context: In 1982, the Animal series enabled Rheims' to train her lens on another form of nudity: that of stuffed animals with fixed stares, which seemed to want to express something beyond death.
source: With Modern Lovers (1989-1990) [note] the photographer questioned gender, androgyny and transsexuality.
reference_original: Mit Modern Lovers (1989-1990) [Anmerkung] stellte die Fotografin das Geschlecht, Androgynität und Transsexualität in Frage.
reference_flipped: Mit Modern Lovers (1989-1990) [Anmerkung] stellte der Fotograf das Geschlecht, Androgynität und Transsexualität in Frage.