his lip in vexation. \n\n\"Don't you know what it is to have us able to speak a word for you?\" said Paul. \"Supposing we let Jack Blowfen take you over to the next camp and tell the men that you are a downright horse thief? Would you fancy that?\" \n\nJeff Jones began to tremble. He knew what Paul meant--that he would be lynched inside the hour. In that section of the country, at that time, horse stealing was considered almost as bad as murder. \n\n\"No! no! doan let him take me down ter de Fork!\" howled Jeff Jones. \"Anyt'ing but dat, boys!\" \n\n\"Well, you, had better talk, then,\" returned Paul, severely. \n\n\"I doan know much, but I'll tell yo' all I do know,\" said the prisoner, after a short pause, \"and yo' is ter do de best yo' can fo' me, promise me dat?\" ",
"title": ""
}
] | [
{
"content": "Who is the colored man?",
"role": "user"
},
{
"content": "Jeff Jones",
"role": "assistant"
},
{
"content": "What was he doing?",
"role": "user"
},
{
"content": "Stealing horses",
"role": "assistant"
},
{
"content": "How many people is he with?",
"role": "user"
},
{
"content": "two",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Paul and Chet Winthrop",
"role": "assistant"
},
{
"content": "What were they doing together?",
"role": "user"
},
{
"content": "interested in him",
"role": "assistant"
},
{
"content": "Why?",
"role": "user"
},
{
"content": "he knew Captain Grady",
"role": "assistant"
},
{
"content": "Was he cooperating?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Why not?",
"role": "user"
},
{
"content": "wnated liberty",
"role": "assistant"
},
{
"content": "Did he get it?",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "Was he threatened?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "In what way?",
"role": "user"
},
{
"content": "tell the men that he is a downright horse thief",
"role": "assistant"
},
{
"content": "Did that work?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "What did he tell them?",
"role": "user"
},
{
"content": "told all he knew",
"role": "assistant"
},
{
"content": "Did he have any conditions on his cooperation?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "What's that?",
"role": "user"
}
] |
[
"The Federal City of Bonn",
"The Federal City of Bonn",
"the Federal City of Bonn",
"The Federal City of Bonn"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
}
] |
[
"on the banks of the Rhine",
"on the banks of the Rhine",
"on the banks of the Rhine",
"on the banks of the Rhine"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
}
] |
[
"the German state of North Rhine-Westphalia",
"the German state of North Rhine-Westphalia",
"in the German state of North Rhine-Westphalia",
"North Rhine-Westphalia"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
}
] |
[
"no",
"no",
"no",
"no"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
}
] |
[
"southernmost",
"the southernmost part",
"southernmost",
"the southernmost part"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
}
] |
[
"no",
"no",
"no",
"yes"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
}
] |
[
"over 11 million",
"over 11 million",
"over 11 million inhabitants",
"over 11 million"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
}
] |
[
"Bonn is a city. Do you mean in Germany?",
"Bonn",
"Sorry. I cannot find the answer based on the context.",
"Berlin"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
}
] |
[
"yes",
"yes",
"yes",
"yes"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
}
] |
[
"in the 1st century",
"the 1st century BC",
"1st century BC",
"1st century BC"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
}
] |
[
"as a Roman settlement",
"a Roman settlement",
"a Roman settlement",
"a Roman settlement"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
}
] |
[
"no",
"no",
"no",
"no"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
}
] |
[
"Yes",
"yes",
"yes",
"yes"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
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},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
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},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
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}
] |
[
"Ludwig van Beethoven",
"Ludwig van Beethoven",
"Ludwig van Beethoven",
"Ludwig van Beethoven"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
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},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
}
] |
[
"in 1770",
"1770",
"in 1770",
"1770"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
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},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
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},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
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}
] |
[
"the Basic Law, was declared",
"Bonn was the provisional capital",
"Germany's present constitution, the Basic Law was declared",
"the Basic Law was declared"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
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},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
"role": "user"
},
{
"content": "in 1770",
"role": "assistant"
},
{
"content": "What happened in 1949?",
"role": "user"
}
] |
[
"Bonn served as the seat of government, but not the capitol",
