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1605	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Critical Care (episode)	The Doctor's program is taken from Voyager, and he is put to work on a vast hospital ship, where the twisted medical system is based on social status, rather than medical condition. Summary Teaser On board a large vessel, a crowded hospital ship, a trader named Gar is trying to sell medical supplies to Chellick, an administrator. Gar suggests this time he does not have any substandard merchandise, but rather an amazing little gadget, The Doctor's mobile emitter. He activates it, and the bewildered Doctor appears. Act One The Doctor demands to know why he was kidnapped as Chellick negotiates a price. Then, according to an announcement, another batch of injured comes in. With some threats from Gar, and seeing all of these wounded here, The Doctor starts to help them. He finds their primitive technology almost unworkable, but does the best he can. Meanwhile, Kim and Paris return from a holographic hockey game on the , and go to The Doctor for some minor bumps and bruises. However, the hologram who responds simply asks them to state the nature of the medical emergency, scans them, and tells them to take an analgesic. He does not even listen to the long story Paris starts to tell. When the hologram's program is examined, it turns out to be a fake from one of his old training files. The real Doctor is missing. Captain Janeway demands to know how Gar got away with him. Neelix explains Gar spent the night in sickbay otherwise unattended, claiming to have gotten food poisoning at dinner. B'Elanna Torres identifies when the training program was activated: just before Gar left Voyager. The captain starts the search for Gar. Neelix later explains it was his fault. Gar said his dinner was bland, so Neelix added a few spices to add flavor, not taking his physiology into account. He may have actually been ill instead of simply faking it. If he had never gone to sickbay, he would never have developed a plan to kidnap The Doctor. Janeway reassures Neelix with her experience: men like Gar will find an opportunity like that without anyone's help. Aboard the medical ship, The Doctor's abilities impress many of the medical staff, including Voje, a doctor. The Doctor offers to contact his ship for more supplies, but Voje says that establishing communications would take a lot of paperwork; The Doctor will have to work with what he's given. As The Doctor continues down a line of patients waiting for proton imaging, he makes small talk with Tebbis, a mine worker who can diagnose himself correctly. The scanning device also picks up a chronic condition, however, for which Tebbis hasn't been treated. When The Doctor asks why, Voje tells him it's because Tebbis doesn't have a high enough TC. Chellick then shows up and informs The Doctor he has negotiated with Gar, and acquired his program. The Doctor refuses his instruction to follow him, since he is being illegally detained. The administrator explains that the allocator – their main computer – indicates his talents would be best used on Level Blue, which is a high-priority ward. The Doctor reluctantly follows, expecting to find Level Blue to be an intensive care ward… but instead, he finds that is luxurious compared to where he came from... cleaner, more spacious and there is a doctor per person instead of a doctor per dozen. Act Two These patients, the administrator explains, have a higher treatment coefficient, and it determines the level of care they receive. It is derived through a complex formula based on the individual's value to society, a prioritizing system for limited resources. The Doctor doesn't like it at all, but that is what the Dinaali do, says Doctor Dysek, the chief of medicine. They used to be a race dying from ecological disasters. Once introduced, The Doctor wants to know what is going on in Level Red, the level above, but the administrator and the chief talk about what The Doctor will do in the third person, and ignore his complaints. Meanwhile, Voyager drops out of warp to find a probe emitting a false warp signature which they have followed. At this dead end, Tuvok comes up with a suggestion: Gar traded them some iridium ore with a short half-life, so he probably got it from within a three light year . Cross referencing sensor logs and long range scans quickly finds an asteroid which appears to be a mining colony. When they arrive, they are hailed, and informed by an angry alien that he wants his iridium back. When Janeway says they traded it, he insists it was stolen from him. She agrees to give the iridium back – which is only half the amount Gar stole – and he in return tells her where induction units he also stole came from: a planetoid called Velos. That's where they look next. The Doctor, meanwhile, admires the surgical technique of Doctor Dysek, and tries to get him to allow contact with Voyager. Dysek dryly repeats that Chellick authorizes all communications. The Doctor watches a nurse give a cytoglobin injection to a patient. She asks a console for it, it is authorized, and she administers it quickly. The Doctor asks if this patient also has the chromoviral disease, but Dysek says no, it is used to prevent arterial aging. The Doctor notes her arteries are in perfect health, and Dysek indicates it is a preventative regimen. That makes The Doctor coldly angry, because Tebbis, the boy on Level Red, would die if left untreated and yet was denied one. Dysek repeats that their society is far better off since following the allocator's protocols, and if Tebbis' TC rises, he will get good treatment as well. The Doctor returns to Level Red and looks at Tebbis again. His condition has deteriorated further. Voje says it's because his coenzyme allotment has been reduced; his TC is too low. The Doctor suggests they raise it; if it is a statistical function, he can just input more data. Voje doesn't like it, but The Doctor talks to him about the moral imperative in medicine, and he is willing to go along. They settle on an expertise in neutronics. But when Voje inputs it, the data is rejected. Even Tebbis is willing to let The Doctor off with a clean conscience. Instead, The Doctor returns to Level Blue, and informs the nurse that one of the patients requires an additional cytoglobin injection, which he will administer himself. He instead takes it back to Level Red and, after passing dozens of dying patients, gives it to Tebbis. Act Three Meanwhile, Voyager is still following Gar's trail. Kipp, a merchant at Velos, informs them Gar took the induction units on consignment. He was persuaded to do so by a buyer he has known for years. The buyer now knows it was a mistake. It was a suggestion from his wife, who has now left him. She says that she ran off with Gar, and is surprised to see Janeway looking for him, perhaps to steal him from her. To talk her out of this, she says Tuvok is her husband, a most unpleasant situation for Tuvok and amusing for the bridge crew. Tuvok explains that they have a business opportunity for Gar, and she says he is on his way to the gambling tournament on Selek IV. Meanwhile, Tebbis feels better. He asks why he got the cytoglobin, if The Doctor has done something wrong, and The Doctor lies. He says that he convinced Chellick to recalculate his TC, and he is now authorized for cytoglobin. The Doctor returns with more cytoglobin and asks Voje to distribute it. Voje refuses, but Tebbis volunteers. The Doctor is pleased and explains where to administer the injections. Voje helps so they will finish before they are caught. It isn't very long before Dysek asks The Doctor why he is prescribing unnecessary medications for his patients. The Doctor tries to explain to Dysek that the allocator distributes supplies based on the hospital's efficiency – in other words, if any supplies are left over in a given month, the next month's shipment will be correspondingly smaller. Dysek is intrigued, and when Chellick asks if there is a problem, Dysek says no; The Doctor is learning the system well. Voje is amazed that so many of the patients here are doing well. The Doctor takes it in stride, and tells him he will arrange for other medications to also be funneled here. Tebbis is doing much better now, and he wants The Doctor to say he is still sick so he can help. If he is declared well, he will be sent back down to the mines like his father, and will never get medical training. The Doctor says he doesn't plan to be here long enough to teach him what he needs to know about medicine, but will see what he can do. Voyager finds Gar's ship – and bio-signs – and drops out of warp right on top of him, latching on a tractor beam. Gar hails them, and when they demand The Doctor, he claims to know nothing. When he tries to break their tractor beam with a feedback pulse, Janeway just beams him to the brig. Meanwhile, The Doctor finds much to his dismay that Tebbis has been transferred to Level White – the morgue. Act Four The Doctor talks to Chellick who, after requiring his patient number to find him, explains that Tebbis died of untreated secondary infection. He should have died from the chromo-virus, but someone gave him unauthorized cytoglobin injections. He knows what The Doctor has been up to. After a hot debate about medical ethics, Chellick informs The Doctor that he is restricted to Level Blue, and directly connected to the allocator, who will monitor him down to the second. Tuvok is interrogating Gar, and it is not going well. He is attempting to threaten a mind meld – "an invasive, disturbing procedure" – when Neelix walks in with dinner. Gar starts eating it enthusiastically. Neelix is glad that it wasn't his cooking that made Gar sick before, and that Gar was faking his food poisoning. Then Neelix tells Gar that the dinner is based upon Talaxian wormroot. Some people react badly. He hopes Gar won't feel any symptoms from it, like painful abdominal spasms. He does, and when Tuvok calls sickbay, Neelix tells him there is an antidote, but only The Doctor is allowed to administer it. This makes Gar more cooperative. When Tuvok takes Neelix aside and asks him about ethics, Neelix says there is no physiological damage – just as there isn't during a mind meld. Doctor Voje is working hard on a patient when one of the nurses informs him to he must prepare the patient for discharge. Voje very angrily informs him that he discharges patients at the end of the shift and that's not over yet. The allocator immediately orders him to Level Blue to assist Doctor Dysek in surgery. Voje arrives to find The Doctor working quickly from patient to patient. It was he who sent for Voje. He says he needs Voje to smuggle his mobile emitter away, despite the fact the twelve patients they treated are being sent home (and will probably die). He manages to persuade him seconds before the allocator deactivates him. Shortly after The Doctor begins working on Level Red, Chellick considers him too much trouble and attempts to deactivate him. The Doctor swings Chellick around and injects him with the chromo-virus and blood factors from Tebbis. The Doctor plans a new lesson in empathy by making Chellick a patient on Level Red. Act Five When the allocator scans Chellick, it reads Tebbis, to whom it begins denying medication. The Doctor demands the supply of cytoglobin being used as a preventative treatment be used instead to treat every patient on this level. Meanwhile, Voyager finally finds the ship and The Doctor's program. Unfortunately, Torres can't get a lock, because The Doctor's program has been interfaced with the hospital ship's computer. When the ship is hailed, the allocator answers and states that Administrator Chellick is unavailable, and he is the only one authorized to speak with alien species. As The Doctor continues to examine Chellick, Dysek shows up. Chellick orders him to administer cytoglobin, but Dysek cannot do that, because it is not authorized for Level Red patients. Dysek is not in league with The Doctor, but his insights into the system are something he finds profound, such as resource allocations for Level Blue. One way to increase those allocations, The Doctor suggests, would be to move several of the Level Red patients – including Chellick – to Level Blue. Chellick agrees, just as Chakotay and Torres beam inside. Once back on Voyager, The Doctor tries to come to terms with his actions at the hospital. He gives Seven of Nine a clean bill of health during a routine scan but, before she leaves, he asks her to perform a check-up on his own program. Seven asks if there is something wrong and The Doctor replies that there is not – he only wants a routine check given that he has been off the ship for an extended period of time and interfaced with an alien computer. Seven reports that all of his systems are within acceptable parameters. The Doctor then requests that she specifically examine his ethical subroutines and admits his ulterior motive for the check-up. He explains that he intentionally poisoned a man in the interest of saving dozens of patients, an action that Seven appreciates and likens to the Borg philosophy of sacrificing individual concerns for those of a collective. The Doctor expresses that he does not wish to aspire to Borg ideals. Seven examines his ethical subroutines one last time but advises him that, unfortunately, she must also give him a clean bill of health. Memorable quotes "I'm not about to perform medical services for a pair of common thieves!" - The Doctor, as Chellick and Gar haggle over his price "I thought you were withholding your services…" "Fortunately for these patients, I am programmed with the Hippocratic Oath." - Chellick and The Doctor, treating a badly wounded miner "Everyone's assuming he faked his illness – but I might've really made him sick!" "It's not as if your cooking turned him into a thief." "No… but if he hadn't gone to sickbay, he may never have come up with a plan to kidnap The Doctor – much less had the opportunity to do it." "In my experience, Neelix, men like Gar have no trouble finding opportunities to take advantage of other people." - Neelix and Janeway "Level Blue is your critical care area, I presume…" "Level Blue is the area where it's most critical that we provide excellent care." - The Doctor and Chellick "When you got sick last time, I thought my food was to blame – until I realized it was just a… ruse for you to get close to The Doctor. I used Talaxian wormroot as the base… I'm glad you like it. Some people react badly…" (Obviously beginning to) "React how?!?!" "Oh, dear, I hope you're not getting sick… if it's the wormroot, it's… gonna get a lot worse" "What've you done to me?!?!" (Mockingly) "The usual symptoms, are… abdominal spasms, which increase in severity for thirty hours… forty at the most… It's not fatal – horribly unpleasant, but… there's an antidote." (In agony) "Then give it to me!!!" "Unfortunately, our doctor is the only one authorized to administer it." - Neelix, using his own interrogation methods on Gar "Your actions are not only against regulations…" "Didn't I hear someone threaten a mind-meld?" "I was merely trying to encourage the suspect to be more forthcoming." (Looking over at Gar) "I think he's getting all the encouragement he needs!" - Tuvok and Neelix "I'm making you a patient in your own hospital!" - The Doctor, to Chellick after injecting him with the chromo-virus "I want enough cytoglobin to cure every infected patient on this level!" "We don't have an adequate supply…" "There's plenty on Level Blue!" "Where it's being used to prevent arterial aging." (Furiously) "Those people will survive without it. But a dozen people on this level won't – I will NOT let them die!" - The Doctor and an infected Chellick "That feeling you get from healing someone – infectious, isn't it?" - The Doctor, to Voje about healing the Level Red patients "It's not that, it's just… I already have a man." - Janeway, as she takes Tuvok's hand to demonstrate to the adulteress that she has no romantic interest in Gar "You were hoping your behavior was the result of a malfunction. I'm sorry, Doctor, but I must give you a clean bill of health." - Seven of Nine, to The Doctor about whether his ethical subroutines had malfunctioned; also the last line in the episode Background information Filming for this episode began on and was finished by . Debi A. Monahan, Gregory Itzin, and John Durbin all guest-starred in . Monahan played Melissa in , Itzin played Ilon Tandro in and Hain in , and Durbin played Traidy in . Gar is trading in iridium, which is claimed to have a very short half-life, allowing Tuvok to deduce how far away Gar could have gotten with it. This would have been a (synthetic) radioactive isotope of iridium, with a half-life ranging somewhere from 2.5 hours (195Ir) to 73.83 days (192Ir). Among the costumes and prop items from this episode which were sold off on the It's A Wrap! sale and auction on eBay was the costume of Paul Holmquist. The prop for the allocator seen in level blue in this episode later became the drink dispenser in 's mess hall on . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.3, As part of the VOY Season 7 DVD collection Links and references Guest Stars John Kassir as Gar Gregory Itzin as Dysek Paul Scherrer as Voje Dublin James as Tebbis And Larry Drake as Chellick Co-Stars Christinna Chauncey as Level Blue Nurse Stephen O'Mahoney as Med Tech Jim O'Heir as Husband John Durbin as Alien Miner Debi A. Monahan as Adulteress John Franklin as Kipp Uncredited Co-Stars Pam Blackwell as Dinaali patient Bill Blair as Jye administrator Brooks Bonstin as Dinaali miner William Daniels as Allocation Alpha (voice) Tarik Ergin as Ayala Paul Holmquist as Level Blue nurse Stephen Pisani as operations division officer (unconfirmed) Lisa Vanasco as Dinaali patient Unknown performers as Dinaali chief engineer Dinaali patients Stand-ins Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Garrett Wang and Paul Scherrer References ability; abdominal spasm; agricultural engineer; allocator; amendment; analgesic; anesthizine; antigen; arterial aging; asteroid; brig; buyer; career; Chief of Medicine; chromovirus; class T nebula; "clean bill of health"; coenzyme; consignment; cooking; cortical bypass; cytogenic; cytoglobin; dilithium; dilution; Dinaali; dozen; Dralian; Dralian vessel; dysplasia; eco-disaster; ethical subroutine; ethics (aka ethical standards); expired; faking illness; famine; Federation; feedback pulse; food poisoning; Gammadan Mining Facility (mining facility); gas pains; gesture; healer; health care (aka medical service); high stick; Hippocratic Oath; hockey; hockey stick; Hospital Ship 4-2; hypospray; ice skates; induction unit; ion trail; iridium; irrigation; ; Jye; kidnapper; kilo; lateral artery; leech; level (Level Blue/Level Green/Level Red/Level White/Level Yellow); leverage; logic; lot; medical staff; music; Nausicaan; Nausicaan guard; necrobiosis; neural blocker; neural monitor; neutronics; osteal extravasation; poison; power generator; proto-humanoid; proton imaging; ; red alert; rule of law; sample; security protocol; Selek IV; selenide; snake oil salesman; statistics; Talaxian wormroot; Tebbis' father; Telsian; third person; tractor beam; Trauma Team Four; treatment coefficient; Velos; viremia; mind meld; warp signature; waste processor; working conditions External links de:Kritische Versorgung es:Critical Care fr:Critical Care (épisode) nl:Critical Care VOY episodes
1606	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Inside Man (episode)	The Pathfinder Project makes contact with Voyager again… and this time they transmit a hologram of Reginald Barclay to interact with the crew. However a certain group of aliens have seen a way to make a tidy profit. Summary Teaser "Captain's log, stardate 54208.3. Last month's data stream from Starfleet never arrived, so the crew is looking forward to this one with even more anticipation than usual. We could all use some news from home." Walking through a corridor on , Tom Paris asks Harry Kim about the status of the latest Starfleet data stream. Kim says he's working on it, but Paris reminds him that he failed to recover last month's stream. Kim protests that that wasn't his fault. Arriving in astrometrics, Kim finds Seven of Nine, who announces that she's discovered why they have been unable to get any data from the stream: a hologram is encoded in the stream. Over Seven's protests, Kim burns out several relays when he transfers the stream to a holodeck. Later in the holodeck, Captain Kathryn Janeway is on hand for the big moment when they initiate the hologram Starfleet sent them. It's Reginald Barclay – or at least, . Act One The Barclay hologram explains that he's there to execute a plan that will return Voyager to the Alpha Quadrant within three days. It involves simultaneously shooting a verteron beam into two red giant stars, one nearby, and one in Federation space. This will create a geodesic fold in space that Voyager can travel through. A combination of modifications to Voyagers shields and inoculations for the crew will prevent harmful radiation from killing everyone on board. Janeway says they had considered something similar and determined it wouldn't work, but Reg has a different plan endorsed by Starfleet. The Doctor is pleased to lend the Barclay hologram his mobile emitter so that he can supervise in engineering. The hologram gets to work, handing out assignments to the bridge crew and explaining the high-level plan. He also convinces Seven that millions of people back home are excited to greet her, who represents hope that those lost to the Borg aren't lost forever. The hologram expertly handles questions and interactions with the crew. At the Pathfinder Project at Starfleet Headquarters in San Francisco, the real Reginald Barclay is working on a problem. Neither of his last two attempts to transmit the Barclay hologram to Voyager has succeeded. Both times, the data stream ended at the same location, but long range sensors detect nothing out of the ordinary at that location. Barclay wants to send a ship to investigate, but his supervisor, Commander Pete Harkins, thinks the simpler and more likely answer is that the datastream was too complex, and intends to go back to regular transmissions. Act Two After that, Barclay becomes obsessed, and seems, at least to Harkins, paranoid. Barclay interrupts a school tour of the lab that Harkins is conducting when he finds that a Borg ship may have been responsible. Harkins tries to tell him it's the wrong time, but Barclay is insistent. After letting him go on for a bit, he strongly suggests that Barclay take a week off. Barclay realizes he won't get anywhere and agrees. On Voyager, The Doctor doesn't believe that the inoculations will protect the crew as they're supposed to, but the hologram reassures The Doctor that they will work in combination with the shields. The hologram politely tries to leave while The Doctor proposes playing a round of golf, to which he agrees if the day goes smoothly. The Barclay hologram heads to astrometrics to ask the crew to include a report on his progress in the reply to the latest data stream. It is added and sent. However, the reply is intercepted by a Ferengi ship. They play the hologram's message, which informs them that their scheme is going forward as planned. The Ferengi are delighted to learn that there are twenty percent more nanoprobes coming to them than they expected. Act Three The real Barclay approaches Counselor Deanna Troi, who is vacationing on a beach somewhere. At first she is alarmed that a patient has violated her privacy, but she soon realizes that Barclay needs help. She discovers that Barclay suspects that his ex-girlfriend, who recently dumped him and disappeared, may have compromised Pathfinder security. He used to tell her everything about the project. "Captain's log, supplemental. With the help of the Barclay hologram, we've nearly completed the modifications to Voyager. As for Reg, he's becoming extremely popular with the crew." Meanwhile, the Barclay hologram gets on well with the crew, performing impressions of Janeway and Tuvok. Afterwards, he's called to the holodeck by The Doctor, who is expecting a game of golf. He politely tries to leave, but The Doctor insists, prompting an unexpected violent response and immediate apology. The Doctor is now growing suspicious of the Barclay hologram. On Earth, Starfleet has detained Barclay's ex-girlfriend, Leosa, who is in fact a dabo girl, and not a teacher as she had told Barclay. She doesn't admit wrongdoing, so Troi talks to Leosa herself. After threatening to have her held indefinitely for psychiatric review, Troi manages to find out that she is employed by a Ferengi named Nunk. Act Four At Pathfinder, Nunk's Marauder is detected in the vicinity of a star in the same sector the message was lost. The admiral and Harkins communicate with a nearby starship, the , while Barclay asks Leosa if it all was fake. He also asks what a broken heart is worth these days. Leosa tells him ten percent of the value of the Borg nanoprobes, which are worth two billion times their weight in latinum. On Voyager, The Doctor convinces Janeway to perform a diagnostic on the hologram. Janeway goes to astrometrics where the Barclay Hologram is and convinces him to undergo the diagnostic with the argument that his program has been running non-stop since his arrival in the Delta Quadrant. At Pathfinder, Barclay works in secret to foil the Ferengi's plans. Troi, finding him, learns what he knows and encourages him to share it with his commanders, but he is convinced he needs time to identify what the plan was exactly and prove it. However, they learn soon enough through sensors that the ship is initiating a geodesic fold. It is all now apparent to Barclay. The Barclay hologram easily passes his diagnostic, and he and The Doctor make amends. The project is about to start. In astrometrics, however, Seven discovers three different types of radiation that were not accounted for and begins to doubt that the shield modifications will protect the crew, but the Barclay hologram says that they will work in combination with the inoculations. When she calls the bridge to convey her concerns, the hologram reaches inside her head which causes her to fall unconscious. When the bridge replies, the hologram says, in Seven's voice, that there was a problem, but that it's corrected now. Act Five At Pathfinder, they figure out that somehow Voyager is headed to the geodesic fold but there's nothing they can do to stop the fold, nor can they warn Voyager to not enter it. Barclay and Troi try to brainstorm for a solution. On the Ferengi ship, Nunk receives a transmission. It seems to be from the Barclay hologram, and he's telling them to abort the plan. Voyager is on to them, has found a solution to the radiation problem, and will destroy whatever ship they find on the Ferengi's side of the geodesic fold. When the Ferengi con men don't completely believe him Barclay begins to make up different imaginary forms of Delta Quadrant technology such as Borg interquadrantal warp drives, Hirogen hunting sensors, and Vidiian phage torpedos and the only solution is to cut off the beam, unfolding the fold. And they do it. On Earth, the real Barclay ends the transmission, and the holographic simulation of Voyagers engineering. His plan worked. On Voyager they see the fold closing. The Barclay hologram entreats Janeway to continue, but she demurs – it is too dangerous. The hologram beams to an escape pod with the unconscious Seven and launches the pod toward the collapsing geodesic fold. Janeway orders Kim to beam them out of there. On the Ferengi ship, sensors pick up the escape pod. The Ferengi are excited. Perhaps their hologram has brought the ex-Borg woman to them in the pod. But sensors pick up nothing on board. Their plan has failed, which means no profits for them. "Captain's log, supplemental. Seven of Nine has recovered from her injuries and Reg has been deactivated. Until we finish analyzing his program, his motivations remain a mystery." In the mess hall, Torres and Paris try to cheer Kim up as the ensign sits with a slice of homemade apple pie before him, gathering up the courage to taste it and then afterward saying that it would taste better in San Francisco. Back in San Francisco, Barclay is working on adding more security features to his hologram when Troi stops by. She insists that he go out on a double date with her, William T. Riker, and a friend of his, a teacher named Maril. At first he says no, but Troi convinces him that he's got to get out of the office and experience life again. He agrees. Memorable quotes "You overloaded the transceiver." "But I saved the hologram!" - Seven of Nine and Harry Kim "I wouldn't want to be a third nacelle." - Reginald Barclay "If you think my participation in the… "hoopla"… would be beneficial to others, then I'll comply." - Seven, to Barclay hologram when he tells her that she's an inspiration "I left Reg for one simple reason: he's boring. Don't tell me you never noticed!" - Leosa, in front of Barclay "Imagine my disappointment when I discovered that Lieutenant Paris had eaten all the scrambled eggs. It was pure, unadulterated gluttony. Gastronomic conduct unbecoming a Starfleet officer. He knows it's my favorite breakfast, but he ate them anyway. We have an egg-mergency here, people! I want to know what you plan to do about it!" (Laughing hard) "Maybe I can replicate some more, "Captain"." "Do it!" - Reginald Barclay Hologram and Neelix, as the hologram imitates Janeway's voice and manner, to everyone's amusement "Your pessimism is illogical." - Barclay Hologram imitating Tuvok "Captain Janeway knows better than to take her ship into such a dangerous anomaly!" - Admiral Paris being unintentionally ironic Background information This episode marks the final appearance of Commander Deanna Troi (Marina Sirtis) on the series. The three episodes of in which she appears are Sirtis' only Star Trek appearances without Jonathan Frakes. Among the items from this episode which were sold off on the It's A Wrap! sale and auction on eBay, were the trousers of David Polk. They were previously worn in the episode . Deanna Troi's seat contained a logo (as seen here) designed by Geoffrey Mandel of which he later used a variation in the Star Trek: Star Charts as a logo for Risa. Continuity When reminding Kim of past encounters, Paris asks "Remember Arturis and his quantum slipstream drive?" in a reference to the events of the fourth season episode , and follows up with "Or how about the telepathic pitcher plant that made us think we were on our way home right before it tried to eat the ship?" in a reference to the events of the fifth season episode . Barclay mentions that the Romulans have "been curious about Voyager for years." This may be a reference to the first season episode , although that episode concludes with evidence that all Romulan knowledge of Voyager from the encounter was lost. It may instead be a reference to the fourth season episode . The Barclay hologram tells the Voyager senior staff "You've evaded the Kazon, the Vidiians, the Hirogen, you've even faced down the Borg." Voyager first encountered the Kazon in the series premiere , the Vidiians in the first-season episode , the Hirogen in the fourth season episode , and the Borg in the third-season finale . Barclay mentions that one of the uses of Borg nanoprobes is to bring dead tissue back to life. They were used in this way on Neelix in the fourth season episode . Of Seven's escape from the Borg and reclamation of her humanity, the Barclay hologram says "No one's ever done that before." However, Jean-Luc Picard was broken free of the Collective after he was assimilated and became Locutus in . The Iconians and their gateway technology are mentioned for the first time in the series in this episode, when Paris, tricking Kim, says "I was on the bridge this morning when we received a hail from an Iconian scientist. He claims to have a trans-dimensional gateway that can take us anywhere in the galaxy." The geodesic fold represents the fourteenth occasion besides the series premiere (after , , , , , , , , , , , , and ) that the Voyager crew is presented with the possibility of returning home much faster than by conventional warp travel. On this occasion, the fold would have provided an instant return, but it transpires that the crew would not have survived the trip, and the attempt is abandoned. The Ferengi make reference to a ship with a metaphasic shield, appropriate given that such technology was developed by a Ferengi, Dr. Reyga, in the sixth season episode . Referenced Rules of Acquisition: #74 "Knowledge equals profit." The red dress worn by Leosa is the same one worn by Fenna in and Antonia in . When talking to commander Harkins, little girl #2 (who answers "the Ocampa") wears the same dress as Suspiria in "Cold Fire" in the form of a little girl. When reminding the holographic Barclay of their appointment for a game of golf on the holodeck, The Doctor suggests that they play "the back nine on Gedi Prime". This may be a reference to the similarly spelled Giedi Prime, homeworld of the House Harkonnen in Frank Herbert's Dune universe. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.3, As part of the VOY Season 7 DVD collection Links and references Special Guest Star Dwight Schultz as Barclay Guest Stars Richard Herd as Owen Paris Richard McGonagle as Pete Harkins Sharisse Baker-Bernard as Leosa Frank Corsentino as Gegis Christopher Neiman as Yeggie Michael William Rivkin as Nunk And Special Guest Appearance by Marina Sirtis as Deanna Troi Co-stars Brooke Averi as Little Girl #1 Lindsey Parks as Little Girl #2 Chase Penny as Cabana Boy Majel Barrett as Computer Voice Uncredited co-stars David Keith Anderson as Ashmore Carter Edwards as command division officer Stephen Pisani as security officer David Polk as beach alien Pablo Soriano as operations division ensign Warren Tabata as operations division officer Unknown performers as Asian crewman Maquis operations Four children Two beach aliens Human teacher Stand-ins Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Garrett Wang References Alpha Quadrant; apartment; Arturis; assimilation; beach house; board game; Borg; Borg cube; buyer; ; chocolate passion punch; cyclic pulsar; ; dabo; dabo girl; Data; day; Dear Reg letter; Delta Quadrant; dozen; Dragons; duet; Earth; engineering crew; engineering technician; ; Federation; Ferengi; Ferengi casino ship; forwarding address; furniture; geodesic fold; geodesic radiation; geodesic research; gluttony; golf; Grid 8; Grid 898; guest of honor; ; handshake; Harkins' cousin; heart; Hirogen; holobuffer; hour; Iconian; Iconian scientist; interquadrantal warp drive; Kazon; kilometer; ; latinum; letter; listener; logic; logic subroutine; magnetic field; mail; Malaysia; Maril; Market Street; medicine; medical order;meter; Milky Way Galaxy; ""; multiphasic shield; MIDAS array; mobile emitter; Mom's apple pie; nanocoulomb (nC); nanoprobe; necrosis; Nunk's Marauder; Ocampa; occupation; Pathfinder; Pebble Beach; ; ; psychiatric observation; quantum slipstream drive; radiogenic vaccine; red giant; Red Giant 23139; Rules of Acquisition; ; Romulans; San Francisco; scientist; sector; Sector 39542; space; stalking; Starfleet Medical; sunset; synthetic antigen; Talaxians; telepathic pitcher plant; thank you note; therapist; Tiburon; trans-dimensional gateway; transwarp conduit; transwarp probe; Troi's vacation beach; Type 6 shuttlecraft (unnamed); Utopia Planitia; verteron; Vidiians; with my name on it; Yin and yang External links de:Eingeschleust es:Inside Man fr:Inside Man (épisode) nl:Inside Man VOY episodes
1607	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Body and Soul (episode)	When the Delta Flyer is attacked, The Doctor must hide his program in Seven's Borg implants. Meanwhile, Tuvok undergoes the pon farr. Summary Teaser Ensign Harry Kim is on an away mission with Seven of Nine, and The Doctor. They are aboard the . The mission is the study of biogenic material from a comet. As The Doctor analyzes the material, Kim pilots the vessel, assisted by Seven. The Doctor wearies Kim with his constant angry complaints about the bumpy ride, which he fears will damage the collected material; Seven finds this amusing. But then, while he is in the Flyers laboratory with Seven, postulating on the miracle of life, the ship shudders harder than before. Kim informs them they are under attack. A Lokirrim patrol ship chases the Flyer, firing at her. Act One Kim hails the vessel and assures them of their peaceful intentions. They respond that he is carrying 'suspected photonic insurgents.' Realizing they mean The Doctor, Kim assures them that the 'photonic' they are detecting is only their ship's CMO. Their response is to disable the Flyers thrusters with more weapons fire. Kim tries to call Voyager for help, but the attacks have knocked out their subspace communication system. The aliens seize them in a tractor beam, and then intentionally use a disruption field that begins destroying The Doctor's program. As the aliens pull the Flyer in and his program degrades, The Doctor begs Seven to do something. Four armed Lokirrim beam aboard. They enter the lab with Kim, but find Seven alone. They demand the 'photonic,' but Seven, in an uneasy manner, responds that they destroyed him. The aliens confiscate the biogenic material from the comet, believing it is for creating biological weapons, as well as The Doctor's mobile holo-emitter, which they find in Seven's possession. They arrest her and Kim. Seven and Kim are taken aboard the Lokirrim ship and thrown in the brig. Seven, in a manner very unlike herself, assures Kim that the situation is not as dire as it appears. Kim angrily disagrees; they have been captured by aliens, Voyager is unaware of their situation, and The Doctor is destroyed. But he is shocked when Seven says, clearly displaying The Doctor's manner and speech: "The reports of my decompilation have been greatly exaggerated." Kim looks at her, dumbfounded; somehow, The Doctor is in her body. The Doctor tells him that Seven downloaded him into her cybernetic matrix. He is now in total control of her body, with her mind submerged (he assumes). He enjoys the physical sensations he is experiencing in Seven's body; of touch; of breathing. He does not enjoy his initial experience with smell, though; his first smell is that of Kim's perspiration. Act Two Aboard Voyager, Lt. Commander Tuvok is in his quarters, being examined by Lt. (J.G.) Tom Paris. A trained medical assistant, Paris has taken over the Doctor's duties until his return. Tuvok looks very unwell; he is trembling and sweating profusely. As he valiantly attempts to concentrate on his meditation lamp, Paris scans him and notes aloud the detected symptoms: headache, fever, respiratory distress. The scan suggests that Tuvok has a virus, but Tuvok, his voice a harsh whisper, tells him it is not. He asks Paris to replicate a particular medication that the Doctor had specially formulated, but Paris refuses; medical regulations demand that he know what the medicine is for before he administers it. The Vulcan tells him that he is suffering from a chemical imbalance native to the Vulcan species. Paris correctly guesses what the 'imbalance' is: pon farr. The medication was formulated by the Doctor for him and other Vulcans on the ship to help control the symptoms. Paris says that he will make excuses for him to Captain Janeway so that Tuvok can remain off-duty for a few days. Tuvok is very concerned that she will ask why. Paris responds that he will state the reason as being what the tricorder scan suggests it is: that Tuvok has the Tarkalean flu. Tuvok is grateful. On the Lokirrim ship, Kim and Seven, with The Doctor in Seven's body, are eating the prisoner rations given to them by their captors. Kim hates it, muttering that probably tastes better, but The Doctor is enjoying the sensation of eating immensely and even has Kim's share. As he/she continues eating happily, Kim sits beside him/Seven, a look of exasperated chagrin on his face. Suddenly, two Lokirrim, a man and woman, come and take The Doctor/Seven to the captured Delta Flyer, which is in the shuttlebay. Their leader, one Captain Ranek, is inside, examining it. He tells The Doctor/Seven that the Flyers weapons and duranium-reinforced hull are very sophisticated for a smuggler's vessel. The Doctor/Seven exasperatedly tells him that they are not smugglers or terrorists; their Captain will explain everything once they contact her. He retorts that if they are not doing anything wrong, she (he believes he is speaking to Seven, unaware of The Doctor in her body) will tell him more about the ship, such as "What this device does", indicating the food replicator. The Doctor/Seven explains its use and demonstrates by replicating cheesecake. But his/her intensely pleasured reaction on tasting sweet food leads Ranek to ask if 'she' has never had it before. 'She' replicates a piece for him and he, too, greatly enjoys it, asking what other foods the replicator can make. The two end up sharing a long period of eating and drinking all manner of replicated desserts and alcoholic drink. The intoxicated Doctor/Seven tells him of 'her' time as a Borg drone, and 'her' relationship with The Doctor. 'She' makes him feel guilty about supposedly destroying him, and persuades him to return The Doctor's mobile emitter, which 'she' claims is 'her' portable regeneration device. On The Doctor's/Seven's return to the detention cell, the waiting Ensign Kim is flabbergasted at his/her intoxicated state. He/she, slurring and staggering, proudly tells Kim that he/she was successful in getting back The Doctor's mobile emitter. Kim hurriedly takes it before he/she damages it in his/her clumsy, drunken state. He assists her in returning The Doctor to the emitter by helping him/her interface with it using Seven's Borg assimilation tubules. Once The Doctor is out of her body, Seven immediately begins feeling the ill effects of The Doctor's overindulgence and angrily accuses him of abusing her body. Her mind, far from being submerged, had been fully aware of all that had happened. Act Three In the Lokirrim detention cell, Seven is very upset with The Doctor; his drinking and overindulgence in rich desserts (a whole cheesecake and three servings of Ktarian chocolate puffs) while in her body have left her feeling very ill. She refuses to hide The Doctor in her body again, but Kim persuades her to do so, until they are able to escape; if they found The Doctor, they would certainly destroy him, and Kim's and Seven's chances of getting out of the situation would be zero. They formulate a plan: The Doctor, in her body, will get close to their computer system, where her mind will be able to observe their command protocols, allowing them to access their computer and send a message to Voyager. In the Lokirrim ship's sickbay, The Doctor/Seven assists the female Lokirrim who had taken him/her to Ranek earlier, Lieutenant Jaryn, with a medical case. Jaryn describes her position as being both engineer and chief medical officer among other things; a 'jack of all trades'. While they speak, The Doctor's interest in her becomes evident. Aboard Voyager, Paris administers The Doctor's pon farr medication to Tuvok in his quarters, but it is ineffective. Tuvok resolves to endure the situation until The Doctor's return, but Paris offers an alternative: he suggests that Tuvok use the holodeck to resolve his situation. At first, Tuvok angrily refuses, stating that he is a married man. Paris explains himself, asking Tuvok if he has any holoimages of his wife . Tuvok says he does and Paris offers to use his skills in holographic engineering to create a hologram of T'Pel, telling Tuvok that he is not being unfaithful if it is a hologram of his wife. Tuvok accepts Paris' idea. On the bridge, a vessel is detected closing in at high impulse. It fires, but Voyagers deflector shields hold. Janeway orders a hail to the vessel, which turns out to be a Lokirrim patrol ship (like the one that captured the away team). The Lokirrim captain informs them of their detection of photonic activity aboard Voyager (due to Tuvok's use of the holodeck) and demands that they drop their shields and prepare to be boarded. They fire the same type of disruption field beam was used on the Flyer against The Doctor. It has the same effect on the holodeck simulation Tuvok is using, and the hologram of T'Pel, to his great consternation, begins to fizzle. Mildy annoyed, Janeway has the officer at Tactical destroy the weapons array that is firing the beam. The Lokirrim captain hails them and repeats his demands. Knowing that they pose no real threat, Janeway demands to know why they fired on Voyager. They reply that the use of photonic technology is forbidden in their space. Janeway politely responds by having Commander Chakotay shut down the holodeck from their command station console. On the holodeck, Tuvok's T'Pel simulation suddenly ends, to his great frustration. The Lokirrim captain still insists that they prepare for boarding and inspection. Her patience worn thin, Janeway gives them a choice: escort Voyager through their space, ensuring through constant scanning that they do not use holographic technology… or Voyager destroys them. Uncomfortably aware of Voyagers ability to do just that, the Lokirrim captain accepts the first option. In the sickbay of the Lokirrim patrol ship holding the away team, Lt. Jaryn and The Doctor/Seven continue their conversation. The Doctor is sexually interested in her, but things sour when she offers to introduce him to her brother (like Ranek, she believes she is dealing with a woman). Just then, Ranek calls Seven to the bridge. On the bridge, Ranek receives 'her' by showing 'her' a lovely pulsar field on the viewscreen, dimming the lights and breaking out two glasses of synthehol. However, having promised Seven he would no longer drink while in her body, The Doctor politely refuses. Ranek then has the pulsar's EM fields vibrations against the ship's hull converted to sound and transmitted into the room. The haunting, humpback whale-like sounds fill the room as Ranek sidles up beside The Doctor/Seven. It soon becomes obvious what he has in mind. It becomes clear to The Doctor/Seven when Ranek suddenly kisses 'her'. Outraged, he/she pushes him away so hard he falls over. He tries to apologize but 'she' rejects it and storms off the bridge. Act Four The Doctor/Seven returns to the Sickbay and disgustedly tells Jaryn what happened, but then he/she gets a terrible cramp in 'her' trapezius muscle. To ease 'her' pain, Jaryn begins massaging 'her' shoulders. This proves very enjoyable for The Doctor; in fact, he actually gets aroused… in Seven's body. Jaryn has no idea of this; to her, this is just a therapeutic massage. Suddenly aware of the impropriety (and the expression he has on Seven's face), The Doctor quickly stops the massage and moves away from her. Confused, Jaryn asks 'her' what is wrong. He/she is loath to respond, but Jaryn concludes that 'her' reaction is as a result of 'her' being part-Borg. Then a message comes through on the intercom calling him/her; 'her' crewmate is having a seizure. Returning to the detention cell, The Doctor/Seven finds Ensign Kim on the floor seemingly groaning in pain. He/she kneels to examine him as he rolls over, but when he sees the guard leave over his/her shoulder, he stops faking and berates 'her' for being away so long. He/she tells him to calm down; they are making progress. The Doctor then again returns himself to his mobile emitter, only to face Seven's wrath over what happened on the bridge and in the Sickbay. He is embarrassed, but then begins berating her on her refusal to ever indulge in any of life's pleasures; he would very much like to have an existence in which he could experience every day what she denies herself; indulgences, he tells her, are what make life worth living. Kim brings them back to focusing on the task at hand: calling Voyager. Seven tells him that she did see Ranek input his command codes. Kim says if they can get the codes to Voyager, perhaps Voyager could disable the ship's shields and beam them out. They only need to use the Delta Flyers subspace transceiver. But the Flyer is heavily guarded. The Doctor, with a smirk, says he can get them aboard. Once again in Seven's body, The Doctor asks to go to the bridge to see Ranek. 'She' asks to speak with him privately aboard the Flyer. There 'she' apologizes for 'her' earlier reaction, drinks a toast with him, and dances the waltz with him around the Flyers cockpit. As they dance, she sticks him in the neck with a sedative, knocking him out. On Voyagers bridge, Tuvok, despite his discomfort, is at his station trying to track down the Flyer, which was supposed to rendezvous with them but never showed up. Captain Janeway, however, knows exactly what afflicts him and grants him a long session on the holodeck once the Flyer and away team have been retrieved. Then a hail comes in from the Flyer. On-screen, The Doctor/Seven explains the situation and gives them Ranek's command codes. Janeway orders an intercept course; to shake their Lokirrim escort, she has Tuvok target and destroy their power matrix, rendering them dead in space. They then proceed to the target ship at maximum warp. Act Five On the target Lokirrim ship's Sickbay, Jaryn finds Ranek on a bed with The Doctor/Seven present. Despite his/her attempts to convince her not to do so by claiming he was drunk and sleeping it off, Jaryn wakes him and he immediately orders The Doctor/Seven seized. Just then, Voyager is detected on their scanners, approaching. Ranek and Jaryn go to the bridge, and The Doctor/Seven is brought along, under guard. On Voyagers bridge, Janeway opens a channel to the Lokirrim ship. She tells Ranek she does not want a fight and asks for her people and the Flyer back. Ranek refuses, saying they were caught smuggling 'photonic insurgents' and biogenic material. Janeway has Chakotay input the codes they got from The Doctor/Seven; the Lokirrim ship's shields go offline. Ranek orders the shield power generators to be tied into the warp core, and tells Janeway that any weapons fire on his ship would cause a core breach, killing everyone aboard, including the away team. Janeway orders a tractor beam put on them, but the Lokirrim destroy the beam emitters and break free. Janeway then orders a com signal be routed directly to Seven's Borg cortical node, and uses it to tell The Doctor to try to disable the Lokirrim shields. The Doctor returns himself to his emitter for the final time. When he appears, the Lokirrim are completely taken aback; Jaryn scans him and confirms, "Hes a 'photonic'." Seven knocks down the guard close to them, takes his weapon and gives it to The Doctor to hold on them while she works the shield controls. The Doctor, never having held anyone at gunpoint before, is very nervous and does not see the 'planning' looks between the Lokirrim. Suddenly they charge and disarm him. Ranek fires at the controls (he could have easily killed Seven, but his lingering feelings for her prevent that). Jaryn informs him of what her console sensors indicate: Seven destabilized the shield matrix. He gives the weapon to Jaryn and tries to reinitialize the shields; Seven warns him not to; the circuits would overload. He ignores her and that is precisely what happens; the console explodes and he is severely injured. The Doctor rushes to help him. Jaryn warns him to stay back, but he refuses; he is a doctor, regardless if the patient is an enemy or not. On Voyager, Tuvok reports that the Lokirrim shields are down. Janeway orders the away team to prepare for beam-out, but The Doctor asks her to wait; he is treating an injured Lokirrim. Janeway, of course, acquiesces. On the Lokirrim bridge, The Doctor pleads with Jaryn, who is loath to trust him now that she knows what he is, but he tells her she will never forgive herself if Ranek dies; while he was in Seven's body, she had told him she had feelings for Ranek. She relents, and lets The Doctor treat him. In the Lokirrim Sickbay, The Doctor restores Ranek to full health, and, despite his distrust of 'photonics', he thanks The Doctor for saving his life. Jaryn does the same. The Doctor tells her that he doesn't think this experience will change her opinion of 'photonics', but he hopes it's a start. She does as well. Back on Voyager, Lt. Paris and Lt. Commander Tuvok are walking down a corridor. Tuvok's condition has passed, thanks to the holodeck simulation of his wife, which he returned to after the Lokirrim situation was resolved. He thanks Paris, but comments that the hologram could never replace his real wife. Paris understands this. In Voyagers Sickbay, Seven arrives with some old Earth culinary indulgences: foie gras and Château d'Yquem. She has considered what The Doctor told her about enjoying the pleasures of life, and has decided to start. She has also decided, since The Doctor cannot any longer enjoy the physical sensations he was able to in her body, to describe the physical sensations the food and drink produce as she eats and drinks, allowing him to experience the sensations vicariously. He agrees with a smile. Log entries "Captain's log, Stardate 54238.3. We've completed our maintenance layover at the Maldorian station and we're on our way to rendezvous with the Delta Flyer. We expect to reach them in forty eight hours." Memorable quotes "I assimilated species from one side of the galaxy to the other. I'll say this for the Borg: they certainly do travel!" - Seven of Nine/The Doctor "Never play "hard to get" with a hologram!" - Seven of Nine/The Doctor "It is a food replicator." "Can it be used to make bio-weapons?" "Not unless you count Mr. Neelix's Bolian soufflé." - Seven of Nine/The Doctor and Ranek "Ranek summoned me to the Bridge under the pretext of a little "star gazing". What he really wanted was to use my face as a tongue depressor." - The Doctor (inside the body of Seven of Nine) "Your neurotransmitters aren't absorbing the medication." "Can you increase the dosage?" "Not without causing damage to your neocortex. The Doc might be able to synthesize a stronger medicine, but…" "I'll make the best of the situation until he returns." "I do have one area of expertise that might help. The holodeck." "I am a married man." "It's the holodeck, Tuvok. It doesn't count." "Is that what you tell your wife?" "No, of course not. My days of rescuing slave girls from Planet Ten are history. Look, you have photographs of your wife, right? The computer can use them to create a replica. You wouldn't be breaking your vows if it's a hologram of your wife." - Paris and Tuvok "As it was in the dawn of our days, as it will be for all tomorrows. To you, my husband, I consecrate all that I am." "T'Pel, my wife. From you I receive all that I am." "As it was in the beginning, so shall it be now." "Two bodies, one mind." - T'Pel (hologram) and Tuvok "There you are, Commander! A person with your condition really ought to be in bed!" - Neelix, believing Tuvok's pon farr to be a case of the flu "The reports of my decompilation have been greatly exaggerated." - The Doctor (inside Seven of Nine), paraphrasing Mark Twain "Mmm! I had no idea that eating was such a sensual experience. The tastes, the textures, feeling it slide down Seven's esophagus, it's, it's exquisite!" "They're prison rations. My uniform probably tastes better!" - The Doctor (inside Seven of Nine) and Harry Kim "I'm afraid the role of 'spy' wasn't written into my program. I was forced to improvise." "You 'improvised' your way through an entire cheesecake as well as three servings of Ktarian chocolate puffs! Now I have to deal the consequences." - The Doctor and Seven of Nine "And the massage you got from Lieutenant Jaryn?" "Entirely therapeutic!" "You became sexually aroused in my body!" - Seven of Nine and The Doctor, after what happened in the Lokirrim Sickbay with Jaryn "There are many women who would appreciate an attractive man like you. I'm just not one of them." - The Doctor, as himself to Ranek "Perhaps time will pass more easily if we disable his vocal processor." - Seven, to Kim concerning The Doctor's enthusiasm for the cell samples he collected "When I look at this I don't see a mere cell, I see the potential for literature and art, empires and kingdoms!" "Perhaps your visual subroutines are malfunctioning." - The Doctor and Seven, discussing primitive cells "I won't ask what you had to do to get this." "Nothing un-ladylike, I assure you!" - Harry Kim and The Doctor/Seven, when he/she returns drunk with the holoemitter "What about the wine? It doesn't exactly… agree with you." "If I become sick I won't have far to go." - The Doctor and Seven of Nine "Aside from that was everything all right?" - Paris to Tuvok, a reference to the saying "Other than that, how was the play, Mrs. Lincoln?" Background information Production timeline – Second Unit filming, Int. Delta Flyer (Aft Section) Story and script This episode was a rewriting assignment for freelance writers Mike Sussman and Phyllis Strong. Their work on the teleplay led to an invitation by showrunner Ken Biller to join the Voyager writing staff as Story Editors. (Information provided by Mike Sussman) Production Both Megan Gallagher and Fritz Sperberg guest-starred in . Gallagher played Mareel in and Garland in . Sperberg played Ixtana'Rax in . Robert Picardo performed many of Jeri Ryan's scenes as the "possessed" Seven of Nine on videotape so that Ryan could study his elocution and movements and more accurately mimic him. (Information provided by Mike Sussman) Ranek's line: "I've never met a woman like you before," and The Doctor/Seven's reply, "That's because there are no women like me" was an homage to a similar exchange in the comedy , which also involved crossdressing. (Information provided by Mike Sussman) This is the last episode in which Roxann Dawson does not appear. This is the final episode of Voyager directed by Robert Duncan McNeill. A set of glasses seen in this episode was sold off on the It's A Wrap! sale and auction on eBay as well as a Lokirrim undershirt lot with items worn by Megan Gallagher, Fritz Sperberg, and Tom Morga. The uniforms of the Lokirrim officers were re-used from Jonathan Frakes' 2000 science fiction Star Trek spoof Star Patrol!. Robin Morselli appeared in both productions wearing one of these uniforms. (Information provided by Brian Demonbreun) Reception Showrunner Kenneth Biller listed this as one of two standalone episodes he was especially proud of in the show's seventh season. "It was wonderfully directed by Robbie McNeill, and it was wonderfully acted by Jeri Ryan – she did a real tour de force performance, and I think it was a real crowd-pleaser." () Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.4, As part of the VOY Season 7 DVD collection Links and references Guest Stars Fritz Sperberg as Ranek Marva Hicks as And Megan Gallagher as Jaryn Co-Stars David Starwalt as Captain #2 Majel Barrett as Computer Voice Uncredited Co-Stars Carter Edwards as command division officer Tarik Ergin as Ayala Robin Morselli as a Lokirrim guard Stunt doubles Dana Hee as stunt double for Jeri Ryan Tom Morga as stunt double for Fritz Sperberg Stand-ins Brita Nowak – stand-in for Jeri Ryan References 2370; adrenaline; airborne toxin; airponics bay; area of expertise; artistic license; assimilation; astronomer; ; biogenic material; biogenic weapon; body odor; Bolian soufflé; captor; caviar; ; cerebral cortex; champagne; Château d'Yquem; chipper; comet; command authorization (aka command code); cona vine; confiscation; core breach; cortical node; course; court martial offense; culinary database; cybernetic matrix; cytoplasmic matrix; day; ; Delta Quadrant; dereliction of duty; DNA; driver coil; duranium; Earth; Emmik; empire; engineer; esophagus; faking a seizure; Federation; foie gras; Frühlingsstimmen; garbage scow; heart; herbs; hologram; insurgent; intoxication; Jaryn's parents; Jack of all trades; Ktarian; Ktarian chocolate puff; leniency; libido; Lohden; Lokirrim; Lokirrim patrol ship; Lokirrim warship; lothario; lungs; Maldorian station; medic; medical exam; medical journal; medical tricorder; meditation lamp; metacarpal; Milky Way Galaxy; millimeter; mobile emitter; Neelix' grandmother; neocortex; neural inhibitor; neurotransmitter; New York cheesecake; nucleus; phaser cannon; phenomenon; photonic disruptor; photonic insurgency; Planet Ten; poison; pon farr; portable regeneration unit; power matrix; preanimate biomatter; prison ration; prisoner of war; pruning; pulsar; pulsar cluster; pulse phased weapon; recycling; rhythm; rose; sedative; seizure; senior officer; sense of humor; sexually aroused; shield grid; shield matrix; shield modulation; skin; smell (odor); smell (sense); sonic shower; spices; spore; stargazing; stomach; Starfleet Medical Journal; subspace transceiver; synaptic failure; synthehol; tactical officer; Tarkalean flu; tasteless; toast; tongue depressor; tractor beam; trapezius; truffle; s; viral weapon; visual subroutine; vital signs; vocal processor; Vulcans; waltz; warp matrix; Window of Dreams; wine External links de:Körper und Seele es:Body and Soul fr:Body and Soul (épisode) nl:Body and Soul sv:Body and Soul VOY episodes
1608	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Nightingale (episode)	When Harry Kim rescues a crippled alien starship, the grateful crew offers him command. Meanwhile on Voyager, Icheb believes B'Elanna Torres has become attracted to him. Summary Teaser sets down on an uninhabited planet to begin maintenance to the warp drive that B'Elanna Torres tells Captain Janeway they desperately need. The crew begins the repairs and Icheb impresses Torres and Janeway with his technical knowledge. Janeway tells him that he can help Torres with repairs instead of delivering PADDs. Meanwhile, the is scouting for dilithium in a nearby nebula, which they apparently have scanned four times already much to Seven of Nine's annoyance. Suddenly weapons fire is all around them. A vessel is approaching them from the rear and firing its weapons at a vessel in front of the Flyer, which, in turn, becomes visible. Act One The Delta Flyer receives a distress signal from the commander of the Kraylor starship, which then decloaks involuntarily. It's apparently on a humanitarian mission carrying medical supplies. Piloting the Delta Flyer, Ensign Harry Kim's first instinct is to leave, but he is reminded by Neelix that there is a higher cause here. Kim discovers the Kraylor are at war with the Annari and are under attack by Annari vessels. He tries to negotiate with the Annari, but is forced to disable their vessel's weapon system when the Flyer comes under attack. After beaming onto the Medical Transport 136, Kim and Neelix find the vessel in complete disarray – about half the crew are dead, including all but one of the bridge officers. And the surviving bridge officer, Terek, has no experience. Kim offers to help with repairs of the vessel, along with Neelix and Seven of Nine. While making the repairs Kim answers Terek's questions. Terek assumes Kim is the captain, which Kim quickly corrects. It turns out it's Terek's first assignment after which Kim shares his experiences, being propelled to the Delta Quarant in the first week of his first mission. On Voyager Torres finds Icheb on a workstation in the cargo bay with a plate of food next to him. Icheb tells Torres he likes to work and eat at the same time, which seems more efficient to him. To the question what he does for fun he answers that he has little time for fun between his work and his studies. Torres Invites him to a rock climbing session in the holodeck after all the work is done. Icheb expresses an interest in geology to which Torres answers that it's about the climbing, not the rocks. After the vessel is repaired, Loken, head of the research team, begs Kim to captain it back to their homeworld. Terek only trained on shuttles. Harry hesitates, not wanting to violate the Prime Directive. Loken eventually tells him that the vaccine they have been working to develop must reach there. When Neelix tells Kim that the planet where the has landed is en route to the Kraylor's planet, Kim agrees to take them that far at least. When Kim reaches the planet Voyager is on, they find three Annari warships orbiting the planet. Act Two Janeway is giving Geral, one of the Annari Captains, a tour of the ship. Voyager needs deuterium injectors and is offering zeolithic ore in return. At that moment Kim contacts Voyager asking them if everything is all right, not divulging his whereabouts to the captain. On the Kraylor vessel Loken is visibly disturbed. Apparently the Annari come as friends and then declare you subjects. After the Annari leave Kim contacts Voyager again telling his real whereabouts and telling about new friends. Janeway meets with Loken. Janeway is eventually convinced to take the Kraylor's side in the matter, and permits Kim to take command of the "medical transport". However, Janeway asks Seven to go along on the journey. Kim is excited at the chance of having his "first real command." Meanwhile Icheb is sent to sickbay to repair a malfunctioning holoemitter. While making the repairs he asks about the social instruction The Doctor gave to Seven and asks The Doctor to instruct him as well. He asks how he can find out if someone has romantic feeling for someone else. Hypothetically, of course, The Doctor mentions compliments, invitations to social activities, finding excuses to be in close proximity to that someone. Icheb asks if those thing could happen in normal relationships. The Doctor points out ways to be sure. Icheb then leaves without finishing the repairs. Paris meets with Kim begging him to take him along. Kim tells him its his turn after Paris always being Captain Proton and Kim being Buster Kincaid, so he declines. Kim enters the Mess Hall and Neelix asks him what he wants plomeek soup or eggplant parmesan to which Kim answers that either is fine. Neelix tells him "wrong answer". Neelix tells him that is he is going to be a captain he has to act like a captain. "Never admit you are being uncertain about anything." Janeway always knows exactly what she wants, after which Neelix ends his remarks with ensign. Kim than tells him plomeek soup, hot. Kim enters the bridge of the Kraylor vessel, greeted by Terek with the captain on the bridge. He apparently has read it in the Starfleet manual Kim loaned him. After finding out the ship has an uninspiring name he promptly renames the "", after which the ship leaves orbit. Act Three Kim has settled himself in the Captain's Ready Room and is making some log entries. Seven enters to hand him the hourly status report. Seven asks Kim why he has brought so many personal items on board, since they are only going to be on board for a couple of days. Kim answers that it's important to have a personal connection to the ship. "Make the ship your own". Seven then tells Kim she asked Terek to make a course correction. Kim then storms out of the ready room to check on Terek and he basically takes over. Seven sighs. On Voyager Icheb and Torres are working together in a Jefferies tube. Torres tells Icheb how much she is looking forward to their climbing appointment. And while Torres moves a roof panel in the tube she puts her hand on Icheb's shoulder. Icheb is getting more and more convinced Torres is flirting with him and pulls out his tricorder to check for the other signs The Doctor mentioned. On the Nightingale, the cloaking device begins to fail a short time into the journey due to a fluctuation in the propulsion power systems. Repairs are made, yet Kim dismisses Seven's recommendations to run a full diagnostic, reminding her that Janeway wanted them back before Voyager finished repairs. Loken expresses his concerns and is dismissed. When they are alone Seven tells Kim that she has discovered a serious flaw in the ship's systems, namely the captain. Instead of issuing orders and having others carrying them out as captains are supposed to function, he is doing both. Kim goes on defense by telling Seven the crew is inexperienced. Seven then reminds Kim how Janeway supported Kim when he first came on board, not by doing his work for him, but by giving him a lot to do, so he could gain confidence. A short time later, as predicted, the primary generator fails, as does the cloak. Half a dozen Annari vessels move into attack range, and a Kraylor researcher named Dayla volunteers to try to bring the cloak back online, receiving instructions from Kim, yet she and Loken together figure out how to bring the cloak back online by taking the warp core off-line. Unfortunately for Dayla, life support fails in the engineering area and she dies. It turns out they aren't medical doctors. Act Four Confronting Loken, Kim discovers the Nightingales cloak is actually a prototype that Lokan's team, including Dayla, had really been working on at a secret base. The Annari knew about the prototype and didn't want it to arrive at the Kraylor homeworld. Harry realizes that he is in the middle of a breach of the Prime Directive and orders the Nightingale to reverse course, but the Kraylor crew refuse to follow his orders. Loken tells Harry he is relieved of command and Harry leaves the bridge. Meanwhile on Voyager Icheb bumps into Paris on his way to engineering. Paris then as a joke mentions whether or not he should be worried now Icheb and his wife are going to scale cliffs together. Paris then invites him to one of his holodeck programs, a race car program. Icheb misreads that proposal as a typical Klingon ritual competition because of Torres. Confused and overwhelmed, Icheb confronts Torres after entering engineering, telling her that they can no longer "see each other", especially given that she is a married woman. Shocked at what she is hearing, but also realizing that there is no way to convince him that he is just misreading her friendliness, Torres agrees to his proposal. On the Nightingale Kim goes to see Seven who is feeling better. He tells her he is no longer in command because he ordered a reverse course after he found out the true mission, bringing the cloaking device, a prototype, to the Kraylor homeworld. Kim suggests taking an escape pod in the hope they would be considered a neutral party to which Seven answers that they stopped being neutral the moment Kim took a shot at the Annari vessel. Seven goes on to question Kim's real reason to abandon the mission. Is it because the mission was not what he had expected or was being a captain not what he expected, since he is clearly uncomfortable delegating tasks and giving orders. Kim then says that someone died because of his orders. Seven points out that people die on missions despite the captain's best efforts to which Kim answers that he should have stuck to playing Buster Kincaid. "A holodeck program can be turned off when it suits you, reality can't", Seven answers. Seven points out to Kim that if he truly cares about the crew, he needs to help the Kraylor home, otherwise they may not survive. At the Kraylor homeworld, a new series of scanning pulses illuminates cloaked vessels. Having been detected, surrounded and outgunned by Annari vessels, Kim takes command, promising to help them, to which Loken agrees. Act Five Meanwhile on Voyager Geral is back, this time to escort Voyager out of Annari space. He found out that one of his ships had been shot at by the Delta Flyer several days earlier. To add to that they also detected two Human biosignatures on a Kraylor vessel. Janeway has no choice but to comply. On the Nightingale, Kim appears to offer a conditional surrender with the Annari; however, if they do not allow the scientists to safely evacuate to the planet, Kim threatens to destroy the Nightingale. Loken is furious about Kim's apparent betrayal, but is assured the young captain has a plan to save the vessel – but if he fails, "…at least the scientist who designed [the cloak] will be alive to create another one." Once under the grip of the Annari tractor beam, Kim reverses the Nightingales shield polarity and uses the momentum to outrun their pursuers to the defense perimeter. Meanwhile Voyager has been escorted out of Annari space and their ships have gone to warp. Janeway tells Chakotay and Paris to take the Flyer and tells Tuvok to hail the Kraylor homeworld. However Kim is already hailing them from a cloaked ship directly astern. Harry Kim's final entry in the Nightingales log notes that his actions have led to cloaking mechanisms being added to the Kraylor fleet. Back on Voyager, Kim realizes that he's not quite ready for command… yet. Log entries "Captain's log, stardate 54274.7. Lieutenant Torres has finally convinced me that I can't put off a major maintenance overhaul any longer. We've set down on an uninhabited planet and I've sent shuttles to search for supplies." (log entry made by Harry Kim) "Acting captain's personal log, stardate 54277.3. My first day in command has been challenging, but I've loved every minute of it. I can't help feeling that this was something I was born to do." (log entry made by Harry Kim) "Acting captain's personal log, stardate 54282.5. Final entry. New cloaking systems are being installed in other Kraylor ships, so I guess the mission was a success. Still, I wish I felt better about it." Memorable quotes "The Borg value efficiency, not redundancy." - Seven of Nine "We're passengers, not crewmen." - Loken "How long have you been captain?" "I'm just an ensign." "Ensign? Uh, what is that?" "A junior officer. The lowest ranked officer, actually." - Terek and Harry Kim discussing rank "My first week on the job didn't go very well either. We ended up 70,000 light years from home, lost over a dozen crewmembers. But I got through it and so will you." - Harry Kim, calming Terek "Neelix, plomeek soup… and make sure it's hot!" - Harry Kim, after Neelix tells him to be more decisive when making choices "Does this ship have a name?" "Medical Transport 136." "I think we can do better than that… Nightingale. The name of someone from my homeworld. She was famous for treating soldiers on the battlefield." - Harry Kim and Terek "I've discovered a serious flaw in one of the ship's systems." "Which one?" "The captain." - Seven of Nine lectures Harry Kim on his command style "You've been seeing a lot of my wife lately. Should I be worried?" - Tom Paris, to Icheb "Your blood pressure and neurotransmitter readings indicated a state of arousal." "It was hot!" - Icheb thinking B'Elanna Torres is attracted to him "I should have stuck to playing Buster Kincaid…" - Harry Kim "I'm not a captain, Neelix. Not yet, anyway." - Harry Kim (last lines) Background information Production This episode's working title was "The Command". Props and costumes The Nightingale is a reuse of a Federation attack fighter (see DS9 studio models). Among the items from this episode which were sold off on the It's A Wrap! sale and auction on eBay, was the jacket of Bob Rudd, which was previously used in the episode and later worn by stuntman Eric Norris in the episode . Continuity Kim reminds Janeway "You've taken sides before. The Borg resistance. The Vaadwaur," referring to the events of and respectively. When Janeway tells Kim "You've been in command on Voyager before," and Kim replies "On the night shift, for a few hours," this is not true. Kim was in command during the events of , while most of the senior staff were on the Earth's surface. Kim tells Paris "You're a married man now," referring to Paris' marriage to Torres in . Referring to the events of the series premiere , Kim says Voyager "lost over a dozen crew members". This is the first time in the series that the number of crew losses in "Caretaker" are hinted at. Kim tells Neelix "I'm not a captain, Neelix. Not yet, anyway," foreshadowing the events of the series finale in which Kim is shown to have become a captain in an alternate timeline. This is the fifth and final episode of Voyager to feature the series' title ship landing on the surface of a planet. Other occasions in which the starship Voyager can be seen landing on a planet include Season 2's premiere and finale , the Season 4 episode , and the Season 6 episode . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.4, As part of the VOY Season 7 DVD collection Links and references Guest Stars Ron Glass as Loken Manu Intiraymi as Icheb Beverly Leech as Dayla Paul F. O'Brien as Geral Scott Miles as Terek Co-Stars Alan Brooks as Annari Commander Bob Rudd as Brell Uncredited Co-Stars Michael Bailous as operations division officer Richard Bishop as operations division officer Julie David as command division officer Carter Edwards as command division officer Andrew English as operations division officer Hubie Kerns, Jr. as Kraylor engineer Joyce Lasley as Lydia Anderson Tom Miller as sciences officer Stephen Pisani as operations division officer Linnea Soohoo as science division officer Pablo Soriano as operations division ensign Andrei Sterling as Annari crew member Noriko Suzuki as operations division officer Unknown performers as Kraylor officer Four Kraylor crewmembers Operations division officer Stunt Double Shauna Duggins as stunt double for Jeri Ryan Stand-ins Sue Henley – stand-in for Kate Mulgrew Susan Lewis – stand-in for Roxann Dawson Brita Nowak – stand-in for Jeri Ryan Lemuel Perry – stand-in for Tim Russ J.R. Quinonez – stand-in for Robert Picardo Keith Rayve – stand-in for Robert Duncan McNeill Richard Sarstedt – stand-in for Robert Beltran Stuart Wong – stand-in for Garrett Wang References 2374; ; aiding; Annari; Annari Empire; ; antimatter injector; assimilation; asteroid field; atmospheric pressure; auto-navigation system; away mission; beta-endorphin; biology; biosignature; blockade; blood pressure; ; Borg; Borg resistance; certainty; Class 2 shuttle (three unnamed); claustrophobia; cloaking device; cloaking generator; cloaking system; command structure; cortical stimulant; defense perimeter; deflector beam; deflector pulse; ; deuterium injector; dilithium; diploma; distress call; dozen; driver coil; Earth; elbow; emergency power; endorphin; ; Ensign; environmental control; eggplant parmesan; escape pod; escort; evasive maneuvers; field polarity; flight plan; geology; ground vehicle; guidance vector; guide star; holo-emitter; humanitarian mission; interplanetary war; isoton; Judge Advocate General; Jefferies tube; junior officer; ; Klingon; kph; Kraylor; Kraylor homeworld; Kraylor medical transport (aka Kraylor warship); lasagna; lawyer; Lieutenant; Lieutenant Commander; main computer; marriage; medical ship/medical transport; Medical Transport 136 (aka ); meter; micro-fracture; micron; military mission; mission; mutiny; navigational sensor; nebula; neurotransmitter; ; ; nutritional supplement; phase compensator; phase converter; phaser bank; physician; plomeek soup; polarity; polaron matrix; primary generator; Prime Directive; promotion; ; prototype; race car; rock climbing; saxophone; scanning pulse; scientist; shield grid; shield polarity; shock; social interaction; social lesson; social skills; soldier; Starfleet Academy; Starfleet manual; structural integrity; ; supply officer; surgical bay; thermal regulator; tractor emitter; tula cheese soufflé; unconditional surrender; unnamed Delta Quadrant planet; Vaadwaur; vaccine; zeolitic ore External links de:Nightingale (Episode) es:Nightingale fr:Nightingale nl:Nightingale (aflevering) VOY episodes
