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+{
+ "interaction_id": "1f9b4efb-41fa-4b78-bcd5-13872fba1496",
+ "search_results": [
+ {
+ "page_name": "Chris Smith | Director, Producer, Cinematographer",
+ "page_url": "https://www.imdb.com/name/nm0807687/",
+ "page_snippet": "Chris Smith. Producer: Tiger King. Chris Smith was born in 1970. He is known for Tiger King (2020), Fyre (2019) and Jim & Andy: The Great Beyond (2017).Known for: Tiger King, Fyre, Jim & Andy: The Great Beyond Attended University of Wisconsin-Milwaukee's Graduate Film Program in 1995, having just completed his film American Job. Chris met Mark Borchardt while editing American Job, and began filming a documentary about the making of Mark's psychological thriller Coven. Chris met Mark Borchardt while editing American Job, and began filming a documentary about the making of Mark's psychological thriller Coven. Both films played at the Sundance Film Festival, and American Movie won the Grand Jury Prize for Best Documentary. Sony bought the picture for $1 million. On taking American Movie (1999) to the Sundance festival: \"It was our film and Blair Witch that people were talking about by midweek. At one point the film's price went up half-a-million dollars in 10 minutes. It was insane.\"",
+ "page_result": "Chris Smith - IMDb
Attended University of Wisconsin-Milwaukee's Graduate Film Program in 1995, having just completed his film American Job. Chris met Mark Borchardt while editing American Job, and began filming a documentary about the making of Mark's psychological thriller Coven. Both films played at the Sundance Film Festival, and American Movie won the Grand Jury Prize for Best Documentary. Sony bought the picture for $1 million.
On taking American Movie (1999) to the Sundance festival: "It was our film and Blair Witch that people were talking about by midweek. At one point the film's price went up half-a-million dollars in 10 minutes. It was insane."
Please enable browser cookies to use this feature.\u00a0Learn more.
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+ "page_last_modified": ""
+ },
+ {
+ "page_name": "Barry Sonnenfeld - Wikipedia",
+ "page_url": "https://en.wikipedia.org/wiki/Barry_Sonnenfeld",
+ "page_snippet": "Barry Sonnenfeld (born April 1, 1953) is an American filmmaker and television director. He originally worked as a cinematographer for the Coen brothers before directing films such as The Addams Family (1991) and its sequel Addams Family Values (1993), Get Shorty (1995), the Men in Black trilogy ...As of 2022, Sonnenfeld lives in Pemberton, British Columbia with his wife Susan. In 1999, Sonnenfeld was the sole passenger on a plane that crashed upon landing at Van Nuys Airport. He was unhurt. ... He is working on new projects, among them include Things a Man Should Never Do Past 30: a single-camera comedy from executive producer/director Sonnenfeld, the Tannenbaum Company and Sony Pictures Television. Barry Sonnenfeld (born April 1, 1953) is an American filmmaker and television director. He originally worked as a cinematographer for the Coen brothers before directing films such as The Addams Family (1991) and its sequel Addams Family Values (1993), Get Shorty (1995), the Men in Black trilogy (1997\u20132012), and Wild Wild West (1999). In 2012, it was stated that he was appointed to direct Lore, an adaptation based on the comic by T.P. Louise and Ashley Wood of the same name. But, in 2013, Indie director Dave Green has signed on to replace Barry Sonnenfeld as director, Sonnenfeld will take part as executive producer on the project. But, in 2013, Indie director Dave Green has signed on to replace Barry Sonnenfeld as director, Sonnenfeld will take part as executive producer on the project. Barry is also in talks with Warner Bros. to make a live action film adaptation of the DC Comics characters, The Metal Men. Sonnenfeld also agreed to direct the Beverly Hills Cop pilot for CBS and serve as an executive producer as well. In 1996, Steven Spielberg asked him to direct Men in Black (1997). Starring Tommy Lee Jones and Will Smith, the film was a critical and financial success. In 1998, Jon Peters asked him to direct Wild Wild West (1999). Starring Smith and Kevin Kline, the film was a critical and financial flop.",