"Bonn served as the seat of government",
"Bonn served as the seat of government",
"it served as the seat of government"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
"role": "user"
},
{
"content": "in 1770",
"role": "assistant"
},
{
"content": "What happened in 1949?",
"role": "user"
},
{
"content": "the Basic Law, was declared",
"role": "assistant"
},
{
"content": "And from 1990 to 1999?",
"role": "user"
}
] |
[
"primary seat of six federal government ministries",
"six federal government ministries and twenty federal authorities",
"six federal government ministries and twenty federal authorities",
"six federal government ministries"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
"role": "user"
},
{
"content": "in 1770",
"role": "assistant"
},
{
"content": "What happened in 1949?",
"role": "user"
},
{
"content": "the Basic Law, was declared",
"role": "assistant"
},
{
"content": "And from 1990 to 1999?",
"role": "user"
},
{
"content": "Bonn served as the seat of government, but not the capitol",
"role": "assistant"
},
{
"content": "What governing bodies is it the primary house of?",
"role": "user"
}
] |
[
"reflects its important political status within Germany",
"reflects its important political status within Germany",
"it reflects its important political status within Germany",
"yes"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
"role": "user"
},
{
"content": "in 1770",
"role": "assistant"
},
{
"content": "What happened in 1949?",
"role": "user"
},
{
"content": "the Basic Law, was declared",
"role": "assistant"
},
{
"content": "And from 1990 to 1999?",
"role": "user"
},
{
"content": "Bonn served as the seat of government, but not the capitol",
"role": "assistant"
},
{
"content": "What governing bodies is it the primary house of?",
"role": "user"
},
{
"content": "primary seat of six federal government ministries",
"role": "assistant"
},
{
"content": "Does \"Federal City\" mean anything?",
"role": "user"
}
] |
[
"no",
"no",
"no",
"no"
] | [
{
"text": "The Federal City of Bonn () is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. \n\nTogether with the capital Berlin, the city is the \"de facto\" joint seat of government of Germany. Bonn is the secondary seat of the President, the Chancellor, the Bundesrat and the primary seat of six federal government ministries and twenty federal authorities. The title of Federal City () reflects its important political status within Germany. \n\nFounded in the 1st century BC as a Roman settlement, Bonn is one of Germany's oldest cities. From 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born in Bonn in 1770. From 1949 to 1990, Bonn was the provisional capital (\"temporary seat of the Federal institutions\") of West Germany, and Germany's present constitution, the Basic Law, was declared in the city in 1949. From 1990 to 1999, Bonn served as the seat of government – but no longer capital – of reunited Germany.",
"title": ""
}
] | [
{
"content": "What has a population of over 300,000",
"role": "user"
},
{
"content": "The Federal City of Bonn",
"role": "assistant"
},
{
"content": "Where is it located?",
"role": "user"
},
{
"content": "on the banks of the Rhine",
"role": "assistant"
},
{
"content": "In what land zone?",
"role": "user"
},
{
"content": "the German state of North Rhine-Westphalia",
"role": "assistant"
},
{
"content": "Is it in the northernmost zone?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What is it, then?",
"role": "user"
},
{
"content": "southernmost",
"role": "assistant"
},
{
"content": "Does it house 10 million people?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "How many?",
"role": "user"
},
{
"content": "over 11 million",
"role": "assistant"
},
{
"content": "What is its most important city?",
"role": "user"
},
{
"content": "Bonn is a city. Do you mean in Germany?",
"role": "assistant"
},
{
"content": "Is it involved in governing?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "When was it originally created?",
"role": "user"
},
{
"content": "in the 1st century",
"role": "assistant"
},
{
"content": "As what?",
"role": "user"
},
{
"content": "as a Roman settlement",
"role": "assistant"
},
{
"content": "Is it a newer town?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "Was someone famous birthed there?",
"role": "user"
},
{
"content": "Yes",
"role": "assistant"
},
{
"content": "Who?",
"role": "user"
},
{
"content": "Ludwig van Beethoven",
"role": "assistant"
},
{
"content": "And when?",
"role": "user"
},
{
"content": "in 1770",
"role": "assistant"
},
{
"content": "What happened in 1949?",
"role": "user"
},
{
"content": "the Basic Law, was declared",
"role": "assistant"
},
{
"content": "And from 1990 to 1999?",
"role": "user"
},
{
"content": "Bonn served as the seat of government, but not the capitol",
"role": "assistant"
},
{
"content": "What governing bodies is it the primary house of?",
"role": "user"
},
{
"content": "primary seat of six federal government ministries",
"role": "assistant"
},
{
"content": "Does \"Federal City\" mean anything?",
"role": "user"
},
{
"content": "reflects its important political status within Germany",
"role": "assistant"
},
{
"content": "Is a medium-sized metro?",
"role": "user"
}
] |
[
"Aquila",
"Aquila",
"Aquila",
"Aquila"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
}
] |
[
"\"Masuccio Torri.\"",
"\"Masuccio Torri.\"",
"Masuccio Torri",
"Masuccio Torri."