1609	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Flesh and Blood (episode)	Voyager answers a distress call from a Hirogen outpost – only to find carnage caused by holographic technology that Captain Janeway has given them. Summary Teaser Two Hirogen hunt on a tropical landscape, finally finding and almost successfully hunting down an unknown creature, who barely eludes them. With uncharacteristic caution, they slowly track their "prey" to a small lake but instead Humans in Starfleet uniforms emerge from the water and kill them with a barrage of various weapons fire. Act One Meanwhile on the , The Doctor asks Chakotay for some time off so he can go to a symposium on space-borne pathogens. Chakotay refuses, saying the planet was two weeks in the wrong direction. As The Doctor argues with him, Captain Kathryn Janeway calls him to the bridge, saying they have received a distress call on a Hirogen frequency. They arrive to find a Hirogen base with strange bio-sign readings. Janeway orders Chakotay to take an away team to the base. Once inside, they find a tropical landscape and two dead Hirogen hunters. Tuvok's scans indicate the burns are from a type 3 phaser. They also find a Klingon bat'leth stuck in a nearby tree. When they begin to approach a wounded Hirogen, he fires on them. However, Tuvok sneaks up from behind and knocks him out with a Vulcan nerve pinch. Tom Paris beams him to sickbay. Seven of Nine soon uncovers Starfleet holographic technology, and identifies holoemitters throughout the structure. When she shuts off the grid, dozens of dead Hirogen appear, lying in the giant hologrid. After the away team returns and recounts their experience, Janeway is surprised at how real Chakotay says it was; it fooled their sensors and had no safety protocols. She concludes the Hirogen missed the point of this technology, for it was supposed to let them hunt safely while preserving their culture, not get them killed. In sickbay, they find The Doctor unable to get close to the still-frantic hunter, who believes that this is a simulation and that The Doctor intends to harm him. When Janeway explains who she is, however, the Hirogen, named Donik, recognizes her and wants to know what happened. He cannot believe everyone else is dead. He explains that the base was a training facility for young Hirogen and that he is not a "Hunter" but a lowly technician. The holograms were malfunctioning, and there were too many of them. He couldn't shut the system off. Tuvok then notifies Janeway that a Hirogen ship is on an intercept course. It begins firing almost immediately, and refuses their hails. She orders Tuvok to return fire but to only target their weapon systems. After Voyager successfully disables their phaser banks and Janeway again tries hailing them, the Hirogen retain an aggressive posture yet are now willing to talk. She explains Voyager has a Hirogen aboard and manages to get the two Hirogen to come aboard from their now-impotent vessel to speak with her and Donik. Upon receiving a summary of Voyagers encounter with the training facility and rescue of Donik, the two Hirogen, revealed to be Hunters, become hostile towards him, accusing him of cowardice and blaming him for the recent holodeck catastrophe. Janeway retains a stern posture towards the Hirogen, preferring to defuse the situation by attempting to ascertain what led to the incident. Donik, when asked, says he couldn't delete the holographic prey, for they transferred themselves to another vessel that was equipped with holoemitters. Janeway questions the wisdom of creating holograms apparently capable of self-awareness and ingenuity. The Hirogen simply reply that if they were any less sophisticated, the hunt wouldn't be interesting. The two Hunters are more cooperative when it comes down to tracking the missing ship. They quickly and correctly identify the way to track the ship by scanning for polarized EM emissions. They are still hard on Janeway, and blame her as well as Donik, but allow Voyager to join the hunt for that ship. Chakotay and Tuvok have reservations about an alliance with the hunters, but Janeway explains that's Voyagers responsibility since that was Starfleet technology that killed the Hirogens. They find the holograms' ship soon, and find it has taken damage. The hunters begin to close immediately, but Janeway urges caution. They ignore her. As soon as Harry Kim detects no weapons, warp drive, or shields, the image of the ship turns into something much smaller which then explodes. The Hirogen ship is badly damaged, and Janeway orders transport of the casualties. However, part way through, another Hirogen ship appears, and this one is real. It ignores Voyagers hail, and begins firing immediately. With Voyagers shields down, it manages to transport The Doctor's program out of sickbay and onto the ship. They go to warp and mask their signature. The Doctor materializes on the ship to find dozens of holograms. Iden, a Bajoran officer in charge, reassures him he won't be injured. Act Two But The Doctor doesn't care about that. He wants to treat dying patients on Voyager. They won't let him go, but the officer explains their situation. Dozens of holograms are "wounded," beginning to fade out and destabilize, and they need his help. The Doctor insists he is not an engineer, but the officer asks him if he has ever repaired his own matrix. He has, so after being convinced these injures are no different than flesh and blood casualties, he reluctantly agrees to see what he can do. Meanwhile, aboard Voyager, Donik is explaining how the emitters work. He believes they can disable a central power generator, and that will disable them all. B'Elanna Torres, however, disagrees. She shows the captain an intimidating list of capabilities, including enhanced memory and expandable data processing. She concludes that Donik lied; they are not malfunctioning, they are simply doing what they were programmed to do too effectively. Donik says he did it under orders from his Alpha. Janeway takes him to the mess hall, which has been turned onto makeshift sickbay. The Beta aboard the destroyed Hirogen ship wakes up, angry. Janeway informs him that he will not be contacting his ship, and his superior was the one who gave the instructions for the modifications. The way she sees it, they have planned for the hunters' tactics, and Janeway is confident she can deactivate them from a distance. The hunter believes it is cowardly, and refuses to help, believing they should be hunted to extinction. Donik, however, will help. Meanwhile, aboard the stolen ship, The Doctor does his best to heal his patients. He has the novel idea of a subroutine transplant, obviously taking a page from medicine. Kejal, a Cardassian with a Bajoran name, assists him. He is surprised with her computer skills. She says she had to teach herself; the hunters tried to limit their knowledge. The next patient, a woman in a Starfleet uniform, enters with blood on her face and reacts in pain. Kejal explains that the Hirogen wanted the holograms to bleed and suffer pain when they were killed. The Doctor has trouble believing the hunters' barbarism. When he speaks with the Bajoran officer, he finds him praying. He says he is asking the Prophets to guide the souls of the dead hunters to the celestial temple. He believes in them. The officer explains their fight just as a Bajoran would the rebellion on Bajor: as a liberation. He came from a training facility fifteen parsecs from that one, he explains, where he was killed over and over again by the Alpha there. For a hologram, not even death would end the pain and fear. He adapted with each death, eventually becoming cunning enough to escape. After fleeing them, he found other holograms fighting their captors, and he was so inspired, he started fighting alongside them. Now, this ship of renegades is looking to create a permanent home away from all of the threatening "s." He points out that many organic species throughout the sector as the Nuu'Bari or the Lokirrim have created and enslaved holograms. He then tries to convince The Doctor to stay with them in the ship, saying that he could have privileges here he couldn't have on Voyager. The Doctor, however, doesn't buy it. He feels respected by his colleagues, and continues to judge him harshly. The officer concludes that he must experience life as prey, and then he will understand, and The Doctor immediately finds himself back in the jungle, running for his life. He is soon caught, brutalized, and killed. He suddenly wakes up on a table, and the officer explains he was made to experience memory files of one of them. He is outraged at being violated in such a way, especially to gain his sympathy. The officer insists they are alike; it was The Doctor who was the template for them, able to rise above his programming as they can. They offer to take him back to Voyager, but he decides to at least hear about the home they wish to build. Act Three Kejal explains that they are hoping a photonic field generator can be modified for deployment on a planet, where they can use it to create a complete holographic environment. They want The Doctor's help to make it possible. He doesn't know nearly enough, but he suggests someone on Voyager could help, like Lieutenant Torres, since she knows a lot about hologram generators. They refuse, saying Voyager is in league with the hunters. The Doctor offers to talk to Janeway, since he believes they are operating under a misconception. They regretfully agree. Meanwhile on Voyager, Donik and Seven find a way to disrupt their emitter with an anti-photon pulse from the deflector dish. Before the modifications can finish, however, the hologram's ship intercepts them, and hails. The Doctor makes his plea, saying that the holograms have come to make peace. When The Doctor explains all this, Janeway is skeptical. She says that giving the technology to the Hirogen was a mistake, and furthering their plan with more technology would be a bigger mistake. The Doctor tries to convince her that these holograms are different. They have adapted beyond the viciousness which with they were programmed. The debate is cut short, however, when a fight breaks out in the mess hall. All of the hunters kept there, led by their new Alpha, start attacking the security officers. Tuvok stuns a few, and gets them under control, but not before the new Alpha can send a signal. Two more Hirogen ships are soon detected on an intercept course. The captain orders Torres to shut down the holograms with the burst over The Doctor's objections. She asks Iden and the others to allow Voyager to transport them aboard, and she will help them find a more permanent residence at a future time. Iden, however, doesn't trust her. She says she will deactivate them by force, and he fires and jumps to warp. The Doctor, unhappy with the captain's decision, loads himself into the mobile emitter, and gives the holograms Voyagers shield frequencies to beam him aboard. He will help them come up with a defense against the pulse. Aboard the ship, The Doctor objects to a suggestion to use their shield frequencies to target the bridge. Fortunately, Iden is a man of his word, and suggests they find another way. They soon find it. Thanks to The Doctor's data, they send feedback along the pulse, and overload Voyagers deflector dish, along with most of the primary systems. Torres just barely gets a force field around the warp core in time to protect it before a shock knocks her unconscious. With Voyagers shields down, Iden has Torres transported aboard his own ship (having located her by scanning for Klingon life signs), and then orders to go to warp. Act Four The Doctor examines Torres, and is outraged at her abduction. He considers his trust betrayed, and does his best to treat her. Iden insists he will let her go if she doesn't want to help them. On the disabled Voyager, Seven of Nine is doing her best to repair all of the damaged systems. The captain is still baffled by how they guessed the frequency of the pulse so quickly until Tuvok shows her the report detailing an encrypted transmission and a transport in sickbay. Going down the hall, she asks Chakotay if she should have seen this coming, saying she will run a diagnostic on The Doctor when he gets back. Chakotay, however, points out The Doctor could simply have believed in their cause, and there could be nothing wrong with him. That would create an ethical dilemma. The Doctor tries to talk to the now-conscious Torres. She is angry at The Doctor, and is completely unwilling to assist the photonics. She scoffs at The Doctor's common heritage talk, though he tries to draw parallels with her own decision to joined the Maquis. Finally, Torres expresses a reluctant willingness to at least take a look at the photonic generator. She is unimpressed by Iden, and is surprised when she is told she will be working with Kejal, the Cardassian. Back on Voyager, Paris, Donik, and the captain are in astrometrics. They cannot track the holograms' ship, and are keeping an eye on the ever-closing Hirogen ships. Donik offers to stay and modify the shields, not wanting to return to his people. He feels it is his fault since he did the modification, and he doesn't want to become a hunter; he wants to be an engineer. The Hirogen ships, however, are not happy about that. They demand his return, and when Janeway explains he is improving their sensors, they insist they will not share that technology. They warn her to stay away from the holograms, or Voyager also becomes prey. Act Five Voyager keeps a sensor lock on them, and Janeway comes up with a plan. Donik explains they have a blind spot due to an ion wake, which Voyager can exploit. They can get in range with his knowledge of their scanning frequencies, and then Tuvok can perform a precise strike using the element of surprise. Torres discovers the problem with the photonic generator almost immediately: it needs more optronic capacity. She hasn't decided whether or not to tell them yet how to increase the output. She doesn't know whether these holograms will take over someone else's home when theirs isn't big enough. Kejal convinces her that making a home for themselves is all they want, and whatever they may appear to be, they are holograms. She looks Cardassian, but she is not arrogant and cruel, characteristics that Torres supposes describe all Cardassians, even photonics. The Doctor, meanwhile, is having doubts. He is considering returning to Voyager with Torres. Iden shows The Doctor the planet they intend to settle on, called Ha'Dara. It's class Y, with a toxic atmosphere, extreme conditions, and has no life. That's the point, says Iden; they are holograms, and they will have what they need most: protection from hostile organics. Since there will be no one to heal, The Doctor will be free to do what he pleases. Just then, the Hirogen detect them from half a light-year away. They head for a nebula which blinds their sensors. The Hirogen decide to split up; one ship scans the perimeter, the other will drive them out. Voyager, still aft of the Hirogen ship, enters the nebula. They barely manage to stay in its wake. Act Six The holograms' ship, meanwhile, hides. The Hirogen's attempt to flush them out is destined to fail. Torres gets Kejal onto the system, and notices great self-confidence in her – a Cardassian trait. At the same time, The Doctor suggests to Iden that he (The Doctor) could be Minister of Culture, teaching the holograms about things like art. However, when his lessons begin to speak of "organic" cultures, Iden objects. He wants to create a new one, even a new religion based upon their experiences. The Doctor doesn't like being worshiped, but Iden says he has been chosen. Just then, a Nuu'Bari mining vessel is detected 2 million kilometers outside the nebula, and they go to "liberate" the three holograms on it. The Doctor confides in Torres about Iden's emerging fanatical tendencies, suggesting maybe this whole endeavor wasn't such a good idea. Torres then uses this information to confront Iden, but he ignores her. Iden contacts the Nuu'Bari and informs them they will transfer the holograms to them, or they will be taken by force. The holograms disable the Nuu'Bari shields with phasers, and then beam their holograms aboard. After that, at Iden's orders, they target a photon torpedo at the Nuu'bari's warp core. Over protests from Kejal and Torres, Iden fires, destroying the Nuu'Bari ship, killing its (organic) crew of two. Act Seven Torres and The Doctor are horrified at what seems to them nothing short of murder. There was no reason for them to kill defenseless organics. They drag the protesting Torres to the lab. Iden explains to The Doctor it was necessary; they were going to call in Consortium hunting parties to track them down. The Doctor tries to dissuade Iden from his view that all organics are like the Hirogen. Iden says they are, and The Doctor just can't see that. The Doctor requests his escape pod. Iden says he will give it to them when they reach Ha'Dara. The Doctor apologizes to Torres for getting her involved in Iden's personal war. Torres mentions she has a plan to find a way out, then goes to help Kejal with repairing the Nuu'Bari holograms. Torres tries to convince Kejal to rebel, saying that Iden is not the leader of peace time; she reminds her that it's the engineers like herself and Kejal that actually build societies. However, Iden comes in, and then the Nuu'Bari holograms are activated. However, no matter what he says, they simply do not understand. Iden wonders if they are malfunctioning, but Torres explains that they are not. They are programmed to support about forty basic subroutines. Kejal confirms this. Iden calls this yet another form of oppression and demands they be enhanced. Torres explains that their programs are not complex enough to allow it. Iden simply brushes it off, proclaiming that he will deliver them to freedom. The bridge informs Iden they are now in orbit of the planet. Iden has Torres restrained; The Doctor demands Iden let Torres go, but he refuses because he now sees through her prejudices towards holograms. That's when the Hirogen target the holograms, and Voyager begins firing on their ships. The engines and weapons of both ships are disabled. As Iden is considering thanking Voyager, they begin firing on the holograms' ship. Iden has them return fire, and beam the Hirogen to the surface to be hunted as they once were. The Doctor objects again, noting that the Hirogen cannot live long breathing that atmosphere, but Iden ignores him; he intends to hunt the Hirogen, as they had once hunted him and his kind. Iden orders his ship into a lower orbit. Voyager, meanwhile, sends Chakotay, Tuvok and Tom Paris to take the down. After another confrontation, Iden realizes The Doctor is no longer on his side, so he transfers him to the data banks, and then transports the generator to the surface. On the surface, Iden rallies his crew, and begins hunting the hunters for a change. Torres tells Kejal to shut down the holograms and reactivate The Doctor, who re-materializes on the surface of the planet, armed. On the planet, the Hirogen try to fight back, but quickly realize it is useless; the holograms are invulnerable to their weapons, and can pass through any barriers the Hirogen put up. The Delta Flyer, meanwhile, takes down the shields of the holograms' ship and beams Torres aboard. Iden fights and subdues a Hirogen, and as Iden is about to kill the Hirogen, The Doctor draws on him. When Iden won't back down and is about to shoot, The Doctor vaporizes him. The Delta Flyer then beams up The Doctor and the remaining Hirogen. "Captain's log, stardate 54337.5. The surviving Hirogen have recovered from their injuries, leaving me with a diplomatic dilemma." Janeway and Neelix talk the Hirogen out of taking the holograms' ship, and after the Hirogen depart Voyager, she transfers to the hologram ship. Janeway allows Donik to reprogram the holograms with Kejal, the only remaining running hologram, and run the ship. He will get his chance to repair what he did. Janeway then has to face The Doctor. He says he never wanted Voyager to be put in danger. He volunteers to give her his mobile emitter, limiting his freedoms as punishment. She declines, for perhaps he has become as fallible as the rest of the crew, and taking away his freedom would be taking his identity. She asks for his report, and leaves him to work out the ethics himself. Memorable quotes "I can't heal them. They need to be repaired." "What's the difference?" "I'm a doctor, not an engineer." - The Doctor and Iden, about the damaged holograms. "They can't support complex subroutines." "They are children of light and I will deliver them to freedom!" - Torres and Iden, about the Nuu'Bari holograms "I modified their programs. What's happened to them, the people they have killed, it's my fault." "There's plenty of blame to go around. There would have been nothing for you to modify if I hadn't shared our database." "If you hadn't, I'd have become a Hunter, like my father and his father. Instead, I had a chance to learn, become an engineer." - Donik and Janeway "Darkness will become light." - Iden "You and your crew would have made worthy prey, captain." "Thank you… I think." - Beta Hirogen and Janeway "It looks like an Alpha Quadrant summit in here." - Torres, upon seeing the Holograms "You've given me extraordinary freedom over the years. I've obviously abused it." "Maybe. Or maybe you've simply become as fallible as those of us who are made of flesh and blood." - The Doctor and Janeway "You still believe all organics are like the Hirogen." "One way or another, they are. You just can't see it because you lived among them for so long." "What you can't see is that you've become no better than the hunters." - The Doctor and Iden "It may be the warriors who get the glory, but it's the engineers who build societies." - Torres, to Kejal "If this marriage is going to work you've got to cut back on the traveling." - Paris, to Torres, after the latter's rescue "Never let your prey control the hunt." - Older Hirogen, to the younger Hirogen "Capable prey make the hunt more challenging." - Hirogen Hunter, to Seven of Nine Background information Both Cindy Katz and Paul Eckstein previously appeared in . Katz played Yteppa in and Eckstein played Limara'Son in . He also played an unnamed Jem'Hadar in . Spencer Garrett previously appeared in as Simon Tarses in the episode . This episode was originally aired as a feature-length episode. It was later broken up into two parts for reruns. This episode is the third of only three feature-length episodes in the Star Trek series that is not a series pilot or finale. The first is the Deep Space Nine fourth season episode and the second is the Voyager fifth season episode . The holographic generator used by Iden and the other escaped holograms is a re-use of the Think Tank artificial intelligence prop from the episode . The console used by Kejal and B'Elanna Torres to configure and control the holographic generator is a re-use of a console in Tom Paris's Captain Proton holonovel-series. It is clearly seen in the next episode . Among the items from this episode which were sold off on the It's A Wrap! sale and auction on eBay was the costume of background performer Johnny Linares. One of the call sheets for this episode, dated on 30 August 2000, features the note that Ken Biller and his wife Hope became parents of a baby girl, Sophia Rose, on 29 August 2000 at 7:42 a.m. Continuity This episode acts as a sequel to the fourth-season two-parter , in which Voyager last encountered the Hirogen. Throughout the episode, Voyager crew reference the gifting of holodeck technology to the Hirogen at the conclusion of that two-parter. The Hirogen were first encountered in the fourth-season episode and this episode marks their last appearance. This episode marks the only appearance of the Jem'Hadar and the Breen in Voyager, although they appear only as holograms. It is also the only appearance of the Breen outside of . Three Jem'Hadar attack ships previously appeared (also in holographic form) in season 2's . When Iden mentions the Lokirrim, The Doctor replies "we've met them," referencing the events of two episodes prior. Interestingly, Jeff Yagher, who played Iden, is married to Megan Gallagher, who played Jaryn, a Lokirrim that The Doctor was attracted to in that episode. When Kejal mentions Cardassians, Torres replies "I've had some bad experiences with them." This may be a reference to her background as part of the Maquis, but could be a reference to the events of the fifth-season episode , in which Torres is treated against her will by a Cardassian doctor, who, like Kejal, was holographic. The events of this episode are indirectly referenced in the later episode "Author, Author"; when Voyager becomes part of a hearing in the Alpha Quadrant to determine The Doctor's legal rights, Janeway mentions an incident where The Doctor defied orders and endangered the crew, arguing that this proves that he has developed as an individual entity rather than a program that was only ever intended to obey orders and carry out specific tasks. Voyager uses four photon torpedoes in this episode, one having previously been used in . This brings the total number of torpedoes confirmed to have been used by Voyager over the course of the series to 71, a total which exceeds the irreplaceable complement of 38 that had been established by Chakotay in the first-season episode . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.5, The sleeve suggests the two-part version (using "Flesh and Blood, Part I" and "Flesh and Blood, Part II" on the standard cover). The sleeve itself is reversible: standard Voyager layout on one side, "Special Edition" packaging with a crew promo image on the other. As part of the VOY Season 7 DVD collection Links and references Guest Stars Jeff Yagher as Iden Ryan Bollman as Donik Michael Wiseman as Beta Hirogen Cindy Katz as Kejal Spencer Garrett as Vaughn Armstrong as Alpha Hirogen Paul Eckstein as New Alpha Hirogen Co-Stars Todd Jeffries as Hirogen #1 Don McMillan as Hirogen #3 Chad Halyard as Hirogen #2 David Doty as Nuu'Bari Miner Damon Kirsche as Nuu'Bari Hologram One Majel Barrett as Computer Voice Uncredited Co-Stars David Keith Anderson as Hirogen John Austin as operations officer Michael Bailous as Hirogen Holographic Cardassian Chuck Borden as Hirogen Michael Braveheart as Hirogen Jeff Cadiente as operations officer Steve Chvany as Hirogen Jeff Clark as holographic Starfleet officer Stuart Coleman as Nuu'Bari hologram Damaris Cordelia as Mitchell Danton as holographic Starfleet officer Andrew English as operations officer Tarik Ergin as Ayala Hirogen Ashton Glover as Hirogen Dieter Hornemann as holographic Vulcan Damon Kirsche as Nuu'Bari hologram Joyce Lasley as Lydia Anderson Shauna Lewis as holographic Romulan Johnny Linares as Nuu'Bari hologram Mark Major as holographic Romulan Nichole McAuley as sciences officer Tom Miller as holographic Breen Robin Morselli as holographic Romulan Louis Ortiz as Culhane Holographic Vulcan Shanta Payne as holographic Starfleet officer Redondo Philip as holographic Starfleet officer Stephen Pisani as operations officer Keith Rayve as holographic Borg Mark Riccardi as holographic Starfleet officer Joey Sakata as sciences officer Tim Sitarz as Hirogen Andrey Starkov as Hirogen Gregory Sweeney as Hirogen Curtis Wong as operations officer Stuart Wong as command officer Unknown performers as Holographic Cardassian Holographic Jem'Hadar Holographic Klingon Two Holographic Starfleet officers Stunt double George Colucci as stunt double for Ethan Phillips Debbie Evans (stunts) Stand-ins Stacey Elder – stand-in for Roxann Dawson Sue Henley – stand-in for Kate Mulgrew Brita Nowak – stand-in for Jeri Ryan Lem Perry – stand-in for Tim Russ and utility stand-in J.R. Quinonez – stand-in for Robert Picardo and Michael Wiseman Keith Rayve – stand-in for Robert Duncan McNeill Joey Sakata – stand-in for Ethan Phillips Richard Sarstedt – stand-in for Robert Beltran and utility stand-in Stuart Wong – stand-in for Garrett Wang Unknown actor – stand-in for Ryan Bollman References 2374; abduction (kidnapping); ability; ablative armor; aiding and abetting; alliance; Alpha Quadrant; anti-photon pulse; art; autonomy protocols; Bajoran language; Bajoran religion; barbaric; bat'leth; Bible; blind spot; blood; Boray; Breen; Cardassian; cat; Celestial Temple; chief engineer; class Y planet; commandeer; confiscation; Consortium security; culture; ; damage; data processing; death; de-clawing; ; Delta Quadrant; distress call; doctor; dozen; engineer; enslave; escape pod; evasive pattern; eye; Father; fear; flock; freedom; generator; ; Grid 295; Grid 936; Ha'Dara; hexapod; high warp; Hirogen; Hirogen holographic prey; Hirogen holoship; Hirogen training facility; Hirogen outpost; Hirogen ship (aka Hirogen vessel; unnamed); hunting party; holodeck safety protocol; holodeck technology (holotechnology); holo-emitter; holographic rights; hologram; holomatrix; hull breach; ; hunting; hunting vessel; I'm a doctor, not a...; Iden's Rebellion; inertial damper; intercept course; ion emission; ion wake; Jem'Hadar; killer instinct; kilometer; Klingon; laborer; lake; leader; Lokirrim; long range sensors; low orbit; main deflector; Maquis; marriage; massacre; maximum warp; megalomania; memory; memory storage unit; meter; miner; Mining Consortium; Minister of Culture; mobility algorithm; monotanium; motor function; murder; music; name; nebula; non-verbal communication; Nuu'Bari; Nuu'Bari mining vessel; Nuu'Bari patrol ship; oppressor; organic species; "s"; Ovion; Ovion system; pain; parsec; particle weapon; phase variance; phaser bank; photonic field generator; photonic signature; physician; pilot; plasma; play possum (possum); power generator; prayer; prejudice; prey; prisoner; programmer; progamming; projection subroutine; Prophets; ; radiation; religion; red alert; replicator; Romulan disruptor pistol; safety protocol; scanning frequency; scattering field; "scenic route"; schematic; self-confidence; self-defense; sensor lock; sensor range; sensory subroutine; shield frequency; shield generator; Southern continent of Ha'Dara; spacecraft; spaceborne pathogen; spiritual leader; stealth mode; stereotype; story; student; subroutine; subroutine transplant; sulfuric deserts; summit; superiors; symposium; T'Leel; tactical algorithm; tactical officer; teacher; technician; thug; torture; tracking beam; tracking scanner; tracking technology; training facility; translation database; transporter; transporter lock; transporter range; transwarp theory; triaxillating bandwidth; tree; tricorder; trophy; turbulence; tylium; type 3 phaser; unnamed Hirogen; unnamed nebulae; ; ; vessel; violent subroutine; vocal processor; Vulcan (planet); Vulcan nerve pinch; warp core; warp signature; worship; Y class planet External links de:Fleisch und Blut, Teil I es:Flesh and Blood fr:Flesh and Blood, Part I (épisode) nl:Flesh and Blood VOY episodes
1611	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Shattered (episode)	The macroviruses, Dr. Chaotica, and Seska hinder Chakotay and Janeway's attempt to restore Voyager to its normal state after a temporal distortion shifts sections of the ship into different timeframes. Summary Teaser Chakotay enters the cargo bay where he finds Naomi Wildman and Icheb working on an educational jigsaw puzzle. Chakotay is in a bit of a hurry, looking for his stash of Antarian cider. He wants to bring a bottle to his weekly dinner with Captain Janeway. He is in a good mood and quite amused with Icheb's frustration with Naomi's playful attitude while she is supposed to be studying. He tells Icheb not to tell Neelix of his hiding place, as he only has a couple of bottles left. Icheb suggests to hide the cider among Borg spare parts, where Neelix is sure not to snoop. While Chakotay and Captain Janeway enjoy a quiet dinner in the captain's quarters – or rather attempt to, since her replicator decides to burn her pot roast – Voyager encounters a temporal anomaly. Chakotay quickly runs down to engineering while the captain gets to the bridge. In engineering, Chakotay tries to prevent a warp core breach, but a surge of temporal energy travels through the core, and hits him. He is quickly transported to sickbay showing signs of progeria on his face and in various organs of his body. Act One The Doctor treats Chakotay, telling him that his body parts were out of temporal sync with each other; some organs were as if they belonged to a child while others were as if Chakotay were an old man. However, using a chroniton-based serum the Doctor has succeeded in bringing Chakotay's body back into alignment. Chakotay decides to head straight to the bridge, and tells the Doctor to come with him in case any other crew are injured. The Doctor 'reminds' Chakotay that he's unable to leave sickbay. Chakotay, confused, asks what happened to the mobile emitter, but the Doctor has no idea what that is. Chakotay, in a hurry, leaves alone. Once in the turbolift, a strange wave of light sweeps from above as the lift rises to the bridge, and the medkit that he was carrying vanishes. When Chakotay arrives on the bridge, he causes a stir and Janeway acts as if she doesn't know him. The captain's long hair is tied up in bun, much like when Voyager arrived in the Delta Quadrant. Janeway informs him that Voyager is pursuing the Maquis ship in the Badlands, and that Chakotay is her primary target. She orders him taken to the brig, but the officers with him vanish as they go down in the turbolift, and he arrives in engineering 5 years ago during the Kazon takeover of Voyager by Seska. Chakotay manages to escape through another distortion. Seska asks the rest of the Kazon in Engineering to scan for anomalies. Act Two Chakotay manages to get back to sickbay, where he realizes that The Doctor's treatment allows him to pass through the temporal barriers. He asks the Doctor what stardate it is; the Doctor says it is stardate 49624. The Doctor won't get his mobile emitter for another year. With this in mind, Chakotay takes a hypospray with the serum in it and heads back to the bridge, where he confronts the past Janeway once more. Chakotay tells her that an anomaly has hit the ship in the future causing him to shift into the past. Janeway tells him that her helmsman (Lieutenant Stadi at the time) walked out of her ready room into the corridor and disappeared. However, the occurrence doesn't sway Janeway into believing Chakotay, so he claims the hypospray holds poison and presses it against Janeway's neck, threatening to kill her. Chakotay, still holding the captain, heads off in the direction that the crew member had gone before they disappeared. The two shift into another timeline, Chakotay having injected Janeway with the hypospray seconds earlier. Chakotay explains to Janeway that it is all true and that they are good friends in the future. Still skeptical, Janeway offers her help in formulating a plan, but they must get to sickbay. On the way to sickbay, they pass into another timeframe, one where two wounded crew members are laying on the ground unconscious. Chakotay theorizes that it may be either when the crew was under the influence of the Dream Aliens, or when the crew encountered the telepathic pitcher plant. He assures Janeway that the crew will be fine. Chakotay suggests they go to astrometrics to scan the ship for temporal fractures, surprising Janeway who doesn't think Voyager has such a lab. They enter astrometrics to find Icheb and Naomi Wildman as adult Starfleet crewmembers, surprised to see them since, in their timeline, the captain and her first officer had died seventeen years earlier. Act Three Icheb and Naomi reveal that the ship has been fractured into thirty-seven different timeframes. The focal point of the surge appears to have been obliterated. Naomi wishes that Seven of Nine was there to help them but tells Chakotay and Janeway that they don't know when or where she is. Before Chakotay leaves, Icheb tells him that he never told Neelix where Chakotay hid his bottles. They find her in Cargo Bay 2, still a pure Borg drone, with the other Borg drones that beamed aboard during their alliance. She informs them that the Borg vessels experience chronological stress when they travel through their tunnels, and that they keep the Borg vessels in temporal sync by projecting a chroniton field and suggests that if they modify the bio-neural gel packs that run Voyagers systems, it will return Voyager to Chakotay's timeframe. The Doctor modifies a pair of bandoleers to resist the temporal barriers to hold the hyposprays. The Doctor starts talking about the Delta Quadrant, but Chakotay cuts him off, not wishing to violate the Temporal Prime Directive any more than Chakotay already had. Chakotay and Janeway head off to inject the necessary packs, first passing through time into past events, although Chakotay does not realize this at first. They inject the gel pack, and narrowly escape when a macrovirus from that timeframe's infestation turns up. It chases them through a time barrier and disappears. They find themselves having enter the holodeck into Tom Paris' favorite holoprogram, Captain Proton, where they are met by the various cheesy characters that they must get past to inject the gelpack in holodeck number two, mainly achieved by Janeway's reluctant impersonation of Queen Arachnia. Act Four Janeway is strapped to a table while Chaotica is preparing to torture her. Then Janeway and Chakotay tell Chaotica that there is a danger from the 8th dimension. Chaotica is then manipulated into exposing and injecting the gelpack and they manage to convince him to release them to rid the rest of Chaotica's realm of those gelpacks. In the transporter room, they encounter several members of the Maquis, including B'Elanna Torres and Ayala. They are hostile to Janeway and Chakotay, but allow them to inject the gelpack and leave. Janeway questions Torres' comments about stranding them in the Delta Quadrant and Chakotay assures her that she did it for a good reason. When they enter the mess hall, they find it being used as a sickbay and injured crewmen litter the floor, being treated by Tom Paris for radiation poisoning due to the temporal anomaly in Chakotay's timeline. Neelix gives Janeway some coffee and assures her that he has faith that they will come through this crisis like they have all others – surprising Janeway as she has obviously never met Neelix before – while Chakotay injects the gelpack. Janeway then finds a badly-injured Tuvok, who greets her before dying. In a turbolift Janeway hatches an alternative plan: to bring the entire Voyager into her timeframe. She intends to prevent Voyager from being stranded in the Delta Quadrant in the first place; having heard about encounters with the Borg, dreaming aliens, macroviruses, telepathic pitcher plants and the like, she believes that they'll hit one disaster after another and she's better off ignoring the Temporal Prime Directive if it means avoiding these. Chakotay tells her that she's only seen the bad side of their journey, and there's plenty of good things ahead as well; she'll help out many species, allow Seven of Nine to regain her humanity, reform Tom Paris into an outstanding officer and husband to Torres, provide a home for Naomi and Icheb, and combine a group of Starfleet officers and Maquis rebels into a crew who will make just as much of an impact on the Delta Quadrant as it does on them, led by a captain who doesn't doubt for one minute they'll make it home. Janeway, swayed by his argument, agrees to help return Voyager to Chakotay's timestream. Later, Chakotay fills Janeway in on Seska and the two agree that she and the Kazon won't cooperate. Janeway however has a backup plan. Chakotay goes to engineering and explains everything to Seska, who agrees with his solution… at least, part of it. She realizes that if Chakotay is there from the future, and his timeline's version of Voyager is free, then they must have re-taken the ship from the Kazon and makes an attempt to bring the ship into sync with her timeframe instead so she can stop this. Act Five Meanwhile, Janeway, Paris, and Kim watch from the higher section of engineering. Paris and Harry Kim leap onto two of the Kazon, while Naomi and Icheb correct the modification that Seska had already made. Ayala and B'Elanna Torres disarm another Kazon guard, but Seska holds Janeway hostage. She disarms Janeway and holds a weapon to her head, forcing all of them to drop their weapons. Seska is about to kill Janeway when Seven of Nine enters engineering, repelling Seska's shots with a Borg force field. She slaps Seska and chokes her, forcing her to release Janeway. This means that Chakotay can initiate the pulse, thus erasing the memories of the other participants while Chakotay has Torres help her avert the events that caused the anomaly by diverting all of Voyager's power to its deflector system and setting it to a specific frequency, thus using the deflector array as a lightning rod for the energy surge, burning it out, but no other damages occur. Back in the present, Chakotay reminds Janeway that they have not finished their dinner. Janeway is surprised but follows Chakotay off the bridge. Back in her quarters, Janeway asks Chakotay about the experience. He declines to answer, gently reminding her of the Temporal Prime Directive. When they run out of cider, Janeway surprises Chakotay by suggesting he should go to the cargo bay to get another bottle. When Chakotay asks her how she found about it, Janeway also declines to answer, reminding him of the Temporal Prime Directive. Memorable quotes "There." "Excellent. You recognized the complementary base pair." "Actually, I just found two pieces that fit together." "You're missing the point." "I thought the point was to finish the puzzle." "And to learn something about genetics." "If you really want to help, find me a green piece that looks like Tuvok's ear." - Naomi Wildman and Icheb working on a genetics puzzle "Once, a long time ago, I called this replicator a glorified toaster. It never forgave me." - Janeway, after burning yet another pot roast "It's a fascinating story, but as the Ferengi say, a good lie is easier to believe than the truth." - Janeway "The Captain and I haven't risen from the grave." - Chakotay "Commander, in case you were wondering… I never told Neelix where you hid that cider." - Adult Icheb, in an alternate future (2394) "Your plan is inefficient." "Why?" "There are only two of you. If I were to assimilate you into a small Borg collective, you could then assimilate others. The work would proceed more quickly." "Sorry, but I like my plan better. We'll be back." - Seven of Nine and Janeway "Doesn't sound like Mr. Paris' tastes are very sophisticated." "That's why we love having him around." - Janeway (from 2371) and Chakotay after entering the Captain Proton holodeck simulation "You're going to have the opportunity to study things no Human has ever seen before." "Including some very large germs." - Chakotay and Janeway (from 2371), after they narrowly escape a macrovirus "If we restore the timeline, remind me to cancel Mr. Paris' holodeck privileges." - Janeway (from 2371), after experiencing the Captain Proton holodeck program "What's going on, and what the hell are you doing in that uniform?" - Torres (from 2371), when Chakotay enters the transporter room with Janeway "If Seven's idea works, Tuvok and those other crewmen will be fine." "They'll still be stuck in the Delta Quadrant. If the temporal anomaly doesn't kill them something else will – the Borg, telepathic pitcher plants, macroviruses – the Delta Quadrant is a death trap!" "What about the Temporal Prime Directive?" "To hell with it!" - Janeway (from 2371) and Chakotay, as the captain suggests realigning the ship with her timeframe to prevent Voyager from getting stuck in the Delta Quadrant "That is not the future I have in mind." "In that case… goodbye Chakotay." - Chakotay and Seska "I'd like to thank you now, for putting your doubts aside and helping me to put mine aside as well. Good luck to each of you." - Janeway (from 2371), just before the timeline is restored "For two people who started off as enemies, it seems to get to know each other pretty well, so I've been wondering… just how close do we get?" "Let's just say there are some barriers we never cross." "See you in the future." - Janeway (from 2371) and Chakotay, as the captain wonders about the close friendship that she and Chakotay share "Have you ever heard of a lightning rod? In about three seconds we're going to need one." - Chakotay, to Torres after the timeline has been restored Background information Story The story for this episode was pitched to Executive Producer Kenneth Biller by freelance writer and former Voyager writing intern Mike Sussman during the show's sixth season. Biller bought the pitch, although the episode wasn't made until the following season. Sussman, who by this point had sold at least five stories and written two teleplays for the series, was hired as a Story Editor for that final season. Sussman’s original pitch was titled “Shatterday,” an homage to the premiere of the 1980’s reboot of . The story for that Twilight Zone installment was based on a short story of the same name by Original Series writer Harlan Ellison. This episode resulted in legal action against Paramount after a writing team, who claimed to have pitched a similar idea to a member of the Voyager writing staff, threatened to sue for the alleged theft of their idea. As was customary, Paramount settled the lawsuit with the writing team for an undisclosed sum. Production Filming of this episode took place from to 15 October 2000. () Jeri Ryan's voice was evidently altered in postproduction, to give it a multi-track resonance. Continuity In this episode, different parts of the ship feature different time periods, many of which are depicted in previous episodes: In sickbay, The Doctor identifies the stardate as 49624, which falls between the events of and . He later states, erroneously, that he has been continually running for "almost three years". On entering the bridge, Chakotay visits a time after Voyager has departed for the Badlands but before it has been displaced by the Caretaker's array. Scenes depicting this narrow time frame are featured in . On entering engineering, Chakotay revisits the events of , finding Seska and the Kazon in control of the ship. He incorrectly identifies this as being "five years ago"; it was actually four years previously. Chakotay and Janeway enter a corridor during the events of , which Chakotay refers to when saying "this could be the day the telepathic pitcher plant put us all into comas." He also suggests it "might be the time aliens invaded our dreams," in a reference to the events of , but the dimmed lights suggest otherwise. In Cargo Bay 2, Chakotay tells Janeway "this looks like the time you forged a temporary alliance with the Borg," referencing the events of . In another corridor, they encounter a macrovirus; Chakotay explains to Janeway that "they infected the ship a few years ago," referring to the events of . In the Holodeck, they find Paris' Captain Proton holoprogram running. It's not clear what time period they've found the holodeck to be in, but it could be shortly after the events of , as Chaotica tells Janeway, who is playing as Arachnia, "you beguiled me once with your foul potions," referring to the events of that episode. In the transporter room, Chakotay finds B'Elanna Torres and others in their Maquis uniforms, indicating that he is revisiting the events of , specifically, the moment after Torres is beamed off the Maquis ship. Although not depicted, the events of several other episodes are also referenced in dialog: Meeting the future Naomi and Icheb, Chakotay tells Janeway that "Naomi was the first child born on Voyager," referring to the events of , and that they "rescued Icheb from the Borg," referring to the events of . Chakotay mentions Janeway's regret about never learning to play an instrument, which she told him in . The future Naomi says "When I was little, there was nothing I wanted more than to be the assistant captain," a desire she first expresses in . Explaining who Seska was, Chakotay tells Janeway "she was a member of my crew, who turned out to be a Cardassian spy," referencing the events of . Of the Borg, Chakotay warns Janeway "we'll run into them on a few occasions," in a reference to , , and . Chakotay explains the origin of the astrometrics lab to Janeway, telling her that "Harry designed it, or will design it," in a reference to the events of where the lab first debuted. Chakotay guesses that Janeway "burned the roast again." She had previously burned a replicated pot roast in . Janeway claims that she "started out with a crew of a hundred and fifty three". However, when Stadi introduces Voyager to Paris in , she says the ship has a "crew complement of one hundred and forty one". This episode is the last appearance of Doctor Chaotica (Martin Rayner) on the series. Robert Duncan McNeill was disappointed that he only appeared three times. "Personally, I would have liked to have done a lot more of Captain Proton," he admitted. "I think the studio and the producers felt like we had done it. We had reached such a pinnacle with it that to go back would be kind of doing it a disservice and undermining the specialness of the 'Bride of Chaotica!' episode in particular. They were hesitant to go back for fear of ruining everyone's memories of it, but I would've loved it." () This episode is also the last appearance of Seska (played by Martha Hackett) and the Kazon. Tuvok's death is depicted in this episode. It is the only time in the series his death is depicted. Tuvok's last words, to Janeway ("I want you to know it has been an honor to serve with you, and to be your friend. Live long and prosper.") are a variation on Spock's last words to Kirk in ("I have been... and always shall be... your friend. Live long... and prosper."). Alexander Courage's theme from Star Trek can be heard in the background. Although Seven of Nine's voice was evidently multi-tracked for this installment, the audio effect is missing from her early appearances at the beginning of season four. Janeway intended to serve a pot roast during her dinner with Chakotay, despite the fact that Chakotay had been previously been a vegetarian in and would later be referenced as such by Neelix in . However, as it's a replicated meal, rather than an animal that was killed for food, Chakotay might not have reason to object to eating it. Chakotay makes mention of "the Ocampans". In other episodes beginning with , whenever referring to the plural of this race, they are always called "the Ocampa", never "Ocampans." Janeway and Harry Kim also refer to Kes as an "Ocampan" in and . The past version of Janeway discusses changing the future with Chakotay, expressing a desire to avoid being stranded in the Delta Quadrant, but ultimately concedes to Chakotay's point that the crew of Voyager have developed as a family as a result of their predicament. Despite this, in , Admiral Janeway returns from the future to save Voyager from a future she cannot bear. Apocrypha In the novel A Pocket Full of Lies, Chakotay learns that the temporal anomaly that caused this crisis was actually the result of a Chroniton torpedo fired at Voyager by the Krenim in an attempt to understand the events of the Year of Hell and prevent it from disrupting the new Krenim Imperium; while their plan to regress Voyager back to a point before their involvement in the conflict failed, they were able to take the past Janeway prisoner, resulting in her becoming a leader in a protracted conflict on a disputed planet between the Rilnar and the Zahl with the goal of keeping her occupied. The novel also reveals that Chakotay completed a classified report on these events for the benefit of the Department of Temporal Investigations, attending a classified briefing about it once the ship returned to Earth. Reception This was the first original Star Trek episode to air in the 21st century (January 17, 2001). U.S. Democratic Party leader and Georgia governor candidate Stacey Abrams, who has spoken at length about how the philosophy of Star Trek has shaped her personal and political beliefs, is a fan of episodes about “space-time anomalies,” and this installment in particular. In 2019, a New York Times interview with Abrams about her love of Star Trek stated, “One of her favorite things is ‘Shattered,' the 157th episode of Voyager, in which the ship goes through a temporal rift that tantalizingly splits it into different timelines.” The articled adds, “[Abrams] admires Captain Picard but reveres Admiral Janeway.” This episode was nominated for an Emmy Award for Outstanding Costumes For A Series. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.6, As part of the VOY Season 7 DVD collection As part of the Star Trek: Fan Collective - Alternate Realities collection Links and references Guest Stars Martin Rayner as Doctor Chaotica Manu Intiraymi as Icheb Scarlett Pomers as Naomi Wildman Nicholas Worth as Lonzak Martha Hackett as Seska Co-Stars Mark Bennington as Adult Icheb Vanessa Branch as Adult Naomi Anthony Holiday as Rulat Terrell Clayton as Andrews Majel Barrett as Computer Voice Uncredited Co-Stars Michael Bailous as Kazon warrior Tarik Ergin as Ayala Satan's Robot Bernie Escarcega as command officer Sunny Hawks as Maquis member Kerry Hoyt as Doug Bronowski Irving Lewis as Kazon warrior Anna Lumarque as chief petty officer Mark Major as Kazon warrior Tom Miller as Kazon warrior Louis Ortiz as Culhane Deryl Patterson as operations officer Stephen Pisani as operations officer Pablo Soriano as operations ensign Stunt Doubles Jophery C. Brown as stunt double for Anthony Holiday Mario Roberts as stunt double for Robert Beltran Stand-ins Brita Nowak – stand-in for Jeri Ryan References access port; ; Alpha Quadrant; analeptic; anetrizine; Antarian cider; assassination; assimilation; base pair; astrometrics; Ayala; backup plan; Badlands; bio-neural gel pack; black and white; Captain Proton; chroniton; chroniton-infused serum; chronokinetic surge; Dante's Inferno; Delta Quadrant; dozen; double helix; Earth; engagement gift; firstborn; gift; hypospray; inertial damper; intelligence file; ; Jefferies tube; Kazon; Kazon-Nistrim; kidney; lie; liege; lightning; lightning rod; lines; litter; liver; macrovirus; Maquis; Milky Way Galaxy; Mollie; neurogenic field; neutrino; oak; ; poison; polarity; positronic relay; pot roast; ; Queen Arachnia; Queen of the Spider People; reading list; replicator; ; rulebook; runt; sabotage; Satan's Robot; senility; serial; spatial rift; Stadi; Taris Seti IV; telepathic pitcher plant; temporal barrier; temporal flux; Temporal Prime Directive; temporal sensor; thermal regulator; thunderstorm; toaster; transwarp conduit; tutor; Val Jean; ; External links VOY episodes de:Zersplittert es:Shattered fr:Shattered (épisode) nl:Shattered
1612	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Lineage (episode)	Torres discovers that she is pregnant, and faces a private fear that she has had to deal with since her childhood. Summary Teaser In 2377, B'Elanna Torres begins her morning on the by acting uncharacteristically pleasant to everyone, including her engineering staff and her husband, Tom Paris. Making her way up to the second level of engineering, she finds Icheb and Seven of Nine working and becomes angry that Icheb is in engineering without her permission. While venting her anger she collapses in dizziness. Icheb grabs a medical tricorder and scans Torres, detecting a lifeform inside her which he believes to be a parasite. Seven takes a look at the readings, then activates her combadge to contact sickbay: Torres is pregnant. Act One In sickbay, The Doctor confirms that Torres is indeed pregnant, and explains her fainting spell as the clash between the fetus' Human and Klingon metabolism which sometimes can converge violently. The Doctor later explains that the fetus is healthy, but tells Torres that she can expect mood swings. Paris and Torres decide that they don't want to know the baby's gender ahead of time. Paris and Torres are both nervous and excited to be parents; both agree to keep Torres' pregnancy a secret for the time being. However, when Paris enters the mess hall, he is greeted by Voyager crewmen and Neelix applauding. Paris asks how they found out and Neelix replies that Icheb told them. Neelix then asks Paris if he can become his child's godfather, given that he has experience with Naomi Wildman. Paris promises to take Neelix under consideration. Torres goes back to work in engineering, where she is greeted by Chakotay. He notices that she has a certain "glow" to her this morning. Captain Janeway comes out from behind an engineering console and congratulates Torres on her pregnancy. She encourages Torres to take as much time off as possible, but Torres insists that she can still carry out her duties. Paris later runs into Tuvok in a Jefferies tube and asks if he needs his help. Tuvok replies that this may be the first time that Paris has asked to help Tuvok in six years. Paris reveals his true reason for talking to Tuvok is to get advice from him, since Tuvok, who has four children, is the only father on the ship. Tuvok tells Paris that being a parent is an enormous responsibility, and he has found that offspring can be "disturbingly illogical, yet profoundly fulfilling." He advises Paris to anticipate paradox. Paris predicts that he is going to be volunteering to help Tuvok a lot in the future. That evening, Paris sets a candlelight dinner for his wife and himself. However, when Torres arrives at their quarters, she is agitated, complaining that Captain Janeway practically relieved her of duty and of Voyagers crewmen offering their advice unasked. Paris unwisely brings up the fact that Torres will become a Klingon mother, which angers her more for some unknown reason, before she begins to calm down as she recognizes that she is in a mood swing. Both receive a comm from The Doctor requesting them in Sickbay. The Doctor explains to the expectant parents that the child has a deviated spine. Torres remarks that both she and her mother had surgery for it. The Doctor goes on to reassure them that the child won't need surgery; genetic modification will correct it. During his pedantic recitation, he accidentally reveals that the Paris' child will be a girl; he tries to cover by claiming that he wasn't directly referring to the baby's actual gender, but they tell him that he might as well confirm it now anyway. At Paris' request, The Doctor projects a holographic image of their daughter. Paris thinks that she is beautiful, but Torres wonders why she has Klingon ridges. The Doctor says that Klingon traits are dominant in a few generations. Torres suddenly remembers when she went on a camping trip with her father, John Torres, her uncle Carl Torres, and her cousins Dean, Elizabeth, and Michael. She also remembers when her father told her that she looked so much like her mother. Act Two Torres and Paris later go to bed in their quarters, and Torres remembers more of the camping trip. She was to go hiking with her cousins, but did not want to since she believed that they did not like her. Her father assured her that this was not the case. The next morning, Torres arrives in sickbay to have the genetic treatment to correct the spine deviation. She has another flashback to the camping trip. She remembered the one time when her cousin, Dean, put a worm in her sandwich when she wasn't looking. When Torres saw the worm, she screamed. Dean replied that he thought that Klingons liked their food live, in reference to gagh. Elizabeth tried to defuse the situation by calming young Torres down, which was unsuccessful, since Torres ran away from her cousins. After this memory flashback, Torres wakes up from the treatment. Soon after, Torres makes her way to Voyagers holodeck, where she projects what her daughter will look like at twelve years of age. Torres sees her child's cranial ridges, then begins to delete certain genetic sequences, one which turns her hair from brown to blonde. Torres deletes more sequences, and the cranial ridges are gone. The child now looks completely Human. With that, Torres saves the holo-image and restricts access to the file to herself only. Act Three Torres returns to sickbay and asks The Doctor to make more genetic alterations. The Doctor stresses that there is no valid medical reason to do so. He also warns her that if he attempts to make more alterations, it will affect her appearance and personality and possibly even cause problems in her unborn daughter's health. He asks her to discuss the matter with her husband. In the , Paris says absolutely no to the changes. He then realizes that the real reason Torres wants to make the changes is because she is part Klingon. She wants to spare their child from being bullied like she was when she was young. Paris assures her that she will not be treated as an outcast, because the Voyager has a diverse crew of Bajorans, Bolians, and others. However, Paris and Torres cannot come to an agreement and come to Captain Janeway. Torres asks for Janeway to do the same thing that she did for Seven of Nine to do for her child, in that when she freed her from the Borg Collective and made alterations to her, when she removed her implants and other physiological changes. Paris and Torres openly argue in front of the captain, until Janeway stops their bickering. She comes to the conclusion that the problem is not ethical, it is marital. She also stresses that while she is willing to give advice as a friend, she will not overrule The Doctor on his warnings as it would be highly inappropriate as captain to do so. This sends Paris and Torres into an argument on the way back to their quarters, where the upset Torres locks him out. Paris ends up spending the night on the couch in Harry Kim's quarters. Sleeping alone, Torres again recalls the camping trip, when she finally returned after running away from her cousins. Her father was extremely worried about her and sat her down to talk to her. Torres stated that she wished that she wasn't Klingon, since her schoolmates and everyone else made fun of her. Young Torres asked to be left alone to read. John Torres left his daughter alone and ended up talking around the campfire with his brother's family about their fishing stories instead. Act Four Later, Torres remembers when she was in her camping tent and overheard her father talking to his brother about how moody and angry B'Elanna had become, like his wife, Miral. Carl was somewhat surprised; he thought John truly loved Miral. John agreed that he did, but remembered when their mother warned him to not marry her; she liked Miral, but was not sure if her son could handle the relationship, but he did not listen and now he had to live with two Klingons. Then, Torres is in the present, when Chakotay comes up and makes a request that Torres name her child the feminine version of Chakotay and asks to be godfather to the child. Torres promises to take him under consideration. He asks her to come with him to the mess hall and have a drink. She agrees and while walking down the corridor, they run into Paris. Chakotay suddenly "remembers" that he forgot something, and leaves the two alone to talk. They both reconcile, when they are summoned to sickbay again. The Doctor explains that he has reviewed the data on their child and has come to the conclusion that the genetic alterations that Torres proposed may, in fact, be necessary, given the fact that Human and Klingon metabolism clash and that the child may undergo metabolic failure. The Doctor schedules a procedure for the next morning. Paris is a little disturbed by The Doctor's recommendation and takes the data to Icheb and Seven, asking Icheb to use his genetics background to review it. Icheb finds the alterations to be very sloppy, which is unlike The Doctor's usual work. They also discover that The Doctor's program has been tampered with. Paris tries to contact Torres, but she does not answer. He asks the computer where she is and it states that she is in sickbay. Act Five Paris asks Tuvok to come down to sickbay, with a security team. Tuvok arrives with a security officer and Lieutenant Ayala. They cannot open the doors to sickbay, so Tuvok opens the doors manually, and they enter sickbay. There is a force field erected around the surgical bay. Tuvok contacts the bridge and asks Kim to cut power to the surgical bay. He is successful in doing so. The Doctor asks what is going on, and Paris replies that his program has been tampered with. Torres asks him to ignore Paris. Tuvok asks The Doctor to deactivate himself until they can determine the extent of the tampering to his program. The Doctor agrees and deactivates himself. Paris asks Tuvok and his security force to step outside sickbay so he can talk to his wife. Torres explains that she and her father were inseparable, until she began to grow older. Later, during the camping trip, she was going to run away again, after she heard her father and her uncle Carl talking about her and her mother. She told him that if he couldn't stand living with them, then he should just leave. Twelve days later, he did just that. Paris realizes that Torres has blamed herself for her father leaving and is afraid that Paris will do the same someday. Tom assures her that he will never leave her or their unborn child and hopes to have more Klingon children with her. A few days later, Torres reverses the changes she made to The Doctor and comes to sickbay and apologizes in person for changing his program. The Doctor accepts her apology, and Torres feels the baby kick. The Doctor asks if he may feel the baby kick too. Torres places his hand on her abdomen, just as the baby kicks again. Then, Torres asks The Doctor to become her child's godfather, given that Neelix has Naomi Wildman and that Chakotay knows less about kids than Harry Kim. The Doctor accepts elatedly. Torres asks to see her daughter again in the holographic projection. The Doctor activates the projection and Torres sees her daughter with her Klingon ridges and admits that she looks kind of cute. Log entries "Medical Officer's Log, Stardate 54452.6. Lieutenant Torres has deleted the alterations she made to my program. It's a relief to be back to my old self again." Memorable quotes "You're in a good mood." "It's another beautiful day in the Delta Quadrant." "What did you have for breakfast?" - Tom Paris and B'Elanna Torres "Nothing's ever rattled her. Not even the Cardassians." "This is scarier." - Chakotay and B'Elanna Torres, to Kathryn Janeway "I'm detecting another lifesign!" "Where?" "Inside Lieutenant Torres. It could be a parasite." - Icheb and Seven of Nine, discovering Torres' pregnancy "Have you checked the warp core for radiation leaks today?" "No. Why?" "You have a certain… glow about you." - Chakotay and B'Elanna Torres, after Chakotay discovers Torres' pregnancy "It's all over now. No more late nights on the holodeck, no more racing the Delta Flyer." "Don't you think you're exaggerating just a little?" "I've seen it happen. The new dad gets tied down with family, old friends drop away." "It's fatherhood, Harry, not exile." - Harry Kim and Tom Paris "Maybe that's what pregnancy's for, time to let reality sink in… before your life spins out of control." - Harry Kim, to Tom Paris "Offspring can be disturbingly illogical, yet profoundly fulfilling. You should anticipate paradox." - Tuvok, to Tom Paris "As they say on Talax, 'Omara S'alas', 'Good news has no clothes'." - Neelix, congratulating Lieutenant Paris "Mom warned me not to marry Miral." "Mom loved Miral." "Sure she did, but she never thought I had the constitution to live with a Klingon and now I'm living with two of them." - B'Elanna's father John and uncle Carl about B'Elanna's mother "I heard what you said to Uncle Carl." "You shouldn't be listening to private conversations." "And you shouldn't have said what you did about Mommy!" - Young B'Elanna and her father, John after she overhears his conversation with Uncle Carl. "If you can't stand living with us, then why don't you just leave?" - Young B'Elanna to her father "Look, whatever the reason was, I'm sure it was a horrible thing for you to live with. Wait a minute, you don't think... B'Elanna, I am never going to leave you." "You say that now but think about how hard it is to live with one Klingon. Pretty soon it'll be two." "Someday I hope it's three or four. I mean it, and I hope that every one of them is just like you. B'Elanna, I am not your father and you are not your mother, and our daughter is going to be perfect just the way she is." - Tom Paris and B'Elanna Torres "She is cute, isn't she?" - B'Elanna Torres upon seeing the holographic projection of her baby one more time. Background information Production This episode's working title was "Inner Child". In the documentary 50 Years of Star Trek, Roxann Dawson referred to this episode as "the moment that I felt was so haunting to me." She went on to say, "I wept when I read the episode [...] It was a difficult and wonderful episode." A script from this episode was sold off on the It's A Wrap! sale and auction on eBay. Continuity Paris asks Kim, jokingly, if he had heard the news of Torres' pregnancy from the "datastream from Earth," referring to the monthly transmission from Starfleet that began in the sixth season episode . The Doctor calls Lieutenant Paris "Tom". This is a rare example of The Doctor calling a crewmember by their first name. When Paris starts listing the species aboard Voyager, Torres interrupts to say "and hundred and forty humans." Voyagers crew complement was most recently mentioned as being 146 in the fifth-season episode , though this is likely to have changed a few episodes later during the events of where three crew are seen to be killed and five crew are integrated from the USS Equinox. Assuming the crew complement stood consistently at 148 since, and that Torres was being exact, this would mean there are 8 non-human crew. Tom Paris goes to Tuvok to ask for advice about what he can expect from fatherhood, and he tells that Tuvok is the only father he knows. Tuvok is probably the only senior officer who is a father, but other Voyager crewmembers are also fathers: in , Janeway mentions Ayala's children, and in , Joe Carey notes that he has two children. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.6, As part of the VOY Season 7 DVD collection Links and references Guest Star Manu Intiraymi as Icheb Co-Stars Juan Garcia as John Torres Jessica Gaona as Young B'Elanna Javier Grajeda as Carl Paul Robert Langdon as Dean Nicole Sarah Fellows as Elizabeth Gilbert R. Leal as Michael Majel Barrett as the Computer Voice Uncredited Co-Stars Richard Bishop as operations division officer Tarik Ergin as Ayala Bernie Escarcega as command officer Erin Price as Renlay Sharr Unknown performers as Operations division officer Asian crewman Maquis operations Miral Paris, age 12 Stand-ins Brita Nowak – stand-in for Jeri Ryan References ; antique; appendectomy; athlete; athletics; babysitter; Bajorans; battlefield; biological system; birthing technique; Bolian; brak'lul; Cardassian; Chell; ; couch; crib; Dean Torres's teacher; John Torres' mother; ; Delta Quadrant; deviated spine; diatonal amplifier; disposition; dizziness; DNA analysis; DNA sequence; eagle; Earth; elk; exile; fainting; fatherhood; "Flotter and the Perfect Day"; Floxia; folk wisdom; generation; genetic engineering; geneticist; genome; gourmet; Grand Canyon; Half Dome; hero worship; holographic projection; hormone; Human; hyper spanner; Jefferies tube; Klingon; Klingon food; list; logic; mathematics; mathematical ability; medical ethics; Miral; mixed species; mood swing; Monument Valley; name; obstetrics; paradox; parenting; parenting class; ; peanut butter toast; pediatrics; prenatal enrichment program; spinal column; stamina; Starfleet manual; statistical analysis; sunset; Talax; Talaxian; Taya (name); toaster; trans-abdominal vocalization; ; Vulcans; warp core; warp mechanics; ; Yellowstone National Park; Yosemite National Park External links de:Abstammung es:Lineage fr:Lineage (épisode) it:Discendenza (episodio) nl:Lineage VOY episodes
