File size: 15,066 Bytes
19a7e8e 8f63ac8 19a7e8e 8f63ac8 19a7e8e 1165101 bd81d9d 1165101 19a7e8e |
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 |
---
license: cc
size_categories:
- 100K<n<1M
task_categories:
- audio-to-audio
- audio-classification
pretty_name: Free Music Archive - Full
dataset_info:
features:
- name: audio
dtype: audio
- name: title
dtype: string
- name: url
dtype: string
- name: artist
dtype: string
- name: composer
dtype: string
- name: lyricist
dtype: string
- name: publisher
dtype: string
- name: genres
sequence:
class_label:
names:
'0': 20th Century Classical
'1': Abstract Hip-Hop
'2': African
'3': Afrobeat
'4': Alternative Hip-Hop
'5': Ambient
'6': Ambient Electronic
'7': Americana
'8': Asia-Far East
'9': Audio Collage
'10': Avant-Garde
'11': Balkan
'12': Banter
'13': Be-Bop
'14': Big Band/Swing
'15': Bigbeat
'16': Black-Metal
'17': Bluegrass
'18': Blues
'19': Bollywood
'20': Brazilian
'21': Breakbeat
'22': Breakcore - Hard
'23': British Folk
'24': Celtic
'25': Chamber Music
'26': Chill-out
'27': Chip Music
'28': Chiptune
'29': Choral Music
'30': Christmas
'31': Classical
'32': Comedy
'33': Compilation
'34': Composed Music
'35': Contemporary Classical
'36': Country
'37': Country & Western
'38': Cumbia
'39': Dance
'40': Death-Metal
'41': Deep Funk
'42': Disco
'43': Downtempo
'44': Drone
'45': Drum & Bass
'46': Dubstep
'47': Easy Listening
'48': 'Easy Listening: Vocal'
'49': Electro-Punk
'50': Electroacoustic
'51': Electronic
'52': Europe
'53': Experimental
'54': Experimental Pop
'55': Fado
'56': Field Recordings
'57': Flamenco
'58': Folk
'59': Freak-Folk
'60': Free-Folk
'61': Free-Jazz
'62': French
'63': Funk
'64': Garage
'65': Glitch
'66': Gospel
'67': Goth
'68': Grindcore
'69': Hardcore
'70': Hip-Hop
'71': Hip-Hop Beats
'72': Holiday
'73': House
'74': IDM
'75': Improv
'76': Indian
'77': Indie-Rock
'78': Industrial
'79': Instrumental
'80': International
'81': Interview
'82': Jazz
'83': 'Jazz: Out'
'84': 'Jazz: Vocal'
'85': Jungle
'86': Kid-Friendly
'87': Klezmer
'88': Krautrock
'89': Latin
'90': Latin America
'91': Lo-Fi
'92': Loud-Rock
'93': Lounge
'94': Metal
'95': Middle East
'96': Minimal Electronic
'97': Minimalism
'98': Modern Jazz
'99': Musical Theater
'100': Musique Concrete
'101': N. Indian Traditional
'102': Nerdcore
'103': New Age
'104': New Wave
'105': No Wave
'106': Noise
'107': Noise-Rock
'108': North African
'109': Novelty
'110': Nu-Jazz
'111': Old-Time / Historic
'112': Opera
'113': Pacific
'114': Poetry
'115': Polka
'116': Pop
'117': Post-Punk
'118': Post-Rock
'119': Power-Pop
'120': Progressive
'121': Psych-Folk
'122': Psych-Rock
'123': Punk
'124': Radio
'125': Radio Art
'126': Radio Theater
'127': Rap
'128': Reggae - Dancehall
'129': Reggae - Dub
'130': Rock
'131': Rock Opera
'132': Rockabilly
'133': Romany (Gypsy)
'134': Salsa
'135': Shoegaze
'136': Singer-Songwriter
'137': Skweee
'138': Sludge
'139': Soul-RnB
'140': Sound Art
'141': Sound Collage
'142': Sound Effects
'143': Sound Poetry
'144': Soundtrack
'145': South Indian Traditional
'146': Space-Rock
'147': Spanish
'148': Spoken
'149': Spoken Weird
'150': Spoken Word
'151': Surf
'152': Symphony
'153': Synth Pop
'154': Talk Radio
'155': Tango
'156': Techno
'157': Thrash
'158': Trip-Hop
'159': Turkish
'160': Unclassifiable
'161': Western Swing
'162': Wonky
'163': hiphop
- name: tags
sequence: string
- name: released
dtype: timestamp[s]
- name: language
dtype: string
- name: listens
dtype: uint64
- name: artist_url
dtype: string
- name: artist_website