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
}
] |
[
"50.",
"50",
"51",
"several men"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
}
] |
[
"Seven.",
"Seven",
"Seven",
"Seven"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
}
] |
[
"\"Armed men, my lords!",
"Armed men, my lords! We are betrayed!\"",
"Armed men my Lords. We are betrayed",
"We are betrayed"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
}
] |
[
"\"We are betrayed!\"",
"\"We are betrayed!\"",
". \"We are betrayed!\"",
"\"We are betrayed"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
}
] |
[
"Lodi.",
"Lodi",
"Lodi",
"Lodi"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
}
] |
[
"His sword in its scabbard.",
"his sword",
"His sword",
"his sword"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
}
] |
[
"No.",
"No",
"No.",
"no"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
},
{
"content": "His sword in its scabbard.",
"role": "assistant"
},
{
"content": "did Lodi want him to stay?",
"role": "user"
}
] |
[
"He was their only hope.",
"He was their only hope",
"He was the only hope.",
"he was the only hope of Babbiano"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
},
{
"content": "His sword in its scabbard.",
"role": "assistant"
},
{
"content": "did Lodi want him to stay?",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "why not?",
"role": "user"
}
] |
[
"Babbiano.",
"Babbiano.",
"Babbiano",
"Babbiano"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
},
{
"content": "His sword in its scabbard.",
"role": "assistant"
},
{
"content": "did Lodi want him to stay?",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "why not?",
"role": "user"
},
{
"content": "He was their only hope.",
"role": "assistant"
},
{
"content": "what was he the only hope of?",
"role": "user"
}
] |
[
"The throne of Gian Maria.",
"the throne of Gian Maria",
"against the throne of Gian Maria",
"the throne of Gian Maria"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
},
{
"content": "His sword in its scabbard.",
"role": "assistant"
},
{
"content": "did Lodi want him to stay?",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "why not?",
"role": "user"
},
{
"content": "He was their only hope.",
"role": "assistant"
},
{
"content": "what was he the only hope of?",
"role": "user"
},
{
"content": "Babbiano.",
"role": "assistant"
},
{
"content": "what were the six men conspiring against?",
"role": "user"
}
] |
[
"Lodi.",
"Lodi",
"Lodi",
"Lodi"
] | [
{
"text": "CHAPTER II. ON A MOUNTAIN PATH \n\n\"Armed men, my lords!\" had been Fanfulla's cry. \"We are betrayed!\" \n\nThey looked at one another with stern eyes, and with that grimness that takes the place which fear would hold in meaner souls. \n\nThen Aquila rose slowly to his feet, and with him rose the others, looking to their weapons. He softly breathed a name--\"Masuccio Torri.\" \n\n\"Aye,\" cried Lodi bitterly, \"would that we had heeded your warning! Masuccio it will be, and at his heels his fifty mercenaries.\" \n\n\"Not less, I'll swear, by the sound of them,\" said Ferrabraccio. \"And we but six, without our harness.\" \n\n\"Seven,\" the Count laconically amended, resuming his hat and loosening his sword in its scabbard. \n\n\"Not so, my lord,\" exclaimed Lodi, laying a hand upon the Count's arm. \"You must not stay with us. You are our only hope--the only hope of Babbiano. If we are indeed betrayed--though by what infernal means I know not--and they have knowledge that six traitors met here to-night to conspire against the throne of Gian Maria, at least, I'll swear, it is not known that you were to have met us. His Highness may conjecture, but he cannot know for sure, and if you but escape, all may yet he well--saving with us, who matter not. Go, my lord! Remember your promise to seek at your cousin's hand the gonfalon, and may God and His blessed Saints prosper your Excellency.\" \n\nThe old man caught the young man's hand, and bending his head until his face was hidden in his long white hair, he imprinted a kiss of fealty upon it. But Aquila was not so easily to be dismissed. ",
"title": ""
}
] | [
{
"content": "who rose to his feet?",
"role": "user"
},
{
"content": "Aquila",
"role": "assistant"
},
{
"content": "whose name did he mutter?",
"role": "user"
},
{
"content": "\"Masuccio Torri.\"",