1613	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Repentance (episode)	After Voyager rescues the crew of a severely damaged alien vessel carrying convicts to their executions, the crew begins to question the aliens' legal system. Summary Teaser responds to a distress call from a severely damaged ship. When Harry Kim detects eleven life signs, two weak ones, Captain Janeway has the weak ones beamed to sickbay, and the rest to cargo bay 1. Tuvok sends security teams to both locations. When the crew of the damaged ship is beamed aboard, one of the aliens, Yediq, is dismayed that he and his security officers do not have their weapons. Tuvok assures him they will be returned to them when they leave. They are guarding eight very dangerous prisoners, two of whom did not appear with them. Those two are in sickbay, and one of them, Iko, holds Seven of Nine hostage with a scalpel. Act One The Doctor has the security officers put down their weapons, and begins negotiating with Iko. Tuvok walks in, and says once again he will not be harmed. Yediq, however, informs him he will not negotiate, making things worse. Fortunately Seven managed to disarm him, and his next target, The Doctor, simply allows Tuvok's phaser shot to go through him. Later, Tuvok asks Yediq in the conference room why he did not use the escape pods. Yediq replies that he did not want his prisoners to get away, despite the grave risk. He is taking them back to their homeworld for execution. All were murderers, and several are multiple offenders. He asks to be taken back to his homeworld, which is 13 light-years in the wrong direction. To avoid any more delay, he even agrees to have his world send a ship to pick them up. Janeway agrees. After the meeting, Chakotay raises the ethical implications of helping take prisoners to their deaths. Janeway says she understands, but the Prime Directive applies. In sickbay, Seven of Nine has recovered, and The Doctor does have a minor glitch. Janeway comes to check on their progress, when she is threatened by Iko. He presses his hand on the sickbay force field, and says that he will kill them all if he is not released. She has Tuvok beam them to their new accommodations in the cargo bay: eight cells with tritanium chain mesh, and impenetrable force fields, as well as the guards with their weapons, which they will only be allowed to carry in the cargo bay. Soon after, Neelix arrives with Talaxian spice stew served over leola rice pilaf. Yediq tells him to take it away, since these men do not deserve such a meal. However, when Neelix points out the Federation protocols for treatment of prisoners, he lets them take the food. Joleg thanks Neelix for standing up to him. Back in sickbay, Seven of Nine, while repairing The Doctor, debates the ethics of capital punishment. The Doctor argues for rehabilitation, stating that the emotional basis for eye-for-an-eye is revenge. Seven argues for capital punishment, pointing out the resources necessary. She admits that she was seeing both sides of the argument, but The Doctor is still annoyed. In the prison cell, the prisoners fight among themselves. Joleg teases Iko about his hunger, saying it is the first time he could not steal Egrid's meal. When Iko throws his bowl at the force field, the guards show up. Joleg says Iko did not get enough to eat, and Yediq threatens that if Iko causes another disturbance, he will not be fed the rest of this journey. He does pull-ups on the top of his cage, and implicitly threatens Yediq's children, Boche and Ledara. Yediq has one of his guards beat him. The Starfleet security officers immediately rush over, and put a stop to it. Act Two After disarming the guards, the Starfleet officers take Yediq straight to the captain. Janeway considers his action unjustified: in her mind, there is no cause for beating a defenseless man, no matter what he has done. Yediq simply replies that violence is all he understands; he has spent his entire life hurting people. Janeway sees that as an excuse, and denies them further access to the cargo bay over his objections to Tuvok's competence. In sickbay, The Doctor asks Seven to assist in repairing Iko's injuries. Since his parietal lobe has been badly damaged, he asks for some of her nanoprobes to repair it. She reluctantly agrees to give them, but does not see what the point is in saving the life of someone who will soon be executed. He says that what happens to them in the end is irrelevant; he will not let them die aboard Voyager. When Neelix serves the prisoners their next meal – which comes far sooner than they expected – Joleg gets Neelix to ask why Joleg is there, and then tells Neelix why. Joleg says it is because he is Benkaran; they are all criminals, and when he was found at the scene of a murder, he was arrested. Joleg's claim of innocence was dismissed. In sickbay, Iko wakes up, and is surprised to hear it was Seven's nanoprobes which saved his life. He also adds that he is glad to see she is not afraid of him, and was not even afraid of him when he held the scalpel to her throat. In the mess hall, Neelix has been postponing dinner as he reads about the Nygean criminal justice system. He is rather disturbed by what he finds (which he relates to B'Elanna Torres and Tom Paris, who have been waiting for fifteen minutes). Benkarans are ten times more likely to be executed for their crimes, and fill 80% of prisons, despite the fact they live in 10% of all Nygean space. In fact, Joleg's trial records indicate he was convicted on circumstantial evidence. Paris is skeptical, thinking Neelix is "the softest touch in the Delta Quadrant." Paris also adds that when he was an inmate at the Federation Penal Settlement, "everybody had a story." Neelix, however, points out that no one there was sentenced to die. In sickbay, The Doctor and Iko are getting along. When Seven of Nine asks, The Doctor explains that Iko is now a model patient, much different than he was when he had his run-in with her. She suggests he has an unstable personality, making his changes in behavior expected; The Doctor should be wary of attempts to manipulate him. All of a sudden, he starts complaining of pain in his stomach. The Doctor's medical tricorder scans detect nothing, but he insists on telling The Doctor about the man he killed. The Doctor concludes it is guilt. He blames them, saying he never felt guilty until they used the nanoprobes on him. Despite the fact he could die, he tells them to remove the nanoprobes. Act Three Confiding with Seven, The Doctor believes it is in fact the Borg technology. His latest scan shows new neural pathways throughout his cortex, instead of just bypassing the edema. However, he cannot be sure it is abnormal without accessing information from the Nygean government. Iko then asks Seven of Nine to stay with him; he is scared. He talks about his childhood, how he named constellations. She takes interest. Meanwhile, in the prison cell, Neelix plays a game of kadis-kot with Joleg under the watchful eye of the Federation guards. He asks about the statistics he read. Joleg tells him there is nothing that can be done. Once you are convicted of murder, the family of the victim sentences you. Sometimes there is no punishment at all in the case of forgiveness, or if a negotiated settlement can be reached. Favoring the victims in this manner is the basis of the Nygean legal system. Neelix suggests he can get the Captain to compensate the victims, but Joleg says he does not want that on his conscience. He simply asks for a letter to be sent to his brother to tell them what happened, which Neelix gladly agrees to do. In sickbay, Seven of Nine gives the recovering Iko an astrometrics log, consistent with his interest in the stars. He just calls them numbers, so she offers to bring a star chart after her next shift. He also says that he deserves to die, since he just hurts people. Later, The Doctor shows the captain and Seven of Nine the results of his research on Iko's brain. The Doctor explains he has identified a node like the Human pineal gland, and has discovered that Iko's node was detached due to a birth defect. When he used the nanoprobes to repair the injuries, they reattached it as well, making his violent impulses controllable and effectively awakening his conscience. Since he has shown great guilt, and the idea of violence makes him ill, in his medical opinion, he is safe. Act Four They take this information to Yediq, and suggest based on this new medical evidence Iko's case be re-examined. Yediq says none of that matters, and still believes he should be put to death. Janeway points out that none of their opinions matter; it is the law that counts. Tuvok then asks if Iko has any means of appeal, and Yediq says that he does: Iko may attempt to appeal to the sentencing family. The captain orders Yediq to help Tuvok draft an appeal. Iko, however, does not want that. He wants to die. He cannot stop thinking about what he did, and he wants to get what he deserves. Seven of Nine asks if she is terrible; she was compelled to do horrible things by the Borg, unable to control her actions. He also has control now that the nanoprobes have given it to him. He demands she take him back to his cell, pressing his hand on the force field again. Once there, he refuses Neelix's dinner, instead saying it should be given to Egrid. Meanwhile, in the captain's ready room, Seven of Nine enters to find Janeway talking to Yediq. She informs Seven that the family refuses to look at the medical evidence. Seven is angry, saying that Iko should be granted asylum. Unfortunately, Janeway is bound by their prior agreement, and agrees to stick to it. After having Yediq leave, Seven of Nine argues her position, and the captain uncovers the real reason for it – Seven wants his atonement so she can have hers. However, an alien vessel opens fire on them just then. During the battle, power to the cargo bay fails. All of the prisoners – except Iko – overpower the few guards on duty and escape. Act Five The alien ship attempts to beam out the prisoners, but Chakotay disables their transporter array and they leave. Tuvok, meanwhile, takes down two of the prisoners, but before he can find the rest of them near the shuttle bay, they have Yediq as a hostage. Voyager has no transporters, so they cannot save him before Joleg takes him back to the cargo bay. As Joleg is about to execute Yediq for all the pain he has caused him, Iko tells him he wants to do it. When Joleg hands Iko the phaser, he hands it to Yediq, and the two other prisoners are quickly shot down. Yediq is surprised that Iko does not resist. "Captain's log, supplemental. Warden Yediq has used his influence to convince the Nygean family to hear Iko's appeal for leniency." Iko explains to the family, over Voyagers comm, that he is a different person. He will not beg for his life, and he is still willing to die to relieve their pain. But Joleg is a different story. Neelix refuses to have anything more to do with Joleg, because Joleg tricked him. The ship that attacked found where Voyager was when the note was transmitted. Joleg then tries to convince Neelix that he is sick, and needs the same treatment Iko had. Neelix does not believe him, and simply leaves. In astrometrics, Iko is gazing at the stars with Seven of Nine. Unfortunately, the news comes in that the family has not reconsidered. He says goodbye, after asking Seven of Nine to look at him without fear one last time. After the prisoners are transferred, Seven tells Janeway it is not fair that Iko was executed for killing one person, while she killed thousands as a drone and has never been punished. Janeway tells Seven that losing 20 years of her life to the Borg is punishment enough. Memorable quotes "It's unfair." "I think so too, Seven, but we have to try not to judge their system." "That's not what I meant. Iko was executed for taking a single life. As a drone I took thousands, but I was never punished." "You lost twenty years of your life to the Borg. I'd say that's punishment enough." - Seven and Janeway "Some of the crew may not be comfortable helping to deliver eight men to their deaths." "I can't say I like it either, but we have a Prime Directive to follow." - Chakotay and Janeway "You're not afraid of me." "There's no reason to fear someone in your condition." "You were never afraid of me, not even when I tried to kill you. It's nice to look into someone's eyes and not see fear." - Iko and Seven after Iko's recovery. "You have to be a criminal to get something to eat around here?" "Sorry. Dinner will be ready in fifteen minutes." (B'Elanna opens the shutter) "You said that 15 minutes ago." - Tom Paris, Neelix and B'Elanna Torres "I'm a hologram. I can't be harmed." (Tuvok fires his phaser, through The Doctor, hitting Iko) "I think you proved my point." - The Doctor, during the hostage situation in sickbay "It doesn't feel right." "You may experience unusual sensations while your matrix realigns." "I was referring to the arrangement the captain made with the Nygeans. No matter how terrible the crimes these men committed, it seems wrong to hand them over to be executed. This is a Federation starship, not the Barge of the Dead." "Would you prefer the captain released them?" "Of course not. They are dangerous men." "Execution ensures they won't pose a threat to anyone again." "So would life sentences, the operative word being "life". - The Doctor and Seven of Nine "Killing is wrong. No matter who's doing it." - The Doctor, about his opinion on the Nygean legal system Background information Cast and characters Jeff Kober also played Traeg in the first season episode . F.J. Rio previously played Enrique Muniz in the episodes , , and . He also played the Vissian chief engineer in . Among the items from this episode which were sold off on the It's A Wrap! sale and auction on eBay, was the costume worn by Chris Doyle. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.7, As part of the VOY Season 7 DVD collection Links and references Guest Stars Jeff Kober as Iko Tim de Zarn as Yediq F.J. Rio as Joleg Co-Star Greg Poland as Voyager Security Officer Uncredited Co-Stars Robert Axelrod as Egrid Michael Bailous as operations officer Richard Bishop as operations officer Andrew English as operations officer Tarik Ergin as Ayala Peter Harmyk as Clay Hodges as Benkaran prisoner Patrick Jankiewicz as Nygean prisoner Joyce Lasley as Lydia Anderson Irving Lewis as security officer Tom Morga as Nygean security officer Louis Ortiz as Benkaran prisoner Stephen Pisani as operations officer Pablo Soriano as Benkaran prisoner Operations ensign Curtis Wong as operations officer Unknown performers as Benkaran prisoner Nygean security officer Three Nygean family members Stunt Doubles George Colucci as stunt double for Robert Axelrod Chris Doyle as stunt double for an unknown actor Stephen R. Hudis as stunt double for Louis Ortiz Jimmy Ortega as stunt double for F.J. Rio Mark Riccardi as stunt double for Jeff Kober Stand-ins Brita Nowak – stand-in for Jeri Ryan J.R. Quinonez – stand-in for F.J. Rio Joey Sakata – stand-in for Ethan Phillips Richard Sarstedt – stand-in for Jeff Kober References 2354; analgesic; analogous; animal; appeal; Astrometrics; Astrometrics log; asylum; atonement; Barge of the Dead; beast; Benkaran; Benkaran shuttle; birth defect; Boche; Borg; Borg Collective; Borg technology; bulkhead; Cargo Bay 1; cerebral cortex (cortex); circumstantial evidence; conduit; congenital; conscience; constellation; conviction; criminal justice system; cultural exchange; cybernetic implant; daughter; defendant; destitute; Delta Quadrant; dinner; distress call; dozen; edema; emotional distress; escape pod; evasive maneuvers; execution; eye for an eye; eye; family recipe; fear; Federation; Federation penal colony; feedback surge; friendly fire; game board; Gezid; guilt; hologram; holographic emitters; hostage; humanoid species; hunger; I'm a doctor, not a...; "in the wrong place at the wrong time"; Joleg's brother; judge; kadis-kot; Ledara; legal system; leola rice pilaf; life sentence; light; meal; metal; month; mother; murder; nanoprobe; neural pathway; neurological defect; neurological trauma; neurotransmitter; nausea; number; Nygean; Nygean Detention Force; Nygean controlled sector; Nygean government; Nygean home system; Nygean homeworld; Nygean law/Nygean legal system/Nygean penal code; Nygean prison ship; Nygean space; Nygean transport vessel; Nygean victim; occipital implant; Onella; Paedos; PADD; parietal lobe; partiality; phenomenon; photonic; physiology; pineal gland; plasma leak; plasma radiation; premeditation (premeditated murder); Prime Directive; prison guard; prisoner; pursuit course; rehabilitation; restitution; revenge; scientist; security officer; security report; sociopathic behavior; spicy; star; star chart; statistics; steal; stellar phenomenon; stock; stomach; Talaxian spice stew; transporter array; tritanium; Tuvok the Kid; Vekto Valek K'Vadim; warden; warrior; word External links de:Reue (Episode) es:Repentance fr:Repentance (épisode) nl:Repentance VOY episodes
1614	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Prophecy (episode)	Voyager becomes a battleground for the descendants of a group of Klingon pilgrims, some of whom believe that B'Elanna Torres's child is their savior. Summary Teaser is being attacked by a ship which just decloaked and then recloaked. They are all surprised when a disruptor they were hit with had a Klingon signature. A hail to the cloaked ship gets no response. They discover it is a cruiser, retired decades ago. With the age in mind, Voyager uses a metaphasic sweep to locate the ship, and fires. Aboard the Klingon ship, the cloak has failed. The captain orders his crew to answer the hail to buy time to repair the cloak. When Captain Kathryn Janeway asks them to stand down, they refuse to surrender to an enemy of the Klingon Empire. Act One Janeway tries to explain that the Federation and the Klingon Empire signed a treaty eighty years earlier, but the captain won't believe it. Janeway states that she isn't lying, but even if she were not, the Klingons are no match for her ship. She says to prove it to them she will introduce him to "a Klingon serving on board", referring to B'Elanna Torres, though she doesn't divulge that Torres is half-Klingon. Kohlar agrees. Once aboard Voyager, Captain Kohlar refuses to answer any questions until he meets Torres. They arrive in the ready room, and immediately he asks about her child. He suddenly wants to return to his vessel, accepting the PADD containing the Khitomer Accords in passing, and even gives his word not to fire on Voyager again. Back on his ship, he defends the information to his comrades, citing religious scrolls and signs that this is true. Kohlar's second-in command, T'Greth, expresses skepticism over whether the Federation and the Empire are at peace and if Torres' child is the one they're looking for, insisting on further investigation. Kohlar rebukes him, reminding him that their ancestors had nothing but their faith when they began this voyage. He declares that the day of separation has arrived. Suddenly, the Klingon ship's warp core begins to overload, and Kohlar hails Voyager asking for emergency transport. Tuvok points out to Janeway that the Klingon crew outnumbers Voyagers, but Janeway decides to beam them aboard despite the security risk. She orders that the Klingons be placed in the shuttle bay behind force fields as a security precaution and once they are aboard, Voyager goes to warp to escape the blast. Kohlar shows up in the ready room to thank the captain, but Tuvok points out the containment failure was caused by a self-destruct mechanism, not damage. Kohlar explains it is a sacred duty to be here, and there was no other way to get everyone aboard. He explains that his great-grandfather was part of a sect that believed the Empire had lost its way. It told them to journey to a distant region of the galaxy, to find the savior of his people, the kuvah'magh. He has determined that is the unborn child of Lieutenant Torres. At the staff meeting, Tom Paris and Torres can't believe it. Paris makes jokes, and Torres resents the whole thing. Tuvok is concerned about the security risk, but since the Klingon crew includes civilians Janeway isn't willing to keep them confined and allows them to live in normal quarters with extra security and sensitive areas of the ship off-limits. Kim brings up the problem of the limited amount of quarters aboard, and Neelix suggests that willing officers can double up. Despite Chakotay's suggestion they would never harm their messiah, she also has round-the-clock security put on Torres. Act Two In the mess hall, Neelix begins serving gagh, and after Captain Janeway consults him, she concludes everything seems to be going well – but not for long. Two Klingons fight over their food, and security has to break them up. Harry Kim, part of the detail, is told by the female Klingon he would make a good mate. After a tiring day, Neelix returns to his quarters… or rather, Tuvok's quarters since he was the only crewmember who hadn't been paired up with anyone. Tuvok is very put out, in his Vulcan way, preferring solitude however since the alternative is to leave a Klingon family with nowhere to sleep he has no choice to agree. Neelix promises him they'll have 'fun' and decides to teach him Klingon drinking songs. As Neelix makes himself at home nosily, Tuvok is left as exasperated as he can get. Torres is ambushed during her shift by groups of Klingons who just want to admire her, and has to transport herself to her quarters to avoid them. After all that, the captain asks her to speak with their council of elders, because ten of the Klingons have started a hunger strike. When she arrives with Paris, the first thing they notice is she is not fully Klingon. T'Greth gets angry, believing she can't be the mother of the kuvah'magh. But Kohlar puts him back in line, saying it is written nowhere the messiah's blood is pure. When Paris says he is the father, T'Greth can't believe it, and storms out. That's when Kohlar asks for her help to stop a holy war. Act Three Back in the briefing room, he explains that, whether she believes her baby is a savior or not, she must help him convince his people it is. His people have suffered enough. He doesn't know whether her child is it, but he wants them to stop looking for it, since they have found nothing but hardship before. He asks for her to review the scrolls and create a "creative interpretation" to present before the council. They end up studying all night, but she argues for her not being the messiah, as he argues for it. Getting annoyed with her, he asks her if she honors any of their ways, and she says no. But he tries to build common ground; he suggests they say a plea for the dead together, and helps her remember the words from her childhood. Harry Kim shows up in sickbay with a mark on his cheek. The Doctor doesn't believe he cut himself shaving, and recognizes it as a bite mark, indicative of a Klingon mating ritual. Kim wants to know how he can get out of this, but The Doctor says the only other way is to kill her. Since that's unacceptable, he hands Kim an authorization for intimate relations for an alien species, pending the captain's approval. "Chief engineer's personal log, stardate 54518.2. I've spent the last two days reviewing the sacred scrolls in preparation for my appearance before the Klingon council. Kohlar also suggested I prepare a few colorful stories to help win them over." She tells them exaggerated stories, and Kohlar applauds, but T'Greth is unconvinced. Stories are not the issue, he says; it is whether or not she carries their savior. She recites the scroll well, but T'Greth believes (correctly) it is Kohlar doing the talking, and makes a remark which insults Paris. Since the scrolls also say he should be an honorable warrior, T'Greth challenges him to a fight to the death, and he accepts. Act Four Paris later justifies his decision to the captain, in the observation lounge. He says that if he had said no, they would have had a riot. Torres asks the captain to put a stop to it, and she agrees. She has Kohlar and T'Greth come in and explains to them he is willing to fight, but she is the one preventing him from doing so. T'Greth calls them all cowards, but Kohlar says there is a compromise. Emperor Mur'Eq instituted a non-lethal form of combat so his warriors would kill their enemies and not each other in duels before battle. T'Greth considers this cowardly as well, but when it's pointed out that an honorable leader of the Empire came up with it he finally accepts, since he has no other way to prove Paris' lack of honor. Kim continues to hide from the female Klingon, officer Ch'Rega. Fortunately, Neelix takes her off his hands by making him appear weak, and threatening to disembowel him if he eats that much food again. The female Klingon now looks with lust at Neelix. Meanwhile on the holodeck, the competition begins, both combatants wielding blunt bat'leths. However, after much dancing around and swinging to no avail, T'Greth suddenly becomes weak, unable to stand, and collapses. Kohlar identifies it as the nehret, a disease which kills those not fortunate enough to die in battle. After moving him to sickbay, The Doctor identifies a retrovirus which attacks the cytoplasm of the . When he scans all of the Klingons, he finds they are all carriers. It is not contagious, except to Klingons. His next examination is of Lieutenant Torres. He finds that both she and the baby have the virus. T'Greth awakens, and returns to the council. He tells them Torres and her child have the disease, which is not what the scrolls say. He convinces them that Kohlar will not believe them, and they have to take control by force. Act Five Seven of Nine is scanning planets in astrometrics where the Klingons could settle, and T'Greth asks to go along, saying he believes Kohlar. Meanwhile, another Klingon asks Kim how the transporters work, especially the way of transporting so many targets. When the first team is ready for transport, consisting of many Klingons and Chakotay, they all knock out him and Harry Kim. As Tuvok detects phaser fire and goes with a team, the Klingons try to transport all of Voyagers crew down to the surface. While a force field was erected around the bridge, they manage to transport crews from engineering and most of the ship. By the time Tuvok catches them, they have beamed onto the bridge. After a fire fight, all of the Klingons are down, and the crew is transported back aboard. T'Greth wakes up in sickbay, not Sto-vo-kor, because The Doctor synthesized an antivirus from the child's hybrid stem cell antibodies. T'Greth, now fully cured, is surprised, but begins believing again: the child has indeed saved his people. "Captain's log, stardate 54529.8. While we're helping the Klingons into their new home, life aboard Voyager is gradually returning to normal." Tuvok returns to his quarters to find them locked by Neelix. As he is about to use his security clearance to override the seal, Neelix emerges with Ch'Rega following what has obviously been a very intense lovemaking session. Tuvok finds the quarters totally wrecked, and orders Neelix out when he offers to stay and clean. As he departs, Kohlar gives Torres a bat'leth owned by his great-grandfather as a gift for her daughter and asks for her promise to tell her daughter about him and his people. Later in their quarters, Paris and Torres discuss recent events and if what happened was truly destined given all the "coincidences" involved. Paris suggests they name their daughter Kuvah'magh "just to be safe", since she did indeed become the Klingons' savior and Torres agrees to add it to the list. Log entries "Chief engineer's personal log, stardate 54518.2. I've spent the last two days reviewing the Sacred Scrolls in preparation for my appearance before the Klingon council. Kohlar also suggested I prepare a few colorful stories to help win them over." "Captain's log, stardate 54529.8. While we're helping the Klingons into their new home, life aboard Voyager is gradually returning to normal." Memorable quotes "I've been studying Klingon etiquette. You shouldn't quarrel over food. Save your strength for battle, to fight those who would challenge you." - Neelix, to Ch'Rega and the Klingon Crewman "You're going to get yourself killed!" "What makes you so sure I'd lose?" "Oh, please." - Torres, to Paris "Today would be a very bad day to die." - Torres, to Paris, before the match "I see fear in your eyes, Human." "The only Klingon I'm afraid of is my wife after she's worked a double shift." - T'Greth and Paris, during the match "Grant me a warrior's death, I beg of you." "Sorry, no mercy killings on my bridge." - T'Greth and Janeway "When I say you're limited to two servings of brak't, that's all you get! Do you understand me, ensign?" - Neelix, to Kim "The child cured me?" "Well, I was the one who devised the treatment." "Doctor." "Yes, of course, the child cured you." - T'Greth, The Doctor, and Janeway "Where are the images of Kahless? Where's your family crest?" "They clashed with the carpet." - Kohlar and Torres (Harry Kim walks into sickbay with a towel to his cheek) "What happened to you?" "I cut myself shaving." (Kim removes towel) "Is that a bite mark?" "One of the Klingons attacked me." "Did you do something to provoke him?" "Not him… Her. And she wasn't provoked, she was… aroused." "Ah…" - The Doctor and Harry Kim "I salute you, captain. You did more damage to our vessel than my engineer thought." - Kohlar, hailing Voyager after activating the self-destruct (Hailing the Klingon cruiser) "This is Captain Kathryn Janeway of the Federation starship Voyager. Stand down." "We will not surrender to sworn enemies of the Klingon Empire." "I think there's been a misunderstanding. The Empire signed a peace treaty with the Federation more than 80 years ago. If I'm not mistaken, it's still in effect." - Janeway and Kohlar "The scrolls say 'You will find me, when two warring houses make peace.' Our people and the Federation, our greatest enemy, are at peace." - Kohlar, after reading the Khitomer Accords "T'Greth, there is precedent for an honorable compromise. A non-lethal bout, fought with blunted bat'leths. The victory goes to the first warrior to knock his opponent to the ground three times." "A coward's rule!" "Was the Emperor Mur'Eq a coward?! He was the one who instituted these rules to ensure that his warriors would kill their enemies, and not each other!" - Kohlar and T'Greth "Gentlemen, I'm afraid Lieutenant Paris had no authority to accept this challenge - there will be no death matches aboard my ship." - Janeway, to Kohlar "Is that how you remember it?" "Exaggeration is a big part of Klingon story telling. She's doing great." - Paris and Neelix, while Torres is telling the Klingons about a battle and making herself sound like the hero of the day "Then maybe you can tell me how to convince a female twice my size that I'm not interested!" "Hmm. You probably can't." "Great." - Kim and The Doctor, about a female Klingon Background information Story and script The episode was originally scripted to open with a scene aboard the Klingon cruiser, where Kohlar ascends to the captaincy following the death of the previous captain as a result of the nehret. This scene was filmed on , but was cut for time. (Star Trek Magazine issue 151) According to Larry Nemecek, the idea was pitched to the writing staff of during the series pre-production, before "Caretaker" even aired. Cast and characters Sherman Howard previously played Endar in and the Vulcan Starfleet officer Syvar in the episode . Paul S. Eckstein also guest-starred in DS9. He played Limara'Son in and an unnamed Jem'Hadar in . Continuity This is the twelfth time the crew of Voyager discover a direct connection between the Alpha Quadrant and Delta Quadrant, having previously discovered a wormhole connecting the two quadrants (), descendants of human abductees (), descendants of aliens who have visited Earth (), a Cardassian weapon (), Ferengi (), former Borg that were assimilated in the Alpha Quadrant (), descendants of Earth dinosaurs (), a communications network that extends to the Alpha Quadrant (), another Federation starship (), another former Borg that was assimilated in the Alpha Quadrant (), and long-lost Earth spaceship (). In this episode, they encounter Klingons. Except for the purely Klingon B'Elanna Torres created by the Vidiians in "Faces", this episode marks the first appearance of flesh-and-blood Klingons in the entire series. Klingons have previously appeared only as holograms (, , ), virtual constructs in a simulated environment (), memories () or hallucination (). Janeway mentions a peace treaty having been signed more than eighty years ago and believes it to still be in effect. While this treaty was suspended between 2372 and 2373, it was reactivated in . The Doctor hands Kim a PADD, telling him its "authorization for [Kim] to engage in intimate relations with a member of an alien species." Coincidentally, it was Kim that failed to get this clearance once before in the fifth-season , in which The Doctor lambasts Kim after he has sex with Derran Tal, exclaiming "you had intimate contact with an alien species without medical clearance?" When Kohlar asks Torres if she helped destroy a Borg vessel, she replies "I suppose." This likely references the events of , where Voyager beamed a photon torpedo aboard a Borg probe, destroying it, or when she led a transwarp conduit collapse while there was a Borg starship in it. The bat'leth given to Torres is the same prop originally made for , suggesting that it was already very old when Kohlar's grandfather gave it to him. Award This episode was nominated for an Emmy Award for Outstanding Hairstyling For A Series. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.7, As part of the VOY Season 7 DVD collection Links and references Guest Stars Sherman Howard as T'Greth Paul Eckstein as Morak Wren T. Brown as Kohlar Co-Stars Peggy Jo Jacobs as Ch'Rega Majel Barrett as Computer Voice Uncredited Co-Stars Mary Alexander as Klingon crewman Paul Ambrose as Klingon crewman Michael Bailous as operations officer Patrick Barnitt as Klingon crewman Richard Bishop as operations officer Bill Blair as Klingon crewman Tara Bordes as Klingon girl Michael Braveheart as Klingon crewman Julie David as command officer Carter Edwards as command officer Tarik Ergin as Ayala Ken Gruz as Klingon crewman Peter Harmyk as Grace Harrell as Klingon crewman Eric Hunter as command officer Clynell Jackson III as Klingon crewman Alicia Lewis as sciences officer Dennis Madalone as Klingon crewman Brita Nowak as Klingon crewman Louis Ortiz as Klingon crewman James Pearson as Klingon crewman Stephen Pisani as operations officer Keith Rayve as Klingon crewman Katie Rowe as Klingon crewman Pablo Soriano as Klingon crewman Gregory Sweeney as Klingon crewman J.T. Taylor as Klingon crewman Loran Taylor as sciences ensign Chester E. Tripp III Curtis Wong as operations officer Unknown performers as Klingon boy Three Klingon crewmen Third Klingon crewman Stand-ins Brita Nowak – stand-in for Jeri Ryan and Peggy Jo Jacobs Stuart Wong – stand-in for Garrett Wang References Amar; antivirus; aroma; baby mobile; bat'leth; bedchamber; bite mark; biofilter; boarding party; Borg; bridge officers; bunk mate; carpet; carrier; Cavern of Despair; child; Class 2 shuttle (unnamed); cloaking device; crew complement; culinary skills; cytoplasmic membrane; Day of Separation; ; disruptor blast; divine; DNA; ; emergency power; emergency transport; empire; engineer; evasive maneuvers; Federation; gagh; generation; heart; hemisphere; Hirogen; holy war; hunger strike; inert genetic material; intimate relations; Kahless the Unforgettable; Khitomer Accords; Kohlar's engineer; Kohlar's great-grandfather; Klingon Council of Elders; Klingon cultural database; Klingon drinking song; Klingon emperor; Kohlar's battle cruiser; Klingon mating ritual; Kolax; Krelik; K'Rene; kuvah'magh; L'Naan; madman; mercy killing; messiah; metaphasic scan; Milky Way Galaxy; mongrel; Mur'Eq; musk (musky); nay'Poq; nehret; off-worlder; par'machkai; Plea for the Dead; puppet; Qo'noS; racht; Sacred Scrolls; sexual arousal; red alert; running the gauntlet; shaving; skepticism; stem cell; Sto-vo-kor; Sword of Kahless; Talij; targ; targeting scanner; transporter buffer; Transporter Room 1; transport system; topographical scan; ; towel; Vulcan; womanhood External links de:Die Prophezeiung (VOY) es:Prophecy fr:Prophecy (épisode) nl:Prophecy VOY episodes
1615	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	The Void (episode)	Voyager becomes trapped in an empty region of space where other stranded starships prey on each other to survive. Summary Teaser While traveling through the Delta Quadrant, with the captain and some of her bridge crew being treated to a special dinner put on by Seven of Nine, is sucked into an area of space that is devoid of stars, planets or any other form of energy. Almost immediately on being pulled in, Voyager is attacked by a starship. Act One In the ensuing fight, Voyagers shields are damaged. This gives the attackers the opportunity to transport away almost 90% of the food supplies aboard Voyager, as well as some of its deuterium stocks. This puzzles the crew, as Paris remarks that deuterium can be found almost anywhere. However, it soon becomes apparent that deuterium can't be found within this anomaly, along with any other resources a starship would need. General Valen, who had been watching the fight between Voyager and its attacker, tells Captain Janeway that the only way to obtain energy and supplies within is to attack new arrivals. He and his crew have survived for five years in The Void using these tactics. Janeway refuses to consider stealing supplies to survive. Instead she intends to try to escape The Void. Valen tells her that escape is impossible, but Janeway is not deterred. Using the sensors in astrometrics, Seven of Nine is able to predict when the next funnel, similar to the one that sucked them in, will appear. Voyager flies into the funnel, but is unable to break through to normal space. Act Two Faced with a situation where the ship will run out of energy in a little over a week, Janeway decides to find the supplies that were stolen from Voyager. The ship that attacked them is tracked down, but is adrift, the crew dead, and almost all useful components stripped from the ship. The only useful item left is the casing around the warp core, which Torres beams over. Upon inspecting the casing, she and Seven of Nine find a stowaway hiding inside. His leg is injured, so he is transported to sickbay. He appears unable to talk, but The Doctor determines that his physiology is such that he is able to survive for long periods without oxygen. Meanwhile, the current holder of Voyagers supplies is tracked down. It turns out to be Valen, who stole the supplies from the ship that attacked Voyager. When he refuses to return them, Janeway knocks out his shields and beams the supplies aboard. Despite retrieving only half the original supplies, she refuses to take any of the other supplies aboard Valen's ship. Tuvok and Chakotay, as second and first officer, come to her ready room later to ask if the usual operating procedure is going to change due to the extreme circumstances. She replies that she has been consulting the Federation Charter to look for loopholes, but as there are none, she says that they will continue to follow Federation protocols. Instead, she has hit upon the idea of forming an alliance with some of the other ships trapped within The Void. Act Three Voyager contacts some of the other ships, without much success. Janeway tries to convince the captain of a Nygean ship, Garon, to join the alliance, offering him some of their food as a gesture of her goodwill. However, he is skeptical, only saying he'll think about it. In sickbay, The Doctor, together with Seven, has developed a method of communication with the stowaway, whom he has christened Fantome. Using a system of different musical notes he is able to converse with him. When a new ship is sucked into The Void, it is attacked by Valen. Voyager comes to its aid, but Valen has a second ship, which puts Voyager in danger. Fortunately, Garon arrives and helps to fight off Valen. Act Four "Captain's log, Stardate 54562.7. Since Garon and the survey ship became our charter members, finding new allies has gotten a little easier. My latest prospect is Commander Bosaal, whose ship has technology that could help us escape." With Garon and the new ship, a Hierarchy surveillance ship, and others allies such as the Kraylor, also in the alliance, Voyager is able to attract new members more easily. While the ships share different technologies to conserve power, Voyager is given technology to reduce the power required by its replicators by a significant amount. The Doctor takes Fantome under his wing, and teaches him various 'words'. However, when a visiting prospective alliance member, Bosaal, sees Fantome, he calls him and his species vermin. Janeway, although put off by this reaction, offers to beam aboard any members of Fantome's species that may be hiding aboard his ship. He agrees to this and decides to join the alliance. Torres needs to build a polaron modulator in order to escape The Void. Although she works with Garon to build it, Janeway looks for a ship that has one so she can trade for it. Later she discovers that Bosaal has provided a fully compatible modulator. On questioning him, she discovers that he stole it and killed the crew of the ship it belonged to. Enraged, Janeway throws him off the ship and tells him to take the modulator with him. Act Five Even though they need the modulator to escape, she refuses to use it, obtained in the way that it was. This causes some of the other members of the alliance to leave, too. Janeway is annoyed with herself, telling Chakotay she should have trusted her instincts on Bosaal and never let him join in the first place. Torres finishes building the modulator, but needs time to test it. However, Chakotay comes across the members of the Hierarchy survey ship utilizing Voyager's astrometrics lab without permission. While their intention was to spy on other ships within The Void to find more potential members for the alliance, what they discovered was Bosaal meeting with Valen, plotting to attack Voyager, which they show Chakotay. As the alliance ships don't have enough power to fight off the attack, Janeway decides that they'll have to forgo the test and try to escape as soon as possible. Fantome and the three other members of his species offer to help. Another funnel forms and the alliance move towards it. As the alliance attempts to escape, Valen and Bosaal attack. Voyager manages to weaken their shields and beam Fantome and his friends aboard the two ships. They immediately sabotage the engines of the two ships, giving the alliance a chance to escape. As Fantome's species believe they are native to the void, they choose to remain there. Voyager extends its shield bubble around the other ships and they all manage to escape from the void. Back in normal space, Janeway thanks Garon and the Hierarchy for their help, as they return the gratitude. After they leave, Janeway muses that being in the alliance almost felt like they were part of a Federation again and Chakotay reminds her that the real Federation is only 30,000 light years away as Voyager resumes its course for the Alpha Quadrant. Log entries "Captain's Log, Stardate 54553.4. For the past several days, we've been making every effort to recruit members into an alliance, but it hasn't been easy." "Captain's Log, Stardate 54562.7. Since Garon and the survey ship became our charter members, finding new allies has gotten a little easier. My latest prospect is Commander Bosaal, whose ship has technology that could help us escape." Memorable quotes "The vultures are circling." "Vultures eat the dead, Mister Paris. We're not dead yet." - Paris and Janeway "I'm so glad we taught them the value of cooperation." - Janeway "Preparing meals myself is the best way to ensure quality." - Seven of Nine "Each course has been paired with a specific wine. Substitutions are not recommended." - Seven of Nine "We may lose a little weight, gentlemen – but we won't lose who we are." - Janeway, to Chakotay and Tuvok "It was almost like being part of a Federation again." "The real one's only 30,000 light years away." "Then what are we standing around for?" - Janeway and Chakotay on the success of their alliance (last lines) Background information Production Filming for the episode began on November 29, 2000 on Stages 9 and 16. A working title for the episode was "Federation." () Music When Janeway and Chakotay are saying that the Alliance was almost like being part of the Federation again, the original series theme is heard playing in the background. During the musical conversation between Fantome and the other members of his species several musical phrases from the origional series' opening theme can be heard as well. Cast and characters Jonathan Del Arco previously played Hugh in the episodes and . He later reprised the role in the first season of . Continuity Voyager had previously been stuck in a starless void in the fifth-season premiere . The first ship encountered by Voyager in the Void has a Vaadwaur signal. Voyager first encountered the Vaadwaur in the sixth-season episode and this is their second appearance. Voyager encounters Overlookers in this episode. Voyager first encountered the Overlookers in the sixth-season episode and this is their second appearance. This episode continues the established Voyager tradition of darkened or blacked-out set pieces, a production tool first used in the third season episode and continued in and (both fourth season). Of particular note are (season 5) and (sixth season) where a large part of the action takes place in almost complete darkness, adding atmosphere and tension to events. This episode has a similar premise to , in which the is sucked into a dimension whose inhabitants have accepted their inability to escape. In that episode, the inhabitants had instead established a government based on non-violence. The Doctor's quest to find a name, which started with his request for one in the first season episode , is referenced in this episode when he tells Seven that "choosing the right name for myself is extremely difficult." This episode contains several links to the science fiction series Babylon 5: Guest star Robin Sachs (General Valen) has played a Minbari and two Narn characters on Babylon 5. In Babylon 5, Valen is the name of a holy figure among the Minbari. Episode director Mike Vejar has also directed many Babylon 5 episodes. The second ship that attacks Voyager after they first enter the void and steals their supplies has a design reminiscent of the White Star class ship from Babylon 5. Award This episode was nominated for an Emmy Award for Outstanding Makeup For A Series. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.8, As part of the VOY Season 7 DVD collection Links and references Guest Stars Robin Sachs as Valen Paul Willson as Loquar Scott Lawrence as Garon Jonathan Del Arco as Fantome Co-Star Michael Shamus Wiles as Bosaal Uncredited Co-Stars Michael Bailous as operations division officer Richard Bishop as operations division officer Jon Bruegl as command division ensign Andrew English as operations division officer Tarik Ergin as Ayala Anna Lumarque as chief petty officer Louis Ortiz as Culhane Stephen Pisani as operations division officer Unknown performers as Kraylor officer Loquar's assistant Fantome's species void inhabitant 1 Fantome's species void inhabitant 2 Fantome's species void inhabitant 3 Two Nygeans Stand-ins Brita Nowak – stand-in for Jeri Ryan References ability; accessory; adversary; airponics bay; The Alliance; Annari; ; apron; appetite; aria; Baxial; bearing; chadre'kab; Chardonnay; chicken; circumference; cream of leola soup; computer console; deuterium; deuterium tank; escape velocity; evasive pattern; Fantome's species; Federation; Federation Charter; fetran risotto; fractal algorithm; grammar; gremlin; gourmet cook; graviton; gremlin; Overlooker; Hierarchy surveillance ship; humming; intruder alert; Jelinian; Jelinian ale; Jelinian freighter; kilometer; Kinjal; Kinjal frigate; Kinjal frigate crew; Kraylor; Kraylor starship; lead ship; life signs; logic; loophole; Loquar's ship; Luhvian quail; lung; lung capacity; meter; Milky Way Galaxy; morality; murder; navigational sensor; nomad; Nygean; Nygean starship; nutritional supplement; Olian guava; orchestra; oxygen; palate; parasite; peanut butter and jelly sandwich; ; phase compensator; photon torpedo; physiology; Pinot noir; plasma; polarity; polaron modulator; red alert; replicator; Rigoletto; salt; scanning range; senior officer; sensor array; shields; shield polarity; subspace; syntax; telepathic; transporter; transporter lock; tricesium; truffle; United Federation of Planets; "Veglia, o donna, questo fiore"; verbal skills; ; Vaadwaur; Vaadwaur ship; vegetable; visual range; vulture; waiter; warp core; weapons signature External links de:Die Leere (Episode) es:The Void fr:The Void (épisode) nl:The Void Void, The
1616	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Workforce (episode)	Most of the Voyager crew is kidnapped and forced to labor in a massive industrial work force. Summary Teaser At a large industrial complex, workers are going about their everyday jobs. Kathryn Janeway asks a worker where she can find the supervisor and the worker points him out to her. When she reaches the supervisor, he asks for her authorization and licenses. Janeway gives them to him. He inspects them, discovering that Janeway has a level 6 in thermal dynamics and quantum fusion, which impresses him. He states that he is lucky to have her working for him, but embarrasses her by informing her that she is late. Janeway apologizes, saying that she boarded the wrong transport, ending up in the atmosphere filtration facility, and promises that she won't be late again. The supervisor sympathizes, saying that it is easy for newcomers to get disoriented, and that even he gets lost on occasion. He then goes on to inform Janeway of her designated job, which is to monitor the primary reactor coils, which process more than 8,000 metric tons per second of tylium at 94% thermal efficiency. The supervisor asks that if she has any problems that she inform him - they like to keep their workforce happy here. Janeway replies she can already tell this job will be much better than her last one ... Act One A worker delivers some specifications to Janeway, which she then inputs into the computer. However, the computer sounds an alarm, stating that Janeway has committed Input Error 415 and Command Code Violation 2308. Janeway whispers to the computer, saying that if it stops the alarm then she promises to never violate it again. The computer continues, but just as she finishes whispering, a hand appears and inputs something into her control panel. This stops the alarm. He states that she almost started a core overload. He comments on Janeway's "unique" way of communicating to the computer. She states that it is an old habit. The man introduces himself as Jaffen, and says that he works close by. Seven of Nine interrupts, telling Jaffen and Janeway (employee 1326 and 8584) that labor protocols dictate that fraternizing is not permitted during work hours. Jaffen asks for her number, or name, and she introduces herself as Annika Hansen, the station's new efficiency monitor. She tells Jaffen to get back to his station, but Janeway interrupts, informing Annika that Jaffen was just assisting her with an input error, and that they were almost finished. Annika leaves, and Jaffen asks Janeway if she would like to go out for a meal, but Janeway rejects the offer, stating that she has little time to socialize with her new job. Tom Paris is talking to a bar manager about working there. She is not very willing to hire him at first, and tells him that the power distribution plant is always looking for workers. Paris replies by saying that he did work there before, but didn't like it. The manager is slightly suspicious, stating that they treat their employees well. She asks how long he worked there, and after some convincing, he reveals that he was only there for approximately half a day; the manager is shocked. Paris says that he doesn't belong behind a console, and that he heard workers talking about her great bar. She is surprised that he was terminated during a labor shortage, and asks him why, to which he replies that he had a disagreement with the new efficiency monitor. After some convincing, and begging, she hires him, and tells him to get to work. Jaffen shares a humorous anecdote with some colleagues, about how a man was trying to insult him about his father, with the punchline being that he was Norvalen, and so doesn't have a father. Tuvok, laughing heartily, turns around and starts analyzing the joke. Janeway enters the bar, and Jaffen asks her why she is here, when earlier she said she had little time to socialize. She says she wants to review manuals while eating, not socialize. Jaffen joins her. Jaffen and Janeway walk home together after a long night out reviewing manuals. Janeway tells him about her home planet, Earth, describing it as overpopulated, polluted, and with few jobs. Jaffen invites her to his home, but Janeway refuses, saying that she must get to sleep. An alarm in Janeway's workplace sounds briefly. She tells Jaffen that it wasn't her, but Jaffen tells her that it is not an overload, but just time for inoculations, courtesy of the employer. Janeway asks what they are for, and Jaffen tells her that it is to protect against ambient radiation. Janeway was unaware of that problem, but doesn't question it. As Tuvok is about to be inoculated, though, he backs away from the hypospray, apologizing and telling the nurse that he is afraid of injections. While being injected, he flashes back to a traumatic experience: two guards restraining him, while he is unwillingly injected by a Quarren doctor. He returns to work, confused and disturbed. Act Two "First officer's log, Stardate 54584.3. Ensign Kim, Mr. Neelix, and I are returning to Voyager after five days of trading with the Nar Shaddan." Ensign Kim is ill after being infected with alien parasites, after drinking falah nectar, a delicacy. Kim is angry at Neelix for making him drink it, and asks why he didn't make Commander Chakotay drink it. Neelix explains that Chakotay is a vegetarian; Kim is dismayed to realize the drink was made from meat ("more like a meat byproduct," notes Neelix). Neelix offers him Leola bark tea for his queasy stomach, but as it smells really bad, Kim decides to wait to see The Doctor. Chakotay summons the two to the bridge of the , and tells them that they are at the rendezvous coordinates, but there is no sign of Voyager, and they are not responding to hails. He orders them to start scanning on all frequencies. Meanwhile, in a nebula, The Doctor is having problems repairing Voyagers systems. His uniform is clearly command red instead of science blue. He commands the computer to reinitialize the subspace transponder, but it replies that the main computer is failing. He tells it to switch to backup processors, which stabilizes the main computer. The Doctor reorders the computer to reinitialize the subspace transponder, but there is insufficient power. The Doctor tells the computer to reroute power from the replicator system, but the computer is unable to do so because the relays to the transponder have been fused. Extremely aggravated by the computer's apparent difficulty, he asks the computer what he can do. He asks if the relays can be bypassed, but they cannot, so he decides that he must replace them. Just as he is about to do so, the intruder alert activates, detecting two humanoids in the bridge; identification is not possible as sensor resolution is below 20%. The Doctor goes to the bridge, and finds two humanoids in environmental suits. He orders them to stop their activities, but they quickly identify themselves as Harry Kim and Chakotay. He greets them warmly and apologizes for the lack of life support, but he wasn't expecting anyone soon. Chakotay asks what happened, and The Doctor informs them that about twelve hours after the Delta Flyer left on its away mission, things started to go wrong. Voyager hit some sort of subspace mine, and The Doctor was forced to quickly transfer his program to the mobile emitter due to a systems failure in sickbay. After a few minutes, he was inundated with casualties of tetryon radiation poisoning. The captain asked him if he could treat his patients, to which he answered that he could only stabilize them, since they were still being exposed to the radiation. The captain ordered the patients and the crew to the escape pods, but ordered The Doctor to stay. Janeway then activated the ECH, engaging the emergency command subroutines in The Doctor's program and transferring all command codes to him. She said that he should vent the radiation from the ship, and that until he could, the crew would abandon the ship and the contaminated area around it, and head for the nearest habitable planet, attempting to compensate for professional medical care with med-kits, or the goodwill of nearby ships. As the ECH was about to start repairs, an alien ship locked a tractor beam onto Voyager. The ECH hailed the ship, identifying himself and the ship; the alien captain was surprised since his sensors had showed no life forms, but still refused to release Voyager, so The Doctor told Voyager to fire phasers at the alien ship's tractor emitter. But before Voyager could escape at warp, its warp engines were disabled. The Doctor managed to disable the alien ship's engines with a phaser beam, avoiding pursuit. Another two incoming ships were detected, but The Doctor managed to evade them, hid in the nebula, and vented the radiation. Harry Kim comments on how hard it was to pick up his homing signal, and The Doctor says that he had to encrypt it because of the increasing number of ships he detected every time he attempted to leave the nebula. The Doctor says that he has no idea who the aliens were, but he does know that their weapons signatures match those of the mine, telling him that the mine was deployed by the aliens as a part of a trap. The rest of the crew has not been heard from since. Act Three Tuvok is watching Kathryn Janeway work from afar. He flashes back again. This time, Janeway has just been rescued from her escape pod and is being treated by a Quarren doctor. He gives her an anti-radiation serum, and then starts to operate on her. Tuvok, who is in the same room as Janeway, lying on a sickbed, sees what the doctor is doing and asks why he is doing it. The doctor says that Janeway is suffering from Dysphoria Syndrome, which he assures Tuvok is perfectly treatable. Tuvok does not accept this explanation, and attempts to stop him from operating, but the Quarren doctor orders two guards to restrain him, and then sedates Tuvok. Back in the present, Tuvok walks up to Janeway, telling her that he believes they know each other. Janeway recognizes him as Tuvok, whom she met at the shift briefing a week ago. Tuvok talks about knowing her from before then, from the hospital, but Janeway does not know what he is talking about, and assumes that he is talking about someone else. Tuvok is, however, relentless, and asks her to try to remember the hospital, at which point, Jaffen interrupts and asks if something is wrong. Afraid that he may be deemed insane, or perhaps genuinely wrong, Tuvok stops persisting and apologizes. Jaffen asks Janeway if she would like to have dinner together again, but Janeway so far has not been impressed with his cooking skills. She compromises, and agrees to have dinner, as long as she can cook this time. Tom Paris asks B'Elanna Torres, a customer in the bar, if she would like anything else, to which she replies no. Paris states that he hasn't seen Torres in the bar before, and she comments that he obviously isn't very observant, as she has been going there the same time every day for the two previous weeks. Paris explains to her that this is because he usually works nights. Torres replies that she does too, and Paris adds that she works at the Power Distribution facility, showing that he is observant. The bar manager summons Paris, and he replies that he will be there shortly. Paris, continuing his conversation with Torres, says that she should come back in on her next night off, as it is more fun when there is a crowd. Torres says that she doesn't like crowds. Paris then asks if she would like to go for a walk by the lake. Torres dislikes the idea, and Paris asks her why, stating that he is a very interesting conversationalist. As he says this, Torres stands up, displaying the fact that she is pregnant. She asks Paris if he would still like to go out with her. Paris asks if she is married, and she replies that she is not. Torres walks out, unhindered by Paris. "First officer's log, Stardate 54597.9. After restoring primary systems, we have left the nebula to try and find the crew. Although there is still a lot of damage, we have been able to reconfigure our sensors to detect subspace mines. Ensign Kim has been running continuous scans, but there is still no sign of our people. On the bright side, the ships that were searching for us seem to have given up. With only four people on board, repairs are going slowly." The Doctor manages to restore power to the secondary propulsion systems, when Harry Kim summons him to the astrometrics lab. The Doctor asks if he has had any luck in finding the crew. Kim informs him that he has scanned ships and planets in 83 systems, with no sign of Humans, Bolians, or Vulcans. The Doctor suggests that Kim increase the sensor range by tying them in with the main deflector, but Kim informs him that he has already done that. As The Doctor is about to give another suggestion, Kim interrupts him, and says that the reason he summoned him was to stop his queasiness, caused by the falah nectar. The Doctor says that he treated him days ago, but Kim tells him that whatever he did hasn't quite worked. On the bridge, The Doctor informs Chakotay of his completed duties: repairing the deuterium injectors, restoring the secondary propulsion systems and soothing Harry Kim's upset tummy. Chakotay congratulates him, and then asks him to repair the ruptured plasma relays on deck 10, which The Doctor is reluctant to do. Chakotay asks him why, and the ECH says that he is the Emergency Command Hologram and therefore should be in the command center of Voyager, the bridge. Chakotay tells The Doctor that they must prioritize. Harry Kim interrupts, informing them that he has found the crew on an M-class planet that is within a three-day journey at maximum warp. Chakotay goes to visit astrometrics, giving The Doctor the command center. Back on Quarra, Janeway is cooking dinner for Jaffen, saying that her food is only burnt on the outside, and that after cutting off the charred bits, it should taste fine. She adds that his cooking console (food replicator) is a little temperamental, and Jaffen wittingly asks if she tried talking to it. Jaffen gently lets down Janeway, telling her that her food is not that good. Janeway suggests that they should go out for food, but Jaffen says he is not very hungry. Janeway says that neither is she, and they kiss passionately. Act Four "First officer's log, Stardate 54608.6. We've traced the crew's lifesigns to a large city on a planet called Quarra. Unfortunately, the local officials aren't being very cooperative." An official tells Chakotay that after interviewing some of his so-called crewmembers, none of them remember a Chakotay or a Voyager. Chakotay asks if he can talk to the crewmembers himself, but the official states that the workers are protected by the laws on Quarra, apparently from unscrupulous individuals attempting to acquire skilled laborers. After some resistance, Chakotay ceases his attempt at negotiation, and asks Harry Kim to take Voyager out of orbit of Quarra. The Doctor says that they can't just leave them there, and Chakotay says that they won't, but that he wants the Quarrens to think they are. Back on Quarra, Janeway and Jaffen are starting to realize their affection for one another. Paris and Torres are also forming a friendship, based around Torres' unborn baby. Torres says that she isn't looking for a romantic relationship, but Paris is willing to just be her friend. Neelix informs Chakotay and The Doctor that the eight captains that have left Quarra in the previous two weeks knew nothing about the previous Voyager crew, but all of the captains asked him if he was looking for employment, because of an apparent labor shortage in the system. Chakotay adds that the official said that most of the crew had jobs in the main power facility, and asks Neelix if he can find a job for them in the same facility. After The Doctor adds that reentering orbit may arouse suspicion, it is decided that they should take Neelix's ship instead. The Doctor also adds that Chakotay may be recognized, but Chakotay finds a way around that problem too: reconstructive surgery. After some surgery to disguise his face, Neelix says that Chakotay should have posed as a Talaxian, as he thinks they would have made a striking pair, but apparently whiskers make him itch. Chakotay asks how the interview went, and Neelix says that they have been eagerly employed. Harry Kim hands The Doctor a subdermal transponder, which he injects under Neelix's hand, allowing Voyager to keep an open comm link to him and to transport him through the shield grid if an emergency arises. Chakotay orders Ensign Kim to hold position at maximum transporter range, and The Doctor asks Chakotay why he is leaving Kim in charge, because "an Emergency Command Hologram programmed with over 2,000,000 tactical subroutines outranks an ensign", to which Kim replies that "with a few words to the computer, this ensign can delete those subroutines". After some more quibbling, Chakotay orders the two of them to "work it out". Chakotay and Neelix depart for their new jobs on Quarra. Meanwhile, on Quarra, the efficiency monitor, Annika Hansen, confronts employee 8586, Tuvok, asking him why he has neglected to report for his last three inoculations. After refusing to respond, she orders him to report to the infirmary. Tuvok, barely able to speak and sweating, says to Annika "Seven of Nine". She is confused, and Tuvok says that it is her designation. She is about to state her employee designation, but before she can finish, Tuvok initiates a mind meld. Annika screams and struggles, and just before the guards can pull Tuvok away from her, she has a vision of herself stepping out of an alcove just after regeneration. Tuvok is dragged off, shouting: "I don't believe you are who you think you are. WE DON'T BELONG HERE! WE DON'T BELONG HERE! THIS ISN'T RIGHT! WE DON'T BELONG HERE!" Act Five Neelix and Chakotay have started their first day of work at the main power facility on Quarra. The supervisor is not astounded by Chakotay's level 3 aptitude in microkinetics, and says he could work on it, but very impressed by his level 5 in thermionic conversion. The supervisor adds that they lost a thermionics specialist the previous day. The supervisor is referring to Tuvok, but Chakotay is blind to this. As they walk, Chakotay notices at least one female crewman, but as she looks back at him, it's clear she doesn't recognize him. The supervisor describes the thermionic converters to Chakotay, stating that they run under rotating frequencies, and so have to be closely monitored, and that Chakotay must report his readings to the controller at regular intervals. However, Chakotay is distracted by Janeway returning to her station, and after realizing that Chakotay isn't listening, asks him why he isn't. Chakotay excuses himself by saying he's just excited to be there. Once the supervisor leaves him to his duties, he goes over to Janeway. He whispers to her, and says that it is Chakotay. However, he realizes that Janeway either doesn't know him, or is trying to remain undercover, and so starts to pretend that he is genuinely a new worker in the power facility. He says that the supervisor suggested that if he have any problems then he should speak to her. Janeway asks what he said his name was, and he says it was Chakotay, but that was only his nickname, and his real name was Amal Kotay. Janeway says that she is happy to help in anyway she can. Meanwhile, in the infirmary, Tuvok is about to be sedated, to be operated again. Kadan, a doctor in the infirmary, tries to convince him that he is experiencing a relapse of Dysphoria Syndrome. Tuvok struggles, but it is all in vain, as he is sedated and operated upon. In the bar, Paris and Neelix are discussing how lucky Paris was to find this job after losing his position at the power plant. Torres is at the other side of the room talking to the expectant parents that Paris found for her to talk to. Paris is very distracted by this, but continues to talk about how losing that job was the best thing that ever happened to him. He says that there were too many rules and regulations, which Neelix describes as like working on a starship. Paris asks if he has ever done that, and Neelix boasts that he used to be the captain of a cargo vessel. Neelix questions Paris as to if he has worked on a starship, but Paris says that space travel makes him sick. Neelix asks if he knows most of the customers, and Paris states that he knows a lot of them, and describes the bar as a great place to work; Neelix answers that it certainly looks that way. Just as Paris offers to put in a good word for Neelix to his boss for a job, Chakotay walks in. Neelix introduces him to Paris using his alias, Amal Kotay, and introduces Chakotay to "his new friend, Tom Paris". Neelix reports to Chakotay that he has been assigned to the primary fusion chamber, where Ensigns Celes and Mulchaey were also assigned to work. He adds that none of them recognized him. Chakotay, expressing a similar experience, bets that they all really love their jobs. Neelix states that it is like "they've all been programmed to be happy" on Quarra. Chakotay states that it is a safe bet that none of them will go willingly. Janeway and Jaffen enter and she invites Chakotay and his friend (Neelix) to join them. Chakotay accepts, but Jaffen says to Janeway that he was thinking of eating alone tonight. Chakotay accepts this, and as she walks out, Janeway expresses to Jaffen that what he just did was rude. Jaffen excuses himself, saying that he wanted to talk to her about something. As Torres is about to leave, Tom runs up to her, and asks if he can walk her to the transport. Torres says that she will be fine, and Paris adds that he isn't worried that she won't be fine. Torres reassures him, saying that the baby will be fine too. She gives him a warm smile as she leaves. Jaffen awkwardly asks Janeway if she would like to move in with him. After some awkward discussion, she agrees. Torres, walking home alone, starts cautiously looking around; Neelix is stalking her. She looks around instead of watching where she's going and runs into Chakotay, who is walking the other way. After some quick apologies, he calls her by her name, as if she is someone who he met a long time ago, and she is surprised. Torres asks him how he knew her name, and he insinuates that they are old friends. She makes up an excuse about work and tries to leave. Chakotay grabs her and stops her from leaving, and tells Torres that he won't harm her. She manages to loosen his grip, but Neelix comes up behind her and grabs her. She struggles and screams for security to help; Chakotay hails Kim on Voyager and orders him to beam Neelix and Torres up to sickbay as The Doctor head there himself. As the two are being transported, two Quarren security officers arrive and attempt to stop Chakotay. The security officers chase Chakotay down the street. Chakotay requests an emergency transport, but Harry Kim reports that Voyager is under attack by two Quarren vessels and he had to raise the shields. In sickbay, The Doctor is trying to sedate Torres while Neelix holds her still. After a moment of struggling, the sedative takes effect. The officers continue to chase Chakotay, but he eventually reaches a dead-end, standing on an open platform surrounded by a force field with security guards on their way and nowhere to go. TO BE CONTINUED... Log entries First officer's log, USS Voyager Memorable quotes "Maybe all those command subroutines are compromising your medical abilities." "Maybe all that sarcasm is compromising your natural charm." - Harry Kim and The Doctor "I've repaired the deuterium injectors, brought secondary propulsion back online, and soothed Ensign Kim's upset tummy." "Good work." - The Doctor and Chakotay "Strange man." "And a terrible joke teller." - Janeway and Jaffen, on Tuvok "A sick worker is not an efficient worker." - Seven of Nine "I still think you should have posed as a Talaxian, we would have made a striking pair." "Whiskers make me itch." - Neelix and Chakotay "Seven of Nine." "What?" "Seven of Nine. Your designation." "My employee number is 8586. Take your hands off me! Call security!" "I don't believe you are who you think you are! We don't belong here! We don't belong here! This isn't right! We don't belong here!" - Tuvok and Seven of Nine Background information Cast and characters Ensign Golwat can be seen several times in this episode, such as when Tom Paris flirts with her in the restaurant, or with Captain Janeway on the elevator in the teaser. Iona Morris (Umali) previously played an Only girl in . She is the elder sister of fellow Voyager guest star Phil Morris. Production The Quarren coyote ship's bridge was evidently a minor redress of the Voyager crew quarters set. The same vessel was a modified re-use of the CGI model of a Breen ship from Deep Space Nine. Continuity Among the alien races represented on Quarra are a few that Voyager has previously encountered, including Kraylor (first encountered in ), Benkarans (), and Brunali, which was first encountered in when Voyager made contact with Icheb. Also present on Quarra is a somewhat purple species that closely resembles an Alpha Quadrant race, the Benzites. The Doctor becomes the Emergency Command Hologram for the second time in the series, having first assumed this role in the sixth-season episode Tinker Tenor Doctor Spy. However, in contrast to that episode, he doesn't wear any pips. In this episode, The Doctor finds himself alone on Voyager. He faced a similar situation in , when the entire crew was incapacitated by a virus. Neelix's shuttle makes its third appearance in this episode. It has previously appeared in the series premiere (where only the interior is seen) and in the third-season episode . This episode represents the final time that Tuvok is seen to perform a mind-meld in the series. Trivia The episode "Beneath the Surface", which aired six months earlier, shares significant plot elements with this two-parter. Both draw heavily from the silent film . Several costumes and props from this episode were sold off on the It's A Wrap! sale and auction on eBay, including eight unused Quarren uniform patches, a Quarren med tech jacket, the costume of Ken Gruz, and a gold two piece jumpsuit. Awards This episode was nominated for two Emmy Awards: Outstanding Music Composition For A Series (Dramatic Underscore) (Dennis McCarthy) and Outstanding Special Visual Effects for a Series. It lost both to . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.8, As part of the VOY Season 7 DVD collection. Links and references Guest Stars James Read as Jaffen Don Most as Kadan John Aniston as Quarren Ambassador Co-Stars Iona Morris as Umali Tom Virtue as Supervisor Michael Behrens as Coyote Matt Williamson as Security Officer #2 Akemi Royer as Med Tech Robert Mammana as Security Officer #1 Majel Barrett as Computer Voice Uncredited Co-Stars David Keith Anderson as Ashmore John Austin as Alien worker Starfleet officer Michael Bailous as Voyager worker Amy Kate Connolly as female Kaitlen Mitch Earl as Numiri worker Tarik Ergin as Ayala Marina Freeman as Quarren med tech Ken Gruz as alien worker Dieter Hornemann as male Kaitlen Joyce Lasley as Lydia Anderson Lalita Lauren as alien worker Shauna Lewis as Kraylor worker Mark Major as alien worker Robin Morselli as alien worker James Do Pearson as alien worker Stephen Pisani as alien worker Keith Rayve as a command officer Katie Rowe as Benkaran supervisor Richard Sarstedt as William McKenzie Pablo Soriano as Kraylor worker Pelian worker Noriko Suzuki as alien worker Curtis Wong as Numiri worker Unknown performers as Golwat Alien computer voice Pink skinned aliens Voyager crew member on Quarra Stand-ins Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Garrett Wang, Tom Virtue, Don Most, and Michael Behrens References ambient radiation; anecdote; Atmosphere Filtration Facility; backflip; Baxial; bearing; Benkaran; blanket; Bolian; bully; byproduct; capital city; career; cargo vessel; ; Central Hospital; Central Power Facility (aka Power Distribution Facility, aka Power Distribution Plant); ; com-link; command center; command subroutine; console (aka control panel); controller; cooking; cooking console; curfew; ; dermal regenerator; deuterium injector; docking permit; Dralian; Dysphoria Syndrome; Earth; efficiency monitor; Emergency Command Hologram (ECH); emergency transport; ensign; environmental suit; escape pod; evasive pattern; express lift; Falah nectar; father; Federation; government official; green; Hazari; Human; interpreter; intruder alert; inoculation; irony; itch; Jaffen's bully; joke; Kaitlen; ; laborer; latara broth; leader; leola bark tea; M class; meat; medkit; medical ability; medical care; metric tons per second; microkinetics; mobile emitter; Mulcahey; Nar Shaddan; nebula; Norvalen; Norvalen homeworld; operator; parasite; percent; perfectionist; plasma conduit; power relay; primary fusion chamber; proprietress; public health; qualification level; quantum fusion; Quarra; Quarren coyote ship; ; Quarren patrol ship; Quarren transport; queasy; radiation; radiation poisoning; reactor coil; reconstructive surgery; replicator system; sarcasm; shield grid; stomach; subdermal transponder; subspace mine; subspace transponder; supervisor; Talaxian; tetryon radiation; thermionic converter; thermionics specialist; thermal coefficient; thermal dynamics; thermal efficiency; time travel; tractor emitter; transport; transporter range; tylium; "upset tummy"; vegetarian; Vulcans; whiskers; worker (aka workforce); work hours; External links de:Arbeiterschaft, Teil I es:Workforce, Part I fr:Workforce, Part I (épisode) nl:Workforce, Deel I VOY episodes