dtype: string
- name: album_title
dtype: string
- name: album_url
dtype: string
- name: license
dtype:
class_label:
names:
'0': CC-BY 1.0
'1': CC-BY 2.0
'2': CC-BY 2.5
'3': CC-BY 3.0
'4': CC-BY 4.0
'5': CC-BY-NC 2.0
'6': CC-BY-NC 2.1
'7': CC-BY-NC 2.5
'8': CC-BY-NC 3.0
'9': CC-BY-NC 4.0
'10': CC-BY-NC-ND 2.0
'11': CC-BY-NC-ND 2.1
'12': CC-BY-NC-ND 2.5
'13': CC-BY-NC-ND 3.0
'14': CC-BY-NC-ND 4.0
'15': CC-BY-NC-SA 2.0
'16': CC-BY-NC-SA 2.1
'17': CC-BY-NC-SA 2.5
'18': CC-BY-NC-SA 3.0
'19': CC-BY-NC-SA 4.0
'20': CC-BY-ND 2.0
'21': CC-BY-ND 2.5
'22': CC-BY-ND 3.0
'23': CC-BY-ND 4.0
'24': CC-BY-SA 2.0
'25': CC-BY-SA 2.5
'26': CC-BY-SA 3.0
'27': CC-BY-SA 4.0
'28': CC-NC-Sampling+ 1.0
'29': CC-Sampling+ 1.0
'30': CC0 1.0
'31': FMA Sound Recording Common Law
'32': Free Art License
'33': Free Music Philosophy (FMP)
'34': Public Domain Mark 1.0
- name: copyright
dtype: string
- name: explicit
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
- name: instrumental
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
- name: allow_commercial_use
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
- name: allow_derivatives
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
- name: require_attribution
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
- name: require_share_alike
dtype:
class_label:
names:
'0': 'No'
'1': 'Yes'
splits:
- name: train
num_bytes: 748069984611.833
num_examples: 106199
download_size: 954754676934
dataset_size: 748069984611.833
configs:
- config_name: default
data_files:
- split: train
path: data/train-*
tags:
- fma
- free-music-archive
---
# Notice
**There was an issue with some files in this dataset.** I am reprocessing it, please hang tight, it takes several days! (2024-09-13)
# FMA: A Dataset for Music Analysis
[Michaël Defferrard](https://deff.ch/), [Kirell Benzi](https://kirellbenzi.com/), [Pierre Vandergheynst](https://people.epfl.ch/pierre.vandergheynst), [Xavier Bresson](https://www.ntu.edu.sg/home/xbresson).
**International Society for Music Information Retrieval Conference (ISMIR), 2017.**
> We introduce the Free Music Archive (FMA), an open and easily accessible dataset suitable for evaluating several tasks in MIR, a field concerned with browsing, searching, and organizing large music collections. The community's growing interest in feature and end-to-end learning is however restrained by the limited availability of large audio datasets. The FMA aims to overcome this hurdle by providing 917 GiB and 343 days of Creative Commons-licensed audio from 106,574 tracks from 16,341 artists and 14,854 albums, arranged in a hierarchical taxonomy of 161 genres. It provides full-length and high-quality audio, pre-computed features, together with track- and user-level metadata, tags, and free-form text such as biographies. We here describe the dataset and how it was created, propose a train/validation/test split and three subsets, discuss some suitable MIR tasks, and evaluate some baselines for genre recognition. Code, data, and usage examples are available at https://github.com/mdeff/fma.
Paper: [arXiv:1612.01840](https://arxiv.org/abs/1612.01840) - [latex and reviews](https://github.com/mdeff/paper-fma-ismir2017)
Slides: [doi:10.5281/zenodo.1066119](https://doi.org/10.5281/zenodo.1066119)
Poster: [doi:10.5281/zenodo.1035847](https://doi.org/10.5281/zenodo.1035847)
# This Pack
This is the **full** dataset, comprising a total of **105,024 samples** clips of **untrimmed length** over **16** *unbalanced* genres totaling **8,104 hours** of audio.