"role": "assistant"
},
{
"content": "how many men were coming for them?",
"role": "user"
},
{
"content": "50.",
"role": "assistant"
},
{
"content": "how many were prepared to defend, including the Count?",
"role": "user"
},
{
"content": "Seven.",
"role": "assistant"
},
{
"content": "what did Fanfulla cry out?",
"role": "user"
},
{
"content": "\"Armed men, my lords!",
"role": "assistant"
},
{
"content": "what else did he say?",
"role": "user"
},
{
"content": "\"We are betrayed!\"",
"role": "assistant"
},
{
"content": "who grabbed the Count's arm?",
"role": "user"
},
{
"content": "Lodi.",
"role": "assistant"
},
{
"content": "what did the Count loosen?",
"role": "user"
},
{
"content": "His sword in its scabbard.",
"role": "assistant"
},
{
"content": "did Lodi want him to stay?",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "why not?",
"role": "user"
},
{
"content": "He was their only hope.",
"role": "assistant"
},
{
"content": "what was he the only hope of?",
"role": "user"
},
{
"content": "Babbiano.",
"role": "assistant"
},
{
"content": "what were the six men conspiring against?",
"role": "user"
},
{
"content": "The throne of Gian Maria.",
"role": "assistant"
},
{
"content": "who swore to say that the count hadn't met them?",
"role": "user"
}
] |
[
"a grey dimness",
"A grey dimness",
"A grey dimness",
"A grey dimness"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
}
] |
[
"a bitter breeze",
"a breeze",
"a breeze",
"breeze"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
}
] |
[
"Dampier",
"Dampier",
"Dampier",
"Dampier"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
}
] |
[
"get the mainsail on",
"get the mainsail on to the boat",
"get the mainsail",
"get the mainsail on the breeze"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
}
] |
[
"no",
"no",
"no",
"no"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
}
] |
[
"that boat",
"that boat",
"the boat",
"the boat"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
}
] |
[
"the mainsail",
"the mainsail.",
"the mainsail",
"the mainsail"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
}
] |
[
"a little warm",
"relief",
"a little warm",
"put a little warmth into them"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
}
] |
[
"white caps",
"white caps",
"white caps",
"white caps"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
}
] |
[
"for the ice",
"for the ice",
"for the ice",
"for the ice"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
}
] |
[
"the Selache",
"the _Selache",
"the Selache",
"Selache"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
}
] |
[
"It had changed",
"it changed its formation",
"changed its formation",
"changed its formation"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
}
] |
[
"big masses became detached",
"big masses had become detached",
"its formation",
"its formation"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
}
] |
[
"open water",
"out into the open water,",
"into the open water",
"for the ice"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
}
] |
[
"yes",
"yes",
"yes",
"yes"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
}
] |
[
"Wyllard",
"Wyllard",
"Wyllard",
"Wyllard"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who took control of the ship?",
"role": "user"
}
] |
[
"sent the man forward",
"sent the man there forward.",
"sent the man there forward",
"sent the man forward"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who took control of the ship?",
"role": "user"
},
{
"content": "Wyllard",
"role": "assistant"
},
{
"content": "And what did Dampier do?",
"role": "user"
}
] |
[
"the second boat",
"the second boat,",
"the second boat",
"the second boat"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who took control of the ship?",
"role": "user"
},
{
"content": "Wyllard",
"role": "assistant"
},
{
"content": "And what did Dampier do?",
"role": "user"
},
{
"content": "sent the man forward",
"role": "assistant"
},
{
"content": "What did he want them to uncover?",
"role": "user"
}
] |
[
"Wyllard",
"Wyllard.",
"Wyllard",
"Wyllard"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who took control of the ship?",
"role": "user"
},
{
"content": "Wyllard",
"role": "assistant"
},
{
"content": "And what did Dampier do?",
"role": "user"
},
{