1617	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Workforce, Part II (episode)	Quarren forces close in as Chakotay and the others try to rescue the crew. Summary This is part 2 of a two part episode. For Part I, see . Teaser Chakotay diverts the attention of the pursuing guards by damaging the force field power supply as if he intends to escape by jumping off the building. While they look to see if he has, he ambushes them, grabbing a weapon and getting rid of them all. Meanwhile, Voyager is under attack by two Quarren patrol ships, with the ECH and Harry Kim in joint command. The Doctor uses information from his tactical database to create a method of escape, and Voyager manages to disable both ships with a photonic shockwave, by firing a photon torpedo and detonating it between them with a phaser beam. Harry Kim says that they should go back and get Chakotay, but just as he does, The Doctor detects five more incoming enemy ships. The Doctor decides the best course of action is retreat, and Kim agrees. Chakotay arrives at the bar where Tom Paris works. There he meets with Kathryn Janeway. She apologizes to him about her friend, Jaffen, being so rude before, but she still doesn't recognize him as Voyagers first officer Chakotay. She is celebrating moving in with Jaffen. Janeway offers to let him share in the celebration with them, but Chakotay declines. He looks shocked at the news but his shoulder wound is more distracting. Act One Yerid and an officer appear at the bar and begin looking for Chakotay. They ask Tom Paris about the disappearance of two people, B'Elanna Torres and Neelix. Paris is concerned for Torres, barely remembers Neelix, and is about to point out Chakotay, when Chakotay leaves. "ECH log, Stardate 54622.4. I've found an ingenious place to hide while we make repairs – a moon with a para-magnetic core that masks our energy signature. I've turned my attention to Lieutenant Torres, whose treatment will also require ingenuity." According to The Doctor's scans, the memory centers of Torres' brain have been radically altered. It was very selective manipulation of memory engrams. The damage can be repaired, but it will take some time. Meanwhile, Tuvok is being examined by two doctors, Ravoc and Kadan. They are trying to "diagnose" Tuvok, whose condition of claiming he is not who he should be perplexes Ravoc. Kadan explains his research into Dysphoria Syndrome, a rare condition. Tuvok has been treated for it before, through engrammatic resequencing, but since this syndrome is so insidious, it must be done again. Ravoc has doubts, but Kadan convinces him it is the right thing to do. Seven of Nine reports to the supervisor's office shortly after that. She asks about Tuvok – by employee number, #8583 – and says some of the workers are concerned that his disease may be contagious. The supervisor tells her to say everything is fine. Yerid then appears, and asks them about Neelix and B'Elanna Torres. Seven of Nine says they didn't report for work today. He also asks about Chakotay (employee #9363), and they pull his file. He did not report either. Meanwhile, Janeway is moving in with Jaffen. He asks why she has accumulated so many things, to which she replies that she likes to collect them. Jaffen asks what she could possibly want with a spent plasma relay, to which Janeway replies that she thinks spent plasma relays are a work of art. When she goes back to her apartment to get the rest of her things, she discovers a piece of cloth with blood on it. She activates the lights, and finds Chakotay is waiting for her, collapsed against the wall, bleeding, holding a weapon. Act Two Janeway demands to know what he wants. He turns off the lights, and tries to persuade her that she and many others were brainwashed. He eventually convinces her that innocent people will suffer if he is turned in, and she offers to fix his wounds. In the meantime, on Voyager, Neelix shows Torres her and Tom's quarters. When she sees items reminding her of her married life with Paris, her memory slowly begins to return. Janeway goes to the plant to borrow something to heal Chakotay's injury. Seven of Nine catches her, and reminds her that is against regulations. When Janeway says that Jaffen cut himself and is too stubborn to go to the hospital, she allows it. Seven goes and looks up Tuvok in the computer, bypassing security, and finds data lacking on his species. She also finds that he has been accessing files for many employees. Janeway heals Chakotay's wounds, and Chakotay tries to persuade her that she isn't happy with her job. At this point Kim contacts Chakotay to make sure he is safe. Voyager is 8 light-years away, but they are using a triaxilating frequency on a covariant subspace band. Chakotay says he has found many members of the crew and that he is sitting with Captain Janeway. After the conversation, she decides to call security, but Chakotay regenerates his face to remove his disguise, to try to prove that they know each other. Act Three Janeway tells Jaffen about Chakotay and , but he doesn't believe her. Jaffen convinces her to call security, and security officers burst into Janeway's apartment. When Chakotay is being questioned and examined in a hospital, three security officers tell the doctor to transfer him to Division 6, neuropathology, since he is mentally ill. Yerid protests, but since the order is signed by his superiors, he is forced to let them take him. On his way out of the room, Chakotay quickly tells the Quarren investigator everything he can. On Voyager, Neelix cooks Torres her favorite breakfast, pancakes and maple syrup, as she reads Paris' personal logs, amazed at how much he loves her, and wondering if he ever will again. The Doctor and Harry Kim, meanwhile, after finding a way to evade Quarren patrol ships' sensors, argue about whether The Doctor will return to being the Emergency Medical Hologram. That's when they receive a transmission from Chakotay, saying they should go into orbit at an exact location, since he is ready to shut down the shield grid. Unknown to the Voyager crew, it is a trap; Chakotay was under Kadan's control. Ravoc asks Kadan about whether or not this disease is spreading; after all, two workers in two days have come in with it. Kadan says he has already talked to the supervisor of the plant, and measures have been taken. Seven of Nine brings several of the discrepancies she has discovered to Yerid: Why were all 138 of these aliens processed through Division 6, and how were they all hired on the same day? Unfortunately, he can't do anything; the Director of Investigations relieved him of duty that morning. Seven of Nine decides she will go to the hospital to help with Yerid's investigation, since Yerid's presence would arouse suspicion. Act Four Seven of Nine goes to see Ravoc at the hospital, and says she has been having disturbing thoughts. When he looks up her record, he notes that she has been treated for Dysphoria Syndrome. Ravoc says that she came to the right place, since they have one of the foremost experts on the disease here, referring to Kadan. With some badgering, she gets Ravoc to fetch Kadan. While he is gone, she starts going through the hospital database. Meanwhile, at Jarren's residence, Yerid asks him and Janeway a few questions. He asks Janeway if she knew Chakotay. While she initially says no, he points out details about him that show she is lying, so she tells the truth. Jarren fails to brush the whole thing off, and Yerid has her tell him everything Chakotay said. Kadan is furious once he learns that Ravoc didn't stop Seven when she walked out. Ravoc says she was a voluntary patient, so there was no reason to stop her. They find she accessed 64 secret files, all cases of Dysphoria Syndrome admitted on the same day. Ravoc says Kadan never mentioned it. Ravoc continues to ask questions, and finally begins to put together what Kadan has been doing. Kadan admits it, while Ravoc can't believe it, threatening to report him. However, Kadan points out there isn't anyone for him to be reported to. When security next asks Tom Paris about Seven of Nine, he lies about knowing her. After they leave, Seven, Jaffen, Janeway, and Yerid all meet. With Seven's evidence, Janeway begins to believe that something is going on. She remembers that Chakotay had proof of her identity about a ship called Voyager, and they could be contacted with a triaxilating frequency on a covariant subspace band. They plan to get into the Central Power Facility and use the subspace transceiver in there, while Yerid and Seven go to the hospital. Seven of Nine and Yerid successfully break in and confront Kadan. Meanwhile, Janeway, Paris, and Jaffen have similar luck. Voyager enters orbit just as their message gets through. Janeway talks to them, and much to her surprise, sees Torres in a Starfleet uniform. Since this is enough proof, she agrees to help them with their plan to beam out all of those abducted. However, three ships attack Voyager in orbit, and cut off their transmissions. Act Five Security forces attack Janeway and Jaffen. Since they can't get to the power grid, she makes the computer think the core is going to overload, just as she nearly did by accident on her first day of work, automatically shutting down main power. Back on Voyager, the crew figure out they have been lured into an ambush. Ensign Kim decides to launch three of the few remaining escape pods and puts a dampening field around the briefing room to mask their life signs. The Quarren ships tractor the three pods, not knowing they're empty, and at that point The Doctor self-destructs them, causing massive damage to the ships. When the shield grid fails, all members of the crew are beamed back to Voyager. "ECH log, supplemental. All the crew have been transported back to Voyager, and thanks to my experience with Lieutenant Torres, their treatment is proceeding rapidly. While they're recovering, I still have a few command duties left to perform." The Quarren ambassador says the whole thing has been a conspiracy, and that they have identified thousands of workers who were once patients of Dr. Kadan. He promises they will be treated and then returned to their homes. In their quarters, B'Elanna thanks Tom for looking out for her even when he didn't know who she was, and then jokingly hits him in the arm for flirting with patrons at the bar. Jaffen goes to speak to Captain Janeway, telling her his memories weren't altered and he genuinely came to Quarra looking for work and has now been promoted. Janeway tells him that while she could use someone with his skills on Voyager, it wouldn't be appropriate for her to ask him to join the crew given their past, and the two bid each other a sad goodbye. With the rest of the crew treated and returned to their proper lives, Janeway enters the bridge and tells Chakotay that while her memories may not have been real, Quarra did really feel like home. If he hadn't come to rescue them, she never would have known the difference. Despite that however, she is glad he came for her and with that, the crew continue the journey back to their real home. Memorable quotes "I'm not here to hurt anyone. You have to trust me." "You're pointing a weapon at me." - Chakotay and a brainwashed Janeway "I wondered why he was so protective of me." - Torres, describing how Tom Paris always looked out for her on Quarra when they were both brainwashed "You seem happy here." "I've got a good job." - Chakotay and Janeway "Have you located anyone else from the crew?" "As a matter of fact, I'm sitting with Captain Janeway right now." - Harry Kim and Chakotay "We're the same race!" "We're more than that. We're friends." - Janeway, after Chakotay removes his alien disguise, showing her who he really is "Ow! What was that for?" "Flirting with your customers." "I was the victim of mind control." "Mm-hmm." - Tom Paris when B'Elanna Torres punches him in the arm after their memories had been restored "If you hadn't come after me, I never would have known that I had another life." "Are you sorry I showed up?" "Not for a second." - Janeway and Chakotay, as Voyager prepares to depart Quarra Background information Production This episode was the second of two installments (the other being Season 6's ) that were directed by Roxann Dawson, who usually played B'Elanna Torres in the series. She found that being assigned, by Rick Berman, to direct this episode was a memorable moment. "I remember when he handed me my second episode, because he said something I'll never forget," Dawson revealed. "We were at some function and I was very curious as to whether he thought I did a good job on my first one and was ever going to give me another chance. He came up to me and said, 'So, I'm going to give you another opportunity to fail' [...] I think it was sort of a compliment, but I think he was giving me another opportunity and saying, 'There's nothing guaranteed. You did OK on this one, but you could fail on the next one.' So I think it was a 'Don't get too full of yourself' kind of thing." This is also, as of 2020, the most recent Star Trek episode to be directed by a main cast member of the series to which said episode belongs. The Quarren coyote ship was a modified re-use of the CGI model of a Breen ship from Deep Space Nine, while the Quarren patrol ships were a re-use of Steth's ship. Seven's flashback of the Borg cube is a reuse of a shot from . The noise that the doors make when opening is reused from Deep Space Nine. Continuity & trivia The bat'leth seen mounted on the wall of Torres' quarters while Neelix is giving her a tour of the ship in this episode is a standard model, and not the black, angular version she received as a gift from the Klingons in . Identifying an item in Torres' quarters, Neelix tells Torres "It's an antique television. You gave it to Tom as a present," referring to the events of . The photo the Quarren computer identifies as Kashimuro Nozawa is of a woman instead of the recurring character played by John Tampoya. (See: Talk:Kashimuro Nozawa) The toy ships hanging on the baby mobile in Torres' quarters look suspiciously similar to Star Trek Hallmark Christmas ornaments. Jay Harrington's costume lot from this episode was sold off on the It's A Wrap! sale and auction on eBay. Addressing Janeway, Paris says "Aye, sir," in spite of her contravention of Starfleet protocol expressed in the series premiere . When evading the enemy ships, The Doctor fires upon a photon torpedo to disable them, in much the same way that Tuvok used to evade the Vidiians in Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.9, As part of the VOY Season 7 DVD collection Links and references Guest stars James Read as Jaffen Don Most as Kadan John Aniston as Quarren Ambassador Tom Virtue as Supervisor Robert Joy as Yerid Co-stars Jay Harrington as Ravoc Michael Behrens as Coyote Joseph Will as Security Officer #3 Matt Williamson as Security Officer #2 Damara Reilly as Alien Surgeon Majel Barrett as Narrator Uncredited co-stars David Keith Anderson as Ashmore Carlo Antonazzo as Quarren security John Austin as operations officer Mario Carter as Quarren security Damaris Cordelia as Quarren nurse Mitch Earl as Numiri worker Tarik Ergin as Ayala Ken Gruz as alien worker Shauna Kim as Quarren patient Joyce Lasley as Lydia Anderson Lalita Lauren as alien worker Dennis Madalone as Quarren security Mark Major as alien worker James Do Pearson as alien worker Stephen Pisani as alien worker Katie Rowe as Benkaran supervisor Richard Sarstedt as William McKenzie Brian Simpson Pablo Soriano as Pelian worker Noriko Suzuki as alien worker Curtis Wong as Numiri worker Unknown actress as Golwat Stunt double Unknown stuntwoman as stunt double for Kate Mulgrew Stand-ins Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Tom Virtue, Robert Beltran, and Robert Joy References accusation; ; attending physician; cartoon; Central Hospital; command duties; covariant subspace band; Criminal Investigations; curfew; dampening field; dermal regenerator; Director of Investigations; Division 6; Dysphoria Syndrome; Earth; Emergency Command Hologram; engramatic resequencing; escape pod; facial hair; Federation; honeymoon; katra; ; laborer; main generator; maple syrup; ; memory center; memory engram; mind control; neuropathology; neuropsychiatry; new plan; ; pancake; para-magnetic core; photonic shockwave; plasma relay; polar-affective disorder; popcorn; Quarantine Control; Quarra; ; Quarren coyote ship; Quarren Director of Investigations; Quarren Ministry of Health; Quarren patrol ship; reactor coil; Romulan; Romulan captain; services; subspace transponder; suspect; tactical database; tavern; television; triaxilating frequency; tri-lobe regression complex; Deleted references Havika; hyperspanner; Kessik IV External links de:Arbeiterschaft, Teil II es:Workforce, Part II fr:Workforce, Part II (épisode) nl:Workforce, Deel II VOY episodes
1618	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Human Error (episode)	When Seven tries to perfect her social skills on the holodeck, her new emotions soon overwhelm her Borg implants. Meanwhile, Voyager accidentally wanders into an interstellar firing range. Summary Teaser A piano is being played by a blonde woman. It is soon revealed to be Seven of Nine, but she looks different. Her hair is down and it appears that she is missing her ocular implant. Act One There is a gathering in the mess hall. It is B'Elanna Torres's baby shower. She opens Tuvok's gift, a Vulcan logic puzzle toy called a Pleenok. Harry Kim has given her a Starfleet diaper. Everyone seems to be enjoying themselves. On the other side of the room, Seven of Nine and Captain Kathryn Janeway are discussing some recent changes to Seven's life. It seems Seven has just had all of her remaining Borg implants removed, while the captain suggests that she could have children someday, too. Countering this, Seven wants to start a little smaller: with a uniform, even though she doesn't hold a rank. Janeway agrees and offers her quarters as well, since she no longer needs to regenerate. Seven accepts and offers some kind words to her captain for all the help she has given her since her liberation from the Borg Collective. The two toast their agreement. At this point, Chakotay interrupts the two women and suggests that Seven be the first one to give her best wishes to the baby. Seven makes a very elegant and well thought out toast, even including a joke at the end. Back on the bridge, Tom Paris is at the helm and has picked up several energy discharges on long-range sensors occurring approximately 5.9 light years ahead of the ship according to Tuvok. Janeway calls Seven to the astrometrics lab. When Seven responds, it is revealed that the piano playing and the baby shower were part of a holodeck program designed to help Seven of Nine become more comfortable in social situations. She ends the program and her clothes change back to normal and her ocular implant reappears. On her way out of the holodeck, she rearranges her hair back to its normal French twist coiffure. In the astrometrics lab, Paris, Tuvok and Janeway have joined Seven of Nine. Seven reports she was unable to locate the cause of the discharges, but the space ahead contains high levels of radiation and metallic debris. The captain doesn't believe that is worth altering their course over, but should be monitored. She then goes on to "more pressing matters" and asks Paris if Torres suspects anything about the baby shower they are planning for her. Paris assures her that the expecting mother has no clue. Janeway then tells Seven and Tuvok that she expects them both to attend. Seven tries to get out of it by telling her commanding officer that she will be busy monitoring the sensors. Janeway assures her that she can spare a couple of minutes to make an appearance. She and Paris exit, and Tuvok confesses to Seven that he is as uncomfortable as she is about going. She tells him that she has been trying to expand her comfort zone in social situations and will perhaps attend. Instead of attending the shower, she goes back to the holodeck. She is in her quarters with Neelix. It is a very empty room and Neelix offers some suggestions to make it a little less spartan. He suggests some personal items, knickknacks, a painting, a couple of chairs, a table and some drapes in case they ever show up at a busy spaceport. He reminds her of the stylistic importance of the drapes matching the carpet. She is saved from Neelix by the door chime. Chakotay is on the other side. He comes in and offers her a housewarming gift of a dreamcatcher. She tries to thank him for being her inaugural guest by offering him some tea, but Chakotay looks around and reminds her she has no replicator. He offers to requisition one for her. They get a little flirtatious with each other and Seven expresses her interest in culinary science. She offers to cook him a meal the next evening. Chakotay agrees to the date and to bring the wine... and the furniture. Act Two In sickbay, The Doctor is examining Seven of Nine while singing a modified version of "Rock-a-bye Baby". Seven notes that the lyrics are rather traumatic. The Doctor assures her that it's the melody not the words that the baby responds to. In fact, he has recorded 29 lullabies, including a Klingon one called "Sleep, Little Warrior" (quong vaj Ocht). He chastises her for not attending Paris' and Torres' shower. She claims she was busy and could not attend. The Doctor asks if Seven is experiencing any shoulder pain, which she is, and finds that the cause is her radial shoulder clamp. It needs to be repaired with an hour long procedure. She balks at this and suggests he remove it instead. Unfortunately it can't be removed without her losing the use of her arm. She doesn't want to do it now because she has "research" to do. He then notices her electrolytes are low and queries her about missing regeneration cycles. The Doctor tries to dig deeper into the nature of her "project" and she gets upset at him for putting his nose into her "personal life". He apologizes and quips he didn't know she had a personal life. Just then the ship shakes. Captain Janeway exits her ready room and asks for a report from Paris. It was another energy discharge that produced a level nine shock wave. There is a series of them and the next one destabilizes the warp field. Janeway orders the ship turned into the wavefront. It hits the ship since Paris doesn't have time to make the adjustment. Chakotay makes the observation that if they are weapons, Voyager isn't the target. Janeway suggests they might just have lousy aim. A short time later, Tuvok and Janeway join Seven of Nine in the astrometrics lab. The former Borg drone has discovered that the explosions were caused by dozens of long-range subspace warheads that were launched towards an unmanned probe fired in the last few weeks. The captain wants to get out of the area before Voyager becomes a target. Unfortunately, Tuvok explains that all of the radiation won't allow them to create a stable warp field for another 48 hours. Seven believes she can detect the weapons before they emerge from subspace by calibrating the astrometric sensors to isolate the effects of the minor gravimetric distortions they cause as they approach the subspace barrier. Janeway agrees that even a few seconds warning is helpful and allows Seven to proceed. A short time later, Icheb enters the astrometrics lab to relieve Seven of Nine. He is two hours early because The Doctor wants Seven to spend more time regenerating. Icheb then quotes Sophocles: "Don't kill the messenger." She then agrees to going off-duty early and orders him to continue the scans of the subspace barrier for gravimetric distortions. Seven enters her cargo bay and sets up the regeneration cycle, but does not enter. Instead, she heads down to engineering with a gift for Torres. She and Harry are trying to cold-start the warp core (for the fifteenth time). Seven hands the engineer the gift and explains that it is a belated gift for her baby shower. She then apologizes for her absence during the actual event. Torres tries to put it down and get back to work, but Seven prompts her to proceed in opening it now. Inside the box are a tiny pair of baby booties. Seven explains, "They are lined with bio-thermal insulation. Your infant's feet will be protected even if the external temperature drops below −40 °Celsius." Torres thanks Seven for her gift and tries to get back to work. Seven follows her and very mechanically asks the engineer what she does with her hair as an attempt at small talk. After she leaves, her odd behavior prompts Torres and Kim to discuss whether or not that was really Seven of Nine. Kim quips, "There must be an alien intruder on board." Seven of Nine is in the holodeck and orders the computer to accept the changes she has made to her personal quarters in her program and begin the program. She is dressed in a stunning red dress with her hair fully down again. She walks over to a mirror and checks herself out. Holo-Chakotay tells her she looks perfect. They banter and flirt over a bottle of wine. Seven then asks him to assist her in the kitchen. Chakotay compliments her on her cooking and it devolves into more flirting including her licking sauce off his finger in order to determine whether it needed more salt. Hearing the music in the background, Chakotay wonders if Seven has begun playing an instrument. She has indeed. The Doctor has been giving her piano lessons, but she requires more practice before Chakotay can hear her. They go back to preparing the meal and she notices a flaw in Chakotay's technique. In order to help correct it, she takes his hand and helps him with some very intimate contact. They both realize what's going on and smile at each other. They try to tackle the wine again and she gently traces the contours of his face. She tells him he has "an intriguing facial structure." They start to kiss and after a moment, a tiny alarm is heard, alerting Seven. Act Three Seven is dreaming about the past few days on the holodeck with a few minor anomalies. She wakes up in the arms of the sleeping holographic Chakotay when the real Chakotay calls her on her combadge. He orders her to report to astrometrics. The holographic man wakes up and is pleased to see her, but she rushes out of the holodeck. Seven hastily finishes tying back her hair as she hurries through Voyagers corridors to the astrometrics Lab. Chakotay and Icheb turn as Seven enters. She finds out Icheb has picked up an automated transmission from a warning beacon. It is a warning to evacuate the area because it is a subspace munitions range. The first officer expresses concern over her being late for her shift. She assures him that she's fine and that nothing is wrong. Icheb quotes Titus Livius, "Better late than never." (A History of Rome) She gets upset with this and barks that he's relieved. She tempers her sharp tone with the more gentle: "Get some rest." He nods and leaves. She tries to work for a minute, but is distracted back into the holodeck. On the holodeck, Seven and holo-Chakotay are at the piano. Seven is playing very well and he compliments her. He then asks her to play his favorite work (Schumann-Scenes of Childhood, From Foreign Lands and People). She starts up her metronome and begins playing. She is very good, but there's no heart in it. He stops the metronome and tells her to start again. He uses the metronome as a metaphor for the order she's had to have from the Borg Collective. She begins playing again. Meanwhile, more warheads are launched and detonations occur in close proximity to Voyager. The real Chakotay calls Seven on the holodeck and tells her that he needs the sensor calibrations she was supposed to be working on. She tells him she will need a minute to return to her post, with Janeway and Chakotay being shocked and angry that she wasn't where she was meant to be. She gets up and leaves the holodeck as the ship is lurched about. Act Four Paris is trying to dodge the explosions, but is having a difficult time. Janeway gets anxious and calls Seven of Nine as she approaches the astrometrics lab. After a moment at the control panel, she tells Lt. Paris to isolate subspace band omicron theta. She hurriedly works the controls and finds that two warheads are about to emerge. Paris adjusts course just in time to get into position. Voyager shakes as the warhead hits the shields. After making sure the shields are holding, Janeway asks Chakotay why Seven wasn't at her post. He doesn't have an answer. Janeway summons Seven of Nine to her ready room and admonishes her for not having the sensor calibrations ready and for abandoning her post. Seven tries to argue that she isn't confined to Astrometrics, but Janeway reminds her that she's meant to be there while on-duty then asks Seven why she's spending so much time in the holodeck, revealing the extent of her obsession: 49 hours in six days. She lies to her captain about running a simulation of a new gravimetric array she's been developing. Janeway calls her out a little on it by telling her that after the crisis is over, she'd like to lend a hand on the array. Seven and Icheb are in the astrometrics lab. He hands her a PADD containing a refined detection method for the warheads based on her earlier work. She admits to the younger man that she has been negligent in her duties. She gibes him for a quotation to help alleviate her of her guilt. Icheb can't think of one, but offers to check the database for one. She then leaves to "correct an error". She starts the holoprogram of her quarters and orders the computer to activate the Chakotay simulation. The door chimes and Chakotay enters bearing a covered serving plateau and flowers. He presents her with the flowers and tells her that he has decided that he would cook tonight. Of course, since he can't cook, it is a replicated meal of roasted chicken. Seven has become distant towards him because she wants to break up with him. She doesn't come right out and say it at first, but from her expression, he realizes exactly what is going on. She explains that it is interfering with her work and he doesn't realize that he's a hologram and offers to speak with the captain to lighten her load. He tries to tell her that she's making a mistake, but she counters that she is actually correcting one. He tries to use the metronome as a metaphor again, but this time Seven isn't buying it. She gets more and more conflicted with emotion and the tiny alarm sounds again. She tells Chakotay she must return to her station, but he tries to stop her. Seven cries out and staggers as she suffers terrible pains in her head. She manages to pick up her combadge and calls a medical emergency to sickbay before she collapses unconscious. The Doctor transfers his program to Holodeck 2. He notices the surroundings but immediately goes to Seven and scans her with a medical tricorder. Chakotay comes over and The Doctor, unaware of the true nature of the man, asks him what happened. He tells The Doctor that they were having an argument and she just collapsed. Scanning her, he finds that her cortical node is shutting down. He inquires about where her facial implants have gone. Giving himself away, Chakotay tells The Doctor that he thought all of her cybernetic systems were gone. He orders the program to end and the quarters, holographic Chakotay, and Seven's modifications vanish leaving the empty holodeck. Act Five In sickbay, after treatment, The Doctor gives Seven a hypospray and she wakes up but is disoriented and thinks she is still in the holodeck. She finally realizes her error and The Doctor explains the situation to her. Her cortical node began to shut down, but he was able to stabilize it before any permanent damage occurred. She tries to blame him, but he just continues on with the diagnostic on her entire cortical array. In order to help with the diagnosis, he wonders what she was doing before she collapsed. He goes through a series of possibilities, but all she tells him is that it was "research". He tells her that the simulation of Chakotay told him they were having an argument and points out some details of the program including her gorgeous dress. She realizes she can't hide it anymore. She explains that she has been exploring different aspects of her Humanity such as social activities, friendships with the crew, and intimate relations. She felt Commander Chakotay was an appropriate choice because of his many admirable qualities. The Doctor is curious as to what prompted her to do this. She tells him that it was Unimatrix Zero. She was trying to re-create some of the experiences she had there. Ever since it was destroyed, her life had seemed incomplete. She just wanted to feel those emotions again. The Doctor is beaming with pride. She tells him that it is misplaced and she is planning to delete the programs. She feels that it is too tempting and too much of a distraction from her duties. He explains that it is supposed to be a distraction and, trying to compel her to keep the program, tells her that she has excellent taste – her quarters suited her. In engineering, Ensign Kim is making the final checks on the warp drive. Everything seems to be in working order and Torres reports this to the captain. Upon hearing this, Janeway gives Tom the order to go to warp. Unfortunately, he has detected another subspace warhead twelve million kilometers astern and closing. The target probe is on a different trajectory from that of the warhead; Voyagers warp signature has attracted it. They try to fire a full spread of photon torpedoes at the warhead to no avail. The warhead's weapons destroy the torpedoes. Janeway has another plan. She calls down to the astrometrics lab and asks Seven for information about the warhead's detonator. After a moment, Seven determines that it is armed with proximity resonance circuitry with an activation frequency of 4.84 gigahertz. On the bridge, Tuvok asserts he can stop it with an anti-resonance pulse. He has to work fast; the warhead is closing in on the ship. Tuvok works the tactical panel, but the pulse doesn't work because the warhead begins rotating its activation frequency. Tuvok is unable to compensate. All hope seems lost when Seven calls up from astrometrics. She believes she can disarm the warhead by extracting the detonator with the transporter. Janeway doesn't believe she can get a lock on it since it's so small and they're traveling so fast. Seven thinks that if she can use the sub-micron imager to focus the targeting scanners, she can lock on and beam it out. Janeway is running out of options, so she agrees. Seven manages to get a lock on the detonator, but it is protected by tritanium shielding. It needs to be closer before she can get it. Paris counts down the time to impact on the bridge. At the very last second Seven succeeds in beaming out the detonator, allowing the warhead to harmlessly hit Voyagers shields and disintegrate. A sigh of relief washes over the crew. Later, in Seven's cargo bay, The Doctor has come to deliver some unpleasant news. According to his diagnostic, what Seven experienced on the holodeck was no malfunction. Her cortical node was designed to shut down her higher brain functions when she achieves a certain level of emotional stimulation. It appears to be a fail-safe mechanism to deactivate drones who start to regain their emotions. The Doctor believes that based on what they know of the Borg it makes perfect sense. "Finding one's heart is the surest road to finding one's individuality." The Doctor and Seven discuss her options of being able to feel the emotions again. With multiple surgeries, he can reconfigure her micro-circuitry and allow her to function normally. He offers to begin immediately, but she declines. She has decided not to engage in the holographic fantasies anymore because they were an inefficient use of her time. The fail-safe device will ensure that she's no longer distracted. The Doctor begs her to allow him to continue to help her down her path towards Humanity. She excuses herself and begins a regeneration cycle. Seven is walking briskly along a corridor carrying a PADD. Chakotay hurries to catch up her. He wonders why she's going so fast and she tells him she has to finish her report on the subspace warheads. He invites her to a cooking lesson in the mess hall that Neelix is giving: "Talaxian Tenderloin in Ten Minutes". She explains she is no longer interested in cooking, but he insists. Most of the senior officers, including Tuvok promised to show up. He chastises her for not socializing with the crew more. As he leaves, she thinks about what he said as she returns to her PADD. Memorable quotes "I wish to ask you a personal question." "Shoot." "You have an appealing coiffure. What is your grooming regimen?" "You're asking me what I do with my hair?" "Yes." "Erm, well, nothing too elaborate – sonic shower, a little engine grease. Thinking about a new look?" "Perhaps. I'll keep you apprised if you'd like." "Please do." - Seven of Nine and B'Elanna Torres "Was that Seven of Nine?" "There must be an intruder on board." - B’Elanna Torres and Harry Kim, right after Seven of Nine asks about B’Elanna’s hair "At least we know who to call if there's a containment breach!" - Holographic Tom Paris, after receiving Starfleet diapers from Harry Kim during the baby shower "Well, you never know when we'll be docked at a crowded space port, but we'll have to make sure that they match the carpet." - Holographic Neelix, discussing dressing Seven of Nine's quarters with drapes "Your technique is flawed." "Sorry, I'm a replicator man." - Seven of Nine, to holographic Chakotay as he cuts carrots "I'll bring the wine... and the furniture." - Holographic Chakotay, referencing Seven's sparse quarters "A multi-spectral star chart might enhance this bulkhead." "Or a painting." "A painting of a star chart." - Seven of Nine and holographic Neelix "Give me a hand with this?" "I'm surprised your Starfleet training didn't include cork extraction." "I must've been sick that day." "Looks like wine's off the menu." "Unless you brought a phaser." "Never on the first date." - Holographic Chakotay and Seven of Nine, flirting over a bottle of wine "You're beautiful when you're chopping." - Holographic Chakotay, to Seven of Nine as she chops carrots "Rock-a-bye baby, in the space dock When the core blows, the shuttle will rock When the hull breaks, the shuttle will fall And down will come baby, shuttle and all..." - The Doctor, rehearsing a lullaby "Are you trying to soothe the infant, or traumatize her?" - Seven of Nine, in response to The Doctor's lullaby Background information Out of the Star Trek episodes he has written, André Bormanis named this as one of his favorites. He explained, "It was a metaphor for dealing with post-traumatic stress disorder, and we got some truly moving responses from the fans." The music playing in the background during Chakotay and Seven's dinner date is Chopin's Barcarolle. The piece that Seven plays in the opening sequence is the by Frédéric Chopin. What the holographic duplicate of calls one of his favorite pieces is Robert Schumann's "Of Foreign Countries and People" from (Opus 15, No. 1). Continuity This episode includes the last time that Seven of Nine is seen with a full set of Borg implants. The holographic representation of Chakotay in this episode wears the same suit as the real Chakotay in and and the holo-Chakotay in . Seven can briefly be seen sleeping outside a Borg alcove. She also does this in the later episode . During the second to last attack on the by the subspace warheads in the firing range, Seven can be heard telling Tom Paris to "isolate subspace band Omicron Theta." Omicron Theta is the former home of scientist and cyberneticist Dr. Noonian Soong and the birthplace of Data. This episode shares a commonality with the TNG episode ; that is, a crew member neglecting their duties in favor of a holographic fantasy involving holographic recreations of crew members, with Seven in the place of Barclay. The holographic from Seven of Nine's simulation suggests that Seven install curtains in her new crew quarters, and suggests a matching carpet. The real Neelix has mentioned curtains multiple times throughout the series, considering them for his quarters in , and the mess hall in . Torres' ongoing pregnancy, which began in , is referenced in this episode, with scenes of Paris and Torres' baby shower. Seven tells the holographic Chakotay that she's "taken an interest in culinary science". This interest began three episodes earlier in , where she explains "preparing meals myself is the best way to ensure quality." On the dinner date Seven has with the holographic Chakotay, she "cooked" a rack of lamb. Two sessions later, the holographic Chakotay brings roasted chicken to Seven's holographic quarters. However, Chakotay claimed to be a vegetarian in and Neelix mentions this in . Seven of Nine's statement that she has never been in Ensign Harry Kim's quarters only serves to show her lack of genuine interest in the operations officer. Kim was, for some time, infatuated with Seven of Nine, although his feelings yielded little from the former Borg. () This episode takes place three months before the events of according to a statement made by Seven in that episode. Voyager uses three photon torpedoes in this episode, four having previously been used in . This brings the total number of torpedoes confirmed to have been used by Voyager over the course of the series to 74, a total which exceeds the irreplaceable complement of 38 that had been established by Chakotay in the first-season episode . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.9, As part of the VOY Season 7 DVD collection Links and references Guest Star Manu Intiraymi as Icheb Co-Star Majel Barrett as Computer Voice Uncredited Co-Stars David Keith Anderson as Ashmore Louis Ortiz as Culhane Pablo Soriano as operations division ensign Stand-ins Brita Nowak – stand-in for Jeri Ryan References A History of Rome (Rome); airponics bay; analogy; Antarian moon blossom (Antarian); anti-resonance pulse; appetizer; artwork; baby booties; baby shower; Barcarolle in F-sharp major; biothermal insulation; biradial clamp; Borg drone; braised; carpet; carrot; Celsius; ; "Chopsticks"; coiffure; cold start; cooking; cortical node; culinary science; debris; diaper; dozen; drapes; dreamcatcher; duty shift; Earth; electrolyte; emotion; engine grease; evasive maneuvers; fail-safe; first officer; foot; gift; gigahertz; gravimetric array; gravimetric distortion; ; ; heart; higher brain function; hive mind; holo-addiction; holodeck; hull fracture; individuality; intimate relations; kilometer; Klingon; leek; level 9 shock wave; lining; ; ; logic; lullaby; lyric; medical tricorder; messenger; metronome; micron; micron imager; milligram; millimeter; multispectral starchart; Native American mythology (Native American, mythology); neural shock; nightmare; Nocturne in E minor; Oedipus Rex; Of Foreign Lands And Peoples; opera; orange; physical; piano; pleenok; probe; quotation; rack of lamb (lamb); red alert; regeneration cycle; replicator; requisition; roasted chicken (chicken); "Rock-a-bye Baby"; Seven of Nine Alpha-3; "Sleep, Little Warrior"; social gathering; sodium chloride; sonic shower; Sophocles; spacedock; Starfleet Academy; submicron imager; Subspace Munitions Range 434; subspace barrier; subspace radiation; subspace warhead; Talaxian mosaic; Talaxian tenderloin; tea; temperature; tempo; toast; tricorder; tritanium; tulaberry blue; Unimatrix Zero; Vulcans; wild rice; wine External links de:Menschliche Fehler es:Human Error fr:Human Error (épisode) nl:Human Error VOY episodes
1619	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Q2 (episode)	Facing his son's banishment from the Q Continuum, Q leaves him on Voyager in the hopes that he will gain self-discipline. Summary Teaser In her ready room, Captain Kathryn Janeway listens to Cadet Icheb's presentation about "Early Starfleet History". Although Janeway breaks off his presentation – he wanted to be thorough so his presentation took more than the required 20 minutes – she congratulates him on passing the exam and walks him to the door. "I would have failed him" a voice sounds. When Janeway looks around she sees a young Human male, dressed in Starfleet command red and wearing the insignia of a Starfleet Captain. When Janeway calls for security there is no answer, and she is told the rest of Voyagers crew is in a time loop. When she asks him who he is, another, more familiar, voice sounds, that of Q. It turns out the young male is Q's son, Q Junior. Act One Janeway is told by Q that Junior has taken a vacation from the Q Continuum, on , to experience Humanity first hand. After Q has left, Janeway, having no further say in the matter, tells Junior that some rules need to be followed, whereupon Junior tells her that he makes his own rules and with a flick of his fingers he disappears. On Voyagers bridge, Lieutenant Commander Tuvok is trying to locate where either Q is when Junior appears. He wants to see more interesting things than bipeds pushing buttons or replacing relays and tries to convince Janeway to do something else, such as detonating some omega molecules or flying into fluidic space and fighting Species 8472. When Janeway refuses, Junior tells her he is bored and will amuse himself and disappears. The next moment Janeway is contacted by Chief Engineer B'Elanna Torres, who requests her presence in main engineering. Accompanied by Tuvok and Commander Chakotay, Janeway enters main engineering where a party is going on. Torres warns Janeway that Junior's light show might cause a warp core breach but when Janeway tells Junior his party is over, he tells her that she has no unlimited control over space, matter and time so he gives the orders. With a flick of his fingers, he sends Janeway and company to the corridor. There they decide to try to ignore Junior in the hope he might get bored and leave Voyager. In the cargo bay, Junior removes Seven of Nine's clothing to stare at her naked body which he describes as "perfection"; utterly nonplussed, Seven dismisses the incident as an attempt to embarrass her and continues her work, which has the desired effect of getting Junior to leave. Meanwhile, in the mess hall a food replicator rudely tells Captain Janeway to "Make it yourself" when she asks for coffee. Neelix tells her that ignoring Junior might not be the best solution and offers to be his mentor. Neelix is greeted with "Can I help you, kitchen rat?" when he enters astrometrics where Junior is watching a battle between Wyngari and Vojean starships. The two species lived in peace when Voyager traveled through their region of space some time ago, but now, with some of Junior's help, are fighting each other. Neelix suggests playing Kadis-kot, but Junior is uninterested as it is a game without explosions. After Neelix suggests that Junior uses his powers to alleviate the food shortage on the Wyngari homeworld, Junior loses patience with the Talaxian and tells him he "talks too much", before fusing Neelix' jaw and removing his vocal cords. While in sickbay, where Neelix is examined by The Doctor, Janeway is contacted by Junior, now on the bridge. When Janeway enters the bridge she sees three Borg cubes on the viewscreen, firing on Voyager. Junior wants to see how Humans act under pressure and tells Janeway that this time she will not defeat the Borg. Act Two When Borg drones appear on the bridge, Janeway is grabbed by one of them and just before the drone has a chance to use his assimilation tubule, they vanish. In their place is Q, who has reversed all the things Junior has done, including restoring Neelix' voice. When Janeway tells Q she wants his son off Voyager, he takes her aside to explain. In the following discussion it becomes clear that Junior's birth should have brought peace and compassion, but instead he brought chaos. Junior started wars, tampered with primordial gene pools and punched holes in the fabric of space-time. His mother was so humiliated that she disowned him. The Q Continuum held Q responsible and that was the reason Junior was brought to Voyager, in the hope that some of Starfleet's ideals would rub off on him. Janeway tells Q that Junior needs parenting and instead of dumping him on Voyager, he himself should set an example by spending time with Junior. Q finds Janeway a genius, kisses her and disappears. Janeway gets a surprise visit from Q, in her bath. He blames Janeway that her plan did not work. She exasperatedly points out he left fewer than ten minutes before, but Q clarifies that in Q time he and his son have spent years together, ending up with Junior becoming embarrassed to be seen with his father. Junior shifted the tectonic plates on Bozel Prime and refused to apologize for it. Janeway tells Q that Junior needs to understand that his actions have consequences. "Consequences… mmm", Q mumbles. He takes back his last statement and goes to kiss her again only to meet her foot; he instead kisses that and disappears. In Voyagers sickbay, Q returns his son from a life as an Oprelian amoeba in a petri dish. Q tells him that he needs to become an upstanding citizen of the cosmos or he'll spend the rest of his life as an amoeba. Junior is given one week to change. To make matters worse for Junior his powers are temporarily removed by the Q Continuum. Despite Janeway's protest that Q had agreed to take a more active role in parenting, Q leaves Junior on Voyager and departs. An angry Junior leaves sickbay, crushing the petri dish under his foot on his way out, in search of a way to leave Voyager. Janeway calls security. While being escorted to his quarters, Junior is told by Janeway that he no longer has unlimited control over space, matter and time, meaning she gives the orders, not him. Janeway tells Junior she has prepared a curriculum for him to follow so he can learn some respect and responsibility. Junior thinks he has little hope because he's been abandoned on an antiquated flying machine run by primates. Junior's first lesson is that of spatial causality, taught by Seven of Nine, who is also tutoring Icheb in the subject. Later, Junior is given diplomacy lessons, under the guidance of Commander Chakotay, who reminds him that one of the responsibilities of a is to maintain order in the universe. Junior refuses Chakotay's help and cheats on the lesson, changing the personality subroutines of the people in the holographic program to make them more agreeable. In Voyagers mess hall, Junior helps Neelix. He complains to Neelix whether he "ever stopped talking?" but there is nothing Junior can do about it. Here Junior again meets Icheb, who wants to know if he would like to participate in some recreational activities. Junior declines, saying "Aunt Kathy" wants him to write an essay about the history of the Q but he has no experience writing essays. After Icheb offers to help, Junior hands over Icheb's essay instead of writing his own. In the captain's ready room Janeway confronts Junior with his cheating, as Icheb's writing style is quite familiar to her, telling him "We may be common bipeds but we're not stupid." Janeway tells him to wait for his father to return, and Junior objects, fearing he will be turned into an amoeba. Janeway offers to help him one more time but only if his motives are sincere. Act Three "Captain's log, stardate 54704.5. It's been four days since my ultimatum to the young Q, and he appears to be making progress. His instructors inform me that he's taking on his assignments with new determination, and he's made a concerted effort to be more courteous to the crew. It's hard to believe this is the same brazen young man who came aboard a few days ago." In the mess hall Junior hands Janeway a new draft of his essay "I, Q: An Insider's View of the Continuum", although she did not ask for it. Junior says he owed it to her for giving him a second chance. That same moment Icheb walks in, asking if Junior would like to join him for a piloting lesson by Lieutenant Tom Paris. Janeway thinks he has earned a break and allows him to go. In the , while maneuvering through an asteroid field, Junior is a little apprehensive and asks Icheb to be careful, since he is now mortal. Junior even gets a chance to fly himself, despite how the Q normally do not operate primitive machinery. When an alert sounds, Junior finds it distracting but because fixing it would require them to return to Voyager they ignore it. "Hear what?", Icheb replies when Junior asks him if he still hears the alert. Back on Voyager Janeway runs into Q again and tells him Junior has made progress. Junior presents his essay to them, concluding with saying Voyagers crew has taught him to see the Continuum as home instead of different perceptions of reality. Q is not impressed, which irritates Junior and Janeway. After Junior leaves, Janeway learns that Junior needed to display nothing more than exemplary Q-ness. Anything less would result in a life as an amoeba. When Janeway visits Junior in his quarters he tells her he does not care what Q thinks. Janeway offers to let him stay on Voyager, as a Human, if the Continuum decides not to turn him back into a Q. Junior thanks the captain, but tells her he doesn't want to be Human, he wants to be a Q, like his father. Act Four Junior finds Icheb in a Jefferies tube – they refer to each other as "Itchy" and "Q-ball" – and asks him to help repair the fault which caused the alert during their piloting lesson. Icheb agrees, but soon finds himself trapped on the Delta Flyer where Junior starts the engines and erects a dampening field to prevent communication with Voyager. Junior wants to escape, by means of a spatial flexure, and hide from his father. Although he no longer has his powers, he still knows good hiding places. With the help of the Delta Flyers phasers, Junior destroys the shuttlebay door and escapes, despite Voyagers tractor beam trying to hold them. Icheb tells him to go back and apologize to Janeway but Junior does not listen. When a Chokuzan vessel appears, Junior chooses to attack it instead of complying with their demands, despite Icheb's comment that he learned from Janeway to respect other cultures' laws. During the battle Icheb is critically injured. Junior takes Icheb back to Voyager, but The Doctor is unable to treat Icheb because he needs to know what weapon caused his injuries. Q appears, and at first, Junior tries to blame the whole incident on Icheb. Janeway sets the record straight, and Junior pleads with his father to save Icheb. Q refuses, telling Junior it is time to learn the consequences of his actions, and leaves. Act Five Because Icheb is the only friend Junior has ever had, he agrees to go back with Captain Janeway to Chokuzan space and try to ascertain the type of weapon used to wound Icheb. When the Chokuzan Captain agrees to give them the information to save Icheb, he also tells them that in Chokuzan culture, adults are held responsible for the actions of their children. Captain Janeway will be punished for Junior's actions. Junior does not agree and takes full responsibility, even if it means execution, to save the life of his friend. When the Chokuzan captain hears this he starts to laugh. It turns out the Chokuzan is actually Q. When Junior tells him they have no time for his games, Q tells them he was the one they fired on and that Icheb is alive and well. It turned out it was a test and according to Q, better than the tests Janeway devised, and Junior passed it. It was now time to face the Continuum's verdict. Back on Voyager, Janeway, Q and Junior face three Q judges for the verdict, "We, the Continuum have found that Q has not made sufficient progress to warrant the reinstatement of his powers". Although Q objects, saying Junior was willing to sacrifice his life to save that of his friend, the judge dismisses it. She reasons it was Junior who endangered the Icheb's life in the first place. However, because of his subsequent actions, Junior is not condemned to spend his life as an Oprelian amoeba but to suffer the next worse fate, to remain Human. Q, declaring the verdict an outrage, disappears right after the judges do. A disappointed Junior talks with Janeway in her ready room. He wanted to continue his training, despite having nothing more to prove to the Continuum. Junior does not expect to see his father again anytime soon because Q already left him on Voyager, twice. Q appears in the corner of the room, saying, "The question you should be asking is why I keep coming back." He apologizes for his abrupt disappearance and explains to Janeway and Junior that he threatened to leave the Continuum if Junior was not reinstated. According to Q, the Continuum crumbled like a Gelbian sandsculpture at the prospect of losing Q, to Junior's admiration, and already have returned Junior's powers. As a gift to Janeway, Junior places red roses all over her office and leaves for Golos Prime where his father will meet him after finishing talking to Janeway. Q, knowing that the amused Janeway was not fooled like his inexperienced son was, freely admits he had to make some concessions. He will have eternal custody and has to go wherever Junior goes. Q gives Captain Janeway a PADD, as a thank you for her help, containing information which will enable Voyager to shave a few years off from their journey to Earth. When Janeway asks Q why he doesn't just send them all the way, he responds, "What sort of an example would I be setting for my son if I did all the work for you?" and disappears. Memorable quotes "Coffee, black." "Make it yourself." - Janeway and the Computer, after Q Junior "gives it a personality" "Then it's single-cellular city for you my boy!" - Q telling Q junior what will happen if he fails "I would've failed him. Kirk may have been a lowly Human, but at least he had pizazz. That report made him sound as interesting as a Vulcan funeral dirge!" - Q Junior, on Icheb's presentation on Starfleet history concerning James T. Kirk "I'm not detecting either Q." "I want to be alerted if they resurface keep running scans." "Scan, scan, scan. That's all you people ever do. I've been through every deck on this ship and you know what I've seen? Bipeds pushing buttons! Bipeds replacing relays! Bipeds running diagnostics. When are you gonna do something interesting?" - Tuvok, Janeway and Q Junior "What are you watching?" "What's it look like? A battle between the Vojeans and the Wyngari." "We passed through that region a few months ago. They were at peace." "Not anymore." - Q Junior and Neelix "Itchy, are you in here? Itchy??" "What can I do for you, Q-Ball?" - Q Junior and Icheb "If the Continuum has told you once, they have told you a thousand times: DON'T PROVOKE THE BORG!!!" - Q, to Q Junior after moving the three cubes and the three drones that were on Voyager "You can't just dump your child on someone and hope he learns something." "I can't?" - Janeway and Q " was supposed to inspire peace and compassion and instead of order, he's brought chaos. He's been starting wars among innocent species, tampering with primordial gene pools, punching holes in the fabric of space-time!" - Q on the antics of his son "You really should have picked a better godparent." "Hmm, wonder if it's too late to ask Jean-Luc?" - Q Junior and Q "You're not going to do your son any favors by indulging him." - Janeway "I'm sure you'll do whatever you can to avoid returning to that petri dish." - Q, to Q Junior "Don't tell me you're actually going through with Q's plan." "I may not approve of his methods, but for once his heart seems to be in the right place." - Q Junior and Janeway "Talk about perfection." - Q Junior, admiringly to Seven of Nine after snapping her naked in the cargo bay "Can I see you naked again?" - Q Junior, to Seven of Nine "I'm offering him the chance to fail." - Chakotay "Tell me, how do you save a race that is already omnipotent?" - Q Junior "You're a genius!!" (Grabs Janeway's face and kisses her, leaves Janeway with an unforgettable expression) - Q "The boy needs to demonstrate nothing less than exemplary Q-ness." "And what exactly is Q-ness?!" "Oh, it's impossible for your minuscule mind to comprehend, but I know Q-ness when I see it. And this [indicates PADD with Q Junior's essay] is not it." - Q and Janeway "Don't you 'Aunt Kathy' me!" "Yell at me later, we need to get Icheb to sickbay." - Janeway and Q Junior "If your little playmate has to die to teach you a lesson, then so be it." - Q, to Q Junior "In our culture adults are accountable for the actions of their children." - Chokuzan commander, putting responsibility for Q Junior on Captain Janeway "I wish you could see the look on your faces! Oh wait, you can!" (mirrors appear out of thin air, everybody involuntarily grabs one and looks into it) - Q "He's been here for five days and what have you taught him? How to scribble essays and play with holograms? What's next, basket weaving?" - Q, to Captain Janeway "Can I help you, Kitchen Rat?" - Q Junior, to Neelix "We could play kadis-kot?" "Are there explosions in kadis-kot?!" "Well, no, but..." "Then I'm not interested!" - Neelix and Q Junior "He isn't so bad once you get to know him. He's just misunderstood." "He tried to kill my crew!" "No one was hurt. I repaired the damage to your ship. I even gave your pet Talaxian his vocal chords back. Everything's exactly as it was." - Q and Janeway, on the subject of his son's antics "What sort of an example would I be setting for my son if I did all the work for you?" - Q, after he gives Janeway a shortcut back to Earth "Please, Aunt Kathy, you're my only hope." - Q Junior, to Captain Janeway; possibly alluding to the Star Wars quote, "Help me, Obi-Wan Kenobi. You're my only hope". Background information Story and script Ken Biller had first pitched a story of Q's son being an adolescent and causing trouble to Jeri Taylor for VOY Season 4. () The final draft script for this episode was submitted on . Production Keegan de Lancie (Q (Junior)) is the real-life son of John de Lancie (Q). Regarding the experience of acting alongside his own son in this episode, John de Lancie said, "It was both great and... a lot of actors will understand this, but while part of acting involves being very attentive to the other people and what's going on, you have to keep some of your power for yourself, to do your job and maintain your presence. In the case of my son, the majority of my attention was, 'How's Keegan doing?' If I go on a regular job, where someone might have a cold or an actor doesn't feel well or there's just an upset in their family, I am very sympathetic. But when we were acting, it's real tennis." () It was Rick Berman who had suggested bringing Keegan de Lancie in to read for the role after having seen his performance on an episode of Ally McBeal. () The title of the final draft of Q Junior's essay is "I, Q: An Insider's View of the Continuum". I, Q is also the name of a Q-related co-written by John de Lancie. Continuity Q appears for the third and final time on the series in this episode, having previously appeared in the second season episode and the third season episode . This was the last episode of Star Trek to feature the until in . This episode finally establishes in canon that James T. Kirk's five-year mission ended in 2270. Q tells his son not to provoke the Borg. It was Q himself who first introduced Starfleet to the Borg in . Q makes a reference to Jean-Luc Picard when they doubt the choice of Janeway as Junior's godparent. After modifying the diplomacy simulation, Junior convinces the Cardassian to apologize for the occupation of Bajor. However, Cardassia had already issued a formal apology for the occupation in . The presence of Q represents the fifteenth occasion besides the series premiere (after , , , , , , , , , , , , , and ) that the Voyager crew is presented with the possibility of returning home much faster than by conventional warp travel. On this occasion, the Q could facilitate an instant return, but instead, to "set an example" for his son, merely provides data to allow Voyager to cut its journey time by a relatively small amount. This episode features an attempt to give the ship's computer a personality, which previously occurred in . Junior's willingness to sacrifice himself to save a friend from the consequences of his actions mirrors Q's willingness to sacrifice himself to prevent the Enterprise-D from suffering for his actions in . The Continuum is not convinced this time. A Nausicaan appears in this episode for the only time in the series, albeit a holographic representation of one. One of the Vojean/Wyngari starships was previously used as the U.A.P. Icarus in Jonathan Frakes' Star Trek spoof Star Patrol!. Apocrypha It is hinted in the novel that the "homework" Q gave Janeway was intended to lead Voyager to the Borg transwarp hub in . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.10, As part of the VOY Season 7 DVD collection As part of the Star Trek: Fan Collective - Q collection Links and references Guest Stars Keegan de Lancie as Q (Junior) Manu Intiraymi as Icheb Michael Kagan as Chokuzan Commander Lorna Raver as Q (Judge) Special Guest Star John de Lancie as Q Co-Stars Anthony Holiday as Nausicaan Scott Davidson as Bolian Majel Barrett as Computer Voice Uncredited co-stars Michael Bailous as Cardassian Richard Bishop as operations officer Bill Blair (unknown) David Campagna as Q judge Carter Edwards as command officer Andrew English as operations officer Tarik Ergin as Ayala Bernie Escarcega as command officer Joyce Lasley as Lydia Anderson Alicia Lewis as sciences officer Shauna Lewis as Romulan Mark Newsom as Bajoran Louis Ortiz as Borg drone Mark Pash as Q judge Stephen Pisani as operations officer Keith Rayve as Borg drone Richard Sarstedt as William McKenzie William Smith as Ferengi Pablo Soriano as operations ensign Jenna Z. Wilson as alien dancer Curtis Wong as Borg drone Unknown performers as Alien party-goers Stand-ins Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Garrett Wang References 2270; 2274; accomplice; act of contrition; Alpha Quadrant; alternate reality; amusement; anomaly; appeal; aunt; Baezian; Bajoran; Bajoran Occupation; basket weaving; bath tub; Biddle; biped; brazen; Bolian; Borg; Borg cube; Bozel Prime; Bozelian; cadet; Cardassian; Crewman; Chell; Chenari; Chokuzan; Chokuzan vessel (illusory); civilization; Clevari system; ; corpse; curriculum; deflector array; ; dilithium; dip; diplomacy scenario 12-alpha; disownment; draft; Dralian turnip; Early Starfleet History; ; fabric of space; Fekdar; firstborn; fixation; flattery; fluidic space; flying machine; Gelbian sand sculpture; gene pool; godmother; godparent; Golos Prime; grappling; grown up; heart; house-broke; Humanity; hygiene; "I, Q: An Insider's View of the Continuum"; infant; ion imbalance; Itchy; jaw; Jefferies tube; Kadis-kot; kilometer; ; matter; mentor; mermaid; "a million times"; mining rights; minute; Nausicaan; necrosis; Occupation of Bajor; Omega molecule; omicron radiation; omnipotent; omnipotent race; Oprelian amoeba; paramecium; Pelosian; personality subroutine; pet; petri dish; phenomenon; ; plasma conduit; power coupling; pre-ignition sequence; primate; Prime Directive; primordial; Q (female); Q (species); Q-Ball; Q Continuum; Q-ness; Q time; rose; senior officers; slimy; space; spatial causality; spatial flexure; spatial rift; Species 8472; subject matter; Talaxian; temporal loop; temporal mechanics; temporal plane; tectonic plate; time; trespassing; ultimatum; vacation; vocal cords; Vojean; Vojean vessel; ; Vulcan funeral dirge; warrior-goddess of Fekdar; Wyngari; Wyngari homeworld; Wyngari vessel; Zozek system; Zyznian church mouse External links de:Q2 es:Q2 fr:Q2 (épisode) nl:Q2 (aflevering) VOY episodes
1620	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Author, Author (episode)	The Doctor completes work on a holonovel that depicts the crew of Voyager in rather unflattering roles as they abuse and scorn the Emergency Medical Hologram. When the holonovel is published without his permission, the issue of The Doctor's legal rights is brought into question. Seven reconnects with her aunt. Summary Teaser The Doctor is writing a holonovel about himself, Photons Be Free. Act One The highly anticipated Operation Watson, allowing a intergalactic com link to exist between and Starfleet, is a success. Captain Janeway congratulates Lieutenant Barclay on his memorable achievement, but he shrugs off the praise since Harry Kim and Seven of Nine helped come up with the idea of bouncing a tachyon beam off a quantum singularity. Admiral Paris informs Janeway that the singularity only remains in the correct position for eleven minutes a day so he leaves it up to her to allocate com time among the crew. Barclay has another gift for the crew, and transmits a live image of Earth. Everyone is very grateful for the gesture. It is decided to allocate com time through a lottery, with three crewmembers getting three minutes a day to talk to people back in the Alpha Quadrant. Harry Kim, wanting to surprise his mother, isn't so lucky; his slot is six weeks later. He tries to trade with The Doctor for his slot which is today, but The Doctor won't budge. Kim has more success with Tom Paris, who offers up his spot, which comes within two days. The Doctor uses his time to communicate with his publisher about the holonovel he sent earlier. After the three minutes are up, Seven promptly cuts off the feed, irritating The Doctor. Later The Doctor boasts to Paris he has spoken with Ardon Broht of Broht & Forrester, a well-known publisher of holonovels. He is willing to have Paris take a look at his work and sends him off covering the rest of his shift in sickbay. After getting bored listening to the introduction, Paris skips to the first chapter. He is suddenly propelled into sickbay portraying an EMH with wounded personnel pouring in. Katanay, a character resembling Chakotay, but with a different facial tattoo and a Bajoran earring, is supporting a character named Marseilles – resembling Paris himself, but with a mustache. "Katanay" tells the doctor to treat "Marseilles" first. The doctor refuses because another person is in more immediate danger. When "Captain ", the analog to Captain Janeway, comes in, she eventually kills the other patient so the doctor can treat "Marseilles", leaving Paris at a loss for words. Act Two In the mess hall he shares his experience with Neelix, Torres, and Kim. Everyone is in it, but with other names and other personalities. Everyone thinks Paris is overreacting, so he challenges them to play the holonovel themselves. In Chapter 5 Torres has to use a backpack sized mobile emitter and finds "Marseilles" using sickbay as a means to cheat on his "wife" with the "Delaney sisters". In Chapter 6 Neelix finds "himself" convicted to a reprogramming. Then in Chapter 7, Kim escapes his escorts "Tulak" and "Kymble" on the way to engineering with the help of "Three of Eight". In Chapter 8, Janeway finds herself decompiled despite a plea by "Three of Eight". The Doctor/Narrator then makes a note, saying this is fiction in an attempt to portray the struggles holograms have to endure in a world controlled by organics. The captain summons The Doctor to her ready room. Act Three Here, the senior officers address their issues with The Doctor's creation. Their biggest issue is the fact that The Doctor changed the names of crewmates only slightly and used their physical parameters as a base for the characters, making only superficial changes to their appearance and names. Their personalities, however, bear no resemblance to the crew. The Doctor doesn't budge. Kim finally gets to talk to his parents for the first time in six-and-a-half years, and while they enjoy a warm conversation, he is put out when his mother decides to write to Captain Janeway, asking why her son hasn't been promoted even though he tries to explain that there are only so many positions available. Before he can ask her not to, his connection gets severed halfway by interference from a solar flare. Kim is irritated, and when Seven tells him he'll have another chance in two months, he tells her she wouldn't understand why he's upset since she doesn't have a yearning for relatives on Earth. When The Doctor runs his holonovel to fine tune it he finds that Tom Paris has switched the file with his own holonovel. This holonovel portrays a doctor aboard the who cares nothing for patients he cannot seduce and pursues his own recreational activities while forcing his duties off onto the medic, Paris' role. It starts off with the doctor telling the real Doctor that he is late, by a matter of just a few seconds. He then goes over to "Two of Three", and hastily scans her, then drugs her. The physical appearance of this doctor holocharacter is, of course, nearly identical to The Doctor. The Doctor is appalled and confronts Paris, who throws The Doctor's own logic that the character was not based on The Doctor back at him. The Doctor does not seem swayed and Paris relents and tells him where to find the backup copy of the original holonovel. Act Four After Neelix provides comforting advice (he was the only viewer to enjoy the holonovel), The Doctor realizes that he needs to alter the holocharacters to not cast doubt on the reputations of his friends. He gets his publisher to agree and tells the crewmembers. During a face to face time with her father, Torres, with Paris at her side, finds that her father wants to reconnect. Torres tells her father she will write, with Seven observing in the background. On Earth, Barclay brings the rough draft of the holonovel, which apparently has already been published, to Admiral Paris' attention. The admiral informs the captain. Outraged, The Doctor demands an explanation from the publisher, who makes the claim that since The Doctor is not a person, he has no rights as author of the novel. Act Five Tuvok informs the crew of the legal dilemma. While strictly speaking The Doctor has no right, Tuvok thinks the prematurely released holonovel could be suppressed by claiming classified information. Paris disagrees, because that would surely give the impression that there is truth in the story. Defamation of character is mentioned. The captain finally decides to try something else. This results in a Federation tribunal to determine The Doctor's rights carried out across the thirteen or so minutes of communication that can be managed each day. Captain Janeway brings in various members of the crew as witnesses to The Doctor's claim of person-hood. While waiting for the arbitrator's decision. Seven offers her com time to Kim so he can talk to his parents again as she has come to understand the importance to speaking to family from the rest of the crew. Kim apologizes for overreacting and won't accept the gesture, since he feels Seven should use the time to contact her own family. Although Seven's parents were assimilated, she knows of an aunt in the Alpha Quadrant, Irene Hansen. Kim urges Seven to make contact, knowing Irene would be thrilled to hear from her niece. Despite her apprehension, Seven does and the two discuss her childhood. The arbitrator returns with his decision. He admits that he is still unsure of if The Doctor is a person or just a sophisticated program. He knows that the matter of holographic rights will soon have to be addressed properly but is unwilling to declare The Doctor a 'person' at the moment. However he does agree that The Doctor is more than just a hologram and declares that the legal definition of "artist" can be extended to include him. As a result, The Doctor has full rights concerning the distribution of his holonovel and orders that all copies of Photons Be Free be recalled immediately, much to Broht's anger. Even though he has managed to take the first step in establishing holographic rights, The Doctor doesn't feel like its much of a victory, since the novel has already been seen by thousands. Janeway assures him that the crew will be all right, and they encourage him get started on the revisions. Four months later, in a Federation mining colony where hundreds of EMH Mark I's are engaged in mining operations, one is told to report for his recurring maintenance by another EMH, who recommends he ask the operator to run Photons Be Free, telling him it's "quite provocative". Log entries "Captain's log, stardate 54732.3. It's been three weeks since we received Starfleet's instructions in the last data stream. We're finally ready to begin Operation Watson. We're all holding our breath." "Chief medical officer's personal log, stardate 54740.8. Although the decision has made me unpopular with the crew, I've decided not to compromise my work. I'm making some final revisions to the program before transmitting it." "Captain's log, stardate 54748.6. A Federation arbitrator has been assigned to determine whether The Doctor has the right to control his artistic creation. Because of our limited com time with Earth, the arguments should take about three days." Memorable quotes "When I tell you your shift begins at 0800 that doesn't mean you can stroll in here at 0800 and 24 seconds. DO YOU UNDERSTAND ME, ENSIGN?!" "This is outrageous!" "What's outrageous is that I'm going to miss my tee time." - Paris's fictional doctor and The Doctor "Your program is about as subtle as a Ferengi mating dance!" - Paris, about The Doctor's holoprogram "I could use your help with the rewrites." "Really?! Well, you realize, as a writer, I'm a little unsophisticated." "No, I believe the phrase you're looking for is 'low-brow'." - The Doctor and Paris "Sorry, it's just frustrating to hear that I have no more legal standings than a replicator." - The Doctor "I would never have believed that an EMH could become a valued member of my crew, and my friend. The Doctor is a person as real as any flesh and blood I have ever known." - Janeway "The Doctor exhibits many of the traits we associate with a person. Intelligence, creativity, ambition, even fallibility, but are these traits real or is The Doctor merely programmed to simulate them? To be honest, I don't know. Eventually we will have to decide because the issue of holographic rights isn't going to go away, but at this time, I am not prepared to rule that The Doctor is a person under the law. However, it is obvious he is no ordinary hologram and while I can't say with certainty that he is a person I am willing to extend the legal definition of artist to include The Doctor. I therefore rule that he has the right to control his work and I'm ordering all copies of his holo-novels to be recalled immediately." - Arbitrator "Ask the operator to run Program Forty-Seven Beta." "Why? What is it?" "It's called Photons Be Free. It's quite provocative." - EMH Mark I, telling another EMH Mark I in the dilithium mines about The Doctor's novel "As far as I know, Captain, you haven't executed any of my patients." - The Doctor, to Captain Janeway "Chapter one: It's The Doctor's world, you're just living in it." - Tom Paris, narrating his version of The Doctor's novel "This Captain Janeway sounds like such a lovely woman. Maybe I should write her!" "MOM!" - Mary Kim and Harry Kim "Doctor, I need your help." "Unless you're suffering acute symptoms, go away." - Neelix and The Doctor "I made myself clear. But The Doctor disobeyed my direct orders. In the process, he endangered the ship, and crew." "Hardly commendable behavior." "No, it wasn't. But it was Human." - Janeway and Arbitrator "It hurts when I do this." "Well then, don't do it." - Two of Three and Paris' fictional Doctor "I don't mean to sound ungrateful, but it feels like a hollow victory. Pardon the pun." - The Doctor Background information Production This is the last episode of the series to be directed by David Livingston. Teleplay co-writer Mike Sussman found this to be one of the more difficult Voyager episodes to break, as the final act of the episode was unresolved in the story document written by Brannon Braga. Ultimately, Executive Producer Kenneth Biller decided the story should end with a "courtroom drama" about The Doctor's rights as a person and an artist. Sussman was uncomfortable with this approach at first, as similar ground had previously been covered in the classic TNG episode, . But the producers believed that enough time had passed since the TNG episode had aired, and they did not see a problem revisiting the issue in the context of holographic rights. (Information provided by Mike Sussman) This was the 600th live action episode of Star Trek produced. Both this episode and the 700th live action episode () were written by Mike Sussman. According to Sussman, on his Memory Alpha User Talk page, this episode was "a tough episode to write but [he] thought it turned out nicely". In an interview for StarTrek.com, Sussman said of this episode, "Author, Author' is probably my favorite Voyager script. The Doctor writes a holonovel, a roman à clef that portrays the Voyager crew in a less than flattering light. The heart of the story was The Doctor's struggle to be accepted as a legitimate writer and a regular person. Bob Picardo really made that episode and he brought the funny – you could give Bob the phone book to read and he'd be terrific." Barry Gordon previously played Nava in the episode . Robert Duncan McNeill, who usually wears a red uniform (and had previously worn a gold uniform in ), dons the blue sciences division uniform becoming the second of three Voyager cast members to wear all three department colors on his uniform, the first being Robert Picardo (EMH, ECH, Lewis Zimmerman). Garrett Wang, who also donned the blue uniform in this episode (and usually wears gold), became the third when he was given his red uniform in . The smoking jackets worn by Picardo and McNeill in the intros of Photons Be Free were auctioned off in the It's A Wrap! sale and auction. According to Picardo, the producers allowed him to keep his smoking jacket from this episode. (SFX, issue 270, p. 65) Continuity Recording her Captain's Log, Janeway mentions the "last datastream", referring to the monthly communication between Voyager and Starfleet first established in . Paris mentions that Broht & Forrester are the publisher of the Dixon Hill series. This is the first and only mention of Dixon Hill on the series. Neelix claims that he has "one hundred and forty six sequentially numbered isolinear chips, one for every member of the crew." This is the first time that Voyagers crew complement is stated since the fifth-season episode , where it is also given as 146. This episode confirms that Paris wrote the Captain Proton holoprograms. Kim tells the arbitrator that The Doctor "added command subroutines to his matrix and now, in an emergency, he's as capable as any bridge officer," in a reference to the Emergency Command Hologram, which was created in . Barclay tells the arbitrator that The Doctor "travelled halfway across the galaxy to care for Lewis Zimmerman", in a reference to the events of . Seven tells the arbitrator that The Doctor "gave me social lessons. First, he taught me how to make conversation. Later how to dance. Eventually, he showed me how to express romantic interest." These refer to the events of and . This episode reveals that B'Elanna Torres did not personally name her Toby the targ stuffed animal mentioned in the sixth-season episode . Toby is actually a popular children's holoprogram character published by Broht & Forrester. As in the episode , the rights of non-organic lifeforms are at issue in this episode. While it had been determined that Data, although being a machine, was not Starfleet property and thus had the right to choose what to do with his life (and thus could most likely be considered a person), it seems the whole process had to be repeated for The Doctor and fellow holograms. The situation here is even more complex than with Data, since Data was a unique single being who was not created by Starfleet (he was found by Starfleet personnel), while holograms were programmed and designed by Starfleet and integrated into ships, space stations and other Starfleet property. In the end, it is not acknowledged in this episode that The Doctor is a person, but he is rather granted the status of an artist. As an homage to , Voyager story editor and episode co-writer Mike Sussman included a line of dialogue from Broht to The Doctor: "You could be the next K'Ratak, or a modern-day Tolstoy." K'ratak was a Klingon author who wrote the classic The Dream of the Fire, a gift from Worf to Data in that TNG episode. (Information provided by Mike Sussman) Tuvok's fictional counterpart, Tulak, sports a goatee, not unlike the mirror universe's in , from and at . Tulak, however, is not a Vulcan, since he does not have pointed ears. He also chuckles at one point. The other computer counterparts that differ in appearance from the originals are: Katanay (Chakotay) is Bajoran, Kymble (Kim) is Trill, Marseilles (Paris) is Human but wears a moustache, Torrey (Torres) is full Human. This is one of the few episodes of Voyager in which the Occupation of Bajor is mentioned, a topic which was explored throughout Star Trek: Deep Space Nine. During their allowed COM-time, Ensign Kim's mother tells him "This Captain Janeway sounds like a lovely woman", which could refer to the call she made to Captain Janeway shortly after Kim left Earth to ask if she had time to send Kim's clarinet to Voyager, as Janeway confides to Tuvok in , in turn calling Kim's mother a "delightful woman". When claiming that the fictional Vortex crew is different from the crew of Voyager, The Doctor says, "As far as I know, Captain, you haven't executed any of my patients." This statement ignores the events of "Tuvix", in which Janeway euthanizes the titular character in order to recover Neelix and Tuvok, after The Doctor refuses to do so on ethical grounds. In Paris' altered version of Photons Be Free, the USS Voyeur chief medical officer tells Two of Three that her biradial clamp is out of alignment. In , Seven suffered from the same misalignment. The epilogue of the episode takes place four months after the main events of this episode. The previous episode takes place three months before , meaning the epilogue of this episode takes place after the events of the series finale. Reception Jamahl Epsicokhan at Jammer's Reviews graded the episode four out of four stars, writing, "It plays like a successful melding of , , , , , and, of course, and perhaps most notably, TNG's famous . How so many familiar elements are successfully recycled here to seem new is beyond me, but there you have it." He added, "Given everything it accomplishes and the skill it shows in accomplishing it, entertainingly, I'm willing to call "Author, Author" one of the series' best installments. I was genuinely involved in everything going on from beginning to end." Trivia The image of earth Barclay shows in the opening scene is the cloud cover from the famous Blue Marble photograph of earth taken by the Apollo 17 crew, but with North America replacing Africa in the original photo, and with about 1/4 of the globe in darkness on the right side. This episode shares plot similarities to the Desilu-produced I Love Lucy episode "Lucy Writes A Novel". In it, Lucy Ricardo writes a novel based on her life that also includes unflattering portrayals of people in her life (in her case, her husband and neighbors) using thinly disguised character names. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.10, As part of the VOY Season 7 DVD collection Links and references Guest Stars Richard Herd as Owen Paris Barry Gordon as Ardon Broht Joseph Campanella as Arbitrator Lorinne Vozoff as Irene Hansen Juan Garcia as John Torres Robert Ito as John Kim Irene Tsu as Mary Kim Special Guest Star Dwight Schultz as Barclay Co-Stars Brock Burnett as Male N.D. Jennifer Hammon as Female N.D. Heather Young as Sickbay N.D. Majel Barrett as Computer Voice Uncredited Co-Stars Robert Beltran as Katanay Richard Bishop as operations officer Kelli Coloma as Dorado Roxann Dawson as Torrey Carter Edwards as command officer Andrew English as operations officer Bernie Escarcega as command officer Roger Garcia as operations officer Gilley Grey as sciences officer Matthew Cannon Hanson as James Morrow Sue Henley as Dino Juico as command officer Joyce Lasley as Lydia Anderson Alicia Lewis as sciences officer Anna Lumarque as chief petty officer Robert Duncan McNeill as Marseilles Kate Mulgrew as Brita Nowak as Command officer Holographic command officer Robert Picardo as CMO Stephen Pisani as operations officer (unconfirmed) Keith Rayve as command officer Tim Russ as Tulak Jeri Ryan as Three of Eight Two of Three Richard Sarstedt as William McKenzie Pablo Soriano as holographic operations officer Garrett Wang as Kymble Stand-ins Brita Nowak – stand-in for Jeri Ryan and Heather Young Piper Taylor – photo double for Roxann Dawson Stuart Wong – stand-in for Garrett Wang and Brock Burnett References 47-Beta; ; Alpha Quadrant; analogy; (ore freighter); aortic rupture; arbitrator; artificial lifeform; artist; assimilation; auditory subroutine; backpack; Bajoran; bedside manner; bigotry; Bolian; biradial clamp; Borg; Broht & Forrester; Chakotay's sister; classified information; cloud cover; coffee; command position; concussion; Cooking with Neelix, a Culinary Tour of the Delta Quadrant; cup; Daystrom Prize; defamation; Delta Quadrant; dermal regenerator; diagnostic subroutine; dilithium; dilithium matrix; Dixon Hill series; draft; double-barreled shotgun; Earth; eighth grader; EMH miners; ethical standards; (unnamed); expression; extracurricular subroutine; Federation; Federation law; Ferengi garbage scow; Ferengi mating dance; fiction; first-person narrative; flattery; flintlock; gender; gesture; gigaquad; ; ; "Happy Birthday to You"; holo-cookbook; holo-lab; holo-novel; hyper spanner; hypochondriac; isolinear chip; Janeway's mother; K'Ratak; Kessik IV; kilo; Kim's students; Klingon aphrodisiac; landowner; life story; logic; low brow; McKinley Station; medical standards; microsurgery; Miral; mining; mobile emitter; namesake; North America; novelist; Operation Watson; operator; optronic pathways; ; palace; ; path; Pathfinder; plasma conduit; ; Photons Be Free; prejudice; protagonist; quantum singularity; Qo'noS; race; replicator; ripeness; road; San Francisco; second degree plasma burn; sentient species; ; slavery; small talk; social commentary; solar flare; Starfleet Command; strawberry; strawberry tart; tachyon beam; Talaxian; tee time; Theta-15; Toby the targ; Talaxian; Third triplet; ; tonsillectomy; triage; triaxilation; triplets; Twelfth Guarantee; Type 6 shuttlecraft (unnamed); vascular disorder; ; ; ; "Voyagers EMH"; ; work of art; External links de:Die Veröffentlichung es:Author, Author fr:Author, Author (épisode) nl:Author, Author VOY episodes