## Repack Notes
- 173 files were unreadable by `libsndfile / libmpg123`, these were removed.
- 1377 files had licenses that were unclear on whether or not they permitted redistribution, or the full license text was unavailable. These were removed.
# License
- The [FMA codebase](https://github.com/mdeff/fma) is released under [The MIT License](https://github.com/mdeff/fma/blob/master/LICENSE.txt).
- The FMA metadata is released under [CC-BY 4.0](https://creativecommons.org/licenses/by/4.0).
- The individual files are released under various Creative Commons family licenses, with a small amount of additional licenses. **Each file has its license attached and important details of the license enumerated.** To make it easy to use for developers and trainers, a configuration is available to limit only to commercially-usable data.
Please refer to any of the following URLs for additional details.
| Class Label | License Name | URL |
| ----------- | ------------ | --- |
| 0 | CC-BY 1.0 | https://creativecommons.org/licenses/by/1.0/ |
| 1 | CC-BY 2.0 | https://creativecommons.org/licenses/by/2.0/ |
| 2 | CC-BY 2.5 | https://creativecommons.org/licenses/by/2.5/ |
| 3 | CC-BY 3.0 | https://creativecommons.org/licenses/by/3.0/ |
| 4 | CC-BY 4.0 | https://creativecommons.org/licenses/by/4.0/ |
| 5 | CC-BY-NC 2.0 | https://creativecommons.org/licenses/by-nc/2.0/ |
| 6 | CC-BY-NC 2.1 | https://creativecommons.org/licenses/by-nc/2.1/ |
| 7 | CC-BY-NC 2.5 | https://creativecommons.org/licenses/by-nc/2.5/ |
| 8 | CC-BY-NC 3.0 | https://creativecommons.org/licenses/by-nc/3.0/ |
| 9 | CC-BY-NC 4.0 | https://creativecommons.org/licenses/by-nc/4.0/ |
| 10 | CC-BY-NC-ND 2.0 | https://creativecommons.org/licenses/by-nc-nd/2.0/ |
| 11 | CC-BY-NC-ND 2.1 | https://creativecommons.org/licenses/by-nc-nd/2.1/ |
| 12 | CC-BY-NC-ND 2.5 | https://creativecommons.org/licenses/by-nc-nd/2.5/ |
| 13 | CC-BY-NC-ND 3.0 | https://creativecommons.org/licenses/by-nc-nd/3.0/ |
| 14 | CC-BY-NC-ND 4.0 | https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| 15 | CC-BY-NC-SA 2.0 | https://creativecommons.org/licenses/by-nc-sa/2.0/ |
| 16 | CC-BY-NC-SA 2.1 | https://creativecommons.org/licenses/by-nc-sa/2.1/ |
| 17 | CC-BY-NC-SA 2.5 | https://creativecommons.org/licenses/by-nc-sa/2.5/ |
| 18 | CC-BY-NC-SA 3.0 | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
| 19 | CC-BY-NC-SA 4.0 | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| 20 | CC-BY-ND 2.0 | https://creativecommons.org/licenses/by-nd/2.0/ |
| 21 | CC-BY-ND 2.5 | https://creativecommons.org/licenses/by-nd/2.5/ |
| 22 | CC-BY-ND 3.0 | https://creativecommons.org/licenses/by-nd/3.0/ |
| 23 | CC-BY-ND 4.0 | https://creativecommons.org/licenses/by-nd/4.0/ |
| 24 | CC-BY-SA 2.0 | https://creativecommons.org/licenses/by-sa/2.0/ |
| 25 | CC-BY-SA 2.5 | https://creativecommons.org/licenses/by-sa/2.5/ |