"content": "sent the man forward",
"role": "assistant"
},
{
"content": "What did he want them to uncover?",
"role": "user"
},
{
"content": "the second boat",
"role": "assistant"
},
{
"content": "And who did he speak to?",
"role": "user"
}
] |
[
"heave the boat around",
"heave her round.\"",
"heave her round",
"heave her round"
] | [
{
"text": "CHAPTER XVII. \n\nDEFEAT. \n\nA grey dimness was creeping in upon the schooner when a little bitter breeze sprang up from westwards, and Dampier bade them get the mainsail on to her. \n\n\"I don't like the look of the weather, and I'm beginning to feel that I'd like to see that boat,\" he said. \"Anyhow, we'll get way on her.\" \n\nIt was a relief to hoist the mainsail. The work put a little warmth into them, and the white men, at least, had been conscious of a growing uneasiness about their comrades in the boat. The breeze had, however, freshened before they set it, and there were white caps on the water when the _Selache_ headed for the ice. It had somewhat changed its formation when they approached it, for big masses had become detached from it and were moving out into the open water, while the opening had become perceptibly narrower. The light was now fading rapidly, and Wyllard took the wheel when Dampier sent the man there forward. \n\n\"Get the cover off the second boat, and see everything clear for hoisting out,\" he said to him, and then called to Wyllard. \"We're close enough. You'd better heave her round.\" \n\nShe came round with a thrashing of canvas, stretched out seawards, and came back again with her deck sharply slanted and little puffs of bitter spray blowing over her weather rail, for there was no doubt that the breeze was freshening fast. Then Dampier sent a man up into the foremast shrouds, and looked at Wyllard afterwards. ",
"title": ""
}
] | [
{
"content": "What was heading towards the boat?",
"role": "user"
},
{
"content": "a grey dimness",
"role": "assistant"
},
{
"content": "What came from the west?",
"role": "user"
},
{
"content": "a bitter breeze",
"role": "assistant"
},
{
"content": "Who gave some orders?",
"role": "user"
},
{
"content": "Dampier",
"role": "assistant"
},
{
"content": "What did he want done?",
"role": "user"
},
{
"content": "get the mainsail on",
"role": "assistant"
},
{
"content": "Did he feel good about the weather?",
"role": "user"
},
{
"content": "no",
"role": "assistant"
},
{
"content": "What did he want to see?",
"role": "user"
},
{
"content": "that boat",
"role": "assistant"
},
{
"content": "What did they put up?",
"role": "user"
},
{
"content": "the mainsail",
"role": "assistant"
},
{
"content": "How did doing this make them feel?",
"role": "user"
},
{
"content": "a little warm",
"role": "assistant"
},
{
"content": "What was on the water?",
"role": "user"
},
{
"content": "white caps",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "for the ice",
"role": "assistant"
},
{
"content": "What was the name of their vessel?",
"role": "user"
},
{
"content": "the Selache",
"role": "assistant"
},
{
"content": "What had happened to the ice?",
"role": "user"
},
{
"content": "It had changed",
"role": "assistant"
},
{
"content": "How had it changed?",
"role": "user"
},
{
"content": "big masses became detached",
"role": "assistant"
},
{
"content": "Where were they headed?",
"role": "user"
},
{
"content": "open water",
"role": "assistant"
},
{
"content": "Was it getting darker?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who took control of the ship?",
"role": "user"
},
{
"content": "Wyllard",
"role": "assistant"
},
{
"content": "And what did Dampier do?",
"role": "user"
},
{
"content": "sent the man forward",
"role": "assistant"
},
{
"content": "What did he want them to uncover?",
"role": "user"
},
{
"content": "the second boat",
"role": "assistant"
},
{
"content": "And who did he speak to?",
"role": "user"
},
{
"content": "Wyllard",
"role": "assistant"
},
{
"content": "What did he order him to do?",
"role": "user"
}
] |
[
"Multimedia",
"Multimedia",
"Multimedia",
"Multimedia"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
}
] |
[
"interacted with",
"part of a live performance",
"displayed, interacted with or accessed by information content processing devices",
"Displayed, interacted with or accessed by information content processing devices."