1621	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Friendship One (episode)	Starfleet Command sends Voyager on a special mission to retrieve a 21st century Earth probe which is believed lost in the Delta Quadrant. Summary Teaser "We, the people of Earth, greet you in a spirit of peace and humility. As we venture out of our solar system, we hope to earn the trust and friendship of other worlds." A small craft of some kind flies by at impulse speeds, as "Friendship 1" can be read on its hull. In a small control room on an alien planet, two people are desperately working to identify the craft. It begins transmitting a musical composition, The Four Seasons. They try to locate its position, as they realize it has just begun entering their atmosphere. Act One In astrometrics, Captain Janeway is talking to Starfleet Vice Admiral Hendricks about the various species of the Delta Quadrant, particulary the Voth. He instructs her to retrieve the Friendship 1 probe, which Starfleet believes to be in the Delta Quadrant. She convenes a meeting in the briefing room with her senior officers. They discuss the probe's programming, and intent. "Captain's Log, Stardate 54775.4. We've been searching for five days without any sign of the probe. But we're not about to disappoint Starfleet on our first official assignment in seven years." On the bridge, Harry Kim reports that there are no signs of Friendship 1 in the current search grid. Kim requests to move the search to grid 310 as he has compensated for several solar winds and local anomalies that would have adjusted the probe's trajectory in the quadrant. They locate a titanium signal in the northern subcontinent of a planet in that grid, just 2 light years away. In astrometrics, they are unable to localize the probe as there is a large amount of antimatter radiation. Captain Janeway sends an away team to retrieve the probe. She assigns Chakotay, Tom Paris, Harry Kim, Joe Carey, and Neelix. They must all get inoculations in sickbay first. B'Elanna Torres wants to go on the trip as well, but Paris talks her out of it because she is six months pregnant and she and the baby would be breathing a toxic atmosphere. Torres only agrees after Paris agrees to carry the next baby. On the , the away team is headed through the upper atmosphere of the planet, where they encounter severe turbulence. When they come through the cloud deck, they notice the planet was inhabited at one point, but it looked as though it was in the midst of a nuclear winter. As the ship sets down, a man in a suit scans the ship from rocks in the distance. Act Two On the planet, the away team are in EVA suits. Chakotay and Kim discover antimatter missile silos, while inside a cave Paris, Neelix, and Carey find remnants of the probe. Neelix hears something, but Carey can't read any life signs on his tricorder. Just then, Paris, Neelix and Carey are ambushed and captured by the planet's natives. Chakotay and Kim return to the Flyer, where Kim is attacked by one of the natives who was searching the ship. After he stuns the intruder, the Flyer comes under attack from antimatter weapons. Chakotay has no choice but to fly the ship back to Voyager, leaving their three crewmates behind. Paris, Neelix and Carey are taken prisoner and injured by the natives until their leader tells them to stop. The leader then asks who they are, what they have, and why they are here. Paris tells them that they are from Voyager and that they came to retrieve the probe. The leader responds they should have come sooner, that it would have spared his people the suffering it caused. Janeway is receiving an update from Chakotay when Tuvok contacts her from the bridge. Tuvok says that they are receiving a subspace transmission from the surface. A man named Verin tells a confused Janeway that she will pay for what Earth did to the planet's people. Verin wants Janeway to take him and his people off the planet to a new home or he will kill the away team. He gives Janeway three hours to begin the evacuation. Act Three Janeway tells Tuvok to scan for M-class planets, as just an option. Janeway and Chakotay head to sickbay where they talk to the native they stunned on the Delta Flyer. The man, Otrin, a scientist, says that he was attempting to get information from the Flyers computers that could undo the damage Earth caused. Janeway asks the scientist to explain how they are responsible for his world's destruction. The scientist says that a containment failure in their antimatter power grid destroyed their planet. But until the Friendship One probe arrived, the natives had never conceived of antimatter. His feeling was that Earth's intent was to have their planet adapt to using antimatter technology in the hopes that their civilization would destroy itself. Otrin thinks Voyager is there to conquer their planet. Janeway assures him that Voyager is not here to conquer his world. Back on the planet, Carey is feared to have a concussion and Paris asks to treat him. A pregnant woman refuses to allow Paris to use his equipment. During the ensuing conversation, Paris deduces that she is pregnant and tells her how his wife is expecting a baby girl. Paris also finds that the woman has had two boys and a girl, but they were all stillborn. Paris says that the best doctor in the quadrant is on Voyager, but she stops talking to him. In astrometrics, Janeway learns the nearest M-class planet is 132 light years away. This would take seventeen trips and nearly three years to complete the relocation of the nearly 5,500 people on the planet. Janeway won't stop her trip back to Earth for that long. Tuvok states that the only other option may be to rescue the hostages by force. Janeway doesn't want to reinforce the thought that Humans are violent unless it's absolutely necessary. Meanwhile, Seven of Nine helps to treat the native scientist by extracting nanoprobes from her bloodstream. Back on the planet, a girl talks to Neelix and Paris. They want to give the girl a toy they found on the planet. Verin hears the toy and snatches it away, thinking it is a weapon. He tells the child to stay away because they're dangerous. Neelix attempts to negotiate with Verin, asking if he can talk to Janeway on his behalf. He shares that his home, the moon Rinax, was destroyed by the metreon cascade and his family was killed. Verin replies, "I'm sorry about what happened to your family. But don't compare your life to mine," and sends Neelix back to holding. Janeway attempts to further negotiate with Verin. He discusses an alternative to relocating the entire planet's population. She suggests working together with Otrin to have a shorter-term solution as flying to the other planet would take too long. Verin still doesn't believe Janeway, as she hasn't given him any reason to trust her. She offers to send a supply of food and medicine in exchange for a hostage. Verin agrees and allows Carey to set up the transport enhancers to transport him off the planet, but before the transporter locks on, Verin tells Carey that he's sorry and shoots him with a disruptor, killing him. Act Four Captain Janeway holds her ground on the bridge, telling Verin that killing one of her crewmen will not make them any more receptive to their demands. When Verin threatens to kill the others, Captain Janeway agrees to transport their people, but says she requires time because the transporters weren't designed to handle large groups. Verin gives her one hour and ends the transmission. Janeway calls Chakotay to her ready room to begin a plan, immediately. Back in sickbay, the first phase of Otrin's nanoprobe treatment is working. Seven tells Otrin that the group on the planet needs a more open-minded leadership. The pregnant woman on the planet begins having early contractions. Paris offers to help, and she gives birth to a boy. He isn't breathing. Paris revives him using a cortical stimulator. Meanwhile, the Delta Flyer returns to rescue the crew. Verin thinks Tuvok has been captured, but his captor is actually The Doctor. The Doctor hands Tuvok his phaser, and then he stuns everyone with weapons in the room, surprising Neelix and Paris (The Doctor had been dressed as a native, but being a hologram protected him from the effects of the radiation and allowed him to play the part.) Tuvok and The Doctor rescue Neelix and Paris. Before they beam up, Paris convinces the mother to take her son to Voyager because he won't survive for very long in the atmosphere. Act Five The baby is safe in sickbay. Janeway decides to transport him back to the planet along with a set of food and medical supplies. Neelix and Paris plead with Janeway to help the people on the planet to make up for what their ancestors on Earth did. In engineering, Otrin performs a successful experiment to remove the antimatter radiation. Janeway offers a plan to use photon torpedoes to eliminate the radiation in the atmosphere. Voyager will be put at extreme risk because it will require low-altitude detonations of the torpedoes and the reaction would expand exponentially. Janeway orders shield modifications to help the ship survive. The procedure begins, and massive atmospheric explosions rock the surface. Back underground, Verin is becoming increasingly paranoid that the explosions from the photon torpedoes in the atmosphere will destroy the remaining survivors, rather than clear the pollution, and brings the antimatter warheads on-line to fight back. Otrin attempts to persuade Verin to let Voyager help, but Verin pushes him aside and continues to set the antimatter weapons. That is, until the once-pregnant woman draws an energy rifle on him. Shocked, Verin asks, "What are you doing?" The woman replies, "I won't let you ruin our only chance for survival." He asks if she would kill him just to stop him. The reasoning of the woman is clear: "To save my child, yes." Verin orders her weapon taken away, but one by one, the survivors start to reject Verin's leadership. Trying to recover the power that is quickly slipping through his fingers, he claims "I've kept you alive! ALL OF YOU!" Otrin counters that survival isn't enough to live anymore. Verin tries in vain to regain his leadership, but fails, and the entire group stands behind Otrin in defiance. However, the best news to the group arrives when a child comes in telling everyone to hurry outside. With Verin under guard, the group goes outside the cave to find the sky clearing. "Captain's log, supplemental. We've retrieved Friendship 1 and resumed our course for the Alpha Quadrant, but the success of our mission had a very high price." Chakotay enters Carey's quarters and finds Captain Janeway looking at a ship in a bottle model of Voyager. Carey only had one nacelle to go before finishing it. Chakotay and Janeway then have a debate about the moral implications of the launchers of Friendship 1. The benefits of exploration don't justify the loss of lives – whether it's millions or just one. Memorable quotes "The Voth, the Kobali, the Vaadwaur. You've made first contact with more species than any captain since James Kirk." "Well, it helps being the only Starfleet ship within 30,000 light years." - Admiral Hendricks and Captain Janeway "An inoculation a day keeps the radiation away." - Tom Paris "Any bets on this one?" "My money's on B'Elanna." - Neelix talking with Chakotay on Tom Paris and B'Elanna Torres' latest marital argument "I'm sorry, Mr. Carey." - Verin, before murdering Joseph Carey "From the first time you spoke up in my classroom, I knew you'd go far." "A little farther than I expected, professor." - Admiral Hendricks and Captain Janeway "Even if I believed you, Verin never would." "Then your people may need a change of leadership; someone more open to new ideas." "I'm not a leader." "But you're a scientist; someone who can see a problem and envision a solution. The same definition could apply to a leader." - Otrin and Seven of Nine "When infiltrating a planet with a toxic environment, it helps to be a hologram." - The Doctor, to Paris and Neelix, after single-handedly rescuing the away team. "When I first met them, I thought they were arrogant and self-righteous." "I suppose you're going to tell me you've changed your mind." "Well, not completely." - Neelix and Verin, discussing Humans "It's beautiful." - Yun, on finally seeing the sun through the sky of her homeworld Background information Story and script Kenneth Biller had given co-writers Bryan Fuller and Michael Taylor permission to kill a recurring character in the episode. Taylor had advocated for Tal Celes, and though the two also considered Vorik and Samantha Wildman, ended up deciding on Joe Carey after a long and hard debate. "If you haven't seen someone in forever [sic] and all of a sudden you get to learn a lot about who he is, the savvy audience members will say, 'You know, this dude's going to die by the end of Act Three.' He may as well have a bullseye tattooed on his ass, because he's as good as gone." The writers hoped by setting Carey up to be beamed back to the ship, at least half of the audience would think "OK, they're just getting rid of him so that the two main characters can carry out the rest of the drama...." () Production The male technician analysing Friendship One's transmission at the beginning of this episode is wearing the same costume used by Cliff deYoung as Croden in . Bari Hochwald previously played Elizabeth Lense in . Several props, set dressings, and costumes from this episode were sold off on the It's A Wrap! sale and auction on eBay, including the costume of Earl Maddox. Continuity This is the thirteenth time the crew of Voyager discover a direct connection between the Alpha Quadrant and Delta Quadrant, having previously discovered a wormhole connecting the two quadrants (), descendants of human abductees (), descendants of aliens who have visited Earth (), a Cardassian weapon (), Ferengi (), former Borg that were assimilated in the Alpha Quadrant (), descendants of Earth dinosaurs () a communications network that extends to the Alpha Quadrant (), and another Federation starship (), another former Borg that was assimilated in the Alpha Quadrant (), a long-lost Earth spaceship (), and Klingons (). In this episode, they discover another long-lost Earth spaceship. The real-time conversation between Janeway on Voyager and Professor Hendrick in the Alpha Quadrant is a result of Operation Watson, seen in the previous episode . Janeway tells Hendrick "Hadrosaurs, to be precise. Their ancestors settled in the Delta Quadrant twenty million years ago," referring to the Voth which Voyager encountered in . Hendrick tells Janeway "The Voth, the Kobali, the Vaadwaur. You've made first contact with more species than any captain since James Kirk." Voyager encountered the Kobali and Vaadwaur in the sixth-season episodes and respectively. Paris states that Friendship One was launched "just four years after Zefram Cochrane tested his first warp engine," referring to the events of . Neelix reminds Paris "I'm Voyager's ambassador, remember?" Neelix's promotion to this position was first hinted at in and then confirmed with his first assignment in . Neelix tells Verin "my planet was destroyed by a weapon called a Metreon Cascade. Hundreds of thousands of people were killed, including my family," referring to moon Rinax and the events detailed in the first-season episode . He then says, "I was on a neighbouring planet when the weapon was detonated," referring to his stationing on Talax. The Friendship 1 probe's warp nacelles are reminiscent of those of the Phoenix, and the head of the probe bears a resemblance to the top of the Nomad probe. This episode marks the return, and the death, of Lieutenant Joe Carey. This is Carey's first "present" appearance on the series since . He also appeared in and ; however, his scenes in both of those episodes were based in 2371. Joe Carey's death marks the 23rd confirmed death of Voyager crew since the pilot episode , the previous deaths having occurred in the sixth-season premiere . This would put the crew complement as of the end of this episode at 147, given the crew complement of 146 that was most recently established in , and the deaths and crew additions that have happened since. In this episode, when the origin of the nanoprobes used to treat him is revealed as being in Seven's bloodstream, Otrin asks if there are others like her in the crew. Seven replies no and that she is unique; however, there is another former Borg drone, Icheb, in the crew. Voyager uses at least two photon torpedoes in this episode, three having previously been used in . This brings the total number of torpedoes confirmed to have been used by Voyager over the course of the series to 76, a total which exceeds the irreplaceable complement of 38 that had been established by Chakotay in the first-season episode . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.11, As part of the VOY Season 7 DVD collection Links and references Guest Stars Ken Land as Verin John Prosky as Otrin Bari Hochwald as Peter Dennis as Hendricks Ashley Edner as Yun Josh Clark as Joe Carey Co-Stars John Rosenfeld as Technician #1 Wendy Speake as Technician #2 David Ghilardi as Alien Lieutenant Uncredited Co-Stars John Ames as alien man Pam Blackwell as alien woman Bill Blair as alien man Tarik Ergin as Ayala Tim Gilbert as alien man Jim Jouvenat as alien man Heather Langone as alien woman Lalita Lauren as command officer Gerald Lopton as alien boy Earl Maddox as alien man Louis Ortiz as Culhane Unknown performers as Female alien Male alien #5, #6, and #8 Stunt Doubles Bobby Burns as stunt double for John Prosky Unknown stunt performer as stunt double for Garrett Wang Stand-ins Brita Nowak – stand-in for Jeri Ryan and Bari Hochwald Stuart Wong – stand-in for Garrett Wang and Josh Clark References 20 million years ago; 2063; 2067; 2248; Alpha Quadrant; antimatter; antimatter missile; antimatter radiation; assimilation; atmospheric processor; Brin's stillborn; Brin's son; cardio-stimulator; Carey's wife; circuit analyzer; ; computer chip; concussion; contraction; data core; ; Delta Quadrant; diagnostic equipment; dinosaur; disulfide; Earth; environmental suit; equipment bag; fatherhood; Federation; fetal resonance scan; ; Friendship 1; gas giant; genocide; gravimetric shear; Grid 295; Grid 310; hadrosaur; holo-camera; humble; ionic interference; inoculation; isolytic reaction; isorem; kilometer; ; Klingon; Kobali; leader; leadership; lesion; lining; lung; magnesite; medical care; meter; metreon cascade; metronome; millijoule; missile silo; model; music box; nanoprobe; Neelix' cousin; nuclear winter; nucleonic particle; Otrin's homeworld; Otrin's species; Otrin's wife; particle scanner; photon torpedo; probe; Prime Directive; queasy; radiation; radiation exposure (aka radiation poisoning); reverse engineering; ship in a bottle; shock wave; solar wind; Starfleet Corps of Engineers; stillborn; stratosphere; thermal eddy; third grade; titanium; toy; transceiver; translation matrix; transporter; transport enhancer; tricorder; troposphere; United Earth Space Probe Agency; Vaadwaur; Vivaldi; Voth Unused references Alixia; Aurellian beef stew; Ferengi; latinum; ; Tefler; Tongo; Uxal External links de:Friendship One es:Friendship One fr:Friendship One (épisode) nl:Friendship One VOY episodes
1622	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Natural Law (episode)	En route to a scientific conference on Ledos, Chakotay and Seven's shuttle is driven out of control by a force field layer over a wilderness area. Meanwhile, Paris gets a speeding ticket in the Delta Flyer, and is sentenced to a three-day safety course. Summary Teaser Commander Chakotay and Seven of Nine are in a shuttle heading to a four-day conference on Ledos about warp field dynamics. Since they have some time before the beginning of the conference, Chakotay takes a scenic detour to admire the lush forests of the planet. When Seven objects that they may be late to the conference, Chakotay points out that warp field dynamics can be studied any day, but opportunities to enjoy natural beauty are rare. However, they suddenly detect an energy barrier right below them, and they start bouncing off it. They quickly lose engines. Seven of Nine reconfigures the phasers and punches a hole in the barrier, just in time for them to beam to the surface as the shuttle tumbles and breaks up. Act One Chakotay has a deep cut and a hairline fracture in his leg, and at Chakotay's insistence, they decide to walk to the debris field, still hoping to make the conference on time. In orbit of Ledos, Tom Paris is in the navigating orbital traffic when a controller notifies him of an infraction. He is ordered to shut off his engines, and to take the standard punishment. When he returns to , he finds out that the punishment is flight lessons. He considers this ridiculous, but Captain Kathryn Janeway says that local laws must be followed, much to Paris' dismay. Seven and Chakotay find the wreckage of the shuttle and find it is unrecoverable. However, they also detect some humanoid life signs which are similar to those of Ledosians, but aren't Ledosian. When they examine the people, they are found to be primitives of pre-Bronze Age level. Chakotay's leg becomes infected, and he hides out of sight while Seven goes to recover more parts. When she finds something useful, she contacts him. Unfortunately, he is surrounded by the primitives, amazed at the talking com badge, and can't answer. They smash it out of fear and take him with them. When she finds their camp, they are startled by her, but Chakotay says they are friendly. He suggests they get some rest, since this is shelter, after all. Act Two On Voyager, Harry Kim, B'Elanna Torres, and Neelix are talking about beaming down to the planet for shore leave, and teasing Paris about his flying lesson. When the instructor, Kleg, beams up, Paris gets off on the wrong foot; they have to review safety procedures for four hours just to start, and Neelix, Torres, and Kim beam down to the surface. Chakotay learns to communicate with the primitives. They use sign language to communicate, and trade him for one of his collar pips. Seven is unimpressed, but says she has found the shuttle's deflector, and can use salvaged components to create a tetryon-based signaling device. The commander suggests she have the natives guide her, but she wants to limit contact with them, and goes alone. Before long, she trips, and loses her tricorder down a hole. When she cannot recover it, she leaves it. Chakotay receives a walking stick to support his weight, and finds that some of the natives are beginning to paint symbols on their foreheads like his. Act Three When Seven gets stuck by a thunderstorm, a native girl (who has been following her) starts a fire using an exothermic reaction from rocks. Seven is appreciative, and goes to sleep. On Voyager, Tom Paris fails to make any headway with his piloting lessons. Kleg first goes over the ship, finding safety violations in everything from access of the pilot's seat to the polarity thrusters they use. When Paris suggests he blame his mistake on the ship, not him, Kleg informs him that he researched the ship thoroughly, and finds it was Paris who was its chief designer. When Seven of Nine awakens, the native leads her first to a waterfall, where she stays for a while. Chakotay begins to worry about her, especially when some of the natives take shuttle debris as jewelry. He has them take him where she's going as well. Eventually, she does find the shuttle's deflector, with the native girl following her, and begins to work on it. On Voyager, Tuvok informs Captain Janeway that Chakotay and Seven never showed up for the conference. Their scans show a wing floating in midair, resting on an energy barrier which required their Borg sensors to detect. They cannot scan below the barrier, so while Tuvok suggests they may have survived, there is no way to know. The captain contacts the Ledosian ambassador, and he doesn't believe they survived. Even if they did, there is nothing they can do about the barrier. It was put up by aliens to protect an indigenous society, the Ventu, from the Ledosians in their past. He cannot see Voyager knocking down the barrier. Act Four "Captain's log, stardate 54827.7. Although the Ledosians are skeptical, they're allowing us to try to locate our people. Meanwhile, we've begun to analyze the shuttle fragment." Torres finds burn marks consistent with tetryon flux, and Tuvok identifies the technology, as Seven did, in the Borg database. Based on the damage feedback from the phasers destroyed the shuttle, meaning they could have used that to cut through the barrier. If Voyager tried the same thing, the risk of breaking the ship apart would be the same. As Seven assembles the transmitter, the native girl plays with some magnetic rocks. When the deflector fails, and Chakotay shows up to assist, Seven scans the area. There is a magnetic field which is preventing her from generating a deflector beam. She could generate one several kilometers away if the natives helped them move the 500 kilogram deflector, and also add a dampening field to get it through the barrier. Chakotay, having changed his mind, says no initially, but Seven assures him they can beam themselves (and all of the loose technology) off the planet once this is all over. Paris has moved on to actually flying. He fails to get out of the test again, because Kleg insists that all of his students take the entire course. The natives finish hauling the deflector, and while they are connecting it, Voyager attempts to penetrate the barrier with phasers. However, they begin to overload within seconds. As Tuvok is configuring a photon torpedo, Seven activates the deflector on the surface. The natives are fascinated, and the young girl reaches out to touch the ship, and is shocked unconscious. The captain is surprised to see the barrier go down, but opens a channel to Seven. She tells the captain to beam up Chakotay and down a medkit. "Captain's log, supplemental. Seven has remained on the surface to tend to the injured Ventu girl, while Chakotay's being treated in sickbay." The Doctor is impressed that the pulp the Ventu used to treat Chakotay's leg has healed the fracture and the infection. Chakotay says that all of the shuttle debris should also be beamed aboard, and the captain agrees. Seven of Nine says goodbye, and accepts a blanket from the girl as part of their customs. However, she encounters a Ledosian expedition, led by Barus. They intend to study and develop these people, now that the barrier has finally been lowered. Act Five When she returns aboard, Chakotay says they should restore the barrier, but Seven isn't sure; she believes the Ledosians could help improve their potential, but doing so would also end their resourcefulness and unique way of life. The captain decides the barrier will have to be returned, if anything to recover their technology. She tells this to the ambassador, but he doesn't like it. He says they have been waiting a long time. She cites the strict sharing of technology policy, and asks if an hour will be enough for an evacuation. The response of the government is to send a fighter to disable Voyagers transporters with a well-targeted shot. The ambassador calls it restrained, and tells the captain to leave orbit. With transporters down, the captain calls upon Tom Paris, who is still taking his piloting lesson. She transmits encrypted orders, and he exhibits reckless behavior, which is necessary to carry them out. He rushes within transporter range of the surface, and beams up the expeditionary force, dodging an attack by the same Ledosian vessel. After being told by Kleg that he cannot pilot a vessel in Ledosian space again, his transporters are knocked out, and so he flies close to the surface, destroys the deflector, and rushes into orbit just before the barrier reinitializes. Afterward, Seven worries to Chakotay that her modifications may be duplicated by the Ledosians someday. She also thanks him for their adventure, since warp mechanics can be studied any day. Memorable quotes "So you can execute a turn at less than three hundred kph. Well done, lieutenant." - Kleg about Tom Paris during a flying lesson "Seven, are you all right?" "I need your tricorder." "Nice to see you, too." - Chakotay and Seven of Nine "You don't see natural beauty like this everyday." - Chakotay "They're impressive people." - Chakotay, on the Ventu "You're getting very close to becoming an adequate pilot." - Kleg, to Tom Paris "I'm sorry to inform you, Mister Paris, but you have failed this examination. You will no longer be allowed to operate a vessel within Ledosian space." "Something tells me that's not going to be a problem." - Kleg and Tom Paris "Well, if we have to be stranded somewhere, you couldn't ask for a better place." "We wouldn't be stranded at all if you hadn't insisted on admiring the view!" - Chakotay and Seven Background information Production history Production number: 011-40840-268 Final draft script: tbd Filming: Tuesday Wednesday Thursday Friday – Ext. Jungle/Cave clearing (Paramount Stage 16) Tuesday – Ext. Jungle/Cave clearing; Int. Cave (Paramount Stage 16) Wednesday – Ext. Jungle (Filming location: Griffith Park) Thursday Friday Monday 2nd Unit – Int. cave; Jungle; Rocky side area (Paramount Stage 9) Air date: Cast and characters Neil C. Vipond previously played Darok in the episode and Ivar Brogger previously appeared as Orum in the episode . Three-time Star Trek guest actor Albie Selznick was responsible for the Ventu movements and received credit as "Ventu" Choreographer in the end credits. Props and costumes The badge worn by the Ledosian port authority officer features a reptilian lifeform. The same prop first appeared as the communicator used by the terrorrists in the sixth season episode and also as the badge worn by officers of the Mari Constabulary in the Star Trek: Voyager fourth season episode . The prop was later sold off on the It's A Wrap! sale and auction on eBay. Several costumes from this episode were later also sold off on the It's A Wrap! sale and auction including: Ivar Brogger's costume Michael Moutsatsos' costume Neil C. Vipond's costume Matt McKenzie's costume Robert Curtis Brown's costume Robert Beltran's distressed uniform Continuity Voyager loses a shuttlecraft in this episode, for a total of eleven, after having previously lost ten shuttles in , , , , , , , , and . In this episode, the shuttle is destroyed on contact with an energy barrier. In this episode Seven of Nine can briefly be seen sleeping outside a Borg alcove, as in . Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.11, As part of the VOY Season 7 DVD collection. As part of the VOY Season 7 digital release. Links and references Guest Stars Paul Sandman as Healer Autumn Reeser as Girl Robert Curtis Brown as Ledosian Ambassador Neil C. Vipond as Kleg Co-Stars Ivar Brogger as Barus Matt McKenzie as Port Authority Officer Brooke Benko as Transporter N.D. Majel Barrett as Computer Voice Uncredited Co-Stars Chris Bugg as Ventu Dene Doucette as Ventu Tarik Ergin as Ayala Bernie Escarcega as command officer Marina Freeman as Ledosian scientist Fulton as Ventu Grecke as Ventu George Hine as Ventu boy Dieter Hornemann as Ventu as Ledosian scientist Valerie Johnson as Ventu Shauna Lewis as Ledosian scientist Brooke McCroskey as Ventu girl Tim McGrath as Ventu Michael Moutsatsos as Ledosian scientist Stephen Pisani as operations officer Robert Scott as Ventu Will Smith as Ventu Pablo Soriano as operations ensign Michael Sutherland as Ventu Noriko Suzuki as operations officer Tracy Swerer as Ventu Deborah Thomas as Ventu Stunt double Monica Staggs as stunt double for Jeri Ryan Photo double Richard Sarstedt – photo double for Robert Beltran Stand-ins Ashley – photo double for Jeri Ryan Tarik Ergin – stand-in for Ivar Brogger Sue Henley – stand-in for Kate Mulgrew Brita Nowak – stand-in for Jeri Ryan Louis Ortiz – utility stand-in Richard Sarstedt – stand-in for Robert Beltran Amy Kate Trotti – stand-in for Autumn Reeser Stuart Wong – stand-in for Paul Sandman References acceleration; ancestor; anthropological mission; anthropological research; arboretum; assimilation; auxiliary power; Barus; beacon; blanket; Chell; Class 2 shuttle (unnamed); commanding officer; conference; conference coordinator; ; dampening field; debris; deflector beam; ; designer; design flaw; ; distress signal; docking permit; Earth; education; energy barrier; environmental systems; evolutionary ancestor; Flame Gardens; flight safety; flight safety course; foliate; gesture; habitat; hairline fracture; health; impulse engine; indigenous; infraction; infrastructure; kilo; kilometer; lateral sensor array; law; leader; Ledos; Ledos Port Control; Ledosian; Ledosian conference coordinator; Ledosian patrol ship; Ledosian space; Ledosian spaceport ships; living history; logic; magnetic field; magnetism; medicine; medkit; mountain; native; navigational deflector; pre-warp; phaser; photon torpedo; pilot error; piloting violation 256; polarity thruster; poultice; power generator; resource development; relay; safety procedure; sensor analysis; shore leave; socks; Species 312; square kilometer; surface; tetryon; tetryon-based signaling device; tricorder; Ventu; Ventu language; visual display system; warp field dynamics; warp mechanics; waterfall; weapons array; wildlife; wing External links de:Ein natürliches Gesetz es:Natural Law fr:Natural Law (épisode) nl:Natural Law VOY episodes
1623	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Homestead (episode)	Neelix is reunited with his people as he tries to save an imperiled Talaxian settlement. Summary Teaser is holding a party to celebrate the 315th anniversary of "First Contact Day", including an ancient jukebox playing the favorite music of Zefram Cochrane and with his favorite (non-replicated) food being served, about which The Doctor complains to Neelix that it lacks any nutritional value. The party is greatly enjoyed by everyone, with Captain Janeway complimenting Neelix and Naomi telling them that when she was a child all First Contact Day meant was getting to miss school. Tuvok then makes a presentation where he recites the first words that the Vulcans said to the Humans that day, "Live long and prosper.", though Neelix must prod him into it. When Neelix then tries to get Tuvok to dance, and the stoic Vulcan refuses, Neelix makes a pledge: before Voyager reaches Earth, Neelix will see Tuvok dance at least once. Commander Chakotay interrupts and says that they have found several hundred Talaxian life signs 4.9 light years away. Act One When Voyager arrives to investigate, Neelix becomes quite anxious on the bridge. The Talaxians appear to be inside an asteroid, and do not respond to hails. Tuvok, Neelix, and Tom Paris take the into the belt, and are fired at with thermolytic charges. The Flyer takes damage, and is forced to crash land on the asteroid where the life signs were detected. Neelix and the others are knocked unconscious. Neelix wakes up having his wounds healed by a female Talaxian named Dexa. She asks him a lot of questions, things like what he was doing there, and why he and his alien friends were carrying weapons. He answers all her questions, and manages to ask a few of his own. He finds out they are ignoring hails because they want to avoid contact with outsiders, and the charges were just miners trying to break apart asteroids for their minerals. During their conversation, Dexa's son comes in to have a look, and Dexa shoos him away. When Neelix tries to leave, she seals him in with a force field. Act Two Captain Janeway, having not heard from the away team, sends a shuttle after them. As it is about to be launched, an alien, Nocona, hails them and tells the captain he owns this asteroid field, and that he is performing mining operations. He doesn't want her sending a rescue team, since they cannot stop using the charges, but offers to search for them. The captain says she wants to get them. Nocona tells them to stay there, and he will find their people. When Neelix next awakens, he finds Brax by himself. When he sees that Brax has a model ship, Neelix correctly identifies its classification. Brax wants to see Neelix's ship, but Neelix says that would be hard to arrange. A loud clank tells Brax his mother is coming. Neelix tells him to hide, promising not to say anything. Dexa soon walks in with Council Regent Oxilon. He informs Neelix that he is free to go. His friends have also been released, and will be asked to leave as soon as their injuries have been mended. He asks if they would let he and his friends stay. Neelix may stay, Oxilon says, but they do not trust outsiders. Dexa takes Neelix on a short tour of the colony. Five hundred people live here, and the habitat is self-contained, built from the parts of ships on which they arrived. Dexa leads Neelix back to his ship, and Paris, Tuvok, and Neelix begin repairs. Neelix tells of his brief encounter, and Tuvok notes his regret that he didn't get as much from the experience as he hoped. Neelix doesn't consider the trip a waste, as he still got to see some of his people again noting he'll almost certainly never encounter another Talaxian after this. Once internal sensors are working, they indicate there is an intruder. Tuvok and Neelix search the ship to find it is Brax. Neelix takes him back to his mother, again promising not to tell her he was here. On the way back to their home, Nocona is arguing with Oxilon. They are threatening to destroy this asteroid for minerals. Dexa argues strongly, and when Nocona shoves her aside, Brax throws a rock at him. Neelix then stands up for Brax, getting into a fight with Nocona, and pulling his weapon on him and his guard. He then sends them away. Act Three Dexa and Oxilon are grateful, but think it is impossible to evacuate in time. Neelix suggests they have Captain Janeway negotiate with the miners, and Oxilon agrees to meet with her. Brax wants to go too, and Neelix persuades his mother to let him. As they explore the ship, Neelix takes Dexa and Brax to the bridge, and Brax asks which station Neelix serves at. To spare Neelix any embarrassment, Chakotay and Kim note that Neelix has so many functions on the ship (Ambassador, chef, morale officer and trade negotiator) that one station wouldn't be enough as he's the most versatile member of the crew. In Astrometrics, Seven of Nine shows them a picture of Talax from their database. Neelix and Dexa marvel at it together, and she has to explain to Brax why they couldn't just go back there to live. Naomi also says hello, and Brax ends up following her to the holodeck. Once they are alone, Dexa tells Neelix about her husband. He died trying to feed them when they were confined by the government to a small section of a planet they previously settled on. She is very comfortable around him, and says that Brax hasn't been so happy since her husband died. When it becomes clear to him how she feels about him (and he about her), Neelix regretfully leaves and gets some sleep, saying he needs to be ready at the negotiating table. The next day, Neelix tries to negotiate with the miners, but fails to make any serious ground. He does get the deadline extended, long enough for them to move all their equipment, but can do no more. He did get Captain Janeway to ferry all of them and their supplies to the nearest M-Class planet. When Dexa and Brax leave, Neelix cannot help but feel that the aid was not enough. Act Four Neelix asks Tuvok to devise defenses for the nearest planet, since there are several warp-capable species within 2 light-years. Tuvok cannot think of anything significant, but does suggest that if they were going to defend themselves, the best place for them to do it would be their present location. He suggests they could build a shield around the asteroid, however they would also need a leader to defend against a preemptive attack. Neelix asks Tuvok if he would be willing to lead them, however Tuvok refuses, citing the Prime Directive but also states that even if it wasn't an issue, he believes Neelix would be a better choice. Neelix tries to shrug off the suggestion, claiming that he's just a cook who dreams of being an Ambassador. Tuvok corrects him, telling Neelix he is much more than that, as he considers him the most resourceful person he has ever met. Neelix can't believe he's hearing such words of praise from Tuvok, who assures him that although he has some annoying habits and qualities he has also developed skills on Voyager that would serve him well if he chose to be a leader. Tuvok then makes it clear that although he is only speaking "hypothetically", and isn't telling Neelix what to do, if he (Neelix) did decide to defend the asteroid, he would be equal to the task. Neelix decides not to involve the Voyager crew in the endeavor, knowing they may have issues with his plan due to the Prime Directive, and prepares to leave in his own ship. He tells Captain Janeway that since he isn't part of the crew officially, he isn't held to the same constraint. Janeway assures him that she considers him as much a part of the crew as anyone else, but decides to let him leave knowing its something the Talaxian has to do. Arriving at the asteroid, Neelix creates a plan which would have him and Oxilon flying their ships around the asteroid and launching shield emitters to the surface. Once the emitters are in place, they could be tied into the power core and would never need recharging, however the miners would attack once they realize what the Talaxians are doing. Oxilon isn't initially willing to start a conflict, but Neelix points out they could still be terrorized if relocated, and since Oxilon worked so hard to build the colony surely its worth defending. Oxilon finally agrees. Act Five However, when all but the last two emitters have been laid, the miners attack. When the miners begin dropping charges, Neelix starts shooting them down. When Neelix's weapons are disabled, he prepares to fly his ship into the next charge, but the Delta Flyer appears and destroys it first. Oxilon manages to get the last emitter in position, and when the next charge is dropped, the shields deflect the explosion. "Captain's log, stardate 54868.6. Commander Nocona seems to have given up his attempts to penetrate the Talaxians' shield. Voyagers ready to get underway, but we're giving Mister Neelix time to say a difficult goodbye to his new friends." When Neelix leaves the colony, Brax asks him to stay. His mother says he cannot as Neelix walks out the door. When he returns to Voyager, he talks to Naomi. He wants to know if there is anything he can do for her, but Naomi has outgrown such things as bedtime stories and Neelix leaves for the Mess Hall, slowly realizing that his time on Voyager is coming to an end. It is late, and the captain is awake as well; she has noticed that Neelix is conflicted between his duties on Voyager and his desire to rejoin his people, so she puts forth a proposal: since Voyager can now communicate with Earth, Starfleet Command feels that there should be a permanent Ambassador to the Delta Quadrant, though the assignment is strictly voluntary. Neelix brightens a bit as he realizes that such a position would allow him the best of both situations: he would be able to remain with his own people in the asteroid colony, but he would also be required to stay in constant contact with Voyager and her crew as they travel. On his way to the Baxial in the shuttle bay, he is astounded to see many of Voyagers crew (along with Naomi) standing at attention along the hallway between the turbolift and the shuttle bay. No words are spoken, because there are no words to truly express how much the crew will miss him. As Neelix is about to step through the door, Tuvok very slightly wiggles one foot, with the understanding that he has thus danced and fulfilled Neelix's pledge. Tuvok then wishes Neelix goodbye with the old Vulcan adage; "Live long and prosper". Neelix tries to respond, but is unable to bring himself to say anything and instead gives the crew a last smile, then leaves Voyager for the final time. When he arrives on the asteroid, his first stop is the home of Brax and Dexa who emotionally embrace him in a hug; while Voyager will always remain dear to him, he knows that he is, at long last, home. Memorable quotes "This is an official ship function, Commander. Don't make me order you to dance." - Captain Janeway, to Tuvok "Hey, save some for the rest of us." - Harry Kim, to a pregnant B'Elanna Torres "Mr. Tuvok has agreed to recite the first words spoken by a Vulcan to Humans. Commander?" "Is this strictly necessary?" "You promised!" "Very well, "live long and prosper."" - Neelix and Tuvok "I'm not a little girl anymore." - Naomi Wildman, to Neelix "Mr. Neelix. (Wiggles one foot) Live long and prosper." - Tuvoks final words to Neelix "I'm not a fighter, I'm just a cook." - Neelix "Goodbye… and good luck, Ambassador." - Janeways final words to the departing Neelix Background information Production The concept of Neelix having a romantic relationship with a Talaxian female, following his long-term romance with Kes, was thought up by Neelix actor Ethan Phillips as early as the beginning of s fourth season. At that time, Phillips said, "I think it would be nice if they came up with another relationship for Neelix. It would be a very sweet show. I don't see anything coming down the pipeline yet, but the possibility exists… Maybe there will be some female hedgehogs waiting around for him! We'll see." () The working title of this episode was "Destiny". However, this title was already taken by . The final draft script for this episode was submitted on . At that time, the installment was still known as "Destiny". Many people took part, on-camera, in Neelix' farewell scene. "Everybody was put into Star Trek uniforms and they lined the halls," remembered Ethan Phillips. "So I was saying goodbye to not only the cast, but to the crew, the extras, to everybody as I walked down that long hall." () Jeri Ryan admitted that the filming of the scene turned out to be her most emotional day on Star Trek: Voyager, even though it wasn't personally her final day of working on the show. "I was just blubbering… That was a tough day," she reflected. This is the last episode of the series to be directed by LeVar Burton. John Kenton Shull's costume was sold off on the It's A Wrap! sale and auction on eBay. Continuity Talaxians (other than Neelix) appear for the last time in the series in this episode. Talaxians last appeared in the third-season episode , though they have also appeared in dreams and visions in episodes since. This episode marks the first time in Star Trek that "First Contact Day" is seen to be celebrated. This episode marks the final appearance of Scarlett Pomers as Naomi Wildman. The opening scene of this episode occurs on April 5, 2378 – the 315th anniversary of Vulcan-Human First Contact. Naomi tells Brax "and once, there was a transporter accident. Neelix and Commander Tuvok got combined to make a completely different person," in a reference to the events of the second-season episode . This was three episodes after Naomi was born (in ) and she likely wouldn't have remembered the event herself, instead being told about it later. Neelix' farewell is similar to Worf's departure from the in . Speaking of Neelix, Kim tells Brax "he's our Ambassador." Neelix's promotion to this position was first hinted at in and then confirmed with his first assignment in . Dexa says of Talax "it's still controlled by the Haakonians," in a reference to the war and subsequent occupation which is first revealed in the first-season episode . Ethan Phillips appears as Neelix once more in , participating in a game of kadis-kot with Seven of Nine on the astrometrics viewscreen. When Neelix first returns to the Delta Flyer he can be seen wearing two combadges, one on the jacket he removes, and one on his vest. In , Neelix had been a conscientious objector when his home planet was at war; now ironically Neelix helps bring about the defense of his peoples' colony. Reception Ethan Phillips cited this episode among five "Best of Neelix" installments, remarking, "It was the best goodbye anybody had […] It was one of my favorite things on the show to have done. The episode also had that very sweet moment with Tuvok dancing just a bit for Neelix. It was very special." () Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.12, As part of the VOY Season 7 DVD collection Links and references Guest Stars Rob LaBelle as Oxilon Julianne Christie as Dexa Ian Meltzer as Scarlett Pomers as Naomi Wildman Co-Stars John Kenton Shull as Nocona Christian R. Conrad as Miner Majel Barrett as Computer Voice Uncredited Co-Stars David Keith Anderson as Ashmore Richard Bishop as operations officer Elizabeth Carlisle as command officer Carter Edwards as command officer Andrew English as operations officer Tarik Ergin as Ayala Bernie Escarcega as command officer Hilde Garcia as Talaxian Peter Harmyk as Sunny Hawks as sciences officer Sue Henley as Paul Hubbard as Talaxian Eric Hunter as command officer Joyce Lasley as Lydia Anderson Lalita Lauren as command officer Alicia Lewis as sciences officer Tom Miller as sciences officer Trina Mortley as sciences officer Chip Murdock as Talaxian Brita Nowak as command officer Louis Ortiz as Culhane James Do Pearson as alien miner Stephen Pisani as operations officer Keith Rayve as command officer Mark Rogerson as Brian Sofin Richard Sarstedt as William McKenzie Linnea Soohoo as sciences officer Pablo Soriano as operations ensign Noriko Suzuki as operations officer Talon Tears as command officer Stuart Wong as command officer Unknown performers as Operations officer Six Talaxian colonists Stunt Double George Colucci as stunt double for Ethan Phillips Stand-ins Linda Harcharic – stand-in for Julianne Christie Brita Nowak – stand-in for Jeri Ryan Stuart Wong – stand-in for Garrett Wang References ambassador; asteroid; asteroid field; Axiana Lakes; Baxial; bearing; Brax's father; Cheese pierogi; ; Council Regent; dancing; ; Delta Quadrant; Earth; energy discharge; evasive maneuvers; explosive charge; Federation; First Contact Day; force field emitter; ""; geothermal energy; goddaughter; Godo Mountain Range; Haakonian; ice; ice field; intruder alert; Invaders from the Ninth Dimension; jukebox; kadis-kot; kilometer; leadership; M class; mining; Mister Vulcan; ; Nocona's ship; Nocona's species; oxygen; paleontology; Phanos; plasma manifold; Prime Directive; proto-humanoid; refugee; regent; school; shield; taga cake; Talax; Talaxian; Talaxian asteroid colony; ; Talaxian Furfly; thermolyte explosive; torpedo launcher; torpedo tube; trade negotiator; Tuvix; ""; vitamin; Voyager shuttle; Vulcans; warp-capable species; water External links de:Eine Heimstätte es:Homestead fr:Homestead (épisode) nl:Homestead VOY episodes
1624	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Renaissance Man (episode)	The Doctor must become a master of disguise to save Captain Janeway. Summary Teaser The Doctor sings "Questa o quella" very loudly with the full orchestral music accompaniment playing as he steers the . This is much to the disgruntlement of Captain Janeway, who was trying to sleep in the aft compartment, though she conveniently shrugs it off with a replicator giving her a cup of black coffee when she emerges. They discuss The Doctor's many abilities and how he is capable of much more than a common Human because he is a hologram, and so is not bound to many of the physical restrictions an organic form is subject to. They also briefly converse that he and the captain rarely spend any time together, but when he states that they should do so more often sometime in the future, he doesn't notice Janeway's sudden look of dismay. As the Delta Flyer passes by a Mutara-class nebula, they encounter a subspace eddy. The turbulence created by the eddy prompts Janeway to suggest that she take the helm, but The Doctor assures her that control of the situation is well within his capabilities. Act One On Voyager, Vorik and B'Elanna Torres are trying to track down some plasma surges when Tom Paris tries to lure her to lunch with potato salad (with extra paprika, just the way she likes it) under the glow of a red giant. Though she is grateful for his thoughtfulness, however, her sense of duty and a promise to the captain prevent Torres from going along. Meanwhile, Ensign Harry Kim is in charge when Lieutenant Ayala detects an odd transmission from the Delta Flyer, via a pulse directed at its transceiver array. Kim attempts to hail the Flyer without success, but after some modifications, establishes contact with the vessel. Janeway describes an attack by aliens that damaged the Flyers communications system, and states that she and The Doctor are fine. She asks Kim to notify Chakotay to meet with her once she has docked. In her ready room, Janeway tells Chakotay about the attack, stating that a technologically superior race, the R'Kaal, were the cause of the damage to the Flyer, and that they almost didn't make it back. Apparently, Voyager had unwittingly been traveling through their space for three weeks, in violation of their laws. She described how the R'Kaal were ecological extremists, believing that traditional warp drive damages the fabric of space. They wanted to destroy Voyager with their cloaked fleet, but Janeway convinced them to allow them to settle on an M-class planet in exchange for surrendering their warp core. Chakotay attempts to protest, but Janeway says that she is tired of their long journey and its perils. She also tells Chakotay to not discuss it with anyone. She orders him to set course for the nearest planet and dismisses him before he can protest further. Janeway goes to engineering and asks Torres to make modifications to the Flyers tractor beam so it can safely tow a warp core. After Janeway leaves, Torres pages Chakotay to tell him about it. He then goes to the bridge and asks Janeway about it, wondering why she told Torres about their situation. She doesn't seem to have a response and states that she doesn't feel well and leaves for her quarters, Oddly, she briefly seems to talk to herself quietly as she goes. Chakotay, confused, then goes to sickbay and asks The Doctor if anything was wrong with Janeway's health, but The Doctor says there was not. Chakotay does get him to agree to examine Janeway in her quarters, and then departs for astrometrics to ask Seven of Nine to attempt to detect any cloaked ships in the area. While there, Kim calls for him and says a transmission is coming through. Once on the screen, a Supreme Archon Loth demands to know when Voyager will surrender its warp core. Chakotay stalls by saying they can't do it until they have reached the planet they are heading for. Loth gives a deadline of ten hours before the ship will be destroyed. After The Doctor tells Chakotay that Janeway is in perfect health, he goes to her quarters to see her, but she is not there. He calls for her on his combadge, but just then she comes around the corridor. In her quarters, they debate the necessity of their current circumstances, and Chakotay mentions a mission at Lessek Prime where Janeway saved an away team by disobeying her captain's orders. After Janeway says that the situations are totally different, Chakotay reveals that he made the whole thing up and attempts to call Tuvok, since Janeway is apparently an impostor. "Janeway", however, places a level 5 dampening field around the room to block his call. Apologizing, she retrieves a hypospray from under the desk and approaches Chakotay, who catches her wrist with both hands. He struggles to hold back the hypo from his neck, but "Janeway" isn't even straining, proof that she isn't Human. The hypo relentlessly reaches its target, rendering him unconscious. Act Two "Janeway" then transports Chakotay to the morgue where she hides him. She then goes to sickbay and puts a foot up on the office desk where the mobile emitter can be seen on her ankle. She is actually The Doctor. It is revealed that Janeway was taken hostage by two Overlookers before they managed to return to and are demanding the warp core in exchange for her release. They are monitoring his perceptual subroutines and thus can see and hear everything from his point of view; he can't talk or write a warning to the crew without them knowing. In an attempt to free the captain, The Doctor has assumed the identity of various members of the Voyager crew. The Doctor contacts the Overlooker captain, Zet, demanding to speak to Captain Janeway. When he does, she directly orders him not to eject the warp core and to tell Tuvok what's happening. Zet reminds The Doctor that Janeway's life is at stake, and increases his demands to include some of Voyagers bio-neural gel packs. Desperate to save Janeway, The Doctor disobeys her order and agrees. Janeway is on the Overlookers' Hierarchy survey vessel. Once off the call, Janeway tries to sow doubts into the pair by stating The Doctor is fooling them, using holographic fake scenery. One of the Overlookers, Nar, wants to call off the plan, but Zet only briefly hesitates. It appears they are Hierarchy renegades and have planned this for months. They already have a buyer, and he is not backing off. Meanwhile, The Doctor gets to work, impersonating Chakotay to talk to Tuvok about his scans of the Delta Flyer, then (with Janeway's voice) calls Torres to Janeway's quarters so he can get in engineering while impersonating Torres. He is able to get Vorik to tell him where spare gel packs are stored, however, while in the process, The Doctor is surprised by Paris, obviously not knowing of their earlier encounter. Postponing an impromptu meal to that evening, he gets Paris to leave, however, just as he completes retrieving the gel packs, Kim calls Chakotay to astrometrics. There, Kim tells The Doctor (as "Chakotay") that the message from Loth came from within the ship, holodeck two to be more precise. Kim then goes to holodeck with "Chakotay" in tow. There, Kim finds the holodeck logs have been deleted. Just as he finds out The Doctor is responsible, he is incapacitated and moved to the morgue. Act Three While The Doctor tries to unwind with "The Blue Danube" in the background while sitting at his desk with his kit with the three comm badges he acquired, Tuvok enters to confront him with a discrepancy in the message sent through the deflector dish exposing The Doctor's involvement. The Doctor feigns ignorance but Tuvok is insistent, destroying one of the sickbay's holoemitters. The Doctor then jumps through the glass into his office and escapes with the mobile emitter. Tuvok quickly calls for security backup and follows him into the holodeck. The Doctor has locked the doors and made multiple copies of himself inside, buying time. Tuvok asks Torres to cut power to the holodeck as he is threatening The Doctor at the same time. The Doctor, however, already made his escape and uses a Jefferies tube to get to engineering. Tuvok orders a shutdown of all turbolifts and transporters. The Doctor convinces the real Torres, as Chakotay, that there is an imminent warp core breach in progress, however, Paris calls Torres to say The Doctor is right near her. He confines her with force fields and activates his Emergency Command Hologram subroutines and successfully ejects the warp core. He tries to transport to the Delta Flyer but transporters are down. Quickly, he shuts down internal sensors and, as Torres, he goes through Jefferies tubes again to get to the shuttle bay. Tuvok reasons his plan and intercepts him, not fooled by seeing Torres. However, The Doctor makes a surprising leap off the wall and over Tuvok, grabbing his phaser and stunning him. He steals the Delta Flyer to tractor the ejected warp core to the Hierarchy ship. Janeway, seeing Nar fixing obsolete engine parts, starts to strike up a conversation with him about it by giving him a tip in fixing it. Nar happily thanks her and shares his fondness for his hobby and his dream of starting an outpost for such an outlet. She proposes that Torres might be interested in acquiring everything when Zet interrupts them. Then, they detect the Delta Flyer. When The Doctor arrives at the kidnappers' ship, however, they change plans and take him hostage, too, intending that he stay and work for them, with a few modifications to his program, of course. Act Four "Chief Tactical Officer's log, stardate 54890.7. With internal sensors offline I have had to order a section by section search for our missing crew members. Until main power is restored Voyager remains immobilized and defenseless." Eventually, Paris finds Chakotay and Kim at the morgue and, with relief, finds they are just unconscious. Soon, Torres is able to restart the impulse drive. Oddly, an altered version of "The Blue Danube" starts playing on every com channel of the ship. At first, they think the recording is flawed and several of the notes are played off key. Chakotay tries to pause the music, but the computer won't comply. This, along with the fact that The Doctor had played the piece flawlessly a month earlier during a recital, prompts Tuvok to suggest The Doctor altered it on purpose. Using a Fourier analysis, the crew discovers that the off-key notes are actually a warp signature embedded within the music, which allows them to track the aliens, 6.7 light-years away. Meanwhile, on the Overlookers' ship, Janeway thinks about escape, trying to amplify The Doctor's matrix to disrupt the force field. During, The Doctor apologizes for his actions, but Janeway doesn't think this is the time. Nar comes to them to upload The Doctor's first assignment. He allows him to do so, and, quickly, objects. They want him to infiltrate a Hierarchy surveillance base to steal data. However, in doing so they begin to destabilize his main program. Act Five Paris and Tuvok are tracking the Overlookers' ship in a shuttle. While Nar fumbles with The Doctor's program and warns Zet he will decompile soon, Tuvok fires on the ship and beams Paris over to the Delta Flyer. Zet orders Nar to fire on both vessels, which he does reluctantly while suggesting they give back the warp core so they'll leave. Zet complies, but also tries to arm a torpedo to destroy it, killing them while they escape and shocking Nar. Another blast damages the force field, releasing Janeway and The Doctor who subdue Zet and release the warp core. Zet continues to fight The Doctor, but, surprisingly, Nar decides to help them and knocks Zet out. The crew quickly arrives back on Voyager directly to the holodeck, where Kim, Seven and Torres quickly get to work on his program. Believing he will not survive, he makes a bit of a deathbed confession to the whole group, including, among other things, that he recorded Janeway's "questionable" command decisions, told Neelix about a time when Tuvok had a particularly bad rash (breaching doctor-patient confidentiality), and told someone Kim's saxophone playing was bad. Finally, he turns to a confused Seven to admit that he is in love with her. He does survive, however, when Torres manages to delete all the added subroutines in time. He's immediately embarrassed. "Captain's log, stardate 54912.4. Lieutenant Torres has restored our warp drive in less than a week. The Doctor's dignity, however, might take a little longer. He hasn't left sickbay once since he returned to the ship." Janeway visits The Doctor in his office in sickbay, telling him that his friends miss him. The Doctor felt unsure if he had any friends left after his "deathbed confession". She does remind him that he would be punished by not being allowed to leave sickbay for six days, but considering that he stayed in sickbay that entire week, she considers it as time served. She then invites The Doctor to join her in the holodeck for coffee at an outdoor cafe in Buenos Aires, taking him up on his offer to socialize with him a bit more, but only on the grounds that he would leave his rank at the door, and that there would be no opera. He accepts. Memorable quotes "I'll be there… sweetheart." "'Sweetheart'? Well, aren't you getting affectionate in your third trimester." - The Doctor, disguised as B'Elanna Torres, and Tom Paris "Sit down and relax, captain. You have a hologram at the helm." - The Doctor "You know, this might be our last chance to be alone… for the next eighteen years." - Tom Paris, trying to get Torres to go with him on a romantic getaway before their daughter is born "Voyager can survive without its warp core… but not without its captain." "Now, it doesn't have either!" - The Doctor and Kathryn Janeway "You wouldn't shoot a pregnant woman, would you?" - The Doctor, disguised as B'Elanna Torres, to Tuvok "Ensign, at your recital last month, I told Lieutenant Torres that your saxophone playing reminded me of a wounded targ. I should have put it more delicately. I'm sorry!" - The Doctor, to Harry Kim "A pregnant woman should not be eating this! Do you want to give me an arterial occlusion? "Oh, one drumstick is not gonna kill you!" - The Doctor, disguised as B'Elanna Torres, commenting on a plate of fried chicken presented to him by Tom Paris "I love you, Seven!" - The Doctor, to Seven of Nine, as he believes he is going to decompile "Doc… got anything else you'd like to confess?" - Tom Paris, after The Doctor is successfully recovered "Goodbye, my friends! Speak well of me." (The Doctor vanishes.) "Is he…" "No, I got him." (Torres reactivates him; he's cringing in anticipation of destruction then opens his eyes.) "What happened?" "I deleted the extraneous subroutines." "So, I'm not going to decompile?" "You'll probably outlive us all." - The Doctor, Kathryn Janeway, and B'Elanna Torres Background information Production This is the last episode of the series to be directed by Mike Vejar. Ethan Phillips (Neelix) does not appear in this episode. He left Voyager in , the previous episode. However, he is mentioned in dialogue by The Doctor and remains in the opening credits. Andy Milder (Nar) previously played the Bolian Boq'ta in the episode . Although crewman Ayala has been seen in nearly every episode during Voyagers seven seasons, he was rarely ever given dialogue. During the entire run of the series Tarik Ergin only ever had a few lines of dialogue, this episode features him speaking while stationed at the helm but was credited as "Tactical N.D.". Shortly after they had completed writing this episode, Mike Sussman and Phyllis Strong were called into Brannon Braga's office and were invited to join the writing staff of the forthcoming series Enterprise. They were also given the top-secret script for the series premiere, and were told to go on vacation and return with story ideas for the series. (ENT Season 4 Blu-ray "In Conversation – Writing Star Trek: Enterprise" special feature) Continuity This episode is similar to episodes , and , in that it features one of the regular characters apparently turning on the others and running rampant on a quest whose purpose only becomes understandable in the end. This episode marks the last appearance of Alexander Enberg as Vorik on the show. The and the Class 2 shuttle are also seen for the last time in this episode. It is also the only time on the series that the Delta Flyer and a Class 2 shuttle are seen on screen at the same time. The interior set of the Class 2 shuttle was modified and used for SC-4 in . Trivia The piece The Doctor is singing at the beginning of the episode is "Questa o quella" and the piece of piano music he later encodes was The Blue Danube. Video and DVD releases UK VHS release (two-episode tapes, Paramount Home Entertainment): Volume 7.12, As part of the VOY Season 7 DVD collection Links and references Guest Star Alexander Enberg as Vorik Co-Stars Andy Milder as Nar Wayne Thomas Yorke as Zet David Sparrow as Alien/Doctor Tarik Ergin as Tactical N.D. J.R. Quinonez as Overlooker/Doctor Majel Barrett as Computer Voice Uncredited Co-Stars David Keith Anderson as Ashmore Michael Bailous as operations officer Richard Bishop as operations officer Ivory Broome as operations officer Julie David as command officer Peter Harmyk as Eric Hunter as command officer Louis Ortiz as Culhane Linnea Soohoo as sciences officer Noriko Suzuki as operations officer Stunt Doubles Ron Althoff as stunt double for David Sparrow Tony Cecere as stunt double for Wayne Thomas Yorke Brett Heneise as stunt double for Robert Picardo Lynn Salvatori as stunt double for Kate Mulgrew Unknown stuntwoman as stunt double for Roxann Dawson Stand-ins – stand-in for Andy Milder Stacey Elder – stand-in for Roxann Dawson Sue Henley – stand-in for Kate Mulgrew Gregory Hinton – stand-in for David Sparrow – stand-in for Wayne Thomas Yorke Brita Nowak – stand-in for Jeri Ryan Lemuel Perry – stand-in for Tim Russ Erin Price – stand-in for Roxann Dawson J.R. Quinonez – stand-in for Robert Picardo Keith Rayve – stand-in for Robert Duncan McNeill and David Sparrow Joey Sakata – utility stand-in Richard Sarstedt – stand-in for Robert Beltran, Tarik Ergin, and cover stand-in for Robert Picardo Stuart Wong – stand-in for Garrett Wang and J.R. Quinonez Unknown actor – stand-in for Alexander Enberg Photo doubles The following actors worked as "photo doubles" for The Doctor in scenes 40 – 50. As noted on the call sheet, "legs only on camera - No Hair or Makeup": David Keith Anderson Richard Bishop Andrew English Keith Estelle Mike Fujimoto Jason Kim Brock Lumarque Arthur Murray Louis Ortiz J.R. Quinonez Keith Rayve Joey Sakata Richard Sarstedt Pablo Soriano Talon Tears Curtis Wong Stuart Wong Unknown performers as Hand double for Kate Mulgrew Hand double for Robert Picardo Photo double for Andy Milder Photo double for Wayne Thomas Yorke References analgesic; Ayala; arterial occlusion; auto-regenerative shielding; bearing; Beta Quadrant; bio-neural gel pack; ; Buenos Aires; buyer; café; carrier wave; class 1 overseer; Class 2 shuttle (unnamed); class M; clean bill of health; coffee; cognitive function; communication system; cup; cutaneous eruption; damage; Daystrom Institute; deflector pulse; ; Delta Quadrant; deuterium; dozen; Earth; Eblar Prime; Emergency Command Hologram; extremist; famished; Fourier analysis; freedom; fried chicken; gesture; Golorian trading vessel; G-type star; Hierarchy; Hierarchy survey vessel; holodeck buffer; holographic projection; holographic template; image; Jefferies tube; Lessek Prime; level 5 dampening field; logic; main deflector; mobile emitter; mud bath; Mutara class; opera; "s"; paprika; parsec; personal database; polaron; polydeutonic alloy; potato salad; "Questa o quella"; R'Kaal; red alert; red giant; resonance pulse; scratchy throat; security team; shield generator; sickbay; sidewalk; subspace; Supreme Archon; sweetheart; symposium; targ; teraquad; territory; time served; tractor beam; tractor emitter; transceiver array; transphasic warp drive; trimester; ; Vinri system; warp core; warp core ejection system; warp engine; warp signature External links VOY episodes de:Renaissance Mensch es:Renaissance Man fr:Renaissance Man (épisode) nl:Renaissance Man