+ "page_result": "\n\n\n\nBarry Sonnenfeld - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
Sonnenfeld was born and raised in New York City, the son of Irene \"Kelly\" (Kellerman), an art teacher, and Sonny Sonnenfeld, a lighting salesman, educator, and architectural lighting designer.[1][2][3] He was raised in a Jewish family.[4] After he received his bachelor's degree from Hampshire College, he graduated from New York University Film School in 1978.\n
Sonnenfeld gained his first work as a director from Paramount Pictures on The Addams Family, a box-office success released in November 1991. Its sequel, Addams Family Values (1993), was not as successful at the box office, but he received critical acclaim for his fourth directorial outing, Get Shorty (1995). Produced by Jersey Films and based on a novel by Elmore Leonard, the film won a Golden Globe for John Travolta (Best Actor in a Comedy or Musical). The film was also entered into the 46th Berlin International Film Festival.[7] Following Tim Burton and the Coen brothers, Sonnenfeld's films would tell stories about unusual and unorthodox people who are into the unexpected and the strange. His films would often use his trademark filmmaking techniques such as his unusual camera angles, offbeat dialogue and, in certain films, strange behavior and weird creatures.\n
In 1996, Steven Spielberg asked him to direct Men in Black (1997). Starring Tommy Lee Jones and Will Smith, the film was a critical and financial success. In 1998, Jon Peters asked him to direct Wild Wild West (1999). Starring Smith and Kevin Kline, the film was a critical and financial flop. He also directed the comedy Big Trouble (2002), after which he made his most successful film sequel to that point, Men in Black II (2002). He is also a contributing editor for Esquire. He also co-produced (alongside his partner Barry Josephson) the 2007 film Enchanted for Walt Disney Pictures that starred Amy Adams. In 2008, Sonnenfeld earned an Emmy for directing Pushing Daisies. Sonnenfeld returned for Men in Black 3;[8] released in 2012, the third installment received positive reviews and became the highest-grossing film in the series worldwide. In 2007, his Right Coast production company has been signed with Sony.[9]\n
His memoir, Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker, was published by Hachette Books in 2020.[6]\n
He is working on new projects, among them include Things a Man Should Never Do Past 30: a single-camera comedy from executive producer/director Sonnenfeld, the Tannenbaum Company and Sony Pictures Television. The project mostly is based on the personal experiences of Esquire writer David Katz and Esquire editor at large A. J. Jacobs. The show is about a man working at a men's magazine who is reluctant to embrace adulthood and his friend who is an immersion journalist. Al Higgins (Malcolm in the Middle) is set to serve as showrunner/head writer if the project is picked up.[12]\n
In 2012, it was stated that he was appointed to direct Lore, an adaptation based on the comic by T.P. Louise and Ashley Wood of the same name.[16][17] But, in 2013, Indie director Dave Green has signed on to replace Barry Sonnenfeld as director, Sonnenfeld will take part as executive producer on the project.[18]\n
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+ "page_last_modified": " Mon, 18 Mar 2024 19:24:47 GMT"
+ },
+ {
+ "page_name": "Films directed by Susan Muska",
+ "page_url": "https://letterboxd.com/director/susan-muska/",
+ "page_snippet": "Upgrade to a Letterboxd Pro account to add your favorite services to this list\u2014including any service and country pair listed on JustWatch\u2014and to enable one-click filtering by all your favorites \u00b7 More details at TMDbFilms directed by Susan Muska",
+ "page_result": "\n\n\n\n\n\n\t\n\t\n\t\n\t\t\t\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\tFilms directed by Susan Muska • Letterboxd\n\t\n\t\n\n\t\n\n\t\n\n\n\t\n\n\t\n\t\n\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\t\n\t\n\n\n\n\n\n\t\n\t\n\n\n\n\t\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\t
Upgrade to a Letterboxd Pro account to add your favorite services to this list\u2014including any service and country pair listed on JustWatch\u2014and to enable one-click filtering by all your favorites.
Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account\u2014for less than a couple bucks a month, you\u2019ll get cool additional features like all-time and annual stats pages (example), the ability to select (and filter by) your favorite streaming services, and no ads!
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+ "page_name": "All Kevin Smith Movies, Ranked By Tomatometer | Rotten Tomatoes",
+ "page_url": "https://editorial.rottentomatoes.com/guide/all-kevin-smith-movies-ranked-by-tomatometer/",
+ "page_snippet": "From Clerks and Dogma to Chasing Amy, discover the best movies directed by Kevin Smith!Critics Consensus: Although Chasing Amy's depiction of queer sexuality is frustratingly clumsy, it handles an array of thorny themes with a mixture of sensitivity, raw honesty, and writer-director Kevin Smith's signature raunchy humor. Smith had his most promising leap forward in writing and direction with Chasing Amy, and then took on a more aggressive front against the status quo with the iconoclastic Dogma. The organized religion send-up featured a growing cadre of stars willing to yuk it up in Smith\u2019s unified Askewniverse (like Matt Damon, Salma Hayek, Alan Rickman, and Chris Rock), with Jason Mewes and Smith himself as Jay and Silent Bob a consistent, comedy presence. Not only did that bring together his fans in community, but also played up Smith\u2019s strengths as a world-class raconteur, whose gift of gab has helped him create an empire of podcasts and review shows, overshadowing his directing career in recent years. The long-awaited, deeply personal Clerks III released in September 2022.",
+ "page_result": "\n\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n \n \n \n \n \n\n \n \n \n \n \n\n \n \n \n All Kevin Smith Movies, Ranked By Tomatometer | Rotten Tomatoes\n \n \n \n\n \n \n \n \n \n\n \n \n\n \n \n \n\n\n \n\n \n\n\n\t\t\n\t\t\n\t\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n \n\t\n\n\n\n \n \n\n\n \n
The story of Kevin Smith making his first movie starts out like the story of most indie filmmakers following a dream in the ’80s and ’90s: Maxing out credit cards, risking financial ruin all in sheer tyranny of belief that the majorly groundbreaking screenplay you wrote is your ticket into the business. Smith’s story ends differently than most: He actually made it.
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‘Twas the right time, right place (unlike all those contractors on the Death Star) for Smith’s Clerks. Audiences and studios alike were hungry for outsider voices, and the guy from New Jersey holding a scuzzy black-and-white comedy was as outsidery as you can get. Released the same October week in 1994 as Pulp Fiction, Clerks set a new high for those aiming low, and thus the American independent movement of the ’90s was born.
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Smith’s next movie, Mallrats, showed he was serious about giving voice to pop culture nerds, slackers, and stoners, throwing more references to movies and more reverence to comic books, to the point of roping in Stan Lee as a sage, secondary character. Smith had his most promising leap forward in writing and direction with Chasing Amy, and then took on a more aggressive front against the status quo with the iconoclastic Dogma. The organized religion send-up featured a growing cadre of stars willing to yuk it up in Smith’s unified Askewniverse (like Matt Damon, Salma Hayek, Alan Rickman, and Chris Rock), with Jason Mewes and Smith himself as Jay and Silent Bob a consistent, comedy presence. (Check out our oral history of Jay and Silent bob with Smith.)
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The two characters were upgraded to lead status with Jay and Silent Bob Strike Back, before Smith returned to his roots in Jersey Girl and Clerks II. With the Judd Apatow style changing the comedy landscape, Smith stuck his own thumb into the pie, mixing extreme raunchiness and sweet sincerity in Zack and Miri Make a Porno.
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The 2010s began with Cop Out, a failed stab at Hollywood big-budget action filmmaking, and an experience Smith now openly derides. Red State just edged by with enough critics for a Fresh rating, and would begin a 3-movie string operating in horror. Tusk has its defenders. Yoga Hosers definitely does not. For his latest, Jay and Silent Bob Reboot, Smith hit the streets, doing roadshow screenings with Q&As city by city. Not only did that bring together his fans in community, but also played up Smith’s strengths as a world-class raconteur, whose gift of gab has helped him create an empire of podcasts and review shows, overshadowing his directing career in recent years. The long-awaited, deeply personal Clerks III released in September 2022. Now, take a look back on all Kevin Smith movies ranked by Tomatometer! —Alex Vo
Critics Consensus: With its quirky characters and clever, quotable dialogue, Clerks is the ultimate clarion call for slackers everywhere to unite and, uh, do something we guess?