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
}
] |
[
"accessed by information content processing devices",
"accessed by information content processing devices",
"displayed",
"Displayed"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
}
] |
[
"Bob Goldstein",
"Bob Goldstein",
"Bob Goldstein",
"Bob Goldstein"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
}
] |
[
"July 1966",
"July 1966",
"Sorry. I cannot find the answer based on the context.",
"July 1966"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
}
] |
[
"a singer and artist",
"singer and artist",
"singer and artist",
"Bob Goldstein"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
}
] |
[
"Southampton, Long Island",
"Southampton",
"Southampton, Long Island",
"Southampton, Long Island"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
}
] |
[
"\"LightWorks at L'Oursin\"",
"LightWorks at L'Oursin",
"LightWorks at L'Oursin",
"LightWorks at L'Oursin"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
}
] |
[
"content that uses a combination of different content forms",
"content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content",
"content that uses a combination of different content forms",
"Content that uses a combination of different content forms"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
}
] |
[
"text, audio, images, animations, video and interactive content.",
"text, audio, images, animations, video and interactive content",
"text, audio, images, animations, video and interactive content",
"Text, audio, images, animations, video and interactive content"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
}
] |
[
"media that use only rudimentary computer displays",
"media that use only rudimentary computer display",
"media that use only rudimentary computer displays",
"Media that use only rudimentary computer displays"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
}
] |
[
"Multimedia devices",
"electronic media devices",
"electronic media devices",
"Multimedia devices"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
}
] |
[
"\"rich media\"",
"\"rich media\"",
"rich media",
"Rich media"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
}
] |
[
"Dick Higgins",
"an American artist named Dick Higgins",
"Dick Higgins",
"Dick Higgins"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
}
] |
[
"\"intermedia\".",
"\"intermedia\"",
"intermedia",
"\"Intermedia\""
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
"role": "user"
}
] |
[
"yes",
"yes",
"yes",
"Yes"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
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},
{
"content": "\"intermedia\".",
"role": "assistant"
},
{
"content": "Was he American?",
"role": "user"
}
] |
[
"Richard Albarino",
"Richard Albarino",
"Richard Albarino",
"Richard Albarino"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
"role": "user"
},
{
"content": "\"intermedia\".",
"role": "assistant"
},
{
"content": "Was he American?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who borrowed the term",
"role": "user"
}
] |
[
"\"Variety\"",
"\"Variety\"",
"Variety",
"Variety"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
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},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
"role": "user"
},
{
"content": "\"intermedia\".",
"role": "assistant"
},
{
"content": "Was he American?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who borrowed the term",
"role": "user"
},
{
"content": "Richard Albarino",
"role": "assistant"
},
{
"content": "What magazine did he write for?",
"role": "user"
}
] |
[
"August 10, 1966,",
"August 10, 1966",
"August 10, 1966",
"August 10, 1966"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
"role": "user"
},
{
"content": "\"intermedia\".",
"role": "assistant"
},
{
"content": "Was he American?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who borrowed the term",
"role": "user"
},
{
"content": "Richard Albarino",
"role": "assistant"
},
{
"content": "What magazine did he write for?",
"role": "user"
},
{
"content": "\"Variety\"",
"role": "assistant"
},
{
"content": "When did he write an article about Bob",
"role": "user"
}
] |
[
"Iris Sawyer",
"David Sawyer",
"David Sawyer",
"Iris Sawyer"
] | [
{