1626	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Q (Junior)	Q Junior was the son of Q and Miss . He was conceived during the Q Civil War as a way to help restore the status quo of the Q Continuum and end the conflict. Shortly after his birth, Captain Kathryn Janeway agreed to be his godmother, based on the fact that she had supported and encouraged Q during the civil war. () History Though his parents had great hopes for their child as the "savior" of the Continuum, the high expectations had a dramatic effect on the young child's attitude. Junior became obnoxious, spoiled and disruptive and lacked the kind of qualities that could inspire the much needed peace and compassion in the Continuum. Frustrated with his son, Q sent him to the , hoping that Janeway's "vaunted Starfleet ideals" would rub off on the boy. However, Junior became even more disruptive, such as propelling Voyager into the path of three Borg cubes, fusing Neelix's mouth shut when he tried to help him out and removing Seven of Nine's clothing to stare at her naked body. Fed up with his son's misbehavior, and inspired by Janeway's suggestion that he make his son realize that his actions would have consequences, Q stripped him of his powers and left him on Voyager for a week under the guidance of Captain Janeway. If he did not behave himself, his father warned him that he would not hesitate to turn him into an Oprelian amoeba. Initially, Junior's lessons on Voyager were a dismal failure. He plagiarized an essay on the Q Continuum from Icheb and secretly reprogrammed a holodeck simulation so that the solution could be achieved more easily. However, when Janeway threatened to cut off his lessons and return him to his father, Junior resolved to behave more appropriately. He became fast friends with Icheb, whom he nicknamed "Itchy" – and who in turn nicknamed him "Q-Ball" – and finally began putting some effort in his assignments and his character. His father was not very satisfied with Junior, however, as he felt that he did not live up to what was expected of him. Angry that apparently nothing he did was good enough for his father, Junior stole the and took Icheb with him to a joyride to the Clevari system. During his stunt Icheb was seriously injured when a Chokuzan vessel opened fire on the Flyer. The Doctor was unable to treat Icheb without knowing more about the weapon that had caused his injuries. Junior realized that the only option left for him was to return to the alien ship and surrender in exchange for information about the weapon they used. When the Chokuzan decided to blame and punish Janeway as guardian, Junior defended her and insisted that only he be punished for his misdeeds. After this selfless act the truth finally came out: the whole incident was a set-up by Q to test his son's character. The Continuum, however, was not impressed by Junior's progress, and initially re-sentenced him to become an amoeba. After some consideration on Junior's self-sacrifice for Janeway, the Continuum changed his sentence to remain in Human form, but stripped of his powers. They only acquiesced when Q vowed to stay with him and take responsibility for his son for all of eternity. Grateful for her assistance in teaching him, Junior filled Janeway's ready room with roses as a parting gift. () Appendices Appearances Background information Q Junior was portrayed by the two infant brothers Brett and Nolan Donahue. Their costume was sold off on the It's A Wrap! sale and auction on eBay. They filmed their scene on Monday on Paramount Stage 8 and are listed as "2 Babies (Donahue Twins)" on the call sheet. In the episode "Q2", Junior was played by Keegan de Lancie, who is the real-life son of Q-actor John de Lancie. The older de Lancie once remembered, "My agents called me and said, 'By the way, I don't know if you know this, but they are casting for the character of your son. Do you want me to submit Keegan?' 'I don't know. Let me ask him.' I said, 'Keegan, would you like to be in Star Trek? Obviously, you have to audition for it.' So he went in, auditioned and got past station number one. He had to audition two or three times and I believe they hired him because he did a really great job. I had nothing to do with it." () His name came from dialog, where he was referred to as "junior" by his father. In the script, he is identified as "Q2", which was the name previously given to the character played by Corbin Bernsen in . () Apocrypha In the Q Continuum novel trilogy, Junior, while still an infant, visits the with his parents when Q attempts to halt a Federation experiment to penetrate the galactic barrier using an artificial wormhole. During their time on the ship, Junior's mother reflects on her own fears about motherhood, but is slightly consoled by Doctor Beverly Crusher. Junior is briefly captured by an insane Betazoid scientist who has been enhanced by the barrier's psychic power and subsequently "possessed" by Q's old enemy/mentor 0, the scientist intending to test Junior's capabilities in various ways, but he is released thanks to his mother. In the novel, he is referred to exclusively as q, in lowercase. In the Star Trek: New Frontier short-story "Q'uandary" in No Limits, Doctor Selar was recruited by the Female Q during the Continuum's civil war as a midwife to take care of Junior. In The Eternal Tide, Q works with Kes to resurrect Admiral Janeway after she was assimilated by the Borg and killed in the battle to save Earth when he becomes convinced that she is needed to stop a threat that was stopped by Voyager in the timeline before Janeway's other self changed history. He is subsequently forced to sacrifice himself to stop the Omega Continuum whose release could annihilate the entire universe, crediting Janeway with inspiring his decision. In Star Trek Online Junior took on the role of his father (even donning the robes worn in ), interacting with the player in a mission where he sends them back in time to the Battle of Wolf 359 to prevent the death of Benjamin Sisko at the hands of an unknown enemy, which sent a number of the Borg back in time to the . Junior also features prominently at Earth Spacedock and Qo'noS during the yearly anniversary celebrations of the game and the yearly winter holiday celebrations. He took credit for changing the Earth Spacedock into the design seen in the films and from the previous design that had been similar to the one seen in . He also maintains the Captain's Table, a cross-faction neutral ground space station accessible to lifetime subscribers. External links de:Q (Sohn) fr:Q (junior) ru:Кью (Младший) Junior Q
1627	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	602 Club	The 602 Club was a bar in Mill Valley on Earth in the 22nd century. Many of the pilots and engineers involved in the NX Project based at the Warp Five Complex frequented this establishment, including Jonathan Archer, A.G. Robinson, Charles Tucker III, and Malcolm Reed. The walls of the 602 Club were decorated with many astronautical illustrations, including a portrait of Zefram Cochrane's warp drive prototype Phoenix, a DY-100 class sleeper ship, and . () One of the waitresses at the 602 Club, , was known to have been romantically involved with two crewmen from , Charles Tucker III and Malcolm Reed. Tucker went so far as to call her "the one." () Charles Tucker promised to buy the NX-01 engineering staff, as well as Captain Archer and T'Pol, a round at the 602 Club for their excellent work during the Delphic Expanse mission. () See Also The Launching Pad Background information It is likely that the 602 Club was named for a bar near the , Rick Berman's alma mater. Berman, along with Brannon Braga, wrote the episode "Shuttlepod One", which marks the first mention of the 602 Club. Both are credited with creating the series as well. The digits "602" are also the area code for Phoenix, Arizona, a possible reference to Zefram Cochrane's warp ship. In the final draft script of "First Flight", the 602 Club was defined as "the modest Mill Valley watering hole Trip and Reed discussed in 'Shuttlepod One'." The club's interior was described as "A friendly neighborhood bar – the exposed brick walls reveal the place's more rustic roots, but the modern fixtures remind us this is the 22nd Century." A display case seen in the 602 Club contained mission patches from various space shuttle orbiter missions and Apollo 8. These patches came from Michael Okuda's private collection. Two Pilsner glasses, seen inside the club, were sold off on the It's A Wrap! sale and auction on eBay. In Star Trek Online, a new version of the 602 Club designed to be a social zone can be visited as part of the Starfleet Academy area on Earth. External link cs:Klub 602 de:Club 602 fr:602 Club Earth establishments Restaurants
1629	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Bradbury	The USS Bradbury (NX-72307) was a 24th century Federation starship operated by Starfleet. She was the prototype of her class, identified as a transport ship. In 2366, the Bradbury was in orbit of Betazed. It was arranged for acting ensign Wesley Crusher of the starship to be transported by the Bradbury to Starfleet Academy on Earth, where Wesley would begin his classes. Because of an emergency aboard the Enterprise, the Bradbury departed Betazed without Wesley. () In 2367, the Bradbury was undergoing warp drive performance tests. The ship was named on the chart "Starfleet Operations-Sectors 21166-23079" on the Enterprise-D bridge. ( okudagram) In 2369, the Bradbury was again undergoing warp drive performance tests. The ship was named on the chart "Starfleet Operations-Sectors 21538-23079" in the Enterprise-D observation lounge. (, okudagram) External link de:USS Bradbury fr:USS Bradbury (NX-72307) Bradbury
1633	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 1	Episodes Summary A hundred years after the era of James T. Kirk, Captain Jean-Luc Picard takes command of the with a hand-picked crew. They take on assignments from Starfleet as well as explore those strange new worlds, going where no one has gone before. Background information Rick Berman commented: "First seasons of television shows tend to be potentially very chaotic. The first season of Next Generation certainly was". (The Deep Space Log Book: A First Season Companion, p. 7) Noted for his loyalty to co-workers he implicitly trusted, a by then ailing Gene Roddenberry was determined to bring back as many production staff members from as possible (actually, this he had already intended to do, and partially did, on the ten years earlier, but ultimately abandoned Star Trek: Phase II television series). The first season staff included the following TOS veterans: Producers Robert Justman and Edward K. Milkis, writers D.C. Fontana and David Gerrold, who were brought in first in early October 1986 to form the core production team for The Next Generation, later to be joined by Costume Designer William Ware Theiss, Composer Fred Steiner, Assistant Director Charles Washburn, and Set Decorator John Dwyer. Cinematographer Jerry Finnerman was also invited back by Roddenberry, however he turned down the offer as he was working on Moonlighting at the time. Nevertheless, at the end of the first season all of them opted to leave the production. Justman has identified Roddenberry's uninitiated attorney and business partner, Leonard Maizlish as the main agent for them to do so, stating he "destructively" meddled with the creative decision making for the new series. Milkis, thoroughly "disgusted" by Maizlish, already left after a mere three months, before shooting of the pilot was even started, while Justman himself admitted that "For the first time in my life, I began to suffer from hypertension", because of Maizlish, even though he initially wanted to stay on. (Inside Star Trek: The Real Story, p. 433-434) David Gerrold strongly shared the sentiment, and accused Maislizh – who occupied his own office on the studio lot, and had from the start firmly ingratiated himself with the pre-production creative staff – of "real character assassination of the worst sort.". The series was officially announced by President Paramount Television Group Mel Harris on 10 October 1986. (Star Trek: The Next Generation - The Continuing Mission, p. 11) While Maizlish was arguably too overzealous in looking after the interests of his client (who was desperately battling over the creative control of his new creation – and over his vision of Star Trek in general – with studio and writing staff alike), the eventual outcome came as a shock to Roddenberry, as Gerrold later related at the 2010 Necronomicon convention in St. Petersburg, Florida, "Gene was crying because all of his friends were gone. It was because Maizlish chased them away." Roddenberry also brought back production people who worked on various Star Trek feature films: makeup artist Werner Keppler, illustrators and artists Andrew Probert (who also left at the end of the first season, but not on the account of Maizlish, but rather that of Rick Berman), Michael Okuda and Rick Sternbach, property master Joe Longo, and sound editor Bill Wistrom. The Galaxy-class Enterprise-D was designed to hold families. In subsequent seasons and other Trek series, we learn that other Federation vessels have families on board as well. (; ; ) No definite chief engineer is introduced, as a total of three officers – , Argyle, and MacDougal – hold the position. Leland T. Lynch is also a senior officer in the department. Geordi La Forge serves mainly as a helmsman and does not become Chief Engineer until the second season. Lieutenant Commander Data's "brother", Lore, who shows up as a nemesis in subsequent seasons, is introduced. () Lwaxana Troi, Deanna Troi's mother, portrayed by Majel Barrett-Roddenberry, is introduced. () The holodeck, where Picard plays out a holonovel of the pulp detective Dixon Hill, is introduced. Although it is portrayed as something new on Federation vessels, the last time something similar was seen was on a starship. (; ) We are introduced to the alien species called the Ferengi, although it is hinted that the Federation was already aware of this race before the start of Star Trek: The Next Generation. The Ferengi turn up in subsequent seasons of TNG, as well as in other Trek series, but featured most prominently in . Also introduced in the first season is the omnipotent being called "Q" who turns up in subsequent seasons and other Trek incarnations. The crew is affected by a very similar disease as James T. Kirk's crew was afflicted with during the five-year mission of the original Enterprise. (; ) Susan Sackett, Gene Roddenberry's assistant at the time, portrays an extra dressed in a blue skant. () Lieutenant Worf became the first Klingon to join Starfleet, having grown up on the Khitomer outpost, where the beginnings of an alliance between the Klingon Empire and the Federation began. () However, a few Klingons are not at all happy with the alliance. () Worf's cranial features changed throughout the series, as did his demeanor. Moreover, Worf became a regular in Deep Space Nines fourth season. Lt. Natasha Yar had a short-lived stay on the Enterprise-D, as actress Denise Crosby became dissatisfied with the direction her character was going. When Crosby opted to leave the show, Yar was killed, resulting in the first 'permanent' death of a major character on Star Trek. () Denise Crosby returns in later seasons: first, as Natasha Yar in an alternate reality (), then as the voice of Yar's daughter Sela, a Romulan operative brainwashing Geordi La Forge, (). She appears as Sela again in four other episodes () and in the final TNG episode as Yar in yet another alternate reality. () Optional duty skirts, or "skants", are introduced for both male and female officers. Natasha Yar and Deanna Troi are the only main characters who are ever seen wearing the skant. () The optional variant is seen primarily on background characters, most prominently Diana Giddings, portrayed by background actress Lorine Mendell. (In season two, Dr. Katherine Pulaski wears a long-sleeved variant of the skant with black slacks.) The skants (as well as the jumpsuits) were created by Trek veteran William Ware Theiss, who also designed the costumes for TOS. Deanna Troi appears in the skant once again for the series finale. () Fred Steiner, who composed music on TOS, scores for TNG. () Lush music, reminiscent of TOS, occurs over the course of season one, and is changed to more subtle atmospheric music in the later seasons. An alien takeover of Starfleet by parasitic beings occurs and is stopped, not to be followed up on in the series (or any other subsequent Trek series), even though it is hinted more aliens are on their way to Earth; however, some Trek novels make an attempt to clear up any questions. () The Romulans make a return in the final episode of season one, after remaining quiet a number of years before the start of TNG. () Saucer separation of primary hull and secondary hull occurs a number of times. In the 23rd century, this action was designated for one-time emergencies. () Veteran Trek actors, Judson Scott and Merritt Butrick, appear in season one. () TNG introduces the position of counselor on starships. Deanna Troi and First Officer Commander William T. Riker are characters reminiscent of Lt. Ilia and Will Decker of the aborted Star Trek: Phase II series and . Armin Shimerman, known as the Ferengi barkeep Quark from , portrays the Ferengi Letek as well as a Betazoid gift box. () When the series premiered in the UK on the BBC in , the channel's airing order differed significantly from the original transmission order. Near the end of the series, actor Jonathan Frakes described the first season as a time when "we took greater chances than we do now. The shows may be better, the level of it, but was absurd." He added, "that was a time first season they took chances. Some of it misses, but some were great. Like , the episode which we've never done anything quite like where everyone got drunk and horny. That was risky. All the early stuff with Brent as Sherlock Holmes. Bowman's work, the first Klingon show [] – those were all great." (Trek: The Next Generation Crew Book) Most episodes in the first season end with a bridge scene. The only episodes that do not are , , , and . Paramount Pictures' original idea for a new Trek series for syndication was a "group of space cadets". (TNG Season 1 DVD, special feature "The Beginning") The per-episode budget eventually rose to US$1.5 million by the end of this season. () Τhe episode order does not follow the Stardate order. This results in a few discrepancies such as Yar dying at 41601.3, while having already appeared in set in a later stardate (41798.2), and "The Big Goodbye" set in (41997.7). This doesn't happen in the later seasons where episode order corresponds to stardate order. The cameo appearance of DeForest Kelley as Admiral Leonard McCoy in is the only "character crossover" from the original series in this season. Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant junior grade Geordi La Forge Denise Crosby as Lieutenant Natasha Yar ("Encounter at Farpoint" – “Symbiosis") Michael Dorn as Lieutenant junior grade Worf ("Encounter at Farpoint” – “The Naked Now", "Where No One Has Gone Before” – “The Neutral Zone") Gates McFadden as Doctor Beverly Crusher Marina Sirtis as Counselor Deanna Troi ("Encounter at Farpoint” – “The Battle", "Too Short a Season” – “The Big Goodbye", "Angel One", "Home Soil" – “Coming of Age", "The Arsenal of Freedom” – “The Neutral Zone") Brent Spiner as Lieutenant Commander Data Wil Wheaton as Acting ensign Wesley Crusher ("Encounter at Farpoint” – “Code of Honor", "Where No One Has Gone Before", "Lonely Among Us” – “Hide and Q", "The Big Goodbye” – “Coming of Age", "Skin of Evil” – “Symbiosis") Crew Executive Producer Gene Roddenberry Co-Executive Producers Rick Berman ("Coming of Age” – “The Neutral Zone") Maurice Hurley ("Coming of Age” – “The Neutral Zone") Co-Producers Robert Lewin Herbert Wright ("Encounter at Farpoint” – “Skin of Evil") Producer Maurice Hurley ("The Naked Now” – “When the Bough Breaks") Supervising Producers Robert H. Justman ("Encounter at Farpoint” – “When the Bough Breaks") Rick Berman ("Encounter at Farpoint” – “When the Bough Breaks") Associate Producers Peter Lauritson D.C. Fontana ("Encounter at Farpoint” – “The Big Goodbye") Consulting Producer Robert H. Justman ("Coming of Age” – “The Neutral Zone") Line Producer David Livingston ("Coming of Age” – “The Neutral Zone") Program Consultant David Gerrold ("The Naked Now” – “Lonely Among Us") Creative Consultant Greg Strangis ("The Big Goodbye” – “Angel One") Story Editors Johnny Dawkins ("The Naked Now” – “Code of Honor", "Where No One Has Gone Before", "Too Short A Season") Hans Beimler ("Coming of Age” – “The Neutral Zone") Richard Manning ("Coming of Age” – “The Neutral Zone") Executive Story Editors Hannah Louise Shearer ("When The Bough Breaks” – “The Neutral Zone") Tracy Tormé ("Heart of Glory” – “The Neutral Zone") Casting by Junie Lowry Music by Dennis McCarthy ("Encounter at Farpoint", "The Last Outpost", "Justice", "Hide and Q", "The Big Goodbye", "Angel One", "Home Soil", "Coming of Age", "The Arsenal of Freedom", "Symbiosis", "Conspiracy") (credited as Dennis McCarthey in "The Last Outpost") Ron Jones ("The Naked Now", "Where No One Has Gone Before", "Lonely Among Us", "The Battle", "Datalore", "11001001", "When The Bough Breaks", "Heart of Glory", "Skin of Evil", "We'll Always Have Paris", "The Neutral Zone") Fred Steiner ("Code of Honor") George Romanis ("Too Short a Season") Main Title Theme by Jerry Goldsmith Alexander Courage Director of Photography Edward R. Brown, A.S.C. Production Designer Herman Zimmerman Edited by Tom Benko ("Encounter at Farpoint", "The Last Outpost", The Battle", "The Big Goodbye", "11001001", "Coming of Age", "Skin of Evil", "Conspiracy") J.P. Farrell ("The Naked Now", "Where No One Has Gone Before", "Justice", "Too Short a Season", "Angel One", "When The Bough Breaks", "The Arsenal of Freedom", "We'll Always Have Paris") Randy Roberts ("Code of Honor") William Hoy ("Lonely Among Us", "Hide and Q", "Datalore", "Home Soil", Heart of Glory", "Symbiosis", "The Neutral Zone") David Berlatsky ("Haven") Unit Production Managers David Livingston ("Encounter at Farpoint” – “When the Bough Breaks") Kelly A. Manners ("Coming of Age") Bruce A. Simon ("Heart of Glory") Sam Freedle ("The Arsenal of Freedom” – “The Neutral Zone") First Assistant Directors Les Landau ("Encounter at Farpoint", "Code of Honor", "Where No One Has Gone Before", "Lonely Among Us", "The Battle", "Datalore", "11001001", "When The Bough Breaks", "We'll Always Have Paris", "The Neutral Zone") Charles Washburn ("The Naked Now", "Haven", "The Last Outpost", "Justice") Babu (T.R.) Subramaniam ("Hide and Q", "The Big Goodbye", "Angel One", "Home Soil", "Coming of Age", "The Arsenal of Freedom", "Symbiosis", "Conspiracy") (credited as Babu Subramaniam from "Angel One" on) Bruce A. Simon ("Heart of Glory", "Skin of Evil") Second Assistant Directors Babs Subramaniam ("Encounter at Farpoint” – “The Battle") (credited as Babu Subramaniam from "Justice" on) Brenda Kalosh ("Justice” – “Datalore") Bruce A. Simon ("Hide and Q” – “When the Bough Breaks") Larry M. Davis ("Angel One” – “11001001", "When The Bough Breaks” – “Skin of Evil") Ron Kinwald ("Coming of Age” – “Skin of Evil") Robert J. Metoyer ("Symbiosis” – “The Neutral Zone") Adele G. Simmons ("Symbiosis” – “The Neutral Zone") 2nd Second Assistant Director Brenda Kalosh ("Encounter at Farpoint") Costumes Created by William Ware Theiss, Executive Consultant Art Director Sandy Veneziano ("Encounter at Farpoint” – “Justice", "Coming of Age” – “The Neutral Zone") Assistant Art Director Gregory Pickrell ("The Battle” – “When the Bough Breaks") Visual Effects Coordinators Robert Legato ("Encounter at Farpoint” – “The Big Goodbye", "11001001", "When The Bough Breaks", "Heart of Glory", "Skin of Evil", "We'll Always Have Paris", "The Neutral Zone") Dan Curry ("Too Short a Season", "Datalore” – “Angel One", "Home Soil", "Coming of Age", "The Arsenal of Freedom", "Symbiosis", "Conspiracy") Post-Production Supervisor Brooke Breton Set Decorator John Dwyer Make-Up Supervisor Michael Westmore Make-Up Artist Werner Keppler Hair Supervisor/Hair Designer Richard Sabre Hair Stylists Joy Zapata ("Encounter at Farpoint” – “Haven") Carolyn Ferguson ("The Last Outpost” – “Hide and Q", "The Big Goodbye” – “The Neutral Zone") Production Associate Susan Sackett Consulting Senior Illustrator Andrew Probert Illustrator Rick Sternbach Scenic Artist Michael Okuda Set Designers Richard McKenzie ("Encounter at Farpoint” – “Skin of Evil") Louis Mann ("Symbiosis” – “The Neutral Zone") Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Costume Supervisors Janet Stout ("Encounter at Farpoint” – “The Naked Now", "Haven", "Where No One Has Gone Before") Elaine Scheideman ("The Last Outpost” – “11001001") Ed Sunley ("Home Soil” – “The Neutral Zone") Key Costumers Phil Signorelli ("Datalore” – “11001001") David McGough ("When The Bough Breaks", "Coming of Age", "The Arsenal of Freedom", "Skin of Evil", "Conspiracy” – “The Neutral Zone") Richard Butz ("Home Soil", "Heart of Glory", "Skin of Evil", "We'll Always Have Paris") Camera Operator Lowell Peterson ("Encounter at Farpoint") Chief Lighting Technician Richard Cronn First Company Grip Brian Mills Property Masters Joe Longo ("Encounter at Farpoint", "Code of Honor", "Where No One Has Gone Before", "Lonely Among Us", "The Battle", "Datalore", "11001001", "When The Bough Breaks", "Heart of Glory", "Skin of Evil", "We'll Always Have Paris", "The Neutral Zone") Alan Sims ("The Naked Now", "Haven", "The Last Outpost", "Justice", "Hide and Q", "The Big Goodbye", "Angel One", "Home Soil", "Coming of Age", "The Arsenal of Freedom", "Symbiosis", "Conspiracy") Sound Mixer Alan Bernard, C.A.S. ("Encounter at Farpoint” – “The Big Goodbye", "Angel One", "Home Soil” – “The Neutral Zone") (credited as Sound Mixer, C.A.S. from "The Battle" on) Dean Gilmore ("Datalore", "11001001") Music Editors John LaSalandra, S.M.E. ("Encounter at Farpoint” – “Angel One") Gerry Sackman ("11001001", "Home Soil” – “The Neutral Zone") Supervising Sound Editors Bill Wistrom James Wolvington ("Encounter at Farpoint") Sound Editors James Wolvington ("The Naked Now” – “The Neutral Zone") Mace Matiosian ("The Naked Now” – “The Neutral Zone") Wilson Dyer ("Haven” – “The Neutral Zone") Re-Recording Mixers Chris Haire, C.A.S. ("Encounter at Farpoint") Doug Davey, C.A.S. ("Encounter at Farpoint") Jerry Clemans, C.A.S. ("Encounter at Farpoint") Computer Graphics by Prime Computer, Inc. ("Where No One Has Gone Before") Casting Executive Helen Mossler Casting Associate Elisa Goodman ("Skin of Evil” – “The Neutral Zone") Production Coordinator Diane Overdiek Construction Forepersons Steven Monroe ("Encounter at Farpoint") John Clayton ("Encounter at Farpoint") Construction Coordinator Al Smutko ("The Naked Now” – “The Neutral Zone") Transportation Coordinator Stewart Satterfield ("Encounter at Farpoint") Special Visual Effects by Industrial Light and Magic, A Division of Lucasfilm Ltd. Video Optical Effects by The Post Group Special Video Compositing Composite Image Systems Editing Facilities Unitel Video Post Production Sound by Modern Sound, Hollywood, CA Lenses and Panaflex® Cameras by Panavision® Uncredited Patric J. Abaravich – Electrician ("Encounter at Farpoint” – “The Neutral Zone") Barbara Affonso – Model Maker: ILM ("Encounter at Farpoint") Chris Alsop – CGI Artist: The Post Group ("Datalore") Allan A. Apone – parasitic being fabricator: Makeup & Effects Laboratories ("Conspiracy") Tom Barron – Motion Control Supervisor: Image G ("The Naked Now” – “The Neutral Zone") John Beasley – Composer: Additional Score ("Encounter at Farpoint") David Bernard – Sound Cable Person ("Angel One", "Too Short A Season") Keith Bilderbeck – Sound Editor ("11001001") Patricia Blau – Visual Effects Manager: ILM ("Encounter at Farpoint") Cha Blevins – Extra Costumer for Females ("Angel One", "Too Short A Season") Tom Boyd – Musician: Oboe ("The Naked Now", "Code of Honor", "Where No One Has Gone Before", "Heart of Glory", "Skin of Evil", "The Neutral Zone") Edward Brown, Jr. – First Assistant Camera Operator ("Too Short A Season") John Earl Burnett – First Assistant Camera Operator: Additional Photography/VFX Unit ("Encounter at Farpoint” – “The Big Goodybe", "11001001", "When The Bough Breaks", "Heart of Glory", "Skin of Evil” – “We'll Always Have Paris", "The Neutral Zone") Burza – Extra Costumer for Males ("Too Short A Season") Lloyd A. Buswell – Construction Foreman Richard E. Butler – Stunt Coordinator ("Encounter at Farpoint") – Visual Effects Supervisor: ILM ("Encounter at Farpoint") Sean Casey – Model Maker: ILM ("Encounter at Farpoint") Ed Charnock – Painter ("Angel One", "Too Short A Season") Jesse Chavez – Crab Dolly Grip ("Angel One", "Too Short A Season") Ray Clarke – DFX Paint FX Artist: The Post Group Jerry Clemans – Sound Mixer ("Where No One Has Gone Before") Bill Concannon – Model Maker: ILM ("Encounter at Farpoint") Armando Contreras – 2nd Grip ("Too Short A Season") Erik Cord – Stunt Coordinator ("Encounter at Farpoint", "Conspiracy") Chuck Courtney – Stunt Coordinator ("Datalore") James Crawford – Set Security ("Angel One", "Too Short A Season") Kerrie Cullen – Stunt Coordinator ("The Last Outpost") Doug Davey – Sound Mixer ("Where No One Has Gone Before") Helen Davis – Quantel Harry Artist: The Post Group Demuth – Extra Costumer for Males ("Angel One") Syd Dutton – Matte Artist ("Code of Honor", "Angel One", "Home Soil") Huey Duval – Swing Gang ("Angel One", "Too Short A Season") Evangelatos – Craft Service ("Angel One", "Too Short A Season") John E. Ferraro – Development Executive ("Encounter at Farpoint")/Production Executive ("The Naked Now” – “The Neutral Zone") Marian Fife – Studio Teacher ("Angel One", "Too Short A Season") Sandy Fries – Story Editor ("Angel One", "Too Short A Season") Hala Gabriel – Production Accountant Gage – Extra Grip ("Angel One", "Too Short A Season") Steve Gawley – Supervising Model Maker: ILM ("Encounter at Farpoint") Bill George – Model Maker: ILM ("Encounter at Farpoint") Ray Gilberti – Assistant Lighting Camera Operator: ILM ("Encounter at Farpoint") Ken Gildin – Assistant to Writers and Producers ("Encounter at Farpoint” – “The Neutral Zone") David Ginsberg – Executive Producer: Rick Zettner & Associates, Inc. Adam Glick – Lamp Operator ("Angel One", "Too Short A Season") Chris Haire – Sound Mixer ("Where No One Has Gone Before") Christine Heinz – Extra Costumer ("Angel One") Gail Helm – Casting Assistant Robert Hill – Assistant Camera Operator: ILM ("Encounter at Farpoint") Dennis Hoerter – Motion Control Technician: Image G ("The Naked Now” – “The Neutral Zone") Gary Hutzel – Visual Effects Coordinator Nancy J. Hvasta Leonardi – Makeup Artist ("Encounter at Farpoint” – “The Neutral Zone") Gregory Jein – Model Maker: ILM ("Encounter at Farpoint")/Greg Jein, Inc. ("The Last Outpost” – “The Neutral Zone") Brenda Kalosh – 2nd Second Assistant Director ("The Naked Now” – “Lonely Among Us", "Haven") Alan Kaminsky – Driver Generator Operator ("Encounter at Farpoint” – “The Neutral Zone") Stan Kellam – Visual Effects Editor: The Post Group Rolf John Keppler – Make-Up Artist ("Coming of Age") Arthur Klein – Editor John Knoll – Enterprise warp effects artist: ILM ("Encounter at Farpoint") Les Landau – Director ("Code of Honor") Kenneth A. Larson – Special Effects Technician ("Encounter at Farpoint") Stephen Lebed – Model Maker ("Conspiracy") Norman Ludwin – Musician: Bass ("Encounter at Farpoint” – “The Neutral Zone") Greg Luntzel – Second Assistant Camera Operator ("Angel One", "Too Short A Season") Jill MacKay – Jewelry Designer Jeff Mann – Model Shop Supervisor: ILM ("Encounter at Farpoint") Elaine Maser – Costumer: Women ("Angel One", "Too Short A Season") – Assistant Property Master ("Encounter at Farpoint” – “The Neutral Zone") McKane – Lamp Operator ("Angel One", "Too Short A Season") Kim McLaren – First Assistant Accountant Betty Mcneeley – Production Secretary ("Encounter at Farpoint” – “The Neutral Zone") Edward K. Milkis – Producer ("Encounter at Farpoint") Mills – Extra Grip ("Angel One", "Too Short A Season") John Moio – Stunt Coordinator ("The Arsenal of Freedom") Ron B. Moore – Visual Effects Coordinator Arthur Morton – Orchestrator ("Encounter at Farpoint") Lisa Morton – Model Maker: Greg Jein, Inc. ("The Last Outpost") Peter W. Moyer – Visual Effects Editor: The Post Group (2 episodes) Steve Neill – Makeup Artist ("Encounter at Farpoint") Michael Olague – Visual Effects Technician: ILM ("Encounter at Farpoint") Ease Owyeung – Lead Model Maker: ILM ("Encounter at Farpoint") Greg Papalia – Set Designer ("Encounter at Farpoint") Dean Parks – Set Designer ("Encounter at Farpoint") Lowell Peterson – Camera Operator ("The Naked Now” – “The Neutral Zone") Steve Price – Quantel Harry Artist: The Post Group Gerald Quist – Sculptor ("Skin Of Evil"), Make-Up Artist ("Coming of Age", "Conspiracy") Fred Raimondi – Visual Effects Compositor ("11001001” – “The Neutral Zone") Maricella Ramirez – Key First Assistant Camera Operator ("Encounter at Farpoint” – “Lonely Among Us", "Hide and Q") Ed Reilly – Assistant Chief Lighting Technician ("Angel One", "Too Short A Season") Malcolm "Mel" Rennings – Mike Operator ("Angel One", "Too Short A Season") Gene Roddenberry – Creator Rory Romero – DGA Trainee ("Angel One", "Too Short A Season") Stewart Satterfield – Transportation Coordinator ("The Naked Now" – "The Neutral Zone") Schiavone – Extra Grip ("Angel One") Scott Schneider – Model Maker: Greg Jein, Inc. Schultz – Lamp Operator ("Angel One", "Too Short A Season") Wesley Seeds – Model Maker: ILM ("Encounter at Farpoint") Charles Sertin – Swing Gang ("Angel One", "Too Short A Season") Phil Signorelli – Costumer for Males ("Too Short A Season") Bruce A. Simon – First Assistant Director ("Encounter at Farpoint") Alan Sims – Property Master ("Too Short A Season") Eric Stillwell – Production Assistant ("The Big Goodbye” – “The Neutral Zone") David Stipes – Stop Motion Control Artist ("Conspiracy") Greg R. Stone – Special Effects Technician ("The Naked Now", "Lonely Among Us", "The Battle", "Haven", "Datalore", "11001001", "When The Bough Breaks", "Coming of Age", "The Arsenal of Freedom", "Skin of Evil", "Conspiracy") Janet Strnad – Script Coordinator Babu Subramaniam – First Assistant Director ("Code of Honor") Barton M. Susman – Art Department Lead Person ("Angel One", "Too Short A Season") Pat Sweeney – Visual Effects Director of Photography: ILM ("Encounter at Farpoint") Wes Takahashi – Opening Title Sequence Animator: ILM David Takemura – Pre-Production Associate/Post Production Assistant (Visual Effects Associate) Larry Tan – Model Maker: ILM ("Encounter at Farpoint") James Thatcher – Musician: French Horn ("The Big Goodbye", "11001001", "Conspiracy") Rich Thorne – Chief Operating Officer: The Post Group Monte Thrasher – Designer & Illustrator Romulan insignia and Romulan language Tony L. Torino – VFX Motion Control Director: The Post Group Tracy Tormé – Executive Story Editor ("Encounter at Farpoint” – “Coming of Age") Elaina M. Vescio – Set Security ("Angel One", "Too Short A Season") Jana Wallace – Secretary to Gene Roddenberry/Script typist Howie Weed – Model Maker: ILM ("Encounter at Farpoint") Michael Westmore, Jr. – Prosthetic Electronics ("Datalore") Dana White – Pre-Production Associate Ray Wilbar – First Assistant Camera Operator ("Angel One", "Too Short A Season") Glenn R. Wilder – Stunt Coordinator ("Code of Honor") Murphy Wiltz – Lamp Operator ("Angel One", "Too Short A Season") Unknown – Stunt Coordinator ("Lonely Among Us", "Justice” – “Hide and Q", "The Big Goodbye", "Too Short A Season", "Home Soil", "Heart of Glory", "Skin Of Evil” – “Conspiracy") Production companies Central Casting – Extras Casting Greg Jein, Inc. – Models, miniatures and props ("The Last Outpost" – "The Neutral Zone") Image G – Motion Control Photography ("The Naked Now" – "The Neutral Zone") Makeup & Effects Laboratories – Fabricator: parasitic beings ("Conspiracy") Rick Zettner & Associates, Inc. – Production company: Transporter Effects See also TNG Season 1 performers TNG Season 1 UK VHS TNG Season 1 US VHS TNG Season 1 DVD TNG Season 1 Blu-ray cs:První sezóna TNG de:TNG Staffel 1 fr:TNG Saison 1 it:TNG Stagione 1 nl:TNG Seizoen 1 sr:СГ: Сезона 1 sv:TNG, säsong 1 Star Trek seasons
1634	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 2	Episodes Summary Season 2 saw the departure of Dr. Beverly Crusher to head Starfleet Medical and her subsequent replacement by Dr. Katherine Pulaski. A number of stories focus on the development of Data, introducing him to his "grandfather," revealing his interest in Sherlock Holmes, determining his status as a living being, and revealing to him the moral implications of the Prime Directive. He also clashes several times with Dr. Pulaski, who does not initially regard him as a living being. Commander William T. Riker is also a focus of this season, settling his differences with his estranged father, deciding to give up an offer for his own ship to command so that he can remain on the , becoming the first Starfleet officer to serve on a Klingon vessel, and nearly dying after becoming infected by a deadly alien parasite. Lieutenant junior grade Worf becomes Chief of security and meets his mate, K'Ehleyr, and their son, Alexander, is conceived. Geordi La Forge is promoted to full Lieutenant and becomes Chief Engineer. Miles O'Brien is assigned as Transporter chief. Guinan comes on board the Enterprise-D to serve as bartender in Ten Forward, and significantly, Q introduces the crew of the Enterprise-D to the Borg, their most dangerous adversary yet. Background information Production Due to the Writers Guild of America Strike in 1988, Season 2 only contained 22 episodes, rather than the usual 26 episodes. The season premiere, , aired initially in late , and the script was adapted from one of the scripts for the aborted Star Trek: Phase II due to the strike. The season began with Patrick Stewart hosting The Star Trek Saga: From One Generation To The Next which filled two hours left absent by the abridged season. The special was the first time that was aired on television. Showrunner Maurice Hurley planned to introduce the new villains, the Borg, in a cliffhanger which began in the first season finale, , with the Romulans having their bases destroyed by an unknown force, and concluding in the second season premiere. However, the strike prevented this from happening, and introduction of the Borg was postponed until much later in the season, in . Additionally, as a result of budget overruns in earlier episodes, the finale episode was required by Paramount to have a three-day shoot to recover costs. As a result, the episode was written as a "clip show", and was composed chiefly of clips from the previous 47 episodes. (Captains' Logs: The Unauthorized Complete Trek Voyages) was filmed and released during the run of this season. It was the first time a Star Trek feature film was shot simultaneously with a television series on adjoining sound stages. The same was true of every subsequent Star Trek film up to and including . During the second season, Michael Dorn, Lorine Mendell, James G. Becker, and Dexter Clay reprised their Trek roles for the series finale of the Paramount Pictures television series , titled "Webtrek". In the episode, Webster, played by , was transported aboard the Enterprise-D through his video game joystick, which was fixed by the Enterprise-D crew at the end of the episode. Cast and characters In the second season, Lieutenant, J.G. Worf serves as permanent chief security officer, begins wearing a gold uniform, and transfers from Emergency Manual Override aft bridge station to the tactical station. His rank is still Lieutenant Junior Grade and he will not be promoted to full Lieutenant until the beginning of Season 3. Actor Michael Dorn now has a different prosthetic forehead and different sash as part of his costume for Worf. Also, La Forge is promoted to full Lieutenant and chief engineer during the break between Seasons 1 and 2 and begins wearing a gold uniform in "The Child". The Ten Forward set appears with Whoopi Goldberg in the recurring role of Guinan; Riker starts wearing a beard; also, during this season, Diana Muldaur as Dr. Katherine Pulaski replaces Gates McFadden as Dr. Beverly Crusher. Out of all seven seasons of The Next Generation, this is the only one in which Gates McFadden does not appear, other than through "flashback" footage from Season 1 in . Guest star Diana Muldaur is generally considered a regular cast member, as her character appears in all but two episodes and otherwise fulfills the role of a main character. The actress was offered a place in the opening credit sequence, but declined and was listed instead as a Special Guest star. () During the hiatus between the first two seasons, which was longer than a usual hiatus due to the writer's strike, Jonathan Frakes grew a beard, mainly because he dislikes shaving. According to the Trek: The Next Generation Crew Book, Gene Roddenberry liked it – Frakes recalled at a convention that Roddenberry said it had an appropriately "nautical" look – and the beard became a permanent part of Riker's character. The executives had some reservations, however. According to Frakes, they told him to shave off "eighteen percent" of the beard." The only explanation behind a number of such bizarre precision is that each executive chose a percentage (ten, twenty, twenty-five, etc.) and the average number was chosen. Frakes would not be seen beardless again until , though he was seen wearing only a circle beard or moutee, a type of , in while playing Thomas Riker and would have has beard regrown for . "Growing the Beard" has since become a term for when a show turns "good," a reverse of "Jumping the Shark," in reference to this. No characters from the original Star Trek "crossover" to The Next Generation in this season. Settings The Enterprise bridge set was modified for the second season. The access panels in the port and starboard sections were changed from wood to beige fabric. These panels would then be changed to grey fabric on Season 3. In addition, all three of the command chairs were replaced with new versions. Picard's new chair had the panels on the armrests permanently opened, and the two additional small seats added on the sides of Riker's and Troi's chairs were removed, in favor of a transparent bench. The conn and ops station chairs are replaced with new swiveling chairs. Some of the aft computer terminals were reassigned. Worf's previous station "Emergency Manual Override" and "Environment" are now maintained under the names "Mission Operations" and "Engineering." A new sickbay set was constructed featuring portions of the set from the first season combined with a new intensive care ward, freeing up the portion of the set that also doubled as the observation lounge. The Ten Forward lounge makes its debut this season, being the last TNG set designed by Herman Zimmerman before he left for Star Trek V. He was replaced by Richard James. The observation lounge got two big viewscreens installed on the walls. Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Geordi La Forge ("The Child" – "Unnatural Selection", "The Measure Of A Man" – "Up The Long Ladder", "The Emissary" – "Shades of Gray") Michael Dorn as Lieutenant junior grade Worf ("The Child" – "Peak Performance") Marina Sirtis as Counselor Deanna Troi ("The Child" – "Unnatural Selection", "The Measure Of A Man" – "Shades of Gray") Brent Spiner as Lieutenant Commander Data Wil Wheaton as Acting Ensign Wesley Crusher ("The Child" – "Where Silence Has Lease", "The Outrageous Okona" – "The Royale", "The Icarus Factor" – "Samaritan Snare", "Manhunt" – "Peak Performance") Crew Creator Gene Roddenberry Line Producer David Livingston Producers Burton Armus ("The Child" – "Time Squared") John Mason ("The Child" – "Time Squared") Mike Gray ("The Child" – "Time Squared") Robert L. McCullough ("Time Squared" – "Shades of Gray") Co-Executive Producers Maurice Hurley Rick Berman Executive Producer Gene Roddenberry Associate Producer Peter Lauritson Executive Script Consultants Hans Beimler ("Pen Pals" – "Shades of Gray") Richard Manning ("Pen Pals" – "Shades of Gray") Story Editors Leonard Mlodinow ("The Outrageous Okona" – "The Royale") Scott Rubenstein ("The Outrageous Okona" – "The Royale") Melinda M. Snodgrass ("The Measure Of A Man" – "Shades of Gray") Creative Consultant Tracy Tormé (credited as Tracy Torme on the first three episodes) Casting by Junie Lowry Music by Dennis McCarthy ("The Child", "Elementary, Dear Data", "The Schizoid Man" – "Unnatural Selection", "The Measure Of A Man" – "Contagion", "Time Squared", "Pen Pals", "Samaritan Snare", "Manhunt", "Peak Performance") Ron Jones ("Where Silence Has Lease", "The Outrageous Okona" – "Loud As A Whisper", A Matter Of Honor", "The Royale", "The Icarus Factor", "Q Who", "Up The Long Ladder", "The Emissary", "Shades of Gray") Main Title Theme by Jerry Goldsmith Alexander Courage Director of Photography Edward R. Brown, A.S.C. Production Designer Richard D. James Editors Tom Benko ("The Child", "The Outrageous Okona", "Unnatural Selection", "The Dauphin", "Time Squared", "Manhunt", "Shades of Gray") William Hoy ("Where Silence Has Lease", "The Schizoid Man", "A Matter Of Honor", "Contagion") Bob Lederman ("Elementary, Dear Data", "Loud As A Whisper", "The Measure Of A Man", "The Royale", "Pen Pals", Up The Long Ladder", "Peak Performance") Jon Koslowsky ("The Icarus Factor", "Samaritan Snare", "The Emissary") Monty De Graff ("Q Who") Unit Production Manager Sam Freedle First Assistant Directors Les Landau ("The Child", "Elementary, Dear Data") Merri D. Howard ("Where Silence Has Lease", "The Outrageous Okona" – "Loud As A Whisper", "A Matter Of Honor", "The Dauphin", "The Royale", "The Icarus Factor", "Q Who", "Up The Long Ladder", "The Emissary", "Shades of Gray") Robert J. Metoyer ("The Schizoid Man" – "Unnatural Selection", "The Measure Of A Man", "Contagion", "Time Squared", "PenPals", "Samaritan Snare", "Manhunt", "Peak Performance") Second Assistant Directors Robert J. Metoyer ("The Child" – "Elementary, Dear Data") Adele G. Simmons ("The Outrageous Okona" – "Shades of Gray") Costume Designer Durinda Rice Wood Starfleet Uniforms Created by William Ware Theiss Original Set Design Herman Zimmerman Visual Effects Supervisors Robert Legato ("The Child", "Elementary, Dear Data", "The Schizoid Man" – "Unnatural Selection", "The Measure Of A Man", "Contagion", "Time Squared", "Pen Pals", "Samaritan Snare", "Peak Performance") Dan Curry ("Where Silence Has Lease", "The Outrageous Okona" – "Loud As A Whisper", "A Matter Of Honor", "The Dauphin", "The Royale", "The Icarus Factor", "Q Who", "Up The Long Ladder", "The Emissary", "Shades of Gray") Visual Effects Coordinator Gary Hutzel ("Manhunt") Post Production Supervisor Wendy Neuss Set Decorator Jim Mees Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Master Joe Longo ("The Child", "Elementary, Dear Data", "The Schizoid Man", "Unnatural Selection", "The Measure Of A Man", "Contagion", "Time Squared", "Pen Pals", "Samaritan Snare", "Manhunt", "Peak Performance") Alan Sims ("Where Silence Has Lease", "The Outrageous Okona", "Loud As A Whisper", "A Matter Of Honor", "The Dauphin", "The Royale", "The Icarus Factor", "Q Who", "Up The Long Ladder", "The Emissary", "Shades of Gray") Make-Up Supervisor Michael Westmore Make-Up Artists Gerald Quist Sue Forrest-Chambers ("The Child" – "Unnatural Selection") Janna Phillips ("A Matter Of Honor" – "Shades of Gray") Hair Designer Richard Sabre Hair Stylists Carolyn Ferguson ("The Child" – "Loud As A Whisper") Georgina Williams ("Unnatural Selection" – "The Measure Of A Man", "The Royale" – "Shades of Gray") Shirley Crawford ("The Dauphin") Production Associate Susan Sackett Senior Illustrator Rick Sternbach Scenic Artist Michael Okuda Set Designer Richard McKenzie Construction Coordinator Al Smutko Sound Mixer Alan Bernard, C.A.S. Chief Lighting Technician Richard Cronn First Company Grip Brian Mills Costume Supervisor Janet Stout Key Costumer/Costumer Cha Blevins ("The Child", "Elementary, Dear Data" – "Unnatural Selection", "Pen Pals", "Up The Long Ladder") Alison Gail Bixby ("Where Silence Has Lease") Amanda Chamberlin ("A Matter Of Honor", "Contagion", "Time Squared", "Shades of Gray") Charmaine Nash Simmons ("The Measure Of A Man", "The Royale", "The Icarus Factor", "Q Who", "Manhunt") Kimberley J. Thompson ("The Dauphin", "The Emissary") Carol Kunz ("Samaritan Snare", "Peak Performance") Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Sound Editors James Wolvington Mace Matiosian Wilson Dyer Post Production Sound by Modern Sound Casting Executive Helen Mossler Production Coordinator Diane Overdiek Casting Associate Elisa Goodman Researcher Eric A. Stillwell ("Shades of Gray") Computer Monitors by Sony Corp. of America ("The Schizoid Man" – "The Measure Of A Man", "Contagion" – "Shades of Gray") Editing Facilities Unitel Video Lenses and Panaflex ® Cameras by Panavision Special Visual Effects by Industrial Light & Magic, A Division of Lucasfilm, Ltd. Additional Motion Control Facilities Image "G" Video Optical Effects by The Post Group Special Video Compositing Composite Image Systems "Entity" Animation Sequence by Stokes/Kohne Associates, Inc. ("The Child") Uncredited Ackerman – Property Lead Person ("The Schizoid Man") Allan A. Apone – Makeup Artist: Mick Fleetwood ("Manhunt") Burton Armus – Co-writer ("The Icarus Factor") Kim Bailey – Model Maker ("Q Who") Daryl Baskin – Editorial Department ("The Outrageous Okona") Benson – Special Effects Technician ("The Schizoid Man") David Bernard – Sound Cable Person ("The Schizoid Man") Alison Gail Bixby – Set Costumer ("The Schizoid Man") Edward Brown, Jr. – First Assistant Camera Operator ("The Schizoid Man") John Earl Burnett – First Assistant Camera Operator: Additional Photography/VFX Unit ("The Child", "Elementary, Dear Data", "The Schizoid Man" – "Unnatural Selection", "The Measure Of A Man", "Contagion", "Time Squared", "Pen Pals", "Samaritan Snare", "Peak Performance") Lloyd A. Buswell – Construction Foreman Carter – DGA Trainee ("The Schizoid Man") Amanda Chamberlin – Set Costumer ("The Schizoid Man") Jesse Chavez – Crab Dolly Grip ("The Schizoid Man") Ray Clarke – DFX Paint FX Artist: The Post Group Cox – Lamp Operator ("The Schizoid Man") James Crawford – Set Security ("The Schizoid Man") Dan Curry – Matte Artist ("Contagion") Dick D'Angelo – Swing Gang ("The Schizoid Man") Monty De Graff – Editorial Department ("The Outrageous Okona") A. Conan Doyle – Character writer ("Elementary, Dear Data") Syd Dutton – Matte Artist ("Unnatural Selection", "Q Who") Epstein – Special Effects Technician ("The Schizoid Man") Brian Faul – DGA Trainee ("Samaritan Snare") Alfred T. Ferrante – ADR/Foley Mixer ("Time Squared" – "Shades of Gray") Sharyl Fickas – Production Assistant ("The Outrageous Okona") Marian Fife – Studio Teacher ("The Schizoid Man") Wilbur Finks – Swing Gang ("The Schizoid Man") – Costume illustrator: Borg ("Q Who") Hala Gabriel – Production Accountant Adam Glick – Lamp Operator ("The Schizoid Man") David Heilman – Model Maker ("Q Who") Dennis Hoerter – Motion Control Technician ("The Child" – "Shades of Gray") Merri D. Howard – First Assistant Director ("The Schizoid Man") Gary Hutzel – Visual Effects Coordinator ("The Outrageous Okona") Nancy J. Hvasta Leonardi – Makeup Artist ("The Child" – "Shades of Gray") Martin Jedlicka – DGA Trainee ("The Schizoid Man") Gregory Jein – Model Maker ("The Child" – "Shades of Gray") Heidi Julian – Production Assistant ("The Outrageous Okona") Alan Kaminsky – Driver Generator Operator ("The Child" – "Elementary, Dear Data") Stan Kellam – Visual Effects Editor: The Post Group Jon Koslowsky – Editorial Department ("The Outrageous Okona") Gere LaDue – Second Assistant Director ("The Schizoid Man") Stephen Lebed – Model Maker ("A Matter Of Honor") Scott Leva – Stunt Coordinator ("Unnatural Selection") David Le Vey – Costume illustrator: Borg ("Q Who") Scott Luhrsen – Camera and Electrical Department ("Samaritan Snare") Greg Luntzel – Second Assistant Camera Operator ("The Schizoid Man") Jill MacKay – Jewelry Designer Dennis Madalone – Stunt Coordinator ("A Matter Of Honor") Terri Martinez – Production Assistant ("The Outrageous Okona") Gary Maynard – Special Effects Technician: Image "G" McKane – Lamp Operator ("The Schizoid Man") Robert J. Metoyer – Second Assistant Director ("The Schizoid Man") Ronald B. Moore – Visual Effects Coordinator ("The Outrageous Okona") Richard L. Morrison – Re-Recording Mixer ("Q Who") Peter W. Moyer – Visual Effects Editor: The Post Group ("Q Who") John Nesterowicz – Craft Service ("The Schizoid Man") Ernie Over – Assistant to Gene Roddenberry ("The Outrageous Okona") Lowell Peterson – Camera Operator ("The Child" – "Shades of Gray") Steve Price – Visual Effects Animator/Quantel Harry Artist: The Post Group ("The Dauphin", "Q Who") Ed Reilly – Assistant Chief Lighting Technician ("The Schizoid Man") Malcolm "Mel" Rennings – Mike Operator ("The Schizoid Man") Gene Rizzardi – Model Maker ("Q Who") Charlie Russo – Assistant Property Master ("The Schizoid Man") Stewart Satterfield – Transportation Coordinator ("The Schizoid Man") Schiavone – Extra Grip ("The Schizoid Man") Michael Schoenbrun – Production Staff ("The Outrageous Okona") Fernando Sepulveda – Swing Gang ("The Schizoid Man") Charmaine Nash Simmons – Set Costumer ("The Schizoid Man") Nova Spivack – Production Assistant Eric Stillwell – Production Assistant ("The Child" – "Shades of Gray") Greg R. Stone – Special Effects Technician ("Where Silence Has Lease", "The Outrageous Okona", "The Schizoid Man", "A Matter of Honor", "The Dauphin", "The Royale", "The Icarus Factor", "Q Who", "Up The Long Ladder", "The Emissary", "Shades of Gray") George Stuart, Jr. – Painter ("The Schizoid Man") David Takemura – Visual Effects Associate ("The Outrageous Okona") Kimberley J. Thompson – Costumer ("The Schizoid Man") Wil Thoms – Special Effects Technician ("The Schizoid Man") Guy Tsujimoto – Sound Editor ("Q Who") Guy Vardaman – Research Consultant ("The Schizoid Man" – "The Royale", "The Icarus Factor" – "Shades of Gray") Elaina M. Vescio – Set Security ("The Schizoid Man") Jana Wallace – Secretary to Gene Roddenberry/Script typist L.Z. Ward – Set Security Wedow – Second Grip ("The Schizoid Man") Dana White – Pre-Production Associate/Art Department Associate Jack White – Extra Grip ("The Schizoid Man") Murphy Wiltz – Lamp Operator ("The Schizoid Man") Unknown – Stunt Coordinator ("Where Silence Has Lease", "The Schizoid Man", "The Dauphin" – "Samaritan Snare", "The Emissary") Production companies Central Casting – Extras Casting Starlight Effects – Production company created the Borg cube ("Q Who") Remastered crew Jayme Wing – Digital Compositor ("The Emissary", "Peak Performance", "Shades of Gray") See also TNG Season 2 performers TNG Season 2 UK VHS TNG Season 2 US VHS TNG Season 2 DVD TNG Season 2 Blu-ray cs:Druhá sezóna TNG de:TNG Staffel 2 fr:TNG Saison 2 it:TNG Stagione 2 nl:TNG Seizoen 2 sr:СГ: Сезона 2 sv:TNG, säsong 2 Star Trek seasons
1635	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 3	Episodes Summary Season 3 is marked by a string of abductions, with six people being kidnapped, and Captain Picard being abducted no less than three times. Captain Picard is abducted by aliens, takes a vacation which eventually gets him caught up in the search for a weapon from the future, mind melds with the legendary Vulcan Sarek, and is mistaken for a god by a primitive culture. He was again kidnapped with Doctor Crusher by Ansata terrorists. Data was abducted by Kivas Fajo, a collector of rare objects. He also continued to learn about Humanity, and constructed his own daughter, Lal. Worf adopts as his brother a young boy whose mother was killed under his command, and later meets with his real brother as his family is discommended because of the lies of Duras, a storyline which would continue into the next season. Commander Riker, Counselor Troi, and her mother Lwaxana Troi are all abducted by the Ferengi. This season also features a loose story arc involving political tension between the Federation and the Romulan Star Empire, and the latter's attempts to destabilize the Federation-Klingon alliance. This story line continues into season four, and is closely linked to the Worf/Duras story arc. The encounters the which emerges from a time vortex, causing significant alterations to history. This is eventually resolved and removed from everyone's memories, though it had the side effect of creating a duplicate Lieutenant Natasha Yar in the past, who went on to become the mother of Sela before being killed by Romulans. Additionally, Reginald Barclay comes on board the and slowly begins to learn how to become a better officer, and Wesley Crusher is promoted to the rank of full ensign by Captain Picard after successfully discovering the key to rescuing Commander Riker, Counselor Deanna Troi and her mother Lwaxana, at the expense of his own entry into Starfleet Academy. The season ends with the Borg entering Federation space, assimilating Captain Picard, and proceeding on a course to Earth, leaving Riker with the choice of whether or not to attempt to save Captain Picard. Background information Gates McFadden returns to the cast as Doctor Beverly Crusher. Her first episode back is , although would air first. In the first episode of Season 3, La Forge has been promoted from lieutenant to lieutenant commander and Worf from lieutenant j.g. to full lieutenant. Cinematographer Edward R. Brown retires and is replaced by Marvin Rush, who continues to work on Star Trek for the next sixteen years. Rush's preference for a bright, vibrant color scheme (as opposed to the more subdued lighting used by Brown) heavily alters the look of the series from this season onwards. The Starfleet uniforms are redesigned twice. Initially, they are still made of a spandex-like material, but are looser fitting with a raised collar and no striping on the shoulders. Later in the season, the main characters receive uniforms manufactured with wool gabardine. The redesign was to relieve back pain caused by the spandex uniforms. Background extras continue to use the original uniforms until the following season. The type 2 phasers are redesigned by Rick Sternbach. Later in the season, the tricorder props are reconstructed with greater detail by Ed Miarecki. A new four-foot model of the is built by Greg Jein. It makes its debut in . Although it is incapable of saucer separation, it has more surface detail and accurately-lit Ten Forward windows. Head writer Maurice Hurley left after the second season, citing exhaustion from the in-fighting so prevalent among the writing staff in the early seasons. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 171) Michael Wagner initially took over the writing staff, but stepped down after only four episodes. According to regular director Cliff Bole, "I just don't think it was his cup of tea as far as the way the show worked, and the way Rick and everybody knows the show so well that they all rely on each other. Input even comes in from the technical guys, who have almost been in space. I just don't think it was the way he'd been operating in other places." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 183) Wagner was in turn replaced by Michael Piller, who had impressed Berman and Gene Roddenberry with the script for . () This is the first season to conclude with a cliffhanger: . From here on out, every season begins with the conclusion to the previous season's cliffhanger episode, and ends with another cliffhanger, with the exception of the final season, which concludes with the series finale, Beginning this season, a new opening credits sequence is used. Previously, the credits featured a departure from Earth through the Terran solar system. From this season on, however, the credits feature various exotic stellar phenomena, beginning with the trademark blue nebula. Later, as the shot pans through a star system, the ringed planet shown is clearly not Saturn, as its surface appears to be rocky with what seem to be lava formations on the night side. The rings of the planet mask a visual inconsistency with the star fields between the new footage and the edit to the original shots of the ship from the Season 1 and 2 intro sequence. Jonathan Frakes makes his directorial debut, becoming the first of many Star Trek cast members to direct an episode. His first episode as director was . (He was not the first Star Trek performer to direct an episode, however, as TOS guest star Richard Compton had directed the episode in the first season, and original cast members Leonard Nimoy and William Shatner had previously directed Star Trek films). Mark Lenard's appearance as Sarek in the eponymous episode marked the second occasion in which a character from crossed over to The Next Generation. Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Commander Geordi La Forge ("Evolution” – “Allegiance", "Tin Man” – “The Best of Both Worlds") Michael Dorn as Lieutenant Worf Gates McFadden as Doctor Beverly Crusher Marina Sirtis as Counselor Deanna Troi Brent Spiner as Lieutenant Commander Data Wil Wheaton as Acting Ensign/ Ensign Wesley Crusher ("Evolution” – “The Survivors", "The Bonding” – “The Vengeance Factor", "The Hunted” – “The High Ground", "A Matter of Perspective” – “Allegiance", "Tin Man” – “The Best of Both Worlds") Crew Creator Gene Roddenberry Line Producer David Livingston Co-Producers Hans Beimler Richard Manning Peter Lauritson Producer Ira Steven Behr ("The Vengeance Factor” – “The Best of Both Worlds") Co-Executive Producer Michael Piller ("The Bonding” – “The Best of Both Worlds") Executive Producers Rick Berman Gene Roddenberry Executive Script Consultant Melinda M. Snodgrass ("Evolution” – “Ménage à Troi") Executive Story Editor Richard Danus ("Booby Trap” – “Deja Q") Story Editor Ronald D. Moore ("Sins of The Father” – “The Best of Both Worlds") Casting by Junie Lowry Music by Ron Jones ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Ménage à Troi", "The Best of Both Worlds") Dennis McCarthy ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits” – “Sarek", "Transfigurations") Jay Chattaway ("Tin Man") Main Title Theme by Jerry Goldsmith Alexander Courage Director of Photography Marvin Rush Production Designer Richard D. James Editors J.P. Farrell ("Evolution", "The Bonding", "The Price", "The Hunted", "A Matter of Perspective", "Sins of The Father", "Tin Man", "The Best of Both Worlds") Bob Lederman ("The Ensigns of Command", "Who Watches The Watchers", "The Enemy", "The Defector", "Deja Q", "The Offspring", "Captain's Holiday", "The Most Toys", "Transfigurations") Tom Benko, A.C.E. ("The Survivors", "Booby Trap", "The Vengeance Factor", "The High Ground", "Yesterday's Enterprise", "Allegiance", "Hollow Pursuits") (received credit as A.C.E. from "Allegiance" on) Daryl S. Baskin ("Sarek") Howard S. Deane, A.C.E. ("Ménage à Troi") Unit Production Manager Merri D. Howard First Assistant Directors Chip Chalmers ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "The Most Toys", "Ménage à Troi", "The Best of Both Worlds") Brad Yacobian ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek", "Transfigurations") Adele G. Simmons ("A Matter of Perspective") Bruce Alan Solow ("Allegiance", "Tin Man") (credited as Bruce Allen Solow in "Tin Man") Second Assistant Directors Adele G. Simmons ("Evolution” – “Deja Q", "Yesterday's Enterprise” – “The Best of Both Worlds") Jeff Cline ("A Matter of Perspective") Costume Designer Robert Blackman (credited as Bob Blackman until "Who Watches The Watchers") Original Starfleet Uniforms / Starfleet Uniforms Created By William Ware Theiss Visual Effects Supervisors Rob Legato ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "Ménage à Troi", "The Best of Both Worlds") (credited as Robert Legato from "Ménage à Troi" on) Dan Curry ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Sarek", "Transfigurations") Ron Moore ("Hollow Pursuits") Gary Hutzel ("The Most Toys") Post Production Supervisor Wendy Neuss Original Set Design Herman Zimmerman Make-Up Supervisor Michael Westmore Set Decorators Tom Pedigo ("Evolution” – “The Enemy") Jim Mees ("The Price” – “The Best of Both Worlds") Senior Illustrator/ Technical Consultant Rick Sternbach (credited only as Senior Illustrator until "Allegiance") Scenic Art Supervisor/ Technical Consultant Michael Okuda (credited only as Scenic Art Supervisor until "Allegiance") Set Designer Gary Speckman Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Masters Alan Sims ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "The Most Toys", "Ménage à Troi", "The Best of Both Worlds") Joe Longo ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek", "Transfigurations") Construction Coordinator Al Smutko Hair Designer Vivian McAteer Hair Stylists Barbara Lampson ("Evolution” – “The Defector", "The High Ground", "A Matter of Perspective", "The Offspring” – “The Best of Both Worlds") Tim Jones ("The Hunted", "Deja Q") Rita Bordonaro ("Yesterday's Enterprise") Make-Up Artists Gerald Quist ("Evolution” – “Transfigurations") June Abston Haymore Hank Edds, S.M.A. ("The Best of Both Worlds") Production Associate Susan Sackett Visual Effects Coordinators Gary Hutzel ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "Ménage à Troi", "The Best of Both Worlds") Ron Moore ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Sarek", "Transfigurations") Production Coordinator Diane Overdiek Post Production Associates Terri Martinez ("The Survivors” – “The Best of Both Worlds") Heidi Julian ("Deja Q” – “The Best of Both Worlds") Wendy Rosenfeld ("Deja Q” – “The Best of Both Worlds") Assistants to the Producers Terri Martinez ("Evolution” – “The Ensigns of Command") Carol Eisner ("Evolution” – “The Ensigns of Command") Sound Mixer Alan Bernard, C.A.S. Chief Lighting Technician Buddy Bowles First Company Grip Bob Sordal Costumers Kimberley Thompson ("Evolution", "The Bonding", "The Price", "The Hunted", "A Matter of Perspective", "Sins of The Father", "Tin Man", "Sarek", "The Best of Both Worlds") (credited as Kimberly Thompson in "The Bonding", "The Price", "Sins of The Father", and "Sarek") David Velasquez ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "Transfigurations") Camille Argus ("The Ensigns of Command", "Who Watches The Watchers", "Booby Trap", "The Vengeance Factor", "The High Ground", "Yesterday's Enterprise", "Allegiance", "Hollow Pursuits", "Ménage à Troi") Amanda Chamberlin ("The Ensigns of Command” – “The Survivors", "The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted", "Deja Q", "Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits", "Sarek") Kris Jorgensen ("The Survivors", "The Enemy", "The Defector", "Deja Q", "The Offspring", "Captain's Holiday", "The Most Toys", "Transfigurations") (credited as Chris Jorgensen in "Deja Q") David Page ("A Matter of Perspective", "The Offspring", "Allegiance", "Tin Man", "The Most Toys", "Ménage à Troi") Norma Johnson ("The Best of Both Worlds") Visual Effects Associate David Takemura ("Deja Q” – “The Best of Both Worlds") Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Sound Editors James Wolvington Mace Matiosian Wilson Dyer Post Production Sound By Modern Sound Pre-Production Associate Eric A. Stillwell ("Deja Q” – “The Best of Both Worlds") Casting Executive Helen Mossler Stunt Coordinator Dennis Madalone ("Evolution” – “The Bonding", "The Enemy", "The Vengeance Factor", "The Hunted” – “Yesterday's Enterprise", "Sins of The Father", "Captain's Holiday", "Hollow Pursuits” – “Sarek", "Transfigurations” – “The Best of Both Worlds") Assistant Scenic Artist Cari Thomas Art Studio Paintings By Elaine Sokoloff ("A Matter of Perspective") Research Consultant Richard Arnold Computer Monitors By Sony Corp. of America ("Evolution” – “The Ensigns of Command", "Booby Trap", "The Price” – “Sins of The Father", "Tin Man” – “The Most Toys", "Ménage à Troi” – “The Best of Both Worlds") Lenses and Panaflex ® Cameras By Panavision ® Special Visual Effects By Industrial Light & Magic, A Division of Lucasfilm, Ltd. Additional Motion Control Facilities Image "G" Video Optical Effects By The Post Group Special Video Compositing Composite Image Systems Editing Facilities Unitel Video Uncredited Dave Archer – Artwork Provider: Paintings ("Booby Trap", "The Vengeance Factor", "The Defector", "The Offspring", "Sins of the Father", "Tin Man", "Sarek") Rita Bellissimo – Hair Stylist ("Hollow Pursuits") Steve Burg – Model Maker: Promellian battle cruiser ("Booby Trap") John Earl Burnett – First Assistant Camera Operator: Additional Photography/VFX Unit ("Evolution", "Who Watches The Watchers", "Booby Trap", "The Price") Lloyd A. Buswell – Construction Foreman John Caglione, Jr. – Makeup Artist ("Allegiance") Joe Chess – "A" Camera Operator Jerri Churchill – DGA Trainee ("Tin Man” – “Transfigurations") Ray Clarke – DFX Paint FX Artist: The Post Group Doug Davey – Re-Recording Mixer ("Yesterday's Enterprise") Thomas F. Denove – 2nd Unit Director of Photography ("The Ensigns of Command") Doug Drexler – Makeup Artist ("A Matter Of Perspective"); Special Effects Make-Up Artist ("Allegiance") Syd Dutton – Matte Artist ("The Ensigns of Command", "Sins of The Father", "The Best of Both Worlds") Hank Edds – Makeup Artist ("Allegiance") Alfred T. Ferrante – ADR/ Foley Mixer Carl Fortina – Orchestra Contractor Donald S. Foster – Set Dresser Rick Freeman – Sound Editor ("Yesterday's Enterprise") Hala Gabriel – Accountant Shari Goodhartz – Writing Staff Intern ("Allegiance” – “The Best of Both Worlds") Don Greenberg – Lead Compositor/ Visual Effects Editor: The Post Group ("Tin Man", "The Best of Both Worlds") Chris Haire – Re-Recording Mixer ("Yesterday's Enterprise") Joseph Hodges – Set Designer: Zibalian escape pod ("The Most Toys") Dennis Hoerter – Motion Control Technician ("Evolution” – “The Best of Both Worlds") Nancy J. Hvasta Leonardi – Makeup Artist ("Evolution” – “The Best of Both Worlds") Gregory Jein – Model Maker Stan Kellam – Visual Effects Editor: The Post Group Kristina Kochoff – Production Assistant David Krieger – Scientific Technical Advisor Don Lee – Visual Effects Editor ("Deja Q", "Tin Man", "The Best of Both Worlds") Peter Levin – Whale Sound Specialist ("Tin Man") Jill MacKay – Jewelry Designer Gary Maynard – Special Effects Technician: Image "G" Tony Meininger – Model Maker: Delta Rana warship ("The Survivors") Ed Miarecki – Prop Maker Richard L. Morrison – Re-Recording Mixer ("Yesterday's Enterprise") Peter Moyer – Visual Effects Editor: The Post Group ("Deja Q") Erik Nash – Motion Control Supervisor ("Tin Man"); Motion Control Camera Operator ("The Best of Both Worlds") Frank Orsatti – Stunt Coordinator ("A Matter of Perspective") Ernie Over – Assistant to Gene Roddenberry Michael Piller – Teleplay ("Yesterday's Enterprise") Steve Price – Quantel Harry Artist: The Post Group ("Deja Q"); Visual Effects Animator ("Tin Man"); Visual Effects Animation Designer ("The Best of Both Worlds") Maricella Ramirez – Key First Assistant Camera Operator Joseph Smith – Orchestrator Elaine Sokoloff – Scenic and Graphic Artist ("The High Ground", "The Most Toys") Armin Steiner – Music Scoring Mixer Eric Stillwell – Script Coordinator ("Booby Trap") Greg R. Stone – Special Effects Technician ("The Ensign of Command", "Who Watches The Watchers", "Booby Trap", "The Price", "The Defector", "The High Ground", "A Matter of Perspective", "The Offspring", "Allegiance", "The Most Toys") Robert Stromberg – Matte Artist ("The Best of Both Worlds") Bill Taylor – Matte Cameraperson ("The Best of Both Worlds") Ron Thornton – Model Maker: Promellian battle cruiser ("Booby Trap") Jerry Trent – Foley Artist ("Allegiance") Guy Vardaman – Research Consultant ("Evolution” – “The Defector") Elaina M. Vescio – Set Security Michael Wagner – Co-Executive Producer ("Evolution” – “Who Watches The Watchers") Jana Wallace – Secretary to Gene Roddenberry/Script typist Ron Walters – Makeup Artist ("Allegiance") L.Z. Ward – Set Security Michael Westmore, Jr. – Prosthetic Electronics ("The Offspring", "The Best of Both Worlds") Dana White – Art Department Associate / Model Maker: Gregory Jein, Inc. Lisa Putman White – Co-Writer ("Tin Man") Beth Woods – Additional Story Material ("Sins of the Father") Production companies Central Casting – Extras Casting See also TNG Season 3 performers TNG Season 3 UK VHS TNG Season 3 US VHS TNG Season 3 DVD TNG Season 3 Blu-ray cs:Třetí sezóna TNG de:TNG Staffel 3 fr:TNG Saison 3 it:TNG Stagione 3 nl:TNG Seizoen 3 sr:СГ: Сезона 3 sv:TNG, säsong 3 Star Trek seasons