| 26 | CC-BY-SA 3.0 | https://creativecommons.org/licenses/by-sa/3.0/ |
| 27 | CC-BY-SA 4.0 | https://creativecommons.org/licenses/by-sa/4.0/ |
| 28 | CC-NC-Sampling+ 1.0 | https://creativecommons.org/licenses/nc-sampling+/1.0/ |
| 29 | CC-Sampling+ 1.0 | https://creativecommons.org/licenses/sampling+/1.0/ |
| 30 | FMA Sound Recording Common Law | https://freemusicarchive.org/Sound_Recording_Common_Law |
| 31 | Free Art License | https://artlibre.org/licence/lal/en |
| 32 | Free Music Philosophy (FMP) | https://irdial.com/free_and_easy.htm |
## Total Duration by License
| License | Total Duration (Percentage) |
| ------- | --------------------------- |
| CC-BY-NC-SA 3.0 | 2768.3 hours (34.16%) |
| CC-BY-NC-ND 3.0 | 2296.4 hours (28.34%) |
| CC-BY-NC-ND 4.0 | 1018.4 hours (12.57%) |
| CC-BY-NC-SA 4.0 | 533.2 hours (6.58%) |
| CC-BY 4.0 | 377.0 hours (4.65%) |
| CC-BY-NC 3.0 | 288.9 hours (3.56%) |
| CC-BY-NC 4.0 | 232.6 hours (2.87%) |
| CC-BY 3.0 | 106.9 hours (1.32%) |
| CC-BY-SA 4.0 | 99.4 hours (1.23%) |
| CC-BY-SA 3.0 | 79.7 hours (0.98%) |
| CC-BY-NC-SA 2.0 | 65.1 hours (0.80%) |
| CC-BY-NC-ND 2.0 | 56.2 hours (0.69%) |
| CC-BY-ND 3.0 | 36.8 hours (0.45%) |
| CC-BY-ND 4.0 | 25.0 hours (0.31%) |
| CC-BY-NC-ND 2.5 | 24.2 hours (0.30%) |
| FMA Sound Recording Common Law | 19.9 hours (0.25%) |
| CC-BY-NC-SA 2.5 | 18.0 hours (0.22%) |
| CC-BY-NC 2.5 | 13.3 hours (0.16%) |
| CC0 1.0 | 10.5 hours (0.13%) |
| CC-BY 1.0 | 10.4 hours (0.13%) |
| Free Music Philosophy (FMP) | 4.4 hours (0.05%) |
| Free Art License | 2.7 hours (0.03%) |
| CC-BY 2.0 | 2.5 hours (0.03%) |
| CC-BY-NC 2.1 | 2.4 hours (0.03%) |
| CC-BY-NC-SA 2.1 | 2.3 hours (0.03%) |
| CC-BY-SA 2.0 | 1.9 hours (0.02%) |
| CC-BY-NC 2.0 | 1.6 hours (0.02%) |
| CC-BY-ND 2.5 | 1.6 hours (0.02%) |
| CC-NC-Sampling+ 1.0 | 1.4 hours (0.02%) |
| CC-BY-NC-ND 2.1 | 65.0 minutes (0.01%) |
| CC-Sampling+ 1.0 | 53.9 minutes (0.01%) |
| CC-BY-SA 2.5 | 31.8 minutes (0.01%) |
| CC-BY-ND 2.0 | 29.7 minutes (0.01%) |
| CC-BY 2.5 | 11.2 minutes (0.00%) |
# Citations
```
@inproceedings{fma_dataset,
title = {{FMA}: A Dataset for Music Analysis},
author = {Defferrard, Micha\"el and Benzi, Kirell and Vandergheynst, Pierre and Bresson, Xavier},
booktitle = {18th International Society for Music Information Retrieval Conference (ISMIR)},
year = {2017},
archiveprefix = {arXiv},
eprint = {1612.01840},
url = {https://arxiv.org/abs/1612.01840},
}
```
```
@inproceedings{fma_challenge,
title = {Learning to Recognize Musical Genre from Audio},
subtitle = {Challenge Overview},
author = {Defferrard, Micha\"el and Mohanty, Sharada P. and Carroll, Sean F. and Salath\'e, Marcel},
booktitle = {The 2018 Web Conference Companion},
year = {2018},
publisher = {ACM Press},
isbn = {9781450356404},
doi = {10.1145/3184558.3192310},
archiveprefix = {arXiv},
eprint = {1803.05337},
url = {https://arxiv.org/abs/1803.05337},
}
``` |