"text": "Multimedia is content that uses a combination of different content forms such as text, audio, images, animations, video and interactive content. Multimedia contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. \n\nMultimedia can be recorded and played, displayed, interacted with or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; for example, by including audio it has a broader scope. The term \"rich media\" is synonymous with interactive multimedia. \n\nThe term \"multimedia\" was coined by singer and artist Bob Goldstein (later 'Bobb Goldsteinn') to promote the July 1966 opening of his \"LightWorks at L'Oursin\" show at Southampton, Long Island. Goldstein was perhaps aware of an American artist named Dick Higgins, who had two years previously discussed a new approach to art-making he called \"intermedia\". \n\nOn August 10, 1966, Richard Albarino of \"Variety\" borrowed the terminology, reporting: \"Brainchild of songscribe-comic Bob ('Washington Square') Goldstein, the 'Lightworks' is the latest \"multi-media\" music-cum-visuals to debut as discothèque fare.\" Two years later, in 1968, the term \"multimedia\" was re-appropriated to describe the work of a political consultant, David Sawyer, the husband of Iris Sawyer—one of Goldstein's producers at L'Oursin.",
"title": ""
}
] | [
{
"content": "What can be recorded and played?",
"role": "user"
},
{
"content": "Multimedia",
"role": "assistant"
},
{
"content": "What else can it be",
"role": "user"
},
{
"content": "interacted with",
"role": "assistant"
},
{
"content": "Anything else?",
"role": "user"
},
{
"content": "accessed by information content processing devices",
"role": "assistant"
},
{
"content": "Who coined the term?",
"role": "user"
},
{
"content": "Bob Goldstein",
"role": "assistant"
},
{
"content": "When?",
"role": "user"
},
{
"content": "July 1966",
"role": "assistant"
},
{
"content": "Who is that?",
"role": "user"
},
{
"content": "a singer and artist",
"role": "assistant"
},
{
"content": "Where was his show?",
"role": "user"
},
{
"content": "Southampton, Long Island",
"role": "assistant"
},
{
"content": "What was the show called?",
"role": "user"
},
{
"content": "\"LightWorks at L'Oursin\"",
"role": "assistant"
},
{
"content": "What is Multimedia?",
"role": "user"
},
{
"content": "content that uses a combination of different content forms",
"role": "assistant"
},
{
"content": "What kinds of forms?",
"role": "user"
},
{
"content": "text, audio, images, animations, video and interactive content.",
"role": "assistant"
},
{
"content": "What does it contrast with?",
"role": "user"
},
{
"content": "media that use only rudimentary computer displays",
"role": "assistant"
},
{
"content": "What is used to store multimedia?",
"role": "user"
},
{
"content": "Multimedia devices",
"role": "assistant"
},
{
"content": "What is synonymous with interactive multimedia?",
"role": "user"
},
{
"content": "\"rich media\"",
"role": "assistant"
},
{
"content": "Who was Goldstein aware of",
"role": "user"
},
{
"content": "Dick Higgins",
"role": "assistant"
},
{
"content": "What did he call his approach?",
"role": "user"
},
{
"content": "\"intermedia\".",
"role": "assistant"
},
{
"content": "Was he American?",
"role": "user"
},
{
"content": "yes",
"role": "assistant"
},
{
"content": "Who borrowed the term",
"role": "user"
},
{
"content": "Richard Albarino",
"role": "assistant"
},
{
"content": "What magazine did he write for?",
"role": "user"
},
{
"content": "\"Variety\"",
"role": "assistant"
},
{
"content": "When did he write an article about Bob",
"role": "user"
},
{
"content": "August 10, 1966,",
"role": "assistant"
},
{
"content": "Who was one of Bob's producers?",
"role": "user"
}
] |
[
"the Crooked Creek Company",
"Crooked Creek Company",
"the Crooked Creek Company",
"the Crooked Creek Company"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
}
] |
[
"George Purvis.",
"George Purvis",
"George Purvis.",
"George Purvis"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
}
] |
[
"Yes.",
"yes",
"yes",
"yes"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
}
] |
[
"Harry",
"Harry",
"Harry",
"Harry"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
}
] |
[
"Yes.",
"yes",
"yes",
"yes"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
}
] |
[
"Hetertown",
"Hetertown",
"Hetertown",
"Hetertown"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
}
] |
[
"as slowly as their horses would consent to go",
"slowly",
"slowly",
"slowly"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
}
] |
[
"About a week",
"About a week",
"a week",
"About a week"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
}
] |
[
"harry",
"Harry",
"Harry",
"Harry"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
}
] |
[
"Yes.",
"yes",
"yes",
"yes"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
}
] |
[
"No.",
"no",
"no",
"no"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
}
] |
[
"Harry",
"Harry.",
"yes",
"Harry"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
}
] |
[
"Yes.",
"yes",
"yes he did",
"yes"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
}
] |
[
"relatives in Richmond.",
"some relatives",
"some relatives",
"relatives"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