1636	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 4	Episodes Summary Season 4 of TNG saw the show embracing the notion of serialized storylines. A recurring theme throughout the season is the notion of a brewing Duras-Romulan plot against the Federation, coupled with Worf's effort to reclaim his family honor. Both storylines were introduced in TNG Season 3's . Worf's discommendation is a major theme in and , while his dishonor and the Duras-Romulan plot take center stage in the episodes , , and . A second recurring storyline in the season is the growth of Miles O'Brien as a character. His first and middle name are revealed in , he marries in , his past is revealed in , and his marriage is explored in . Following cliffhanger, Season 4 was also known as the soft family-themed season. Indeed, the first post-Borg episode deals with Picard and Worf's family, the second with Data's. Worf's son Alexander appears later in the season, as does Tasha Yar's sister Ishara, and the Enterprise encounters an infant alien space entity. Background information This season marks the 100th episode of The Next Generation with the episode . Gene Roddenberry and the cast and crew celebrated this event with a cake and were interviewed by . ("Celebrating 100 Episodes", TNG Season 4 DVD special feature) This season also marks the 80th episode, , passing the 79 episodes run of . Filming for the sixth feature film started during the production of the last episode of the season in , . Veteran television writer Lee Sheldon was a producer for the first eight episodes of this season. He also wrote the episode . This season marks the departure of regular cast member Wil Wheaton, with being his last episode. Wheaton later returns for the episodes , , , and . Denise Crosby returned to The Next Generation playing Sela, the Romulan- Human daughter of Crosby's main character Tasha Yar. Following the departure of Richard Manning and Hans Beimler as co-producers, Jeri Taylor joined the crew as supervising producer and also wrote several episodes. She was asked to join the staff after rewriting the episode . Joe Menosky and Ronald D. Moore worked together as executive story editors and Brannon Braga worked as writing staff intern, although uncredited. Andy Neskoromny also joined the staff as assistant art director and chief lighting technician Buddy Bowles was replaced by William Peets after the first four episodes. Following Vivian McAteer's departure, Yolanda Toussieng was hired as hair designer and sound editor Mace Matiosian was replaced by Dan Yale. Dennis Tracy replaced Jeffrey Deacon as stand-in for Patrick Stewart. Patrick Stewart, cinematographer Marvin Rush, and producer David Livingston made their directorial debut in this season. Michael Piller explained the change to a more emotional storyline and the decision to have more episodes feature the familial connections with "You cannot kill the regulars and the audience knows it. But you can wound them." ("Mission Overview Year Four", TNG Season 4 DVD special feature) The episode is the first episode of The Next Generation not having any scenes on the bridge of the Enterprise-D. (Two episodes from the seventh season, and would also be bridge-less.) Main cast member Gates McFadden became pregnant during this season and learned about her pregnancy shortly after filming her stunts for the episode . ("Inside the Star Trek Archives – Cast Member Hides Pregnancy", TNG Season 4 DVD special feature) Gates McFadden explained about the scenes between herself and guest actress Nicole Orth-Pallavicini in "Some people were outraged at any hint of homosexuality". ("Inside the Star Trek Archives – Cast Member Hides Pregnancy", TNG Season 4 DVD special feature) No characters from the original Star Trek "cross over" to The Next Generation in this season. Beginning this season, a new opening credits sequence is used. It is very similar to season 3, but with the updated quality and the 1990s motion graphics effect added. Once the sequence reaches the Terran solar system, there are additional segments added to the 1990s motion graphics effect as the shot pans through a star system. When it gets to a star system, there is an extra section of the 1990s motion graphics effect as the ringed planet shown is clearly not Saturn, and another extra section of the 1990s motion graphics effect as the lava formations on the night side and the rings of the planet mask a visual inconsistency with the star fields between the new footage and the edit to the original shots of the ship from the season 1 and 2 intro sequence. Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Commander Geordi La Forge ("The Best of Both Worlds, Part II” – “Clues", "Galaxy's Child” – “Redemption") Michael Dorn as Lieutenant Worf Gates McFadden as Doctor Beverly Crusher ("The Best of Both Worlds, Part II” – “Data's Day", "Devil's Due” – “Redemption") Marina Sirtis as Counselor Deanna Troi ("The Best of Both Worlds, Part II” – “Night Terrors", "The Nth Degree” – “Redemption") Brent Spiner as Lieutenant Commander Data ("The Best of Both Worlds, Part II", "Brothers” – “Redemption") Wil Wheaton as Ensign Wesley Crusher ("The Best of Both Worlds, Part II” – “Remember Me", "Reunion", "Final Mission") Crew Creator Gene Roddenberry Co-Producer Peter Lauritson Line Producer Merri Howard ("The Mind's Eye") Producers David Livingston Lee Sheldon ("The Best of Both Worlds, Part II” – “Future Imperfect") Supervising Producer Jeri Taylor ("Family” – “Brothers", "Remember Me” – “Redemption") Executive Producers Michael Piller Gene Roddenberry Rick Berman Associate Producer Wendy Neuss Executive Story Editors Ronald D. Moore Joe Menosky Based In Part On A Premise By Susanne Lambdin & Bryan Stewart ("Family") Story Editors David Bennett Carren & J. Larry Carroll ("Final Mission” – “Redemption") Casting by Junie Lowry-Johnson, C.S.A. Ron Surma Music by Ron Jones ("The Best of Both Worlds, Part II", "Brothers", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "First Contact", "Night Terrors", "The Nth Degree", "The Drumhead") Dennis McCarthy ("Family", "Suddenly Human", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Jay Chattaway ("Remember Me", "The Host", "In Theory") Main Title Theme by Jerry Goldsmith Alexander Courage Director of Photography Marvin Rush ("The Best of Both Worlds, Part II” – “The Drumhead", "The Mind's Eye” – “Redemption") Thomas F. Denove ("Half a Life") Joe Chess ("The Host") Production Designer Richard D. James Editors J.P. Farrell ("The Best of Both World, Part II” – “Family", "Reunion", "The Loss", "Devil's Due", "Galaxy's Child", "The Nth Degree", "Half a Life", "In Theory") Tom Benko, A.C.E. ("Brothers", "Legacy", "Final Mission", "First Contact", "Identity Crisis", "The Drumhead", "The Mind's Eye") Bob Lederman ("Suddenly Human” – “Remember Me", "Future Imperfect", "Data's Day", "Clues", "Night Terrors", "The Host" "Redemption") Stephen Tucker ("Suddenly Human", "Qpid") (credited as Steve Tucker in "Qpid") William Hoy ("The Wounded") Unit Production Manager Merri D. Howard First Assistant Directors Brad Yacobian ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "First Contact", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") Doug Dean ("Family", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Chip Chalmers ("Suddenly Human") Second Assistant Directors Adele G. Simmons Larry Davis ("The Drumhead") Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Supervisors Robert Legato ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") Dan Curry ("Family", "Suddenly Human", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Gary Hutzel ("First Contact") Ron Moore ("Identity Crisis") Senior Illustrator/ Technical Consultant Rick Sternbach Scenic Art Supervisor/ Technical Consultant Michael Okuda Make-Up Designed and Supervised by Michael Westmore Visual Effects Coordinators Gary Hutzel ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") Ron Moore ("Family", "Suddenly Human", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Set Designer Gary Speckman Assistant Art Director Andy Neskoromny Original Set Design Herman Zimmerman Original Starfleet Uniforms William Ware Theiss Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Masters Joe Longo ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "First Contact", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") Alan Sims ("Family", "Suddenly Human", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Construction Coordinator Al Smutko Assistant Scenic Artist Cari Thomas ("The Best of Both Worlds, Part II” – “Clues") Scenic Artist Cari Thomas ("First Contact” – “Redemption") Hair Designer Yolanda Toussieng Make-Up Artists Gerald Quist June Abston Haymore Hair Stylists Rita Bordonaro ("The Best of Both Worlds, Part II” – “Half a Life") (credited as Rita Bellissimo from "Clues" til "Half a Life") Bill Howard ("The Best of Both Worlds, Part II") Kim Santantonio ("Family” – “In Theory") Choreographer Gates McFadden ("Data's Day") Sound Mixer Alan Bernard, C.A.S. Chief Lighting Technician Buddy Bowles ("The Best of Both Worlds, Part II” – “Suddenly Human") William Peets ("Remember Me” – “Redemption") First Company Grip Bob Sordal Costumers Kimberley Thompson ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "First Contact", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") (credited as Kimberly Thompson in "Brothers") Charles Evan Drayman ("The Best of Both Worlds, Part II", "Brothers", "Remember Me", "Reunion", "Final Mission", "Data's Day", "Devil's Due", "First Contact", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host") David Page ("Family", "Suddenly Human") Mandy Chamberlin ("Family", "Suddenly Human", "Legacy", "Future Imperfect", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye", "Redemption") Maurice Palinski ("Legacy", "The Loss", "The Wounded", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye") (credited as Maurice Palanski on the first four episodes) Carol Kunz ("Future Imperfect", "Redemption") David Roesler ("In Theory") Visual Effects Associate David Takemura Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Sound Editors James Wolvington Mace Matiosian ("The Best of Both Worlds, Part II” – “Suddenly Human") Wilson Dyer Dan Yale ("Remember Me” – “Redemption") Post Production Sound By Modern Sound Production Associate Susan Sackett Production Coordinator Diane Overdiek Post Production Associates Terri Martinez Heidi Julian Wendy Rosenfeld Pre-Production Associate Eric A. Stillwell Casting Executive Helen Mossler, C.S.A. (credited as C.S.A. from "Reunion" on) Stunt Coordinator Dennis Madalone ("The Best of Both Worlds, Part II” – “Brothers", "Remember Me” – “Final Mission", "Clues” – “First Contact", "Night Terrors” – “Qpid", "The Host", "In Theory” – “Redemption") Research Consultant Richard Arnold Prosthetic Electronics Michael Westmore, II ("Brothers", "Legacy", "Qpid") Computer Monitors By / Monitors By Sony Corp. of America ("The Best of Both Worlds, Part II", "Brothers", "Remember Me” – “Legacy", "The Wounded", "First Contact", "Identity Crisis", "In Theory") Filmed with Panavision® Lenses and Cameras Special Visual Effects By Industrial Light & Magic, A Division of Lucasfilm, Ltd. Additional Motion Control Facilities Image "G" Video Optical Effects By The Post Group Special Video Compositing Composite Image Systems Computer Animation Segments by Rhythm & Hues, Inc. ("Galaxy's Child") Ultra-Violet Effects & Equipment By Wildfire/L.A. ("Identity Crisis") Lasers Provided by Laser Media Rentals ("The Nth Degree") Editing Facilities Unitel Video Uncredited Perry Adleman – Second Assistant Camera Operator ("Redemption") Dave Archer – Artwork Provider: Paintings ("Family", "Suddenly Human", "Remember Me", "Reunion", "Future Imperfect", "The Loss", "Data's Day", "The Wounded" "Clues", "Night Terrors", "Qpid", "The Host", "In Theory") Craig Asato – 2nd Unit First Assistant Camera Operator ("Data's Day” – “Clues", "Night Terrors") Richard Balder – Special Effects Labor Person ("Suddenly Human", "Clues” – “Redemption") Gary Baxley – Stunt Coordinator ("In Theory") David Bernard – Sound Cable Person ("Suddenly Human", "Clues” – “Redemption") C. Blanc – DGA Trainee ("Redemption")/2nd Unit DGA Trainee ("The Host” – “In Theory") Mitchell S. Block – DGA Trainee ("First Contact")/Extra Camera Assistant ("Redemption") Mary Ellen Bosché – Extra Costumer ("Redemption") Brannon Braga – Staff Writer/Intern ("The Best of Both Worlds, Part II” – “Redemption") Richard Briere – Extra Grip ("Suddenly Human") Lloyd A. Buswell – Construction Foreman Amanda Chamberlin – Set Costumer ("First Contact", "Night Terrors", "The Nth Degree", "The Drumhead", "The Host", "In Theory") Joe Chess – A Camera Operator ("The Best of Both Worlds, Part II” – “Half a Life", "The Mind's Eye” – “Redemption") Richard Chronister – Special Effects Technician ("Suddenly Human", "Clues” – “Redemption") Patrick Clancy – Visual Effects Editor: The Post Group ("The Best of Both Worlds, Part II") Paul Clark – Greensperson ("Identity Crisis", "Qpid") Ray Clarke – DFX Paint FX Artist: The Post Group Richmond G. Cogswell – Video Playback Operator: Cogswell Video Services, Inc. ("Qpid") Tom Conley – Crab Dolly Grip ("Clues” – “Redemption") Laura Connolly – Hair Stylist ("Redemption") Doug Corring – DGA Trainee ("Clues” – “Qpid") Dan Curry – Visual Effects Supervisor ("Identity Crisis” – “The Nth Degree") Charlie Daboub – Set Designer Dick D'Angelo – Swing Gang ("Suddenly Human", "Clues” – “Redemption") Daryl – Laser Media Technician ("The Nth Degree") Doug Davey – Re-Recording Mixer ("The Best of Both Worlds, Part II") Larry Davis – Second Assistant Director/2nd Unit Assistant Director ("Data's Day” – “Qpid") Thomas F. Denove – 2nd Unit Cinematographer ("Data's Day” – “Clues", "Night Terrors", "The Host” – “In Theory") – Animal Handler (Horses) ("Qpid") Ken Diaz – Makeup Artist ("Identity Crisis") R. Dixon – 2nd Unit Playback Machine and Sound Operator ("The Host” – “In Theory") Charles Evan Drayman – Set Costumer ("Suddenly Human", "Clues", "Galaxy's Child", "Identity Crisis", "Qpid", "Half a Life", "The Mind's Eye” – “In Theory") Jean Pierre Durand – Makeup Artist: Lens Technician ("Identity Crisis") Syd Dutton – Matte Artist ("The Best of Both Worlds, Part II” – “Family") David E. Elkins – First Assistant Camera Operator ("The Best of Both Worlds, Part II” – “Legacy") – Second Assistant Director ("Redemption") Lennie Evans – Extra Camera Operator ("Qpid'-"Half a Life", "Redemption")/Camera Operator ("The Host")/2nd Unit Camera Operator ("The Host” – “In Theory") Lolita Fatjo – Assistant to the Executive Producers Alfred T. Ferrante – ADR Mixer ("The Best of Both Worlds, Part II” – “Redemption") Marian Fife – Studio Teacher ("In Theory") Ed Fine – Second Assistant Camera Operator ("Qpid” – “Half a Life") Wilbur Finks – Property Lead Person ("Suddenly Human", "Legacy", "Clues” – “Redemption") Romy Fleming – Hair Stylist ("The Mind's Eye"- "Redemption") Don Foster, Jr. – Swing Gang ("Suddenly Human", "Legacy", "Data's Day” – “Redemption")/2nd Unit Property Lead Person ("The Host” – “In Theory") Tom Fraser – Camera Operator ("Half a Life") Edward French – Makeup Artist ("Night Terrors” – “Identity Crisis") Fulghan – Pro-Line Camera Operator ("The Mind's Eye") Hala Gabriel – Accountant Joey Genitempo – Electrician ("Devil's Due") – 2nd Unit Craft Service ("The Host” – “In Theory") Gary Gero – Animal Trainer: Birds & Animals Unlimited ("Data's Day", "In Theory") Dean Gilmore – 2nd Unit Sound Mixer ("Data's Day” – “Clues", "Night Terrors", "The Host” – “In Theory") Bill Gocke – Mike Operator ("Suddenly Human", "Clues” – “Redemption") R. Green – Wildfire/L.A. Technician ("Identity Crisis” – “The Nth Degree") Morton Greenspoon – Contact Lens Consultant ("The Drumhead") Hagen – DGA Trainee ("Qpid” – “Redemption") Kevin Haggerty – Second Assistant Camera Operator ("The Nth Degree” – “Qpid") Chris Haire – Re-Recording Mixer ("The Best of Both Worlds, Part II") Mathew Hanlen – Laser Media Technician ("The Nth Degree") Clyde Hart – Crab Dolly Grip ("Suddenly Human") Scott Hart – Animal Trainer: Birds & Animals Unlimited ("Data's Day", "In Theory") Dennis Hoerter – Motion Control Technician: Image G ("The Best of Both Worlds, Part II” – “Redemption") Frederick Iannone – First Assistant Camera Operator ("Clues” – “In Theory") Nick Infield – 2nd Unit First Assistant Camera Operator ("The Host” – “In Theory")/First Assistant Camera Operator ("The Host") Phil Jacobson – Assistant Chief Lighting Technician ("Suddenly Human", "Clues” – “Redemption")/2nd Unit Chief Lighting Technician ("The Host” – “In Theory") Gregory Jein – Model Maker: Gregory Jein, Inc. Ralph Johnson – Lamp Operator ("Clues” – “Redemption") R.C. Johnston – 2nd Unit Script Supervisor ("The Host” – “In Theory") Karen – Lamp Operator ("Suddenly Human") David Kervinen – Visual Effects Illustrator: Composite Image Systems Tina Kline – Contact Lens Technician ("The Drumhead") Bob Kozicki – DGA Trainee ("Suddenly Human") David Krieger – Scientific Technical Advisor Don Lee – Blue Screen Compositor: CIS Hollywood ("The Best of Both Worlds, Part II") Robert Legato – Visual Effects Supervisor ("First Contact", "Identity Crisis") Jay Leslie – Musical Technical Advisor ("In Theory") Joe Longo – 2nd Unit Property Master ("The Mind's Eye") Jill MacKay – Jewelry Designer Mary Ann – 2nd Unit Second Assistant Camera Operator ("The Host” – “In Theory") Gary Maynard – Special Effects Technician: Image "G" Scott McKnight – Assistant Chief Lighting Technician ("Clues” – “First Contact")/2nd Unit Chief Lighting Technician ("Data's Day” – “Clues", "Night Terrors") Kim McLaren – First Assistant Accountant Tony Meininger – Model Maker: Brazil-Fabrication & Design – Spaceborne lifeform ("Galaxy's Child") Stephanie Meltzer – Extra Costumer ("Qpid") – Extra Grip ("Clues” – “Redemption") David Merriman, Jr. – Model Maker: Greg Jein, Inc. ("Reunion") Ed Miarecki – Prop/Model Maker: Science Fiction Modelmaking Associates Michael M. Mills – MakeUp Artist ("Brothers") Ronald D. Moore – Co-Writer ("Galaxy's Child") Tom Morga – Stunt Supervisor ("Qpid") Richard L. Morrison – Re-Recording Mixer ("The Best of Both Worlds, Part II") Gil Mosko – Makeup Artist ("First Contact", "Identity Crisis", "The Drumhead” – “The Mind's Eye") Erik Nash – Motion Control Cameraman: Image G ("The Best of Both Worlds, Part II") John Nesterowicz – Craft Service ("Suddenly Human", "Clues"-Redemption") John Nowak – Stunt Supervisor ("Qpid") John E. Oliver – Music Coordinator ("In Theory") Ernie Over – Assistant to Gene Roddenberry David Page – Extra Costumer ("Qpid", "The Drumhead") John Palka – Key Grip ("Suddenly Human")/Second Grip ("Clues” – “Redemption") Bill Peets – Assistant Chief Lighting Technician ("Suddenly Human") Phil – Animal Handler (Horses) ("Qpid") Steve Price – Visual Effects Animation Designer/Quantel Harry Artist: The Post Group ("The Best of Both Worlds, Part II") Maricella Ramirez – Second Assistant Camera Operator ("The Best of Both Worlds, Part II” – “In Theory")/Extra Camera Assistant ("Identity Crisis” – “Half a Life")/First Assistant Camera Operator ("The Mind's Eye” – “Redemption") B. Reynolds – Sound Person ("The Mind's Eye") Jill Rockow – Makeup Artist ("Identity Crisis", "Qpid", "Half a Life” – “The Host") David Roesler – Extra Costumer ("Qpid")/Set Costumer ("The Drumhead” – “Redemption") Charlie Russo – Assistant Property Master ("Suddenly Human", "Clues” – “Redemption")/2nd Unit Property Master ("Data's Day” – “Clues", "Night Terrors") Kim Santantonio – Hair Stylist ("Redemption") Stewart Satterfield – Transportation Coordinator ("Suddenly Human", "Clues” – “Redemption") – Lamp Operator ("Suddenly Human") Fernando Sepulveda – Swing Gang ("Suddenly Human", "Clues” – “Redemption") Naren Shankar – Writing Staff Intern Suzie Shimizu – Production Accountant Mark Simon – Music Copyist ("Half a Life") Alan Sims – Property Master ("The Host") Joseph Smith – Orchestrator Armin Steiner – Music Scoring Mixer Dorothy A. Steinicke – Second Assistant Director ("The Drumhead” – “Redemption")/2nd Unit Second Assistant Director ("The Host” – “In Theory") Mark Stimson – Special Effects Technician ("Suddenly Human", "Clues” – “Redemption") George Stuart, Jr. – Painter ("Clues” – “Redemption") Rick Talmadge – Video Assistant ("First Contact") Bill Taylor – Matte Cameraperson ("The Best of Both Worlds, Part II” – “Family", "Devil's Due") Jeri Taylor – Co-Writer ("Galaxy's Child", "The Host") James Thatcher – Musician: French Horn ("Brothers") Kimberley Thompson – Costume Loader ("Qpid") Wil Thoms – Special Effects Technician ("Suddenly Human", "Clues” – “Redemption") Masanobu Tomita – Sound Editor ("The Best of Both Worlds, Part II") B. Tracy – 2nd Unit Sound Cable Person ("Data's Day” – “Clues", "Night Terrors") Jerry Trent – Foley Artist ("The Best of Both Worlds, Part II” – “Redemption") Richard Turner – Extra Camera Operator ("First Contact", "The Nth Degree") Richard Tim Vanik – Extra Camera Operator ("Identity Crisis” – “Qpid") Guy Vardaman – Computer Animator ("The Mind's Eye") David Velasquez – Costumer ("In Theory” – “Redemption") Elaina M. Vescio – Set Security ("Suddenly Human", "Clues” – “Redemption") Dana Vitatoe – Extra Grip ("Suddenly Human") Patrick J. Vitolla – Second Grip ("Redemption") Julia L. Walker – Hair Stylist ("Clues", "Galaxy's Child” – “Night Terrors", "In Theory” – “Redemption") Jana Wallace – Secretary to Gene Roddenberry/Script typist Ron Walters – Makeup Artist ("The Mind's Eye") L.Z. Ward – Set Security ("Suddenly Human", "Clues” – “Redemption") Michael Westmore, Jr. – Prosthetic Electronics ("The Best of Both Worlds, Part II") Philip Weyland – Dialogue Coach ("Half a Life") Dana White – Model Maker: Gregory Jein, Inc. Wil – Makeup Artist ("The Mind's Eye") Murphy Wiltz – Lamp Operator ("Suddenly Human", "Clues")/Assistant Chief Lighting Technician ("Clues” – “First Contact") Richard "Dub" Wright – Second Assistant Director ("Suddenly Human") Edmond Wright – Second Grip ("Suddenly Human")/Extra Grip ("Clues” – “Redemption")/2nd Unit Key Grip ("Data's Day” – “Clues", "Night Terrors", "The Host” – “In Theory") Dan Yale – Sound Editor ("The Best of Both Worlds, Part II") Production companies Birds & Animals Unlimited – Animal Casting and Training ("Data's Day", "In Theory") Brazil-Fabrication & Design – Model Making Company ("Galaxy's Child") Central Casting – Extras Casting Cogswell Video Services, Inc. – Video Playbacks ("Qpid") Gregory Jein, Inc. – Model Making Company Movieland Caterers – Location Catering ("Qpid") Professional VisionCare Associates – Contact Lens Company ("The Drumhead") Science Fiction Modelmaking Associates – Prop/Model Making Company Star Waggons – 3-Room Trailer for David Ogden Stiers ("Half a Life") Wildfire/L.A. – Ultra-Violet Effects & Equipment ("The Nth Degree", "The Host") See also TNG Season 4 performers TNG Season 4 UK VHS TNG Season 4 US VHS TNG Season 4 DVD TNG Season 4 Blu-ray cs:Čtvrtá sezóna TNG de:TNG Staffel 4 fr:TNG Saison 4 it:TNG Stagione 4 nl:TNG Seizoen 4 sr:СГ: Сезона 4 sv:TNG, säsong 4 Star Trek seasons
1637	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 5	Episodes Summary The fifth season of Next Generation starts off with the Federation exposing the secret Romulan-Duras plot explored in the previous season. () Ensign Ro Laren joins the crew of the , and although some members of the crew, notably Commander William T. Riker, have misgivings about her presence on board, she eventually proves herself to be a valuable crew member. () Picard has some memorable experiences, such as learning to communicate with the heretofore unintelligible Tamarians (), overcoming to some extent his dislike of children when he is trapped along with three children inside the turbolift after the Enterprise-D is struck by a quantum filament (), and meeting with Ambassador Spock on Romulus. (, ) Most notably, he experiences 40 or so years of life as an ironweaver on an extinct alien world after an encounter with a probe launched before the destruction of that world. () Wesley saves the Enterprise-D from an alien game which was actually a mind-control device (), but later at Starfleet Academy, he participates in a coverup of the circumstances surrounding the death of one of his classmates. Captain Picard, however, eventually convinces him to do the right thing. () Worf is paralyzed after an accident in a cargo bay and wishes to commit suicide, but is convinced to undergo a risky medical procedure, which, though nearly killing him, eventually allows him to regain control of his body. () The crew of the Enterprise-D encounter a Borg drone separated from the rest of the collective, and eventually use him as a sort of time bomb that they hope will disrupt the entire Borg Collective. () The season ends with the discovery of Data's head in a cave under San Francisco which had been sealed for around 500 years, and eventually with Data, Picard, La Forge, Troi, Riker, and Doctor Crusher trapped in 19th century Earth. () Background information This is the last season of Star Trek to premiere on its own until Voyagers sixth season in 1999. This coincides with the seven-year run of . An alternative captain's uniform is introduced in consisting of a dark blue turtleneck with the captain's pips and a red jacket. This season includes the first occurrence within The Next Generation of a two-part episode in mid-season, . The text of Star Trek: The Next Generation in the opening credits is given blue background streaks for this season, but returns to the Season 4 theme in Seasons 6 and 7. was released during the run of this season. The movie was filmed during the hiatus between Season 4 and 5. This is the only season of The Next Generation not to feature Q played by John de Lancie. Several potential Q stories were considered, but were all rejected. Q featured in two episodes in the following season, and . Gene Roddenberry, creator of and , passed away early this season (the cast and crew found out while filming ) at the age of 70, with dedicated to his memory. He was credited as "Executive Producer" until the last episode of this season. This year, Star Trek celebrated 25 years of boldly going where no one has gone before. For this anniversary, Paramount Television Executive Mel Harris held a speech and introduced the Gene Roddenberry Building on the Paramount lot. Besides Marina Sirtis who did not appear in and , all main cast members were featured in every episode of this season. Two characters from "cross over" to The Next Generation during this season: Sarek in and Spock in and . Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Commander Geordi La Forge Michael Dorn as Lieutenant Worf Gates McFadden as Doctor Beverly Crusher Marina Sirtis as Counselor Deanna Troi ("Redemption II” – “Cost Of Living", "Imaginary Friend” – “The Next Phase", "Time's Arrow") Brent Spiner as Lieutenant Commander Data Crew Creator Gene Roddenberry Co-Producers Joe Menosky Ronald D. Moore Peter Lauritson Line Producer Merri D. Howard ("Power Play") Producers David Livingston Herbert J. Wright ("The Masterpiece Society” – “Cause And Effect") Supervising Producer Jeri Taylor Executive Producers Michael Piller Gene Roddenberry Rick Berman Associate Producer Wendy Neuss Executive Script Consultant Peter Allan Fields ("The First Duty” – “Time's Arrow") Casting by Junie Lowry-Johnson, C.S.A. Ron Surma Music by Dennis McCarthy ("Redemption II", "Ensign Ro", "Disaster", "Unification I” – “Unification II", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend", "The Next Phase", "Time's Arrow") Jay Chattaway ("Darmok", "Silicon Avatar", "The Game", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg", "The Inner Light") Main Title Theme by Jerry Goldsmith Alexander Courage Director of Photography Marvin Rush Production Designer Richard D. James Editors Robert Lederman ("Redemption II", "Silicon Avatar", "Unification II", "New Ground", "The Masterpiece Society", "Ethics", "The First Duty", "The Inner Light") (credited as Bob Lederman in "Redemption II") Tom Benko, A.C.E. ("Darmok", "Disaster", "Unification I", "Hero Worship", "Conundrum", "The Outcast", "Cost Of Living", "I Borg", "Time's Arrow") J.P. Farrell ("Ensign Ro", "The Game", "A Matter Of Time", "Violations", "Power Play", "Cause And Effect", "The Perfect Mate", "The Next Phase") Steve Tucker ("Imaginary Friend") Unit Production Manager Merri D. Howard First Assistant Directors Brad Yacobian ("Redemption II", "Ensign Ro", "Disaster", "Unification II", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg", "The Inner Light") Doug Dean ("Darmok", "Silicon Avatar", "The Game", "Unification I", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend", "The Next Phase", "Time's Arrow") Second Assistant Director Adele G. Simmons Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Supervisors Dan Curry ("Redemption II", "Ensign Ro", "Disaster", "Unification II", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The Perfect Mate", "I Borg", "The Inner Light") Robert Legato ("Darmok", "Silicon Avatar", "The Game", "Unification I", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "The Next Phase", "Time's Arrow") Ron Moore ("The First Duty") Gary Hutzel ("Imaginary Friend") Senior Illustrator/ Technical Consultant Rick Sternbach Scenic Art Supervisor/ Technical Consultant Michael Okuda Make-Up Designed and Supervised by Michael Westmore Visual Effects Coordinators Ron Moore ("Redemption II", "Ensign Ro", "Disaster", "Unification II", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The Perfect Mate", "I Borg", "The Inner Light") Gary Hutzel ("Darmok", "Silicon Avatar", "The Game", "Unification I", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "The Next Phase", "Time's Arrow") Set Designer Gary Speckman Assistant Art Director Andy Neskoromny Original Set Design Herman Zimmerman Original Starfleet Uniforms William Ware Theiss Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Masters Joe Longo ("Redemption II” – “Disaster", "Unification II", "A Matter Of Time", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg", "The Inner Light") Alan Sims ("The Game", "Unification I", "New Ground” – “Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend", "The Next Phase", "Time's Arrow") Construction Coordinator Al Smutko Scenic Artist Cari Thomas Hair Designers Susan Carol-Schwary ("Redemption II” – “Ethics") Joy Zapata ("The Outcast” – “Time's Arrow") Make-Up Artists Gerald Quist June Abston Haymore Hair Stylists Gus Le Pre ("Redemption II” – “A Matter Of Time") Patty Miller ("New Ground” – “Time's Arrow") Wardrobe Supervisor Carol Kunz Sound Mixers Alan Bernard, C.A.S. ("Redemption II” – “Violations", "The Outcast” – “Time's Arrow") Bill Gocke ("The Masterpiece Society” – “Ethics") Camera Operator Joe Chess, S.O.C. ("The Masterpiece Society” – “Time's Arrow") Chief Lighting Technician William Peets First Company Grip Bob Sordal Key Costumers David Velasquez ("Redemption II") Amanda Chamberlin ("Redemption II", "Ensign Ro", "Disaster", "Unification II", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg") Kimberley Thompson ("Darmok", "Silicon Avatar", "The Game", "A Matter Of Time", "Hero Worship", "The Masterpiece Society", "Power Play", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg", "The Inner Light") Jerry Bono ("Darmok", "Silicon Avatar", "The Game", "Unification I", "New Ground", "Violations", "Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend", "The Next Phase") Mary Ellen Bosché ("Ensign Ro", "Disaster", "The Inner Light") (credited as Mary Ellen Boché in "The Inner Light") Maurice Palinski ("Unification I” – “Unification II", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend", "The Next Phase", "Time's Arrow") David Roesler ("Conundrum") Phil Maldonado ("Time's Arrow") Visual Effects Associate David Takemura Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Sound Editors James Wolvington Wilson Dyer Dan Yale Post Production Sound By Modern Sound Production Associate Susan Sackett ("Redemption II” – “Violations") Production Coordinator Diane Overdiek Post Production Coordinator Wendy Rosenfeld Post Production Associates Terri Martinez ("Redemption II” – “Violations") Heidi Julian ("Redemption II” – “Violations") Production Associates Terri Martinez ("The Masterpiece Society” – “Time's Arrow") Heidi Julian ("The Masterpiece Society” – “Time's Arrow") Casting Executive Helen Mossler, C.S.A. Stunt Coordinator Dennis Madalone ("Redemption II” – “Darmok", "Disaster", "Unification II", "New Ground” – “Violations", "Conundrum” – “The Outcast", "The Perfect Mate” – “The Next Phase") Research Consultant Richard Arnold ("Redemption II” – “Conundrum") Pre-Production Associate Eric A. Stillwell Prosthetic Electronics Michael Westmore II ("Ensign Ro", "Cause And Effect") Monitors By Sony Corp. of America ("Redemption II", "The Game", "A Matter Of Time” – “Hero Worship", "Conundrum", "Ethics", "The First Duty", "Imaginary Friend") Filmed with Panavision® Lenses and Cameras Special Visual Effects By Industrial Light & Magic, A Division of Lucasfilm, Ltd. Motion Control Photography By Image "G" Video Optical Effects By Digital Magic Special Video Compositing CIS Hollywood Editing Facilities Unitel Video "Soliton Wave" Animation By Stokes/Kohne Assoc., Inc. ("New Ground") Uncredited Terry Ahern – 2nd Unit Craft Service ("The Masterpiece Society” – “Power Play", "The Outcast” – “Cause And Effect", "Cost Of Living") Dayton Anderson – Extra Costumer ("Ensign Ro") Dolores Arce – Assistant Accountant Dave Archer – Artwork Provider: Paintings ("New Ground") Camille Argus – Costumer ("Ensign Ro", "Silicon Avatar", "The Masterpiece Society", "Power Play", "The First Duty")/2nd Unit Costumer ("Hero Worship” – “Violations", "Power Play") Richard Balder – Special Effects Labor Artist ("Redemption II” – “I Borg") Michael Baxter – Second Assistant Director ("Ensign Ro” – “Silicon Avatar") Beebee – Generator Van Operator ("Darmok” – “Ensign Ro", "The First Duty") Alan Bernard – Sound Mixer ("The Masterpiece Society” – “Conundrum") David Bernard – Sound Cable Person ("Redemption II” – “I Borg") Steve Birkett – Mike Operator ("The Masterpiece Society” – “The Outcast") Rob Bloch – Animal Trainer: Critters of the Cinema ("Time's Arrow") Mitchell S. Block – Extra Camera Assistant ("Darmok” – “Silicon Avatar", "The Game", "Unification II")/Blue Screen Unit First Assistant Camera Operator ("Darmok")/2nd Unit First Assistant Camera Operator ("Redemption II” – “Darmok", "Silicon Avatar” – “Disaster")/First Assistant Camera Operator ("Ensign Ro", "The Game” – “Unification II") T. Blue – 2nd Unit Playback Machine Operator ("Redemption II” – “Darmok", "Silicon Avatar” – “Disaster", "The Masterpiece Society” – “Conundrum", "Ethics")/Playback Machine Operator ("Unification II")/2nd Unit Sound Cable Person ("Power Play")/2nd Unit Sound Recorder ("The Outcast” – “Cause And Effect", "Cost Of Living") Jerry Bono – Set Costumer ("Redemption II", "Ensign Ro", "Disaster", "Unification II", "A Matter Of Time", "Hero Worship", "THe Masterpiece Society” – “Power Play", "The Outcast", "The First Duty", "The Perfect Mate", "I Borg") Mary Ellen Bosché – Extra Costumer ("Redemption II” – “Darmok", "Cost Of Living” – “The Perfect Mate") Susan Boyd – Hair Stylist ("Darmok” – “Silicon Avatar") Brannon Braga – Staff Writer ("Redemption II” – “Time's Arrow") Michael D. Brown – Extra Camera Assistant ("Ensign Ro", "Unification I") Christian H. Burton – 2nd Unit Second Assistant Camera Operator ("Hero Worship” – “Violations") Mark Bussan – Makeup Artist ("Violations") Lloyd A. Buswell – Construction Foreman Rick Byrum – Location Manager ("Ensign Ro” – “Silicon Avatar") Little C – Blue Screen Unit Costumer ("Darmok")/2nd Unit Costumer ("Redemption II” – “Darmok", "Silicon Avatar” – “Disaster") Campbell – Extra Costumer ("Silicon Avatar", "Power Play") Amanda Chamberlin – Set Costumer ("Darmok", "Silicon Avatar", "The Game", "Unification I", "New Ground", "Violations", "Conundrum", "Ethics", "Cause And Effect", "Cost Of Living", "Imaginary Friend") Ed Charnock, Jr. – Painter Joe Chess – Camera Operator ("Darmok” – “Violations") Ian Christenberry – Lamp Operator ("New Ground” – “I Borg") Richard Chronister – Special Effects Artist ("Redemption II” – “I Borg") Patrick Clancy – Visual Effects Compositor ("Conundrum") Paul Clark – Greensperson ("The Masterpiece Society", "Cost Of Living")/2nd Unit Greensperson ("The Outcast” – “Cause And Effect", "Cost Of Living") Ray Clarke – DFX Paint FX Artist: The Post Group Craig Cleaver – Post Production/Visual Effects Assistant Caryl Codon – Hair Stylist ("Unification II", "Violations", "Power Play") Cooke – Extra Grip ("Cost Of Living") Tom Conley – Crab Dolly Grip ("Redemption II” – “New Ground") Laura Connolly – Hair Stylist ("Cost Of Living” – “The Perfect Mate") Ruth Ann Crudup – Teacher ("Ethics", "Cost Of Living", "Imaginary Friend") Diane Cummings – Body Makeup Artist ("Cost Of Living") Dick D'Angelo – Swing Gang ("Redemption II” – “I Borg") Darryl – Greensperson ("Imaginary Friend") Doug Davey – Re-Recording Mixer ("The Next Phase") Ron Dempsey – DGA Trainee ("The Outcast” – “I Borg") Thomas F. Denove – Cinematographer ("Darmok")/2nd Unit Cinematographer ("Redemption II” – “Darmok", "Silicon Avatar” – “The Game", "Unification II", "A Matter Of Time", "Hero Worship” – “Cost Of Living", "Imaginary Friend") Frank Del Boccio – Extra Camera Assistant ("Disaster") Ken Diaz – Makeup Artist ("Cost Of Living") Jon Djanrelian – 2nd Unit Craft Service ("Disaster” – “The Game") Rose Dolfi – DGA Trainee ("I Borg", "Imaginary Friend") Doug Drexler – Makeup Artist ("Unification II", "Violations", "Conundrum” – “Power Play", "Time's Arrow")/Special Effects Makeup Artist ("The Inner Light") Syd Dutton – Matte Artist ("Redemption II", "Unification II", "Unification I", "A Matter Of Time", "The Masterpiece Society", "Conundrum")/Matte Supervisor ("The First Duty") Hank Edds – Makeup Artist ("Cost Of Living") Carolyn Elias – Hair Stylist ("Silicon Avatar") Lennie Evans – Extra Camera Operator ("Darmok” – “Silicon Avatar", "The Game", "Cost Of Living")/Camera Operator ("Conundrum") Lolita Fatjo – Assistant to the Executive Producers Alfred T. Ferrante – ADR Mixer ("Darmok” – “The Game", "A Matter Of Time” – “Time's Arrow") L. Fife – Welfare Worker/Teacher ("Disaster", "New Ground” – “Hero Worship", "The Masterpiece Society", "Power Play") Marian Fife – Welfare Worker ("Ensign Ro” – “Silicon Avatar") – Production Associate Frank – Makeup Artist ("Violations") Edward French – Makeup Artist ("Darmok", "Disaster", "Unification II” – “New Ground", "Conundrum” – “Power Play")/Blue Screen Unit Makeup Artist ("Darmok") Arlene Fukai – Second Assistant Director ("Redemption II” – “I Borg") Hala Gabriel – Accountant Rusty Geller – Steadicam Operator ("Ensign Ro", "Unification I") Gary Gero – Animal Handler ("Ensign Ro") Dean Gilmore – 2nd Unit Sound Mixer ("Hero Worship” – “Violations", "The Outcast” – “Cause And Effect", "Cost Of Living") Cheryl Gluckstern – Production Associate Bill Gocke – Mike Operator ("Redemption II” – “Conundrum", "The Outcast” – “I Borg")/Sound Mixer ("The Outcast") Gold – Extra Camera Operator ("Disaster")/2nd Unit Camera Assistant ("Disaster") Green – Hair Stylist ("New Ground") Gene Green – Tillman Water Reclamation Plant Coordinator ("The First Duty") Lynn Greenberg – 2nd Unit Teleprompter Operator ("Hero Worship” – “Violations") Morton Greenspoon – Contact Lens Consultant ("Conundrum") Peter Greenwood – Special Effects Artist: Monster Suit ("Time's Arrow") Chris Haire – Re-Recording Mixer ("The Next Phase") John Hanna – Animal Trainer: Critters of the Cinema ("Time's Arrow") D. Harrington – Sound System Operator ("Darmok") Paul Hill – Visual Effects Compositor: Digital Magic Dennis Hoerter – Motion Control Technician ("Redemption II” – “Time's Arrow") Michael Hood – Costume and Character Designer and Fabricator: Devidians ("Time's Arrow") Adam Howard – Digital Compositor ("Redemption II” – “Unification II", "New Ground” – “Violations")/Visual Effects Animator ("A Matter Of Time")/Visual Effects Compositor ("The Masterpiece Society", "Power Play” – “Time's Arrow")/Animation Supervisor ("Conundrum") Adrian Hurley – Motion Control Operator ("Conundrum") Frederick Iannone – Camera Operator ("Redemption II” – “Darmok") Nick Infield – Extra Camera Assistant ("Silicon Avatar", "Unification I", "Hero Worship")/First Assistant Camera Operator ("Disaster", "Unification II") Phil Jacobson – Assistant Chief Lighting Technician ("Redemption II” – “I Borg") Gregory Jein – Model Maker ("Redemption II” – “Time's Arrow") Mark Jennings – 2nd Unit Playback Machine Operator ("Disaster” – “The Game")/2nd Unit Sound Cable Person ("Unification II", "A Matter Of Time") M. Johnson – 2nd Unit Costumer ("The Outcast” – “Cause And Effect", "Cost Of Living")/Extra Costumer ("Unification II") Norma Johnson – Extra Costumer ("Cost Of Living") Ralph Johnson – Assistant Chief Lighting Technician ("Redemption II” – “I Borg") Brian Q. Kelley – Electronical Editorial ("The Outcast") Wayne Kennan – Blue Screen Unit Cinematographer ("Darmok")/Cinematographer ("Ensign Ro")/2nd Unit Cinematographer ("Ethics") Kenney – Crab Dolly Grip ("New Ground” – “I Borg") Hermine Kosta – Teacher ("Power Play") Bob Krivak – Tillman Water Reclamation Plant Coordinator ("The First Duty") Kruzelock – Extra Grip ("Redemption II” – “Ensign Ro") Don Lee – Visual Effects Editor ("A Matter Of Time", "Conundrum") Laura Lee – Hair Stylist ("Cost Of Living") Robert Legato – Visual Effects Supervisor ("Imaginary Friend") Mike Little – Blue Screen Unit Camera Operator ("Darmok")/Extra Camera Operator ("The Game", "Unification II", "The Masterpiece Society” – “Conundrum") Joe Longo – Property Master ("The Game", "Hero Worship") Bill Loranger – Extra Camera Assistant ("The Game", "Unification II", "Hero Worship", "The Masterpiece Society” – “Power Play", "Cause And Effect” – “I Borg")/First Assistant Camera Operator ("Unification I", "A Matter Of Time", "Hero Worship", "The Masterpiece Society” – “Conundrum", "The First Duty")/2nd Unit First Assistant Camera Operator ("Unification II” – “New Ground", "The Masterpiece Society” – “Cost Of Living", "Imaginary Friend") Jill MacKay – Jewelry Designer Bruce MacRae – Model Maker ("Unification II", "Unification I", "Hero Worship") Jim Magdaleno – Scenic Art Assistant Phil Maldonado – Extra Costumer ("Silicon Avatar", "Unification II", "New Ground", "The Masterpiece Society” – “Conundrum")/2nd Unit Costumer ("Disaster” – “The Game", "Unification II” – “A Matter Of Time", "The Outcast” – “Cost Of Living", "Imaginary Friend") Joseph Markham – Extra Costumer ("Unification II") Jeff Mart – Extra Camera Operator ("The First Duty") Marvellen – Extra Costumer ("Ensign Ro") Elaine Maser – Extra Costumer ("Ensign Ro") Chris McBee – Hair Stylist ("Hero Worship” – “I Borg") Tania McComas – 2nd Unit Makeup Artist ("The Outcast” – “Cause And Effect", "Cost Of Living")/Makeup Artist ("Cost Of Living” – “The Perfect Mate") Frank McEldowney – Greensperson ("Darmok", "Cost Of Living") Thomas McEnery – Studio Teacher ("Disaster") Scott McKnight – Lamp Operator ("Redemption II” – “I Borg")/Blue Screen Unit Chief Lighting Technician ("Darmok")/2nd Unit Chief Lighting Technician ("Redemption II” – “Darmok", "Silicon Avatar” – “The Game", "Unification II", "A Matter Of Time", "Hero Worship” – “Cost Of Living", "Imaginary Friend") David McWhirter – DGA Trainee ("Unification I", "A Matter Of Time” – “Ethics") Joe Menosky – Writer ("Conundrum") Ed Miarecki – Prop Maker ("Redemption II” – “Time's Arrow") Patty Miller – Hair Stylist ("Ensign Ro” – “A Matter Of Time") Michael Mills – Makeup Artist ("Unification II") Monica – Hair Stylist ("The Game", "Unification II") Tom Moore – Extra Grip ("Redemption II” – “I Borg") Richard L. Morrison – Re-Recording Mixer ("The Next Phase") Erik Nash – Motion Control Photographer ("Redemption II", "A Matter Of Time") Danny Nero – Extras Casting: Central Casting John Nesterowicz – Swing Gang ("Redemption II” – “I Borg")/2nd Unit Property Master ("Unification II", "A Matter Of Time")/Set Dresser ("The First Duty") Vincent Niebla – Sculptor ("Cost Of Living") Louise Nielsen – Set Designer Peter Norkus – 2nd Unit First Assistant Camera Operator ("Disaster” – “The Game", "Hero Worship” – “Violations")/Extra Camera Assistant ("A Matter Of Time” – “New Ground")/2nd Unit Second Assistant Camera Operator ("The Outcast” – “Cause And Effect", "Cost Of Living") Daniel O'Brien – Composer: Additional Music ("Cause And Effect") Ernie Over – Assistant to Gene Roddenberry Mark Overton – 2nd Unit Playback Machine Operator ("Ethics” – “Cost Of Living", "Imaginary Friend") Maurice Palinski – Costumer ("Disaster") Francisco X. Pérez – Makeup Artist ("Violations") (listed as Francisco Carassosa) Janna Phillips – Makeup Artist ("Unification II") Daniel R. Purinton – Rigging Gaffer/Lot Best Boy Tom Purser – Construction Worker Maricella Ramirez – First Assistant Camera Operator ("Redemption II” – “I Borg") László Regos – Extra Camera Operator ("Unification II") Robbie Robinson – Still Photographer ("Darmok", "Unification I", "A Matter Of Time", "Conundrum", "The First Duty", "I Borg") Jill Rockow – Makeup Artist ("Unification II", "Imaginary Friend", "The Inner Light") David Roesler – Extra Costumer ("Disaster” – “The Game", "Violations", "Power Play", "Cost Of Living") John Frank Rosenblum – Writer ("Time's Arrow") David Rossi – Production Associate Rick Rowe – Craft Service ("Redemption II” – “I Borg") Jan Rudolph – 2nd Unit Script Supervisor ("The Outcast” – “Cause And Effect", "Cost Of Living") Charlie Russo – Assistant Property Master ("Redemption II” – “I Borg")/2nd Unit Property Master ("Redemption II” – “Darmok", "Silicon Avatar” – “The Game", "The Masterpiece Society” – “Cost Of Living", "Imaginary Friend") Stewart Satterfield – Transportation Coordinator ("Redemption II” – “I Borg") Scott Schneider – Model Maker ("Unification I") Bob Scribner – Makeup Artist ("Cost Of Living") Fernando Sepulveda – Property Lead Person ("Redemption II” – “I Borg") Naren Shankar – Writing Staff Intern Suzie Shimizu – Production Accountant Phil Signorelli – Extra Costumer ("Redemption II") Charmaine Nash Simmons – Extra Costumer ("Redemption II") Alan Sims – Property Master ("Darmok", "Silicon Avatar") Joseph Smith – Orchestrator Mike Smithson – Makeup Artist ("Unification II") Waverly Smothers – Second Grip ("Redemption II” – “I Borg") Richard Snell – Makeup Artist ("Cost Of Living") B. Stanley – Steadicam Assistant ("The First Duty") Peter Sternlicht – Visual Effects Editor ("A Matter Of Time") Steward – Hair Stylist ("Redemption II") Mark Stimson – Special Effects Artist ("Redemption II” – “I Borg") Michael Stradling – Second Assistant Camera Operator ("Redemption II” – “I Borg") Robert Stromberg – Matte Artist ("A Matter Of Time") George Stuart, Jr. – Painter ("Redemption II” – “I Borg") Rick Talmadge – Video Playback Operator ("I Borg") Jeri Taylor – Writer ("I Borg") Wil Thoms – Special Effects Artist ("Redemption II” – “I Borg") Rich Thorne – Creative Director: Digital Magic Jim Thorpe – Lamp Operator ("Redemption II” – “A Matter Of Time") Monte Thrasher – Designer & Illustrator Romulan insignia and Romulan language ("Unification I", "Unification II") Jerry Trent – Foley Artist ("Redemption II” – “Time's Arrow") David Trotti – 2nd Unit DGA Trainee ("The Outcast” – “Cause And Effect", "Cost Of Living")/DGA Trainee ("The First Duty") Richard Turner – Extra Camera Operator ("Silicon Avatar", "Unification I", "A Matter Of Time” – “Hero Worship", "Power Play", "Cause And Effect” – “The Perfect Mate", I Borg")/2nd Unit Camera Operator ("The Outcast” – “Cause And Effect", Cost Of Living") Elaina M. Vescio – Set Security ("Redemption II” – “I Borg") Julia L. Walker – Hair Stylist ("Ensign Ro", "Imaginary Friend” – “I Borg") Jana Wallace – Secretary to Gene Roddenberry/Script Typist Ron Walters – Makeup Artist ("Cost Of Living") L.Z. Ward – Set Security ("Redemption II” – “I Borg") Karen Westerfield – Makeup Artist ("Cost Of Living", "The Inner Light") Michael Westmore II – Prosthetic Makeup Artist ("The Game", "Disaster", "Time's Arrow") Lisa White – Location Manager ("The First Duty") Richard Wicklund – Welfare Worker ("Disaster") Troy Wilcox – 2nd Unit Mike Operator ("Hero Worship” – “Violations") Williams – DGA Trainee ("Redemption II” – “Unification II") Murphy Wiltz – Lamp Operator ("Redemption II” – “I Borg") Glen Woodmansee – Studio Teacher ("Disaster") Edmond Wright – Blue Screen Unit Key Grip ("Darmok")/2nd Unit Key Grip ("Redemption II” – “Darmok", "Silicon Avatar” – “The Game", "Unification II", "A Matter Of Time", "Hero Worship” – “Cost Of Living", "Imaginary Friend")/Extra Grip ("Ensign Ro” – “I Borg") Isabell Yale – Set Nurse ("Power Play") G. Young – Electrical department ("Disaster") Susan Zietlow-Maust – Hair Stylist ("The First Duty” – “Cost Of Living", "Imaginary Friend” – “I Borg") Zimmerman – Extra Costumer ("The Masterpiece Society") Production companies Birds & Animals Unlimited – Animal Handler (Guinea Fowls) ("Ensign Ro") Central Casting – Extras Casting Cogswell Video Services, Inc. – Video Playbacks ("Darmok") Critters of the Cinema – Animal Casting and Training ("Time's Arrow") Cynthia's Distinctive Catering – Catering Service ("The First Duty") See also TNG Season 5 performers TNG Season 5 UK VHS TNG Season 5 US VHS TNG Season 5 DVD TNG Season 5 Blu-ray cs:Pátá sezóna TNG de:TNG Staffel 5 fr:TNG Saison 5 nl:TNG Seizoen 5 sr:СГ: Сезона 5 sv:TNG, säsong 5 Star Trek seasons
1638	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 6	Episodes Summary The season begins with the successful rescue of Data from the 19th century, and we learn just how long Guinan has actually known Picard. The crew also took part in a variety of shady operations, the first of what would be many departures from Gene Roddenberry's more Utopian vision of the future. Picard is temporarily assigned away from the Enterprise for a dangerous espionage mission against the Cardassians, but is captured and subjected to torture, nearly succumbing before being released. Deanna Troi engaged in a similarly risky mission of espionage against the Romulans. The Enterprise also nearly became a victim of space pirates. Picard also underwent significant personal development during this season. He formed an intense and troubled romantic relationship with the Enterprises head of stellar cartography, Nella Daren. After his artificial heart is nearly destroyed, Q helps Picard experience a vision of the unremarkable life he could have led, giving him a better understanding of his mortality and his reasons for living. Riker also experiences a deeply personal conflict, making a gripping personal battle with his own sanity, and later discovers an accidental transporter-copy of himself that had been abandoned on a desolate planet for nearly a decade. Several well-known recurring characters make appearances this season, the most famous among them being Montgomery Scott. The TOS Enterprise engineer is discovered alive, and after an awkward period adjusting to the 24th century, sets out to explore the galaxy on his own. The sentient hologram Professor Moriarty returns, holding the ship captive in a complex game that he hopes will grant him freedom to live outside the holodeck. Reginald Barclay continues to develop, overcoming his fear of transporters. Q, in addition to his appearance in Picard's counterfactual vision, returns earlier in the season. We are left with the rediscovery of Lore, leading a group of rogue Borg, who with the influence of an emotional stimulant for androids, successfully seduced Data to become a willing participant in his violent plans in the cliffhanger that ends the season. Background information This season was broadcast concurrent with Season 1. Brent Spiner and Ronald D. Moore both named this season as the best one. Moore further named as one of his favorite episodes. ("Mission Overview Year Six", TNG Season 6 DVD special feature) This is the only season of The Next Generation not to feature Lwaxana Troi played by Majel Barrett. Her (to this point) annual appearance was made this year instead on the episode . She does however still portray the voice of the Starfleet computer on both series. This is the only season of The Next Generation in which Wil Wheaton does not appear as Wesley Crusher. The character is briefly referenced. This is also the only season of The Next Generation where Denise Crosby does not make an appearance at all (though her only appearances during Season 2 were part of stock footage sequences). This is also the final season of The Next Generation in which Colm Meaney appears as his character, Miles O'Brien transfers to Deep Space 9 along with his family. Between seasons 5 and 6, the turbolift closest to the "pool table" in main engineering was replaced by a Jefferies tube access shaft. The turbolift doors were last seen opening, revealing a turbolift in , while the Jefferies tube was first seen behind the door in . Several characters "cross over" from other Star Trek series in this season: Montgomery Scott in ; Julian Bashir and, briefly, Morn in ; and, after a fashion, Kahless the Unforgettable in . (The original appearance of Kahless in was a duplicate created by the Excalbians, while the version who appeared in was a clone.) Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Commander Geordi La Forge ("Time's Arrow, Part II” – “Suspicions", "Second Chances” – “Descent") Michael Dorn as Lieutenant Worf Gates McFadden as Doctor Beverly Crusher Marina Sirtis as Counselor Deanna Troi ("Time's Arrow, Part II” – “Birthright, Part I", "Starship Mine” – “Suspicions", "Second Chances” – “Descent") Brent Spiner as Lieutenant Commander Data Crew Created By Gene Roddenberry Executive Producers Michael Piller Rick Berman Co-Executive Producer Jeri Taylor Co-Producers Ronald D. Moore Wendy Neuss Producer Peter Lauritson Supervising Producers David Livingston Frank Abatemarco ("Time's Arrow, Part II" – "Aquiel") Line Producer Merri D. Howard Story Editors Brannon Braga René Echevarria Casting By Junie Lowry-Johnson, C.S.A. Ron Surma Music By Dennis McCarthy ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Ship in a Bottle", "Tapestry", "Lessons", "Suspicions", "Second Chances” – “Timescape") Jay Chattaway ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I” – “Chain of Command, Part II", "Aquiel", "Birthright, Part I" – "Starship Mine", "The Chase” – “Frame of Mind", "Rightful Heir", "Descent") Don Davis ("Face of the Enemy") Main Title Theme By Jerry Goldsmith Alexander Courage Director of Photography Marvin Rush ("Time's Arrow, Part II” – “Realm of Fear") Jonathan West ("Man of the People” – “Descent") Production Designer Richard D. James Editors J.P. Farrell ("Time's Arrow, Part II", "Relics", "Rascals", "Chain of Command, Part I", "Aquiel", "Birthright, Part I", "Lessons", "Suspicions", "Timescape") Robert Lederman ("Realm of Fear") Tom Benko, A.C.E. ("Man of the People", "True Q") Steve Tucker ("Schisms", "A Fistful of Datas", "Chain of Command, Part II", "Face of the Enemy", "Birthright, Part II", "The Chase", "Rightful Heir", "Descent") David Ramirez ("The Quality of Life", "Ship in a Bottle", "Tapestry", "Starship Mine", "Frame of Mind", "Second Chances") Unit Production Manager Brad Yacobian First Assistant Directors Jerry Fleck ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") Adele G. Simmons ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", Suspicions", "Second Chances", "Descent") Second Assistant Director Arlene Fukai Costume Designer Robert Blackman Set Designer Jim Mees Visual Effects Dan Curry Visual Effects Supervisors Ron Moore ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") David Stipes ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", "Suspicions", "Second Chances", "Descent") Post-Production Supervisor Wendy Rosenfeld (credited as Wendy Knoller in "Timescape" and "Descent") Supervising Editor John P. Farrell Senior Illustrator/Technical Consultant Rick Sternbach Scenic Art Supervisor/Technical Consultant Michael Okuda Make-Up Designed and Supervised By Michael Westmore Art Director Andy Neskoromny Set Designer Gary Speckman Visual Effects Coordinators Philip Barberio ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") David Takemura ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", "Suspicions", "Second Chances", "Descent") Original Set Design Herman Zimmerman Original Starfleet Uniforms William Ware Theiss Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Masters Joe Longo ("Time's Arrow, Part II") Alan Sims ("Realm of Fear” – “Descent") Construction Coordinator Al Smutko Scenic Artists Jim Magdaleno ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", Timescape") Alan Kobayashi ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", "Suspicions", "Second Chances", "Descent") Hair Designer Joy Zapata Make-Up Artists Gerald Quist June Abston Haymore Hair Stylists Candace Neal ("Time's Arrow, Part II") Patti Miller ("Realm of Fear” – “The Quality of Life", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase” – “Descent") Josee Normand ("Chain of Command, Part I” – “Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons” – “Descent") Wardrobe Supervisor Carol Kunz Sound Mixer Alan Bernard, C.A.S. Camera Operator Joe Chess, S.O.C. ("Time's Arrow, Part II” – “Realm of Fear") Chief Lighting Technicians William Peets ("Time's Arrow, Part II” – “Realm of Fear") R.D. Knox ("Man of the People” – “Descent") First Company Grip Bob Sordal ("Time's Arrow, Part II” – “Realm of Fear") Steve Gausche ("Man of the People” – “Descent") Key Costumers Kimberley Thompson ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") Amanda Chamberlin ("Time's Arrow, Part II") David Powell ("Realm of Fear", "Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", "Suspicions", "Second Chances", "Descent") Jerry Bono ("Realm of Fear") Mary Ellen Bosché ("Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") (credited as Mary Ellen Boché on the first four episodes) Matt Hoffman ("Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle", "Face of the Enemy", "Birthright, Part I", "Starship Mine", "The Chase", "Suspicions", "Second Chances", "Descent") Music Editor Gerry Sackman Supervising Sound Editors Bill Wistrom ("Time's Arrow, Part II” – “Chain of Command, Part II") Mace Matiosian ("Ship in a Bottle” – “Descent") Sound Effects Supervisor Jim Wolvington ("Time's Arrow, Part II") Sound Editors Miguel Rivera Masanobu Tomita Guy Tsujimoto Dan Yale ("Time's Arrow, Part II” – “Birthright, Part II") Wilson Dyer ("Starship Mine” – “Frame of Mind") Ruth Adelman ("Suspicions” – “Descent") Production Coordinator Diane Overdiek Post Production Coordinator Dawn Hernandez Visual Effects Associate Edward L. Williams Production Associate Kim Fitzgerald Based Upon Material By Matthew Corey ("True Q") LJ Scott ("The Quality of Life") Science Consultant Naren Shankar ("Time's Arrow, Part II” – “Aquiel", "Tapestry” – “Descent") Casting Executive Helen Mossler, C.S.A. Pre-Production Associate Lolita Fatjo Stunt Coordinator Dennis Madalone ("Time's Arrow, Part II", "Man of the People", "Schisms” – “Chain of Command, Part I", "Tapestry” – “Starship Mine", "Frame of Mind” – “Descent") Post Production Sound By Modern Sound Monitors By Sony Corp. of America ("Schisms", "Rascals", "The Chase") Filmed with Panavision® Lenses and Cameras The Sherlock Holmes characters were created by A. Conan Doyle. This use by arrangement with Dame Jean Conan Doyle. ("Ship in a Bottle") Special Visual Effects By Industrial Light and Magic, A Division of Lucasfilm, Ltd. Motion Control Photography By Image "G" Video Optical Effects By Digital Magic Special Video Compositing CIS Hollywood Editing Facilities Unitel Video Uncredited Greg Agalsoff – Mike Operator ("Descent") Dolores Arce – Assistant Accountant Camille Argus – Costumer ("Descent") Richard Balder – Special Effects Labor Artist ("Descent") Christopher Bergschneider – Prop Fabricator: Kurlan naiskos ("The Chase") David Bernard – Sound Cable Person ("Descent") Rob Bloch – Animal Trainer: Critters of the Cinema ("Time's Arrow, Part II", "True Q", "A Fistful of Datas", "Aquiel", "Birthright, Part I") Tom Bookout – Grip ("Tapestry” – “Descent") Mary Ellen Bosché – Set Costumer ("Descent") Brannon Braga – Lyrics: Klingon aria ("Birthright, Part II") George Brozak – Storyline ("Birthright, Part I") Lloyd A. Buswell – Construction Foreman Kevin D. Carlson – Puppeteer: Exocomps ("The Quality of Life") Richard Chronister – Special Effects Artist ("Descent") Ray Clarke – DFX Paint FX Artist: The Post Group Richmond G. Cogswell – Video Playback ("Descent") Cogswell Video Services, Inc. – Video Playback ("Descent") Laura Connolly – Hair Stylist ("Time's Arrow, Part II") Brian Cooper – Assistant Chief Lighting Technician ("Descent") Dick D'Angelo – Swing Gang ("Descent") Doug Davey – Re-Recording Mixer ("A Fistful of Datas", "Descent") Robert De La Garza – Assistant Property Master ("Descent") Frank Detone, Jr. – Extra Grip ("Descent") Alfred T. Ferrante – ADR Mixer ("Time's Arrow, Part II” – “Man of the People", "A Fistful of Datas” – “The Quality of Life", "Ship in a Bottle” – “Tapestry", "Starship Mine” – “Descent") Larry Field – Final Colorist ("Time's Arrow, Part II” – “Descent") Hala Gabriel – Accountant William Jay Gahret – Extra Camera Operator ("Descent") Mark Gehred-O'Connell – Storyline ("Timescape") Jeff Gersh – Sound Editor ("Time's Arrow, Part II") Cheryl Gluckstern – Production Associate Jason Gold – Production Assistant Peter Greenwood – Special Effects Artist: Creature Suit ("Time's Arrow, Part II") Chris Haire – Re-Recording Mixer ("A Fistful of Datas", "Descent") John Hanna – Animal Trainer: Critters of the Cinema ("Time's Arrow, Part II") Paul Hill – Visual Effects Compositor: Digital Magic Arthur Loy Holcomb – Storyline ("Birthright, Part I") Michael Hood – Costume and Character Designer and Fabricator: Devidians ("Time's Arrow, Part II") Adam Howard – Visual Effects Compositor ("Realm of Fear” – “A Fistful of Datas", "Chain of Command, Part I” – “Ship in a Bottle", "Face of the Enemy” – “Descent") Carey Howe – Model Maker ("Realm of Fear") Gregory Jein – Model Maker ("Time's Arrow, Part II” – “Descent") Brian Johnson – Crab Dolly Grip ("Descent") Ralph Johnson – Lamp Operator ("Descent") Dean Jones – Makeup Artist ("Chain of Command, Part I” – “Chain of Command, Part II", "Birthright, Part I” – “Birthright, Part II") Starr Jones – Makeup Artist ("Birthright, Part I” – “Birthright, Part II") Hilarie Jutras – DGA Trainee ("Time's Arrow, Part II” – “Face of the Enemy") Richard Kelley – Assistant Camera Operator ("Aquiel” – “Descent") Alan Kobayashi – Graphic Designer ("Time's Arrow, Part II", "Man of the People", "Schisms", "Rascals", "The Quality of Life", "Chain of Command, Part II", "Aquiel", "Tapestry", "Birthright, Part II", "Lessons", "Frame of Mind", "Rightful Heir", "Timescape") Jules Kovisars – DGA Trainee ("Descent") Kris Krosskove – Camera Operator ("Descent") Erwin H. Kupitz – Wig Maker ("Ship in a Bottle” – “Descent") Don Lehman – Lamp Operator ("Descent") Michael E. Little – Camera Operator ("Man of the People” – “Descent") Jill MacKay – Jewelry Designer Daryl F. Mallett – Storyline ("Birthright, Part I") Margulies – Extra Camera Assistant ("Descent") Daniel Cary McCrystal – Second Assistant Camera Operator ("Descent") Scott McKnight – Lamp Operator ("Descent") Ed Miarecki – Props ("Time's Arrow, Part II” – “Descent") Patricia Miller – Hair Stylist ("Time's Arrow, Part II") Ronald D. Moore – Co-Writer ("Chain of Command, Part II") James Mooring – Storyline ("Tapestry") Richard L. Morrison – Re-Recording Mixer ("A Fistful of Datas", "Descent") Janet Muswell – Lead Compositor ("Realm of Fear” – “Relics", "True Q", "A Fistful of Datas", "Chain of Command, Part I", "Ship in a Bottle") Danny Nero – Extras Casting: Central Casting John Nesterowicz – Swing Gang ("Descent") Josée Normand – Hair Stylist ("Time's Arrow, Part II") Frank O'Hea – Painter ("Descent") Daniel R. Purinton – Rigging Gaffer/Lot Best Boy Tom Purser – Construction Worker Robbie Robinson – Still Photographer ("Tapestry", "Descent") Tim Roller – First Assistant Camera Operator ("Descent") LuJean Rose – Animal Trainer: Critters of the Cinema ("True Q", "Aquiel") John Frank Rosenblum – Writer ("Time's Arrow, Part II") David Rossi – Production Associate Rick Rowe – Craft Service ("Descent") Charlie Russo – Property Person ("Descent") Richard Sabre – Hair Stylist ("Time's Arrow, Part II") Stu Satterfield – Transportation Coordinator ("Descent") Suzie Shimizu – Production Accountant Fernando Sepulveda – Property Lead Person ("Descent") Joseph Smith – Orchestrator Mark Stimson – Special Effects Artist ("Descent") Jeri Taylor – Writer ("Chain of Command, Part II") Karen Thomas-Kolakowski – Animal Trainer: Critters of the Cinema ("True Q", "A Fistful of Datas", "Birthright, Part I") Kimberley Thompson – Costumer ("Descent") Wil Thoms – Special Effects Artist ("Descent") Rich Thorne – Creative Director: Digital Magic Daryl Towles – Script Typist Monte Thrasher – Graphic Designer: Romulan language ("Face of the Enemy") Jerry Trent – Foley Artist ("Time's Arrow, Part II” – “Descent") David G. Trotti – Second Assistant Director ("Descent") Elaina M. Vescio – Set Security ("Descent") Patrick J. Vitolla – Extra Grip ("Descent") Julia L. Walker – Hair Stylist ("Time's Arrow, Part II") Barbara Wallace – Storyline ("Birthright, Part I") Jana Wallace – Script Typist L.Z. Ward – Set Security ("Descent") Jack White – Second Grip ("Descent") Murphy Wiltz – Lamp Operator ("Descent") Jim Wolvington – Sound Effects Supervisor ("Schisms") Production companies Central Casting – Extras Casting Critters of the Cinema – Animal Casting and Training ("Time's Arrow, Part II", "True Q", "A Fistful of Datas", "Aquiel", "Birthright, Part I") See also TNG Season 6 performers TNG Season 6 UK VHS TNG Season 6 US VHS TNG Season 6 DVD TNG Season 6 Blu-ray cs:Šestá sezóna TNG de:TNG Staffel 6 fr:TNG Saison 6 nl:TNG Seizoen 6 sr:СГ: Сезона 6 sv:TNG, säsong 6 Star Trek seasons
1639	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TNG Season 7	Episodes Summary The crew defeats Lore and his group of rogue Borg. Geordi La Forge struggles with the loss of his mother, while Data discovers his own. The captain foils a terrorist plot by Vulcan isolationists. It is discovered that warp drive damages subspace. William T. Riker is forced to choose between his loyalties to an old captain and Picard. Deanna Troi and Beverly Crusher learn long-kept family secrets. Worf meets a future version of Alexander Rozhenko, and both he and Deanna consider a romance. Wesley Crusher leaves Starfleet to study with The Traveler. Ro Laren defects to the Maquis. Q concludes his trial of Humanity, giving Picard an opportunity to save mankind. Background information This season was broadcast concurrent with Season 2. This season earned an Emmy Award nomination for "Outstanding Drama Series", the first (and so far only) time a syndicated series has earned that distinction. While Michael Piller continued to be credited as Executive Producer, he chose to focus on DS9 more, and so Jeri Taylor took over as showrunner for the final season of the series. One of her first decisions was to put an end to the open-submission process that Piller had put in place for scripts, and focus the writing around a core team of regular staff, with freelancers occasionally invited to make submissions. Ronald D. Moore has admitted he was less than satisfied with this season. In an interview about Star Trek: Deep Space Nine in SFX magazine #55 (published in and reprinted in ), he said, "Next Generation, I think, overstayed its welcome. The last season of that show is kind of rough. To be honest, there are chunks of it I haven't watched myself. The show just didn't know what it was trying to do in the last year." Moore said a similar thing in ; "I wish we could've had a more coherent idea of what we wanted to accomplish in TNG's last year. Too much of it was random story-telling without a sense of bringing the show to a conclusion." This season marks the switch from ALL CAPS to Small Caps in the actor names of the main title. Characters which crossover from : Evek (in and ), Admiral Chekote (in ), Quark (in ), and Miles O'Brien (in ). Production of the seventh Star Trek movie, (the first one starring the Next Generation cast) began simultaneously with the last season of the series. Filming for the TNG main cast on the film began only ten days after principal photography was completed on the series finale, . Credits Cast Patrick Stewart as Captain Jean-Luc Picard Jonathan Frakes as Commander William T. Riker LeVar Burton as Lieutenant Commander Geordi La Forge ("Descent, Part II” – “Dark Page", "Force of Nature” – “All Good Things…") Michael Dorn as Lieutenant Worf Gates McFadden as Doctor Beverly Crusher Marina Sirtis as Counselor Deanna Troi Brent Spiner as Lieutenant Commander Data Crew Created By Gene Roddenberry Consulting Producer Peter Lauritson ("Sub Rosa” – “All Good Things…") Co-Producers Brannon Braga Wendy Neuss Producers Ronald D. Moore Peter Lauritson ("Descent, Part II” – “Homeward") Line Producer Merri D. Howard Supervising Producer David Livingston Executive Producers Jeri Taylor Michael Piller Rick Berman Executive Story Editor René Echevarria Story Editor Naren Shankar Casting By Junie Lowry-Johnson, C.S.A. Ron Surma Music By Jay Chattaway ("Descent, Part II", "Interface” – “Gambit, Part II", "Dark Page", "Inheritance", "Sub Rosa” – “Lower Decks", "Eye of the Beholder", "Journey's End", "Emergence” – “Preemptive Strike") Dennis McCarthy ("Liaisons", "Phantasms", "Attached” – “Force of Nature", "Parallels", "Homeward", "Thine Own Self” – “Masks", "Genesis", "Firstborn” – “Bloodlines", "All Good Things…") John Debney ("The Pegasus") Main Title Theme By Jerry Goldsmith Alexander Courage Director of Photography Jonathan West ("Descent, Part II” – “Genesis", "Bloodlines” – “All Good Things…") Kris Krosskove ("Journey's End” – “Firstborn") Production Designer Richard D. James Editors J.P. Farrell ("Descent, Part II") David Ramirez ("Liaisons", "Gambit, Part II", "Attached", "Parallels", "Sub Rosa", "Masks", "Journey's End", "Emergence", "All Good Things…") Steve Tucker ("Interface", "Phantasms", "Force of Nature", "The Pegasus", "Lower Decks", "Eye of the Beholder", "Firstborn", "Preemptive Strike") Daryl Baskin ("Gambit, Part I", "Dark Page", "Inheritance", "Homeward", "Thine Own Self", "Genesis", "Bloodlines", "All Good Things…") Unit Production Manager Brad Yacobian First Assistant Directors Jerry Fleck ("Descent, Part II", "Interface", "Gambit, Part II", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "Genesis", "Firstborn", "All Good Things…") Adele G. Simmons ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike") Richard Wells ("Emergence") Second Assistant Directors Arlene Fukai David Trotti ("All Good Things…") Costume Designer Robert Blackman Co-Costume Designer Abram Waterhouse ("Journey's End” – “All Good Things…") Set Decorator Jim Mees Visual Effects Producer Dan Curry Visual Effects Supervisors Ronald B. Moore ("Descent, Part II", "Interface", "Gambit, Part II", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "All Good Things…") (credited as Ronald D. Moore in "Gambit, Part II") David Stipes ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "All Good Things…") Michael Backauskas ("Genesis", "Firstborn") Philip Barberio ("Emergence") Joe Bauer ("Preemptive Strike") Post Production Supervisor Wendy Knoller Supervising Editor John P. Farrell (credited as J.P. Farrell from "Gambit, Part I" on) Senior Illustrator/Technical Consultant Rick Sternbach Scenic Artist Supervisor/Technical Consultant Michael Okuda ("Descent, Part II” – “Journey's End") Scenic Art Consultant Michael Okuda ("Firstborn” – “All Good Things…") Make-Up Designed and Supervised By Michael Westmore Art Director Andy Neskoromny Set Designer Gary Speckman Visual Effects Coordinators Michael Backauskas ("Descent, Part II", "Interface", "Gambit, Part II", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "All Good Things…") Philip Barberio ("Descent, Part II” – “Parallels") Joe Bauer ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "All Good Things…") Edward L. Williams ("Genesis", "Firstborn", "Emergence", "All Good Things…") Visual Effects Series Coordinator Philip Barberio ("The Pegasus” – “Bloodlines", "Preemptive Strike” – “All Good Things…") Visual Effects Associates Edward L. Williams ("Descent, Part II” – “Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike") Frederick G. Alba ("All Good Things…") Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Master Alan Sims Construction Coordinator Al Smutko Scenic Artists Jim Magdaleno ("Descent, Part II", "Interface", "Gambit, Part II", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "Genesis", "Firstborn", "Emergence", "All Good Things…") Wendy Drapanas ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike” – “All Good Things…") Hair Designer Joy Zapata Makeup Artists June Abston-Haymore Gil Mosko Hair Stylists Patti Miller Michael Moore ("Descent, Part II” – “Liaisons") Eddie Barron ("Interface") Lee Crawford ("Gambit, Part I” – “Gambit, Part II") Laura Connolly ("Phantasms” – “All Good Things…") Wardrobe Supervisor Carol Kunz Sound Mixer Alan Bernard, C.A.S. Camera Operator Kris Krosskove ("Descent, Part II” – “Genesis", "Bloodlines” – “All Good Things…") Chief Lighting Technician R.D. Knox First Company Grip Steve Gausche Key Costumers Kimberley Thompson ("Descent, Part II", "Interface", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "Genesis", "Firstborn", "Emergence", "All Good Things…") Matt Hoffman ("Descent, Part II", "Interface", "Gambit, Part II", "Dark Page", "Force of Nature", "Parallels", "Homeward", "Lower Decks", "Masks", "Genesis", "Firstborn") Dave Powell ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike") Deborah Hall ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike") Carol Kunz ("Gambit, Part II") Maurice Palinski ("Emergence", "All Good Things…") Music Editors Gerry Sackman E. Gedney Webb ("All Good Things…") Supervising Sound Editor Mace Matiosian Sound Editors Miguel Rivera Masanobu Tomita Guy Tsujimoto Ruth Adelman Re-Recording Mixers Chris Haire, C.A.S. ("All Good Things…) Doug Davey ("All Good Things…) Richard Morrison, C.A.S. ("All Good Things…) Post Production Sound By Modern Sound Production Coordinator Diane Overdiek Post Production Coordinator Dawn Velazquez Assistant Editors Lisa De Moraes ("All Good Things…") Michael Westmore, Jr. ("All Good Things…") Visual Effects Assistant Editor Arthur J. Codron ("All Good Things…") Production Associates Kristine Fernandes Dave Rossi ("All Good Things…") Cheryl Gluckstern ("All Good Things…") Zayra Cabot ("All Good Things…") Pre-Production Associate Lolita Fatjo Casting Executive Helen Mossler, C.S.A. Stunt Coordinator Dennis Madalone ("Descent, Part II” – “Liaisons", "Gambit, Part I” – “Attached", "Inheritance", "Sub Rosa” – “All Good Things…") Location Manager Lisa White ("Descent, Part II", "Gambit, Part I", "Attached", "Homeward", "All Good Things…") Original Set Design Herman Zimmerman Science Consultant André Bormanis Based Upon Material By William N. Stape ("Homeward") Jeanna F. Gallo ("Sub Rosa") Shawn Piller & Anatonia Napoli ("Journey's End") Monitors By Sony Corp. of America ("Descent, Part II", "Gambit, Part I” – “Gambit, Part II", "All Good Things…") Filmed with Panavision © Lenses and Cameras ("Liaisons” – “All Good Things…") Special Visual Effects By Industrial Light and Magic, A Division of Lucasfilm, Ltd. Motion Control Photography By Image "G" ("Descent, Part II” – “Preemptive Strike") Erik Nash ("All Good Things…") Video Optical Effects By Digital Magic Special Video Compositing CIS Hollywood ("Descent, Part II” – “Preemptive Strike") Don Lee ("All Good Things…") Online Editing By John Carroll ("All Good Things…") Editing Facilities Unitel Video ("Descent, Part II” – “Preemptive Strike") Uncredited Greg Agalsoff – Mike Operator ("Bloodlines", "All Good Things…") Eric Alba – Visual Effects Artist ("Genesis") Melissa Antablin – Costumer ("Descent, Part II", "Dark Page", "Inheritance", "Homeward", "Lower Decks” – “Eye of the Beholder", "Journey's End” – “All Good Things…") Dolores Arce – Assistant Accountant Camille Argus – Costumer ("Homeward") William L. Asman – "A" Camera Operator ("Journey's End” – “Firstborn") / "B" Camera Operator ("All Good Things") Richard Balder – Special Effects Labor Artist ("Homeward", "Bloodlines") David Bernard – Sound Cable Person ("Homeward", "Bloodlines") Rob Bloch – Animal Trainer: Critters of the Cinema ("Descent Part II", "Phantasms", "Dark Page", "Force of Nature", "Genesis", "All Good Things…") Tom Bookout – Grip ("Descent, Part II” – “All Good Things…") Brannon Braga – Writer ("Liaisons") Lloyd A. Buswell – Construction Foreman Zayra Cabot – Production Associate Ernie Camacho – Digital Effects Artist: CIS Hollywood ("All Good Things…") Ed Charnock, Jr. – Painter Eric Chauvin – Matte Artist: ILM ("All Good Things…") Richard Chronister – Special Effects Artist ("Homeward", "Bloodlines", "All Good Things…") Ray Clarke – DFX Paint FX Artist: The Post Group Joe Conti – Video Toaster Contractor ("Sub Rosa") Brian Cooper – Assistant Chief Lighting Technician ("Homeward", "Bloodlines") Ed Cooper – Lamp Operator ("All Good Things…") Roy Cunningham – Costumer Cutter Fitter Dick D'Angelo – Swing Gang ("Homeward", "Bloodlines") Doug Davey – Effect Re-Recording Mixer ("Genesis") Robert De La Garza – Assistant Property Master ("Homeward") Yvonne DePatis-Kupka – Hair Stylist ("Homeward") Robert Dollwet – Animal Trainer: Critters of the Cinema ("Dark Page") René Echevarria – Writer ("Interface", "Dark Page") Hank Edds – Makeup Artist ("Homeward", "Genesis") Bobbi Edrington – Animal Trainer: Critters of the Cinema ("Dark Page") Chris Edrington – Animal Trainer: Critters of the Cinema ("Dark Page") Carolyn Elias – Hair Stylist ("Firstborn") Mark E. Fenlason – Prop Fabricator/Model Maker/Set Construction ("All Good Things…") Alfred T. Ferrante – ADR Mixer ("Descent, Part II” – “All Good Things…") Larry Field – Final Colorist ("Descent, Part II” – “All Good Things…") Anthony Fredrickson – Scenic Artist ("Parallels"); Model Maker ("Eye of the Beholder") Hala Gabriel – Accountant Jeff Gersh – Sound Editor ("Genesis") John E. Glassco – Medical Adviser ("Genesis") Cheryl Gluckstern – Production Assistant David Goldfarb – DGA Trainee Jacques Gravett – Assistant Editor Don Greenberg – Lead Compositor: The Post Group ("Liaisons", "Gambit, Part I", "Phantasms", "Attached", "Inheritance", "The Pegasus", "Sub Rosa", "Thine Own Self", "Eye of the Beholder", "Journey's End", "Bloodlines", "Preemptive Strike” – “All Good Things…") John Grower – Head of Santa Barbara Studios ("Masks") Eric Guaglione – Animation Supervisor: Santa Barbara Studios ("Masks") Chris Haire – Dialogue Re-Recording Mixer ("Genesis") Deborah Hall – Set Costumer ("Homeward", "All Good Things…") Kevin Haney – Makeup Artist ("Genesis") Bill Hawk – Miniature Fabricator ("The Pegasus") Bill Henderson – Sound Re-Recording Engineer ("Preemptive Strike"); Sound Re-Recording Mixer ("All Good Things…") Paul Hill – Visual Effects Compositor: Digital Magic Matt Hoffman – Set Costumer ("Bloodlines") Tina Hoffman – Makeup Artist ("Homeward", "Genesis") Adam Howard – Visual Effects Compositor ("Descent, Part II” – “Phantasms", "Attached” – “The Pegasus", "Sub Rosa” – “All Good Things…") Adrian Hurley – Special Effects Camera Operator ("Force of Nature") Gregory Jein – Model Maker ("Descent, Part II” – “All Good Things…") Brian Johnson – Crab Dolly Grip ("Homeward", "Bloodlines", "All Good Things…") Ralph Johnson – Lamp Operator ("Homeward", "Bloodlines", "All Good Things…") Bruce Jones – Visual Effects Producer: Santa Barbara Studios ("Masks") Brian Q. Kelley – Video Segments Editor ("Eye of the Beholder", "Firstborn", "Preemptive Strike") Richard Kelley – Assistant Camera Operator ("Descent, Part II") Michael Key – Makeup Artist ("Gambit, Part I", "Genesis") Barry R. Koper – Makeup Artist ("Homeward") Erwin H. Kupitz – Wig Maker ("Descent, Part II” – “All Good Things…") Stephen Lebed – Model Maker ("Liaisons") Don Lehman – Lamp Operator ("Homeward", "Bloodlines", "All Good Things…") Michael Mack – Writing Intern Jill MacKay – Jewelry Designer Cary McCrystal – Second Assistant Camera Operator ("Homeward", "Bloodlines", "All Good Things…") Tim McHugh – Video Toaster Contractor ("Sub Rosa") Scott McKnight – Lamp Operator ("Homeward", "Bloodlines") Kim McLaren – First Assistant Accountant ("The Pegasus” – “All Good Things…") Ed Miarecki – Prop Maker ("Descent, Part II” – “All Good Things…") Susie Money – Costumer ("Bloodlines") Richard L. Morrison – Re-Recording Mixer ("Genesis") Murata – DGA Trainee ("Homeward") Danny Nero – Extras Casting: Central Casting John Nesterowicz – Swing Gang ("Homeward", "Bloodlines") Josée Normand – Hair Stylist ("Phantasms", "All Good Things…") Renee North – Costume Cutter Fitter Frank O'Hea – Painter ("Homeward", "Bloodlines") Dave Powell – Costumer ("Homeward") Daniel R. Purinton – Rigging Gaffer/Lot Best Boy Tom Purser – Construction Worker David Quashnick – Makeup Artist ("Homeward", "Genesis") Scott Rader – Compositing Animator ("All Good Things…") A.J. Raitano – Visual Effects Camera Operator: Image "G" ("The Pegasus") Bernd Rantscheff – Makeup Artist ("Homeward") Tim Roller – First Assistant Camera Operator ("Homeward", "Bloodlines", "All Good Things…") LuJean Rose – Animal Trainer: Critters of the Cinema ("All Good Things…") David Rossi – Production Associate Rick Rowe – Craft Service ("Homeward", "Bloodlines") Charlie Russo – Set Property Person ("Homeward", "Bloodlines", "All Good Things…") John Saint John – Background Casting: Native Americans ("Journey's End") Jim Samson – Assistant Property Person ("Bloodlines") Stewart Satterfield – Transportation Coordinator ("Homeward", "Bloodlines") Roger Senders – DGA Trainee ("Gambit, Part II") Fernando Sepulveda – Property Lead Person ("Homeward", "Bloodlines") Don Sheldon – Hair Stylist ("Firstborn") Suzie Shimizu – Production Accountant Debbie Silverman – Animal Trainer: Critters of the Cinema ("All Good Things…") Steph Silvestri – Production Assistant Mike Smithson – Makeup Artist ("Genesis", "Bloodlines") Mark Stimson – Special Effects Artist ("Homeward", "Bloodlines") Phil Stirling – Mike Operator ("Homeward") Thomas E. Surprenant – Makeup Artist ("Homeward", "Thine Own Self") Jeri Taylor – Writer ("Interface") Karen Thomas-Kolakowski – Animal Trainer: Critters of the Cinema ("Descent Part II", "Phantasms", "Force of Nature", "Genesis", "All Good Things…") Kimberley Thompson – Costumer ("Bloodlines") Wil Thoms – Special Effects Artist ("Homeward", "Bloodlines", "All Good Things…") Carrie Toth – Animal Trainer: Critters of the Cinema ("All Good Things…") Daryl Towles – Script Typist Audrey Trent – Foley Artist ("Genesis") Jerry Trent – Foley Artist ("Descent, Part II” – “All Good Things…") David G. Trotti – Second Assistant Director ("Gambit, Part II", "Homeward", "Bloodlines") Elaina M. Vescio – Set Security ("Homeward", "Bloodlines") Patrick J. Vitolla – Grip ("Homeward", "Bloodlines", "All Good Things…") Jana Wallace – Script Typist L.Z. Ward – Set Security ("Homeward", "Bloodlines") Mark Wendell – Digital Effects Artist: Santa Barbara Studios ("Masks") Jack White – Second Grip ("Homeward", "Bloodlines") Joe White – Visual Effects Artist ("Phantasms", "Parallels") Murphy Wiltz – Lamp Operator ("Homeward", "Bloodlines") Darrell Woodard – DGA Trainee ("Bloodlines", "All Good Things…") Susan Zietlow-Maust – Hair Stylist ("Firstborn") Debbie Zoller – Makeup Artist ("Homeward", "Genesis", "All Good Things…") Production companies Amblin Imaging – CGI Company ("Emergence") Central Casting – Extras Casting Critters of the Cinema – Animal Casting and Training ("Descent Part II", "Phantasms", "Dark Page", "Force of Nature", "Genesis", "All Good Things…") Diligent Dwarves Effects Lab – Specialty Costume: Knight in Armor ("Emergence") Santa Barbara Studios – Special Effects Company ("Masks") See also TNG Season 7 performers TNG Season 7 UK VHS TNG Season 7 US VHS TNG Season 7 DVD TNG Season 7 Blu-ray cs:Sedmá sezóna TNG de:TNG Staffel 7 fr:TNG Saison 7 nl:TNG Seizoen 7 sr:СГ: Сезона 7 sv:TNG, säsong 7 Star Trek seasons