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Synopsis: Dante (Brian O'Halloran) is called in to cover a shift at his New Jersey convenience store on his day off.... [More]
Critics Consensus: Although Chasing Amy's depiction of queer sexuality is frustratingly clumsy, it handles an array of thorny themes with a mixture of sensitivity, raw honesty, and writer-director Kevin Smith's signature raunchy humor.
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Synopsis: Holden and Banky are best friends and authors of a popular comic book. Holden falls in love with Alyssa, who... [More]
Critics Consensus:Clerks III isn't even supposed to be here today -- but this surprisingly emotional return to the Quick Stop wraps up the trilogy in fan-pleasing fashion.
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Synopsis: After suffering a massive heart attack, Randal enlists friends and fellow clerks Dante, Elias, Jay and Silent Bob to help... [More]
Critics Consensus: Fan-focused to a fault, Jay & Silent Bob Reboot tries to mock the same audience nostalgia it's mining -- and pulls it off often enough to satisfy the faithful.
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Synopsis: Jay and Silent Bob embark on a cross-country mission to stop Hollywood from filming a reboot based on them.... [More]
Critics Consensus:Mallrats colorfully expands the View Askewniverse, even if its snootchie has lost a few of the bootchies boasted by its beloved predecessor.
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Synopsis: T.S. (Jeremy London) and his best friend, Brodie (Jason Lee), take a trip to the mall after their girlfriends break... [More]
Critics Consensus: Fans can expect a good laugh as the cast from Smith's previous films reunite for Jay and Silent Bob's last bow. The loose plotting and crude language may be too much for others though.
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Synopsis: When Jay and Silent Bob learn that a \"Bluntman and Chronic\" movie is being made featuring their comic book counterparts,... [More]
Critics Consensus:Tusk is pleasantly ridiculous and charmingly self-deprecating, but that isn't enough to compensate for its thin, overstretched story.
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Synopsis: A U.S. podcaster (Justin Long) ventures into the Canadian wilderness to interview an old man (Michael Parks) who has an... [More]
Critics Consensus: Undisciplined, unfunny, and bereft of evident purpose, Yoga Hosers represents a particularly grating low point in Kevin Smith's once-promising career.
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Synopsis: Two teenage yoga enthusiasts team up with a legendary man-hunter to battle with an ancient evil presence that is threatening... [More]
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+ "page_last_modified": ""
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+ "page_name": "Susan Muska | Director, Cinematographer, Producer",
+ "page_url": "https://www.imdb.com/name/nm0615767/",
+ "page_snippet": "Susan Muska. Director: The Brandon Teena Story. Susan Muska is known for The Brandon Teena Story (1998), Edie & Thea: A Very Long Engagement (2009) and Stafford's Story (1992).Known for: The Brandon Teena Story, Edie & Thea: A Very Long Engagement, Stafford's Story Susan Muska is known for The Brandon Teena Story (1998), Edie & Thea: A Very Long Engagement (2009) and Stafford's Story (1992). ... Keep track of how much of Susan Muska\u2019s work you have seen. Go to your list.",
+ "page_result": "Susan Muska - IMDb
![\"Chris](\"https://m.media-amazon.com/images/M/MV5BNzczYTk5NTQtZmQyMS00ZTI2LTliZWQtNmVlN2U1N2VhYWM5XkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UY207_CR69,0,140,207_.jpg\")
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![\"Chris](\"https://m.media-amazon.com/images/M/MV5BNDVlMjQwNTYtNWE4ZS00ZjEwLWEzMTEtNTc5ZmE1MzM1YjgxXkEyXkFqcGdeQXVyMjQwMDg0Ng@@._V1_QL75_UY140_CR33,0,140,140_.jpg\")
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