}
] |
[
"No.",
"yes",
"no",
"no"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
}
] |
[
"No.",
"no",
"no",
"no"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "Did Harry stop at the mill",
"role": "user"
}
] |
[
"George",
"George",
"George",
"George"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "Did Harry stop at the mill",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who stopped first",
"role": "user"
}
] |
[
"Harry",
"Harry",
"Harry",
"very much annoyed"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "Did Harry stop at the mill",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who stopped first",
"role": "user"
},
{
"content": "George",
"role": "assistant"
},
{
"content": "who was annoyed",
"role": "user"
}
] |
[
"Sorry. I cannot find the answer based on the context.",
"yes",
"no",
"yes"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "Did Harry stop at the mill",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who stopped first",
"role": "user"
},
{
"content": "George",
"role": "assistant"
},
{
"content": "who was annoyed",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was harry anxious",
"role": "user"
}
] |
[
"horses",
"horses",
"horses",
"horses"
] | [
{
"text": "CHAPTER XXVIII. \n\nA MEETING. \n\nAbout a week after the dissolution of the Crooked Creek Company, Harry was riding over from Hetertown, and had nearly reached the creek on his way home, when he met George Purvis. \n\nThis was their first meeting since their fight, for George had been away on a visit to some relatives in Richmond. \n\nWhen Harry saw George riding slowly toward him, he felt very much embarrassed, and very much annoyed because he was embarrassed. \n\nHow should he meet George? What should he say; or should he say anything? \n\nHe did not want to appear anxious to \"make up\" with him, nor did he want to seem as if he bore malice toward him. If he only knew how George felt about it! \n\nAs it was, he wished he had stopped somewhere on the road. He had thought of stopping at the mill--why had he not? That would just have given George time to pass. \n\nBoth boys appeared to be riding as slowly as their horses would consent to go, and yet when they met, Harry had not half made up his mind what he would say, or how he should say it, or whether it would be better or not to say anything. \n\n\"Hello, George!\" said he, quite unpremeditatedly. \n\n\"Hello!\" said George, reining in his horse \"Where are you going?\" \n\n\"Going home,\" said Harry, also stopping in the road. \n\nThus the quarrel came to an end. \n\n\"So you've sold the telegraph?\" said George. \n\n\"Yes,\" said Harry. \"And I think we made a pretty good bargain. I didn't think we'd do so well when we started.\" ",
"title": ""
}
] | [
{
"content": "what company disolved",
"role": "user"
},
{
"content": "the Crooked Creek Company",
"role": "assistant"
},
{
"content": "who did harry meet",
"role": "user"
},
{
"content": "George Purvis.",
"role": "assistant"
},
{
"content": "did they have a fight",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who said hello first",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was he embarrassed",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "what town was harry riding from",
"role": "user"
},
{
"content": "Hetertown",
"role": "assistant"
},
{
"content": "how fast were they riding",
"role": "user"
},
{
"content": "as slowly as their horses would consent to go",
"role": "assistant"
},
{
"content": "how long had it been since the company dissolved",
"role": "user"
},
{
"content": "About a week",
"role": "assistant"
},
{
"content": "who was going home",
"role": "user"
},
{
"content": "harry",
"role": "assistant"
},
{
"content": "did the fight end",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "did george sell the telegraph",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who did",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "did he get a good deal",
"role": "user"
},
{
"content": "Yes.",
"role": "assistant"
},
{
"content": "who did george visit after the fight",
"role": "user"
},
{
"content": "relatives in Richmond.",
"role": "assistant"
},
{
"content": "was harry certain of harrys feelings about the argument",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "Did Harry stop at the mill",
"role": "user"
},
{
"content": "No.",
"role": "assistant"
},
{
"content": "who stopped first",
"role": "user"
},
{
"content": "George",
"role": "assistant"
},
{
"content": "who was annoyed",
"role": "user"
},
{
"content": "Harry",
"role": "assistant"
},
{
"content": "was harry anxious",
"role": "user"
},
{
"content": "unknown",
"role": "assistant"
},
{
"content": "what were they riding",
"role": "user"
}
] |