1640	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Enterprise (NX-01)	One of the most important starships in interstellar history, Enterprise (NX-01) was the culmination of the NX Project. The NX-01 was the first starship, launched by the United Earth Starfleet in 2151. () Enterprise established United Earth as a legitimate interstellar power and caused a wholesale revolution in Alpha and Beta Quadrant politics, paving the way for the creation of the Coalition of Planets in 2155, and eventually the United Federation of Planets in 2161. (, , ) History Development For Humanity to make space exploration missions possible within a single natural lifetime, Humans had to make themselves capable of traveling faster than warp 1, the speed of light. After Zefram Cochrane made a successful warp test flight in the Phoenix in 2063, the propulsion system he created was further developed. In 2119, several engineers, such as Henry Archer and Cochrane himself, began the work that paved the way directly to Enterprise, at the Warp Five Complex in Bozeman, Montana. Over the next thirty-two years, warp engine development continued until Humanity's first warp 5 engine was created. This engine was capable of speeds that finally made interstellar travel in more survivable periods possible – that is, in days, weeks or months, instead of years. Consequently, Humanity was able to construct its first warp 5 capable starship, Enterprise, completed in 2151. Initially, Enterprise had a theoretical maximum speed of warp 4.5. Aside from its engine, Enterprise was also the first Earth vessel to be equipped with a transporter rated for transporting biological organisms. () However, the machine malfunctioned a number of times before the initial bugs were worked out. () Most of the crew was initially hesitant to use the transporter, its use became more widespread during Enterprise' third and especially fourth year in space. The preferred method of travel was still the , unless all other options were exhausted. After trips in the pod, it was standard procedure for returning crew and passengers to utilize the decontamination chamber. (, et al.) The ship was not as advanced in all areas, however; unlike the Vulcan ships of its day, it did not possess tractor beams, merely magnetic grapplers. (, et al.) Enterprise had a standard crew complement of eighty-three Humans, with the addition of a Vulcan and a Denobulan; approximately a third of the crew was female. () Prior to its launch, Captain Gardner was considered for command of Enterprise, regarded as the most suitable choice by Ambassador Soval. Admiral Maxwell Forrest ultimately narrowed down the candidates for the captaincy to Jonathan Archer and A.G. Robinson instead, though, pointing out that the Vulcan High Command was not in charge of Starfleet's personnel assignments. In 2150, the year her was laid, Forrest finally selected Archer. () The historical significance of Enterprise was related in a drawing of the ship that hung in Archer's ready room; the image was part of a series of drawings depicting the historical lineage of ships called Enterprise. () Launch and early missions Following the Broken Bow Incident in April 2151, the launch of Enterprise was rearranged for three weeks ahead of schedule. The reason the ship's maiden voyage was brought forward was that United Earth needed to return Klaang, a Klingon, to his homeworld of Qo'noS. (; ) The early launch was strongly protested by Vulcan Ambassador Soval, who believed Humanity was not ready to explore space. He did manage to wrangle a concession from Starfleet, forcing Archer to allow the placement of Sub-Commander T'Pol, of the Vulcan High Command, on his vessel in exchange for Vulcan star charts. The send-off went ahead, Enterprise launching from the Orbital Drydock Facility on April 16, 2151, under Captain Archer's command. () However, the vessel's early launch meant it left spacedock somewhat unfinished; its spatial torpedoes were uncalibrated, and its phase cannons had not even been installed. () Once Klaang was returned, Enterprise soon explored an argon-rich planet occupied by slug-like animals. The ship's spatial torpedoes were calibrated in the heat of battle, in May of 2151; the ship only survived because of the intervention of the Axanar. () Not long afterwards, the crew descended on and explored their first class M planet, eventually named Archer IV. ( library computer file) The crew also made first contact with a pre-warp civilization called Akaali shortly afterwards. () The phase cannons were not installed until September of 2151, while Enterprise battled an unknown enemy. () When a Mazarite ship attacked Enterprise in February 2152, the first shot disabled Enterprises aft sensors. () Enterprise reached Warp 5 for the first time while attempting to outrun the Mazarite ship and carrying Vulcan ambassador V'Lar. () Brief cancellation and missions afterward By of 2152, ten months after launching, Enterprise had engaged in armed conflicts with more than a dozen species. That month, the ship's mission was canceled when one of its shuttlepods appeared to have ignited tetrazine gas within the atmosphere of Paraagan II, killing 3,600 innocent colonists. It was this event, along with the ship's actions at other planets including P'Jem and Tandar Prime, that caused the Starfleet Command Council to recall Enterprise to Earth. () Ambassador Soval recommended that United Earth wait another ten to twenty years before trying another deep space exploration mission. () Captain Archer was able to convince the Starfleet Command Council and the Vulcan High Command to allow Enterprise to continue, particularly after it was revealed that the accident had been triggered by the Suliban . () In April of 2152, Enterprise struck a cloaked mine in a Romulan minefield and consequently suffered a large series of hull breaches. Another of the mines became attached to the ship's hull, pinning Lieutenant Malcolm Reed to the hull. After Captain Archer failed to defuse this mine, the section of the ship's hull that Reed and the mine were attached to was separated from the rest of the ship, with Archer on it together with Reed. Because a pair of that were nearby charged their weapons, Enterprises hull plating needed to be polarized, even despite the absence of the detached hull section. () The damage was so extensive, though, that the ship's port bow plating couldn't be polarized until the hull breaches were sealed. () After the mine was safely detonated, Enterprise rescued Archer and Reed, then vacated the area. () It was estimated that repairing the damage to Enterprise would take, assuming the ship found some tritanium alloy, between three and four months. The ship was reduced to only short-range communications – as its subspace antenna had been damaged – and a possible maximum speed of warp 2.1. Fortunately, the craft was directed by a passing Tellarite vessel to an automated repair station. Enterprise was repaired, though the crew was forced to destroy the facility when it was revealed that it had taken hostage one of their crew members. () A plasma injector nevertheless failed shortly thereafter, necessitating a trip to the Kreetassan homeworld. There, the ship was gifted three plasma injectors, despite only needing one, and kept the other two as spares. () Enterprise likewise picked up 2000 liters of deuterium from a mining colony, whereas only 200 liters had been requested. () Owing to the ship's actions in previous conflicts such as its latest with the Suliban and the battle with the Mazarites, Lieutenant Reed came to the opinion that Enterprise and its crew were taking too long to respond to potential threats, so he began developing a tactical alert system for the vessel. According to him, security aboard the craft had been a point of contention between himself and Captain Archer since Enterprises launch, with Reed taking more of a proactive approach than the captain. Because the vessel's crew became affected by a dangerous type of mind-altering radiation from a nearby trinary star system, Enterprise had to be piloted through a debris field. The ship was steered by Archer almost single-handedly, though with navigational assistance from T'Pol, and the newly invented tactical alert was at one point instrumental in executing these maneuvers without the craft receiving too much damage. () While attempting to pursue and detain a Retellian freighter in September 2152, Enterprise became crippled; a cloud released from the freighter, comprised of dilithium hydroxyls and ionized pyrosulfates, clogged the NX-class starship's plasma vents, temporarily preventing the vessel from engaging its warp drive. () By September 18, 2152, Enterprise had travelled over 100 light years from Earth. In order to traverse a neutronic storm which reached the ship on that date, the ship's structural integrity was reinforced and the craft's power grid was deactivated, illuminating all shipboard areas in only blue emergency lights. These modifications were made by the crew, who took refuge in the vessel's catwalk together with their belongings. To accommodate the crew, the ship's warp reactor was shut down and numerous modifications were made to the catwalk. For example, command of the vessel was transferred from the main bridge to a temporary command post in one of the catwalk's compartments. The engineering team had only four hours to make the necessary changes. Upon addressing the crew with an initial speech whose audio was broadcast from the makeshift command area, Archer referred to Enterprise as "the sturdiest ship" in Starfleet. After the vessel's hull plating was polarized, Enterprise shakily entered the neutronic storm, with early spatial turbulence that at first disabled the vessel's aft stabilizers. The ship continued to experience occasional turbulence, albeit mostly minor, through its duration in the storm, which was scheduled to take eight days. Also during that period, the vessel – while more than twenty light years away from the Takret homeworld – was invaded by the Takret Militia, who were under the impression the ship had been abandoned by its crew. The military officers therefore worked on restoring power to the craft, though a three-person team of Enterprise officers set out to stop them, with the lives of the other crew members at stake. In an on-screen confrontation between Archer and the Takret captain, Archer threatened to destroy the ship. The Takret captain, who had been reading about the craft, extremely doubted Archer would do anything to even damage the vessel, but Takret Lieutenant Paltani did believe Archer. The ship, heading towards a plasma eddy which gradually increased the turbulence felt aboard the craft, was successfully sabotaged by its crew, and the worsening shipboard conditions influenced the Takret Militia to withdraw. The vessel was in danger of being ripped in two by the plasma eddy when the craft finally veered away from it. Shortly thereafter, Enterprise managed to leave the storm earlier than expected, allowing all the crew to return with their belongings to the rest of the ship. () Later that year, Enterprise was consumed by a wisp ship while they were 150 light years from Earth. Due to being encased in the alien vessel, Enterprise had its weapons, both the phase cannons and torpedoes, and engines, both warp and impulse, disabled. Also, Enterprises sensors were rendered unable to penetrate the other ship's hull or detect any lifeforms in the wisp craft, though the wisps themselves were actually non-corporeal beings which proceeded to inhabit officers aboard Enterprise but also released the ship. The vessel's impulse engines were made operational shortly thereafter thanks to the engineering staff, but the fact that the wisps had captured the officers they had replaced prevented Archer from ordering the ship's departure until the missing personnel had been returned. After it was discovered that an osmium alloy which reinforced the ship's catwalk additionally shielded that area from the wisps, the uninhabited members of the crew, of whom there were fifty-eight persons, took refuge in the catwalk, leaving the possessed officers confined to quarters. Phlox managed to temporarily vent carbon dioxide into all areas except for the catwalk, which rid the vessel of the alien intruders, and Enterprise finally departed, destroying the wisp ship while leaving. () Shortly thereafter, Enterprise picked up a distress call from a group of Arin'Sen fugitives who had left a colony which had been annexed by the Klingon Empire. The ship docked with their Klingon transport and brought them aboard. By the time it first detected the battle cruiser approaching, Enterprise had brought all the refugees aboard, so the starship left their transport behind. In preparation for defending Enterprise, Archer ordered the ship to assume tactical alert and instructed that a torpedo be readied to ignite plasma in a nearby planetary ring system. Enterprise was subsequently attacked by the Bortas but retaliated, and a space battle ensued. During the confrontation, Enterprise lured the Klingon vessel into the rings of the planetary ring system and, by igniting the plasma, managed to cripple the Klingon ship before escaping with the refugees. Enterprise didn't destroy the Bortas because Archer didn't consider the ship's commanding officer – Duras, son of Toral – his enemy. When Duras subsequently gave false testimony against Captain Archer, the latter's ship was referred to as "the battle cruiser Enterprise". Duras, no longer the commander of the Bortas, had apparently warned Archer that Enterprise was "inferior" to that vessel. In Duras' version of events, Enterprise had nonetheless been the first craft to open fire. The ship was permitted to orbit Narendra III while Archer was tried there, but as soon as he was sentenced to life imprisonment on Rura Penthe, the vessel complied with orders from the Klingons that forced the craft to immediately leave. Archer was covertly freed by Lieutenant Reed some time later. () In January 2153, Enterprise received orders to reverse course and make a temporary detour by nearly thirty light years, in order to study a certain planet that was about to start erupting with active volcanoes. Since the rescheduled course was going to pass near the , Enterprise took ten hours off its flight path in order to briefly rendezvous with the Horizon, allowing Ensign Travis Mayweather an opportunity to make a return visit home, as he had grown up on the Horizon and most of his family still lived there. By this time, eighteen months after launching, Enterprise had visited twenty-two inhabited planets, though had not been to Trelkis III. () Search for the Xindi weapon After the Xindi attacked Earth in March of 2153, Enterprise was recalled home. Arriving on April 24, Enterprise was refitted and upgraded with the new photonic torpedoes, enhanced hull plating, a universal translator update, and a new command center. The ship also took on board a detachment of MACOs, before being relaunched on a new mission to the Delphic Expanse to search for the Xindi weapon. () The search for the Xindi was long and perilous, taking almost a year. Enterprise was in danger much of the time in the Expanse, due to the presence of spatial anomalies generated by massive spheres in the region. () It was discovered that insulating the hull with trellium-D could protect the ship from the anomalies, but unfortunately, trellium was hazardous to Vulcan neural pathways, and Captain Archer refused to let Sub-Commander T'Pol leave the ship. Hence, the shielding could not be used. () Eventually, T'Pol discovered a way to determine or predict the spatial anomalies as well as the locations of the spheres. During an exploration to verify T'Pol's theory, decks B, C, and E were breached and decompressed. () Enterprise then spent around two weeks in a polaric field, in which the ship was covered with highly charged and magnetic nucleonic particles, primarily ferric ions, that formed a strong particulate which generated a power-dampening dia-magnetic field capable of shutting down all shipboard systems, including life support. The crew eventually was able to use the ship's shuttlepods to tow the ship out of the field, and the nucleonic particles detached from the hull once Enterprise was clear. () Afterwards, Enterprise was hijacked by Triannon fanatics with organic explosives implanted in their bodies. During the event, part of the ship's hull was damaged and one crewman died. () In February of 2154, Enterprise determined the location of the Xindi weapon and arrived in the Azati Prime system. () There, the ship suffered severe damage, due to attacks by multiple Xindi vessels. The ship's primary warp coil was destroyed, damage that required Captain Archer to eventually attack an Illyrian ship. That craft had a warp coil that Enterprises crew could use, which would let them arrive on time to a meeting with Degra. () Enterprise might have endured even more damage in the Delphic Expanse, if not for the intervention of an alternate future version of Enterprise, which had traveled 117 years into the past when attempting to use a subspace corridor. () Enterprise accomplished its mission to destroy the Xindi weapon successfully, though Captain Archer was presumed to have died when the weapon had exploded. The starship was returned to Earth by a Xindi-Aquatic cruiser following the end of the mission, though Enterprise made a slight detour to alternate version of 1944 with the help of temporal agent . During this mission, Archer rejoined the ship after stopping Vosk's attempt to return to his own time, and subsequently bringing an end to the Temporal Cold War that had, for so long, plagued Enterprises mission. () The crew of Enterprise spent nearly 10 months in the Delphic Expanse during their mission to find the Xindi from April 24th, 2153 () to February 2154. () During those 10 months, twenty-seven Enterprise crew members died in search of the Xindi weapon. () See also: Xindi incident After returning home The members of Enterprises crew were hailed as heroes upon returning to Earth, especially Captain Archer, for whom several schools were named. Enterprise was placed into drydock, where it began an extensive repair and refit. Modifications to the ship included a new captain's chair, an upgrade to the transporter, and repainted door panels. () In May of 2154, a group of rogue Augments, left over from the Eugenics Wars, stole a Klingon Bird-of-Prey and killed its entire crew. The Klingon Empire threatened United Earth with war, unless the Augments were apprehended. After a debriefing and refit, Enterprise was relaunched with Arik Soong on board to try to hunt down the Augments on the border of the Orion Syndicate. After several brief firefights with Orion Interceptors, the Augments found Enterprise, took Soong aboard their ship, and set course to Cold Station 12. Enterprise pursued but failed to stop Soong from taking thousands of unborn Augment embryos. Soong then headed to the Briar Patch; however, the Augments turned on him, and headed to a Klingon colony to attempt the release of several types of pathogens into the atmosphere. Enterprise arrived in time to stop the Augments, destroying them and their Bird-of-Prey. () When the United Earth Embassy on was bombed, Enterprise was ordered to the Vulcan system to investigate. The Vulcan High Command postulated that the Syrrannites had been behind the bombing. The crew discovered a bomb still in the wreckage of the embassy and confirmed that DNA of a well-known Syrrannite, T'Pau, was on the bomb, but this was later discovered to be faked. Archer and T'Pol went on a quest to find T'Pau in The Forge, leaving Enterprise in command of Commander Tucker. After challenging V'Las' evidence on the bombing, Ambassador Soval was thrown out of the High Command and decided to stay aboard the ship with the Humans. Enterprise was eventually ordered to leave the system, and refused to do so with its captain still on the planet, causing a skirmish with the Vulcans. Soval informed Acting Captain Tucker that the Vulcan High Command was preparing to attack Andoria. Enterprise traveled to a nearby nebula where they warned the Andorians, and then assisted them when the two fleets engaged each other. The Vulcan High Command called off the attack after only a short time, due to political changes – back on their homeworld – that caused the High Command to withdraw. The discovery of the ancient texts of Surak caused the dismissal of the High Command, and Starfleet activity was no longer to be regulated by the Vulcans. () Some time after the Vulcan Reformation, Emory Erickson performed a major overhaul of the transporter in an experiment on Enterprise, boosting the transporter range to more than 40,000 kilometers. The upgrade replaced the old transporter control pedestal with a much more advanced control system. The upgrade turned out to be part of a ruse to try to get back his son, who had been lost in a transporter accident, many years before. () Later in 2154, Commander Tucker and Ensign Hoshi Sato were infected with a silicon-based virus while on an away mission. The virus was used by the Organians to test races, then, if passing, make first contact with them. As a result, a part of Enterprise had to be sealed off in quarantine. () In November of 2154, Enterprise carried a Tellarite delegation, including Ambassador , to Babel. On the way there, the starship received a distress call from the Andorian warship Kumari. The warship had been attacked by an unknown ship, although Andorian Commander Shran blamed the Tellarites for the destruction of his vessel. Eventually, the crew of Enterprise learned that the Kumari had been attacked by a prototype Romulan drone ship which was able to holographically disguise itself as other vessels. Gral and Shran eventually managed to work out their differences, and Enterprise rendezvoused with a Tellarite transport ship which returned Gral and his delegation to Tellar Prime. Enterprise continued to Andoria, where Captain Archer and Commander Shran encountered the Aenar, a blind race of telepaths. A member of the Aenar, Jhamel, returned to Enterprise with Archer and Shran, and assisted in the destruction of the drone ships which the Romulans had launched from their home system. Again, the starship journeyed to Andoria, where Shran and Jhamel left the ship. () Enterprise returned to Earth on November 27, 2154. While there, Chief Engineer Charles Tucker transferred to the new NX-02, Columbia. On Earth, Doctor Phlox was assaulted and captured by Rigelians. Enterprise followed the warp trail of a which had left Earth, two hours after Phlox's abduction. When the starship arrived at the freighter's coordinates, the Rigelian craft had been seriously damaged and only wreckage remained. As Enterprises crew attempted to determine the identity of the freighter's destroyer, a Klingon vessel attacked the starship. An away team from the Klingon craft beamed aboard and sabotaged Enterprises systems. Although the Klingons returned to their ship, Enterprise was unable to follow, due to the sabotage. () In the end, Enterprise was repaired thanks to a risky maneuver on the part of Columbia, when Tucker was sent back to his old ship via a grappler wire extended between the two ships while at warp. Columbia and Enterprise then took on the mission of rescuing Phlox together. The crews were able to also save the Klingon species, with the help of Phlox, from a mutated version of a virus combined with Augment DNA. The infected Klingons were left with flat foreheads like Humans, without cranial ridges, a state from which it took almost a century for them to recover. () A few days after this Klingon mission, an Orion man named Harrad-Sar came to present an offer to Archer; he would permit Starfleet use of a planet he had discovered, rich in magnesite. Starfleet would do the mining, BUT in return however he would get ten percent of the shares. To seal the deal, three Orion slave girls were given, as a gift, to Captain Archer. The girls were able to seduce the crew by controlling the men, and disable the women. Tucker and T'Pol, the only two unaffected, were able to foil their plans. Harrad-Sar came to drag Enterprise back to the Orion Syndicate, because they wanted Archer's head, whether or not it was attached to his body. The crew of Enterprise stopped him by sending a shock through the deflector temporarily disabling his ship. () Enterprise was also present when Earth's leadership announced new trade relations with Vulcan, Andoria, Tellar, and Coridan, in January 2155. The members of Enterprises crew were hailed as heroes laying the ground work for that alliance, a precursor to the formation of the United Federation of Planets. During this conference, the crew was instrumental in thwarting the militant Terra Prime organization, preventing efforts to eject all non-Humans after Terra Prime hijacked the Mars verteron array. () At some point after this, the Enterprise crew paid another visit to Qo'noS. () Retirement Enterprise was retired in 2161 to make way for new, more advanced starships. It was then placed in a Federation museum, where it still remained in the 24th century. () Legacy In 2257, Enterprise was the last known Starfleet vessel to have visited the Klingon homeworld. () Starfleet would not commission another Enterprise until 2245, with the launch of the . () In 2381, Captain Riker of the spent time on the holodeck watching the story of Archer and Enterprise NX-01 stating those guys "had a long road getting from there to here." () Achievements Enterprises voyages of exploration were not entirely into unknown territory, as the ship was aided by the Vulcan star charts. However, it participated in several historically significant events, such as the discovery of the Temporal Cold War, () the return to Terra Nova, () continued involvement in Vulcan/Andorian hostilities, (, et al.) the destruction of the colony on Paraagan II, () the first Human encounter with a non-corporeal lifeform, () the discovery of a lost Human tribe in the Delphic Expanse, () the Xindi incident, (, et al.) the Augment Crisis, (, et al.) the Vulcan Reformation (, et al.) and the formation of with the Vulcans, Andorians, and Tellarites, () which led to the founding of the Coalition of Planets. () Enterprise also made Earth's first contact with numerous species, including: Akaali, July 2151 () Andorians, June 2151 () Antarans, early 2153 () Arkonians, late 2152 () Axanar, May 2151 () Borg, 2153 () Note: This first contact remained unconfirmed until at least 2365 () Coridanites, October 2151 () Enolians, late 2152 () Eska, November 2151 () Ferengi, December 2151 () Note: This first contact remained unconfirmed until at least 2364 () Illyrians, early 2154 () Kantare, December 2151 () Klingons, April 2151 () Kriosians, September 2152 () Kreetassans, January 2152 () Note: The ship later conducted a follow-up visit to the Kreetassan homeworld in mid-2152 () Malurians, July 2151 () Menk, September 2151 () Na'kuhl, 1944 of an alternate timeline () Orions, May 2154 () Organians, 2154 () Note: The Organians wiped the minds of all on board, erasing all memories of this first contact. First contact wouldn't be officially made until 2267. Osaarians, September 2153 () Paraagans, 2152 () Retellians, September 2152 () Risians, February 2152 () Romulans, April 2152 () Note: First visual contact was not made until 2266; all that was seen of the Romulans was their ship () Sphere-Builders, December 2153 () Skagarans, October 2153 () Suliban, April 2151 () Takret, September 2152 () Tandarans, January 2152 () Tholians, late 2152 () Triannons, November 2153 () Valakians, September 2151 () Vissians, early 2153 () Wraiths, November 2151 () Xindi, September 2153 () Xyrillians, May 2151 () Command crew Commanding officer Jonathan Archer (2150–2161) T'Pol (2152, 2154) Charles Tucker III (2152, 2153, 2154) First officer/Science officer T'Pol (2151–2161) Charles Tucker III (2154) Chief engineer Charles Tucker III (2151–2161) Kelby (2154) Tactical officer/Armory officer Malcolm Reed (2151–2161) (2152) Alex (2153) Helmsman Travis Mayweather (2151–2161) Tanner (2151–2153) Hutchinson (2152–2154) Rossi (2153) Communications officer Hoshi Sato (2151–2161) Chief medical officer Phlox (2151–2161) MACO Detachment CO J. Hayes (2153–2154) Security chief Malcolm Reed (2151–2161) Alternate timelines 2153 through 2165 In one alternate timeline, Captain Archer's brain was infected with interspatial parasites in October of 2153. These parasites caused him to develop anterograde amnesia, and led to him being relieved of command. Sub-Commander T'Pol received a field commission from Starfleet, becoming the ship's new captain. She continued the search for the Xindi weapon. In 2154, the crew of Enterprise learned the weapon was being built at Azati Prime. But as they drew close, the ship was attacked by two Xindi-Reptilian vessels. The ship suffered substantial damage: thirteen crew members died, including Travis Mayweather, and twenty-three were injured. In addition, the starboard nacelle was out of commission, limiting the ship to warp 1.7. By the time Enterprise reached Azati Prime at that speed, the weapon had been launched. Enterprise managed to follow it back to Earth through a subspace vortex, but the crew's efforts were in vain and Earth was destroyed. In 2155, Enterprise led one of several convoys of survivors to Ceti Alpha V, where Humanity hoped to resettle, to escape the wrath of the Xindi. When the ship arrived there in 2156, T'Pol turned command over to Commander Tucker; the ship's new responsibility was to patrol the Ceti Alpha system. The ship was upgraded with shields provided by General Shran of the Andorian Imperial Guard. In 2165, Enterprise was attacked by Xindi forces that had finally located Ceti Alpha, just as Archer and T'Pol had returned to the ship to attempt a treatment that would cure Archer. During the treatment, it was discovered that destruction of the parasites in the present erased them in the past; curing Archer of the parasites would change history, so that he was never infected. In a desperate bid to change the timeline and save Earth, Archer and T'Pol vaporized the ship in a subspace implosion, thus preventing the parasites in Archer's brain from ever having infected him, creating a new timeline. () 2037 In a different alternate timeline, the ship's trip through a subspace corridor from the Kovaalan nebula to the Xindi Council planet in February 2154 would have sent it to the year 2037. The particle wake from a damaged impulse manifold caused the corridor to shift in time. Unable to return to the present, and at pains to prevent damaging the timeline by visiting Earth, Captain Archer decided to wait in the Delphic Expanse until the ship could stop the Xindi primary weapon from attacking Earth. To survive for all that time, Enterprise forged alliances with other species, trading its advanced technology for food and supplies. The ship even acquired alien crew members, such as Archer's wife, Esilia; his great-granddaughter remained a member of the crew. With time, the ship acquired advances from other races as well. By 2154, its atmosphere processors had been doubled in efficiency, it acquired an isomagnetic collector from the Ikaarans, and it had a tractor beam installed. In addition, Haradin traders provided the technology to upgrade the plasma injectors and allow the ship to reach warp 6.9 for a brief time, but the ship's injectors were too old to take the stress, and so they couldn't use the technology. The ship had been repeatedly detected by Xindi tracking stations, but the readings were never confirmed. By 2153, all of the original crew had died except for T'Pol, now more in touch with her emotions than she had been in the past. Lorian was in command of the ship, Karyn Archer was executive officer and pilot, and Greer was tactical officer. Enterprises crew tried to stop the Xindi probe from being launched at Earth, but Lorian gave the order to ram it too late, and the probe departed. In 2154, Enterprise rendezvoused with the Enterprise of that time period, just before it entered the corridor. Lorian provided Archer with the Haradin specifications, but the future T'Pol intervened, showing that performing the upgrade was too dangerous. She suggested Enterprise upgrade its impulse manifold to reduce particle wake, but Lorian refused to let Archer carry out the plan; he stole the 2154 ship's injectors to use them himself. The two Enterprises deadlocked in space battle, and Lorian eventually relented, agreeing to follow Archer's plan; Archer's Enterprise made it safely through the corridor. () Alternate reality In 2259 of the alternate reality, a replica of this starship was on display in the office of Admiral . This ship was considered historically on par with the Wright Flyer, the Spirit of St. Louis, and the Phoenix, among others. () Appendices Appearances The Enterprise NX-01 appears in: Background information Name As evidenced by the second draft script of pilot episode , this ship was originally to have been called the SS Enterprise. In the proceedings before the show's premiere, that was how the vessel was repeatedly referred to. (, paperback ed., p. 260; ) Unlike later ships to bear the name, the NX Enterprise is generally referred to as a proper name, without a "the", in the manner that one refers to James T. Kirk's ship, the . Concept origins Among the first thoughts that Star Trek: Enterprise co-creator Rick Berman had for the series that became Enterprise was that he wanted the new series to be set on a spaceship that was heading out rather than making a return journey home, in order to differentiate the craft from the likes of Deep Space 9 and the . () Having considered alternatives such as focusing the series on an era before there were ships or instead featuring a fleet of ships, Berman and fellow series co-creator Brannon Braga finally selected the idea that was to become Enterprise. "We decided to make it the first warp five starship," Braga noted. ( audio commentary, ENT Season 1 DVD/Blu-ray) Rick Berman originally imagined the series as following the ship's construction on Earth, an idea Brannon Braga also wanted to see actualized. They were interested in making either all or most of the series' first season focus on the building of the vessel – which was, at that time, conceived as Earth's first warp 5 capable starship – and for the ship's development to be controversial among the Humans who were on Earth. The ship would have been depicted as launching after its construction was completed. Because executives at Paramount favored a more conventional setting for the new Star Trek series, however, the starship's launch was in the pilot episode . ("To Boldly Go: Launching Enterprise, Part I: Countdown", ENT Season 1 Blu-ray special features) The dropped concept of showing Enterprises construction thrilled Manny Coto. "That would have been fascinating, to see Enterprise built, to start from scratch, from the very beginning," he enthused. Coto, a long-time fan of how Romulan scopes are used in without a viewscreen, also wished that Enterprise initially had had no viewscreen, with tubes similar to the Romulan devices instead being used by the crew to look outside the vessel, and that a viewscreen had been installed on the ship during the course of the series. ("Before Her Time: Decommissioning Enterprise, Part One: New Voices", ENT Season 4 Blu-ray special features) Impact of identity The fact that the NX-class Enterprise was planned to be the focus of a weekly series, which viewers would hopefully watch each week, meant that the design of its bridge was purposefully made to look comfortable and less claustrophobic than a submarine interior. () Production Designer Herman Zimmerman contemplated the importance of the vessel's lineage while orchestrating the ship's design. He subsequently mused, "In the case of Star Trek, it's a special kind of vehicle – no pun intended – for storytelling because it has such a rich history." (, paperback ed., p. 261) Both the historical significance of the vessel and how the craft was to be focused on in the show meant the ship not only needed to look like a realistic precursor of Captain Kirk's USS Enterprise but also "had to be interesting and something that the Star Trek fans would find exciting," in Rick Berman's words. () Enterprise was the first "hero" ship in a Star Trek series for which the development of its design was aided by CGI. (, p. 34) The fact that the ship was planned to be portrayed on-screen over the course of seven years was not on CGI illustrator Doug Drexler's mind, though, as he set to work on creating a preliminary approval CGI model of the vessel, which he originally assumed would serve merely as a quick mock-up. (, p. 26) The UPN press kit promoting the series included a blurred photograph that seemed to be of a door or a corridor aboard the ship, which stirred up online fan speculation about what the image showed. Rick Berman later responded, "That's actually funny. We had no art which was approved at that point and that was an out-of-focus picture that was actually taken on one of our sets." (, p. 15) The prototype CG model of the ship garnered promotion for the vessel, prior to the launch of the series. "It appeared very early on in print before the high resolution model was ready," offered Doug Drexler. The vessel's early publicity also included Archer actor Scott Bakula giving a tour of the Enterprise sets. (Cinefantastique, Vol. 33, No. 5, p. 19) The uncertainty over how Enterprise would look was immediately apparent to Mike Sussman and Phyllis Strong as they set to work on writing , the first regular episode of Star Trek: Enterprise. Hence, Sussman's first thought straight after they wrote "EXT. SPACE – ENTERPRISE" was to wonder what the ship actually looked like. Depicting the ship Although both Herman Zimmerman and Doug Drexler favored a slightly bronze tint for Enterprises hull, this coloration was altered after they sent the approval CG model of the craft to Foundation Imaging, to be refined into the high resolution version of the ship, for production. Regarding the alteration in color, Drexler later conceded, "I don’t know where that change originated." At the time the high-resolution model was created, Enterprise was technically the most photo-realistic ship ever built for Star Trek. Fully meaning for that eventual model to be shown over the projected seven-year series run, Foundation Imaging attempted to make it as detailed as they possibly could. (, pp. 25 & 26) No practical studio models of Enterprise were ever made for the series; it was the first Star Trek main ship to be depicted without the creation of a practical model. However, Doug Drexler did create a paper miniature of the vessel, a study model for Foundation Imaging to view what the ship would probably look like from certain angles. () In the revised final draft script of "Broken Bow", Enterprise was to be introduced with a close-up on a small section of the ship's hull, followed by the camera pulling back and action continuing from that point on. This doesn't match how the craft is introduced in the final version of the episode. However, the script did make it clear, in that and subsequent scenes, that the ship was only ever to be partly shown prior to its launch (which was described as "Our first full view of the majestic ship"), which is true of how the vessel is depicted in the episode's final edit. During Star Trek: Enterprises ultimately four-season run, the NX-class Enterprise appeared in all episodes of the series except for the two-part and (though its mirror counterpart did appear in the former episode). As scripted for ENT penultimate episode and series finale , Enterprise was to be depicted in the last shot of both episodes in a slightly different way to how it is shown on screen at the conclusion of those two installments. For instance, the final draft script of "Terra Prime" had Enterprise, in the episode's final view of the ship, travel from the dark side of Earth to the side of the planet illuminated by Sol. In the final edit of the episode, though, Enterprise goes the opposite way, traveling from the light side of Earth to the darkened part. Also, Enterprise is traveling towards a blue nebula in the series' last shot of the vessel, though no such nebula was mentioned in the final draft script of "These Are the Voyages...". Other notes Doug Drexler had a concept for the development of Enterprise that was never used on the show. "My idea was that at the end of the fourth season, the ship would put into drydock for a major refit," he explained. "After four years, out there, dealing with unknowns, it would be time to upgrade the ship based on everything they had learned." Drexler later assisted in the production of models of this "(SS) Enterprise NX-01 Refit" for Polar Lights and the Star Trek: The Official Starships Collection. A CG render of the ship also appeared in the Star Trek: Ships of the Line calendar. The distinctive Enterprise NX-01 emblem was created by Wendy Drapanas. () (Also see Assignment patch) A great number of panels from the Enterprise sets have been sold off in the It's A Wrap! sale and auction on eBay. A shelf, seen inside the set for the crew quarters, was also sold off at the auction. The Artisan prop and model shop of Quantum Mechanix, QMx FX Cinema Arts, was asked to illustrate the history of space flight with models for . The NX-class Enterprise was included in the models constructed, of which there were fourteen different classes in total. On the organization's website, there was a picture of the ship. Apocrypha In novels set after the events of the Terra Prime crisis – during which it is revealed that Tucker's death was faked and future records altered so that he could investigate Romulan activity – Enterprise is involved in several major battles during the Earth-Romulan War up until the climactic Battle of Cheron in 2160, during which she was crippled by the Romulan flagship, sustaining such serious damage that she had to be decommissioned. (To Brave the Storm; A Choice of Futures) She is subsequently acquired by the Smithsonian Institution for its orbital annex, being meticulously restored with many interior surfaces covered in plastic to protect them from contact by visiting tourists. (A Choice of Futures) Archer himself later cancelled a proposal to construct the first Federation starship Enterprise in the mid 2160s, feeling the name should remain in honorable retirement for sometime before being used again. (Live by the Code) Enterprise is featured in the first few levels of the Star Trek: Encounters video game. Its levels are based off of the third season of Enterprise, and involve the search for and destruction of the Xindi weapon, as well as defeating the plans of the Sphere-Builders. In addition, Enterprise appears in the game's last level, when a temporal anomaly appears near Earth. When the anomaly causes the to vanish, Enterprise is left alone to battle a fleet of Dominion warships. In the end, Enterprise NX-01 joins forces with the , Enterprise-E, the , and USS Voyager to defeat a combined Xindi, Klingon, Romulan, Dominion, and Borg fleet. In the Pocket ENT novel Beneath the Raptor's Wing, the Latin phrase "Ad eundum quo nemo ante iit" was added to Enterprises mission patch. It was chosen, and then translated, from a speech given by Zefram Cochrane before his disappearance. In the alternate reality, Enterprise appears as a holographic depiction in young 's bedroom during the 2240s near the start of the comic "Operation: Annihilate, Part 1". External links bg:Ентърпрайз (NX-01) cs:Enterprise (NX-01) de:Enterprise (NX-01) es:Enterprise (NX-01) fr:Enterprise (NX-01) it:Enterprise (NX-01) ja:エンタープライズ(NX-01) nl:Enterprise (NX-01) pl:"Enterprise" NX-01 pt:Enterprise (NX-01) ro:Enterprise (NX-01) ru:Энтерпрайз (NX-01) sv:Enterprise (NX-01) Earth starships
1645	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Nova	The USS Nova (NCC-73515) was a 24th century Federation starship operated by Starfleet. In 2379, the Nova was assigned to Star Fleet Battle Group Omega. In that year, the Nova, along with Battle Group Omega, was redirected to sector 1045 to rendezvous with the , which was returning from Romulan space with the Reman warbird Scimitar, under the command of Shinzon, in pursuit. The Enterprise was forced to face the Scimitar without the support of the fleet, however, when Shinzon ambushed the Enterprise in the Bassen Rift. () External link bg:USS Нова cs:USS Nova de:USS Nova nl:USS Nova pl:U.S.S. "Nova" NCC-73515 Nova
1660	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Springfield class	The Springfield class was a type of Federation starship that was in service with Starfleet during the late 24th century. () Ships of the class (NCC-57302) Appendices Appearances Background information The Springfield class was a design study by Ed Miarecki and Michael Okuda, and the filming model was built as a kitbash by Miarecki for the "graveyard" scene in "The Best of Both Worlds, Part II". The design shares a resemblance to the design, and was constructed using parts from the smaller scale AMT/Ertl model kit saucer section, a bridge module from the larger Enterprise kit, and commercially-available highlighter markers for warp nacelles. Okuda would later remark on the model: "We did the U.S.S. Chekov model because Riker (or was it Shelby?) had a line in the script in which he mentioned the ship in the graveyard. The line was filmed, but later, someone thought the reference to Pavel was too cute, so it was changed in postproduction to Tolstoy.(...)The Chekov was built by Ed, based on the small Ent-D model saucer, with two nacelles and marker pen engines. Unfortunately, I can't release these photos, but I think they'll eventually be in print.(...)[The nacelles were] Not glued directly onto the saucer. I think Ed made some pylons from sheet styrene.(...)The Melbourne, Kyushu, and Chekov were specifically labeled as such because of the script references to those ships. I didn't know about the re-voiced name (Tolstoy) until I saw the final episode on the air, so I didn't do a label for that ship." The model of the Chekov was labelled "NCC-57302", as was shown on the production photos Okuda referred to (which were used at a slide-show presentation at a convention in 1991) though the gave "NCC-53702" as registry, which might well be a typographical error. In the same publication Okuda also made an attempt to remedy the Chekov/Tolstoy-discrepancy by assigning the as belonging to the . At the time of filming of the episode the class designation was not in use as he remembered, "Rigel: I don't think we ever came up with a ship design specifically tied to that name." It was unclear if the renaming at the time meant that the filming model was intended to be the Tolstoy or that a reference was made to a ship not seen in the episode, though Okuda apparently proceeded eventually from the former assumption. He himself reinforced that notion when he gave a screen-used piece of wreckage he owned, in consignment to the Propworx' STAR TREK auction of 4 June 2011, described as, "Irregular piece of the saucer section of the U.S.S. Chekov from the "starship graveyard" scene in the Star Trek: The Next Generation episode "The Best of Both Worlds, Part. II."" (Propworx Star Trek auction catalog, page 44) The piece, , estimated at $100-$200 sold for $400. According to Issue #110 of the Star Trek: The Official Starships Collection, the Springfield-class was a type of frigate with a crew of 430, a length of 325 meters, and a top speed of warp 9.2. This class was used for deep space exploration and defensive patrol duties. This class was also equipped with eight phaser arrays and two photon torpedo launchers. Around the time of the Dominion War in 2375, the remaining Springfield-class ships were slated to be decommissioned and replaced by more combat-capable starship types. External links de:Chekov-Typ ja:スプリングフィールド級 Federation starship classes Memory Alpha articles named from supplementary resources
1662	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Freedom class (24th century)	The Freedom-class starship was a type of vessel in service with Starfleet in the late 24th century. Starfleet had previously operated another type of starship in the 2160s. () Like the , the and the , all of which were from the 23rd century, this type was noted for being one of the small number of Federation classes that had one nacelle. The Hermes-class and the Saladin-class shared a similar configuration with a primary hull being connected by a pylon to a nacelle. (, ; ) At least one ship, the , had a small torpedo launcher connected to the pylon, just above the nacelle. The class was represented at the Battle of Wolf 359, with the Firebrand. This ship was destroyed along with 38 others in an attempt to stop a Borg cube from reaching Earth. () Ships commissioned Named (NCC-68723) Uncertain Appendices Background information The name for this class was devised by the production staff and was revealed by Okuda in the . Production photos of this class appeared in the special features section of the TNG Season 4 DVD. The scratch-built "kit-bash" studio model of the pre-damaged Freedom-class USS Firebrand was created at Gregory Jein, Inc. by Jein and his staff for the "graveyard" scene that the traveled through following the Battle of Wolf 359. For further information on the studio model, see: Galaxy-class derivative ship class studio models According to Issue #118 of the Star Trek: The Official Starships Collection, the Freedom-class was a type of light frigate. This class was approximately 430 meters in length, had a maximum speed of warp factor 9.2, and a approximate crew complement of 370. Starfleet used this class primarily for light exploration or planet surveys. Secondary roles assigned to this class included defending Federation borders or guarding supply convoys. An unique feature of this class was the phaser cannon found on the ventral surface of the primary hull. External link de:Firebrand-Typ ja:フリーダム級 nl:Freedom klasse Federation starship classes Memory Alpha articles named from supplementary resources
1665	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Miranda class	The Miranda-class starship was a type of Federation starship operated by Starfleet during the 23rd and the 24th century. History The Miranda-class had entered Starfleet service by the 2260s, which included the launch of the in 2264. (; dedication placard) Several Miranda-class starships were in service during the mid-2280s. (; ) Construction of the Miranda-class continued well into the 24th century. One starship, the , was constructed by the Yoyodyne Division and launched on stardate 22519.5 at the 40 Eridani A Starfleet Construction Yards. ( dedication plaque) The Miranda-class was present in several major Federation engagements against the Borg, including the Battle of Wolf 359 and the Battle of Sector 001. (; ) Starships of the Miranda-class were also present in numerous Dominion War battles, where they often served as escorts. Many ships of the class saw action during Operation Return, the First and Second Battles of Chin'toka, and the Battle of Cardassia. () The Miranda-class was still in Starfleet service by 2378. () In 2381, a Miranda-class ship, the , featured in a holodeck program used by Ensign Beckett Mariner. () Technical data The mission profile of the Miranda-class varied from performing various scientific roles to conducting patrol duties. (, ; ) By the latter half of the 24th century, one modified ship of this class, the , was also designated as a Class 6 Federation supply ship. () By the 24th century, Miranda-class starships operated with a crew complement of 26 to 35 personnel. () Physical arrangement The configuration of the Miranda-class shared a similar design lineage and features with the refit implemented in the early 2270s. () The design also closely resembled the starships that were also in service around the same time. () The Miranda-class was composed of a single primary hull, consisting of a saucer that was similar to that of the Constitution-class; however, the bridge module, positioned on top in the center, was shaped differently than the Constitution-class module. Mounted on the underside of the primary hull were two nacelle pylons connected to the warp nacelles. (, etc.) Design features of the primary hull included a docking port located on the forward section of the ship; the aft section included two shuttlebays, separated by the vessel's impulse engines. These shuttlebays were visually numbered; "1" being on the rear-port side, and "2" on the rear-starboard side. (; , etc.) Configurations There were five different known hull configurations utilized with the Miranda-class during its time in service. The predominant Miranda-class design included a structure immediately above the aft primary hull, as a dorsal extension of the ventral nacelle pylons. This structure was equipped with a weapons pod, containing torpedo launchers and phaser banks. (, et al.) Some configurations lacked this structure, and in other cases, included two large sensor pods affixed on the port and starboard sides of the primary hull. In other configurations, there was a single pod module. (; ) By late 2373, Miranda-class ships using the predominant design had undergone upgrades to their warp nacelles and in some cases to impulse engine systems. () Tactical systems Standard to all designs were six dual phaser banks located on the primary hull – three mounted to the top and three mounted on the bottom of the saucer. Also standard to all designs were two single phaser emitters mounted just beneath the impulse engines. In those ships possessing the "roll bar," that superstructure contained two tubular phaser emitters on each side that could fire both forward and to the ship's flanks. There were also two forward and two aft photon torpedo launchers housed in a pod mounted in the center of the superstructure. (; ) By the 24th century, a number of modifications were made to the Miranda-class weapons systems. Some Miranda-class vessels, such as those of the "twin-pod" variant, included a phaser array mounted on the lower part of the ventral dome and photon torpedo launchers in the main part of the ship rather than in a pod on the "roll bar". () The class 6 variant of this class featured class 3 defensive armaments. () A majority of 24th century Miranda-class vessels of the "roll bar" variant, particularly during the Dominion War, were equipped with phaser arrays and photon torpedoes equivalent to those used on other ships of the era, while keeping the same weapon array placements as the 23rd century Miranda. (; ; etc.) Interior design Main bridge The design of Miranda-class bridge during the 23rd century shared a similar layout to contemporary vessels of that era. Located on Deck 1 of the saucer section, the main bridge housed the command center of the Miranda-class. The design lineage of the main bridge was a fairly standard floor plan for a Federation starship. The ship's viewscreen was placed against the forward bulkhead, with side-by-side navigation and helm consoles. The captain's chair was directly aft of the aforementioned stations. Several variations existed in the layout of the surrounding stations. At the rear and center of the USS Reliants bridge was a single turbolift entryway. Flanking the turbolift along the rear of the bridge were two stations unique to the Miranda Class; they were the Master Situation Station on the starboard side, and the tactical station on the port side of the bridge. The starboard side of the bridge included the science station and the communications station. () The bridge similarly found on board the USS Saratoga (NCC-1887) also had primary stations located along the perimeter of the bridge; however, the Saratogas science station was located on the port side of the bridge, nearly parallel to the navigation station. () By the 24th century, further reconfigurations were made to the layout of the bridge, including the separation of the navigation and helm station, which was replaced by the conn station (on the starboard side) and ops station (on the port side). The bridge of the USS Lantree was relatively simplistic in design, containing little more than a large LCARS interface and star charts on the back of the bridge. () The bridge of the USS Saratoga (NCC-31911) had a much more complex layout, including two additional standing consoles located behind the conn and ops, parallel and slightly behind the captain's chair. The standing console on the port side of the ship contained the tactical station. Also located on the port side, in the foremost section of the bridge, was a turbolift. Along the aft of the bridge were several various access stations. () Relatively similar to the bridge of the Saratoga, the bridge of the USS Brattain had large support braces surrounding the captain's chair to the sides and rear. In place of the two standing consoles of the Saratoga was a single engineering station, placed directly behind the captain's chair and directly in front of an engineering MSD interface. () Corridors The numerous corridors that connected the various sections of the Miranda-class resembled those of contemporary designs. The corridors on board the USS Reliant resembled those of the refit Constitution-class. () The outer corridors on board the USS Saratoga (NCC-31911) were heavily fortified with a system of support braces. () Main engineering Main engineering contained a vertical warp core, with multiple levels surrounding the core. () Transporter room The staging area of the transporter room on board the Miranda-class possessed six transporter pads. Transporter control could be accessed through a console located on the bridge. () Shuttlebay The Miranda-class featured two shuttlebays, located port and starboard of the ship's center. On some Miranda-class ships, such as the USS Saratoga, both of the shuttlebays held escape pods capable of transporting several personnel. () Crew quarters The crew quarters located on the outer rim of the ship contained several large picture windows, littered with numerous large support braces. () Ships commissioned Named (NCC-9844) (NCC-21166) (NCC-1837) (NCC-31060) (NCC-31910) (NCC-1864) (NCC-1887) (NCC-31911) (NCC-31905) (NCC-32591) (NCC-21382) (NCC-1948) Unnamed Unnamed Miranda-class starships Fictional (NCC-1877) Appendices Appearances In addition to the episode-specific appearances below, the Miranda-class made several appearances as a desktop model in , and . : Background information Name The name Miranda-class was not mentioned in dialogue on-screen, but was devised by the art department of to refer to this design. The name was used on several pieces of on-screen signage referring to these vessels, and was also used by dedicated references such as the . In the first draft script of , this class of ship was called Reliant-class. According to the , the Miranda-class was "named for Prospero's , a character in William Shakespeare's last play, The Tempest." According to an early final draft of the script for "Unnatural Selection", the USS Lantree was identified as a "class R Starfleet supply ship" rather than a "class 6 Federation supply ship". The Miranda-class was in service for at least 111 years, with the registry of the Reliant appearing on a list of starships in "Court Martial" (set in 2267) and an unnamed ship appearing in a group of Starfleet vessels in "Endgame" (set in 2378). Specifications The specifications for the Miranda were neither mentioned in dialogue, nor seen onscreen, but are referenced from the show's art department. The initial length for the Miranda-class of 765 feet (233 meters) was established during the production of Star Trek II, that was later followed up by Andrew Probert during TNG Season 1. The exact length, based on the universally accepted length of the refit , at least behind-the-scenes, at 1,000 feet and assuming that both classes employ standardized ship components like nacelles and saucer sections, is 234.9 meters (770.67 feet). The scale of the CGI mesh was scaled approximately twenty-five percent smaller than had been previously established. According to a 20 January 1998 post in the newsgroup alt.tv.star-trek.ds9 by David Stipes, a length of approximately 500 to 560 feet (167 to 187 meters) was used when he blocked shots in DS9. Studio model See Miranda-class model. Technical Manual The following information of specifications and defenses comes exclusively from the Star Trek: Deep Space Nine Technical Manual: Production Base: ASDB Integration Facility, Starbase 134 Integration Facility, Rigel VI. Type: Medium Cruiser. Accommodation: 220 officers and crew; 500 personal evacuation limit. Power Plant: One 1,500 plus Cochrane warp core feeding two nacelles; one impulse system. Dimensions: Length, 277.76 meters; beam, 173.98 meters; height, 65.23 meters. Mass: 655,000 metric tons. Performance: Warp 9.2 for 12 hours. Armament: Six type-7 phaser emitters; two pulse phaser cannons; two photon torpedo launchers. Apocrypha In the comic book "Who Killed Captain Kirk?" and in the materials published by FASA for use with their Star Trek: The Role Playing Game and Star Trek: Starship Tactical Combat Simulator, this ship is referred to as the . FASA describes it as a refit of the , which had a similar design that featured TOS-style warp nacelles. Another popular alternative class designation that had been circulating in fan circles prior to the TNG establishment of the definitive one, had been "Avenger-class", most prominently in the 1989 book Ships of the Star Fleet. Apocryphal appearances The Interplay PC game featured several Miranda-class vessels including , , , , , and . The Interplay PC game New Worlds featured the Miranda-class vessel The Activision PC game The Fallen featured the Miranda-class vessel . Several levels feature Sisko and Worf exploring the wreckage of the Ulysses. The Interplay/Taldren games Starfleet Command I, Starfleet Command II, and its expansion, Orion Pirates all based the Federation "new light cruiser" hulls on the Miranda-class. The PS2/XBox game Star Trek: Shattered Universe featured several Miranda-class vessels including the USS Ranger, its mirror universe counterpart , and a number of other Miranda-class ships in service of the Terran Empire. In Cryptic Studios' MMORPG Star Trek Online, the first ship a Federation character received was a Miranda-class as the player ended up inheriting it after its captain was killed in action. The reference work Ships of the Line included information about a . This starship was attacked near the planet Epsilon Draconis III by the Dominion. Suffering major damage, especially to the port nacelle, the captain ordered the crew to abandon the ship, and the crew fled the ship in escape pods. These pods landed on Epsilon Draconis III, a Dominion-controlled planet (pp. 132-133). In the 2020 calendar, for the month of June, the (NCC-1926) is depicted as fighting Tholian ships in the Battle of . This event was first mentioned in the Star Trek: Vanguard . External link pt-br:Classe Miranda de:Miranda-Klasse es:Clase Miranda ja:ミランダ級 nl:Miranda klasse pt:Classe Miranda Federation starship classes
1670	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Cheyenne class	The Cheyenne class was a type of starship in service with Starfleet during the late 24th century. These vessels were among the few Federation starships that had four nacelles – others included the , , , and starships. Ships of the class (NCC-71620) Appendices Appearances Studio model The Cheyenne-class studio model was a "kitbash" design study and filming model designed by Ed Miarecki and Michael Okuda and built by Miarecki for the graveyard scene in "The Best of Both Worlds, Part II." It used parts from the smaller scale AMT/Ertl model kit saucer section, a bridge module from the larger Enterprise kit, and commercially-available highlighter markers for warp nacelles. Okuda commented,"I think the fourth was the Cheyenne-class U.S.S. Ahwahnee. (Again, without my notes, I'm not entirely sure). This was a scaled-down Galaxy saucer with four nacelles, arranged in a manner similar to the Constellation. Ed made the nacelles from marker pens. (...) There aren't many more photos of the final versions of the Miarecki study models. The Cheyenne-class ship on the Collectable Card Game (and other card sets) was, almost certainly, a photo that I took. It was probably part of the photos that I took for that slideshow." Apocrypha According to issue #108 of the Star Trek: The Official Starships Collection, the Cheyenne-class was a type of light cruiser with a crew of 320 and a top speed of warp 9.6. This class was used for deep space exploration and defensive patrol duties. The Cheyenne-class is a playable ship in Star Trek Online, categorized as a Commander-level heavy cruiser. It also features two variants, the and the , the latter of which is named for the . External links de:Ahwahnee-Typ es:Clase Cheyenne it:Classe Cheyenne ja:シャイアン級 Federation starship classes Memory Alpha articles named from supplementary resources
1673	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Quinteros	Commander Quinteros was a male Human Starfleet officer who lived during the mid-24th century. Quinteros served at the Utopia Planitia Fleet Yards in the Sol system and supervised the construction of the starship , until its launch in 2363. In 2364, Quinteros was the base commander of Starbase 74. When the Enterprise visited the space station, Quinteros introduced the Bynars to Captain Jean-Luc Picard and Commander William T. Riker. The Bynars were attached to starbase maintenance. They were tasked with upgrading, or improving, the holodeck and other computer systems. () Near the end of 2364, Commander Quinteros' name was mentioned in a mission order that was read by Data, who was investigating the possibility of a conspiracy in Starfleet Command. (, okudagram) External links bg:Орфил Куинтерос cs:Orfil Quinteros de:Orfil Quinteros ja:オーフィル・クインテロス nl:Orfil Quinteros Humans Starfleet personnel (24th century) Starfleet command personnel
1674	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Renaissance class	The Renaissance-class was a class of Federation starship that was in service with Starfleet during the 24th century. During the 2360s, this class, specifically the , was utilized for deep space exploration missions. () Ships commissioned Named (NCC-45167) Uncertain (NCC-45231) Appendices Background information Information on this class designation was originally derived from an okudagram described as a starship mission status that was displayed in the observation lounge starting around TNG Season 4 and was originally described in the Star Trek Encyclopedia. The stated that the class was "named for the period in European history when civilization as we know it had a dramatic rebirth, or renaissance." Technical Manual According to the Star Trek: The Next Generation Technical Manual (p. 174), the , launched in 2337, was the last starship of this class to be built; it was also the first to receive the ASRV upgrades. Apocrypha The Renaissance-class was first depicted in the DC Comics Star Trek: The Next Generation Volume 2 issues 77 and 78 as a combination of a saucer section reminiscent of the refit- design, equipped with type large phaser arrays, style secondary hull, with the warp nacelles fixed to the side positions even during warp flight. Additionally, the nacelles had Galaxy-class style Bussard collectors. External link de:Renaissance-Klasse es:Clase Renaissance Federation starship classes
1677	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Korolev class	The Korolev-class starship was a type of vessel in service with Starfleet during the 24th century. () Ships of the class (NCC-59621) Appendices Background information Information on this class designation was originally derived from an okudagram described as a starship mission status that was displayed in the observation lounge starting around TNG Season 4 and was originally described in the Star Trek Encyclopedia. This class was "named for spacecraft designer , a key figure in the early Russian space program." () There was no connection between this class and the in 2293, as the latter was a starship. External links Korolev-class at the Advanced Starship Design Bureau – includes fan-made designs, specifications, dedication plaques, and captain's yacht de:Korolev-Klasse fr:Classe Korolev Federation starship classes
1680	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Merced class	The Merced-class starship was a type of vessel in service with Starfleet during the 24th century. () In 2364, Data described the class, specifically the , as "too small" and "too slow" to intercept a starship. () Ships of the class (NCC-37124) Appendices See also , a starship Background information The name of this class was originally derived from an okudagram described as a "starship mission status" that was displayed in the observation lounge starting around TNG Season 6 and was originally described in the . During one of the kitbash rounds, a model of the Merced class was constructed. , provided by Dan Curry to the Flare Sci-Fi Forums, were taken of the ship. The model however did not appear in any episode. External links – includes a fan-made design, specifications, and dedication plaque de:Merced-Klasse es:Clase Merced ja:マーセド級 Federation starship classes
1688	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Bartel	Lieutenant Bartel served as an engineer aboard the starship in 2369. She was chief engineer Geordi La Forge's assistant in main engineering during the vessel's encounter with a Dyson sphere and the recovery of missing person Montgomery Scott from the wreckage of the . When Captain Scott wandered into the engineering section unannounced to inspect the warp core, Bartel attempted to detain him from accessing it, until La Forge gave her permission to let Scott enter his office. As Scott was examining the controls, Bartel informed La Forge that the warp core was ready to be brought online. When Captain Picard suggested Scott take part in an away mission, La Forge recommended Bartel as his best engineer for the team. Instead, Picard asked La Forge to take charge of the matter personally. () External link de:Bartel Humans Starfleet operations personnel USS Enterprise (NCC-1701-D) personnel
1689	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Jenolan	The USS Jenolan (NCC-2010) was a 23rd century Federation starship operated by Starfleet. History In 2294, the transport was carrying passengers to the Norpin colony when the ship experienced an overload to one of its plasma transfer conduits. When the captain brought the ship out of warp, it hit the gravimetric interference caused by the gravitational field of a previously uncharted Dyson sphere. The ship conducted a standard survey of the surface. Having discovered hundreds of communication arrays, the Jenolan hailed the sphere. This inadvertently activated one of the sphere's docking tractor beams. The beam attempted to lock onto the ship, but only managed to cause the ship's systems to overload and the aft power coils to explode. Effectively disabled, the ship was caught in the gravity well and crashed onto the northern hemisphere, killing all but two of her crew. The ship itself sustained moderate structural damage, along with heavy damage to its memory core and main drive assembly. Additionally, its inducers were melted and its power couplings were wrecked. The survivors, Ensign Matt Franklin and passenger Captain Montgomery Scott, were unable to devise a means of escaping the sphere. To maximize the probability of surviving until rescue, they placed themselves in suspended animation through an ingenious modification of the transporter pattern buffer by locking it in a continuous level 4 diagnostic, and feeding it power from auxiliary systems. Recovery The Jenolans distress call was not received until seventy-five years later, when the dropped out of warp to investigate the call and discovered the sphere crash site, along with a very low power signature from the Jenolan. An away team boarded the Jenolan and discovered that life support was still barely functioning and the transporter was still online. By this time, only Scott's transporter pattern was still intact and only he was rematerialized; Franklin's pattern had degraded by 53 percent, effectively killing him. While the Enterprise continued to investigate the sphere, Chief Engineer Geordi La Forge and Captain Scott returned to the Jenolan to retrieve the sensor data gathered during the initial scan of the sphere. Necessary repairs were made more difficult as some of the repair equipment from the Enterprise could not easily interface with the much older components of the Jenolan. Recovery of the data became secondary to restoring the impulse engines when the Enterprise failed to answer hails. The engineers proceeded to perform a series of jury-rigged repairs to the ship's impulse engines, including the shunting of the ships deuterium from the main cryo pump to the auxiliary tank, and thanks to Scott's extensive experience were successfully able to make a week's worth of repairs in less than three hours. Following the Enterprises ion trail, the Jenolans short-range sensors determined the larger ship's point of entry into the sphere. To help the Enterprise escape, La Forge and Scott brought the Jenolan to a stop within the sphere's hatch, using the ship's shields to prevent the hatch from closing. However, the strain disabled the Jenolan once more, preventing it from moving out of the way so the larger ship could pass. The Enterprise then beamed off the engineers and destroyed the Jenolan with two photon torpedoes just before the two collided, clearing the path and allowing the Enterprise and her crew to escape unharmed before the hatch closed once again. () In 3189, Carl showed a copy of The Star Dispatch while on Dannus V, which bore a front page article with the headline "Starship USS Jenolan Reported To Be Missing". () Personnel Appendices Background information The Jenolan was named for the Australian tourist attraction , visited by Naren Shankar and episode writer Ronald D. Moore following a convention. () In the first draft script of "Relics", the Jenolan was cited as having the registry number "NC-567" (which persisted in the ization of ) and the ship was established as having been reported missing on stardate 7895.1. The Jenolan studio model was a reuse of the transport shuttle SD-103 from , albeit heavily refurbished at Gregory Jein, Inc. A bridge module was added, along with 23rd-century-style impulse deflection crystal and warp nacelles. The dinwos and door on the original shuttle were removed and replaced by much smaller windows to increase the scale of the ship. The original model was built by Bill George and John Goodson at ILM. (Michael Okuda, "Departmental Briefing Year Six - Production", TNG Season 6 DVD special feature) As the new spin-off series was already in pre-production at the time of "Relics", the modified Jenolan model was also seriously considered by Production Designer Herman Zimmerman and the producers to serve as the regular runabout shuttlecraft for the namesake station. It was ultimately decided to pass over the model in favor of the newly-constructed , though the Jenolan model served as a starting point for its design and made several guest appearances in the new series as the . () For further information on the studio model, see SD-103 model. The name was Jenolan in the script and in a computer screen readout seen in the episode; however, it was mislabeled as Jenolin on the studio model, and Jenolen in the closed captioning and subsequent entries in the reference works , Star Trek Fact Files, and . When Scott materialized in the Jenolans transporter chamber, the transporter effect, rather than being Next Generation standard or even that seen in the 23rd century films, was a re-creation of the transporter effect used in The Original Series. of the episode establishes that Scott and Franklin were on the bridge when the crash took place – Scott having volunteered his services after discovering the sphere due to his experience- with Captain James Armstrong and chief engineer Lieutenant Ben Sachs, while all others were evacuated to the residential quarters in the belief that the ship would be more protected there. Armstrong and Sachs died in the accident, while the rest of the retiring officers and crew were killed when the ship's residential quarters suffered a hull breach in the crash, all of them suffocating before Scott or Franklin could regain consciousness and let them out. The ship was stated to have a crew of 36. External link de:USS Jenolan es:USS Jenolan fr:USS Jenolan (NCC-2010) ja:USSジェノーラン nl:USS Jenolan Federation starships
1690	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Starship mission status	Starship mission status reports were a computer display available to Starfleet officers used to brief them on the activities of other Federation starships and installations. A readout of this nature for various sectors was often displayed on a screen in the observation lounge or bridge of the starship and on the communication relay station Relay Station 47 during the 2360s. The starship mission status readout was displayed in the observation lounge in an alternate timeframe when Jean-Luc Picard found himself time traveling to his first mission on the Enterprise-D. () The status readout was displayed on a computer screen on the bridge in 2367 when Data took over the ship. () Bridge version Observation lounge version Background information The mission status readout was devised by Michael Okuda's art department, and featured the registry numbers, classes and assignments of many Federation starships mentioned during TNG's run. was one of its many appearances. This display was never clear on screen in the DVD release of TNG, but has been reproduced in other media, and the info within has been adhered to by many later works including the Star Trek Encyclopedia as well as the Blu-ray release of TNG. Okuda has noted in this regard in 2000, "During TNG and DS9, I (or others in my department) occasionally made up a number of Starfleet operations status charts for use on background computer display screens. One such chart was often seen on one of the large screens in the Enterprise-D briefing room during the sixth and seventh seasons. Anyway, I populated those display graphics with lists of ships that had (mostly) been mentioned in episodes, and added registry numbers and class designations that seemed consistent with whatever we knew about the ship. Those charts were a source of a lot of the info in the Encyclopedia. (For whatever it's worth, I have been doing this a lot less of late, simply because the last few seasons of DS9 introduced so many new ships that it became nearly impossible to keep track of them all.)" Like similar on-screen graphics used on the sets, these back-lit translites were constructed from black colored molded resin, wood, and plastic components, with a clear acrylic screen that, when back-lit revealed a graphical application which depicts the mission status of multiple Federation starships. They were typically attached to an internal electronics set-up that was powered by twelve 1.5V AA-sized battery packs. One of these, , or at least a very similar okudagram, was sold on 25 February 2008 in a It's A Wrap! sale and auction on eBay for US$4,400. It is essentially the same as the "bridge version" shown above, but corrects the USS Trieste from Yosemite-class to the Merced-class, and does not include the Victory and Zhukov. A second one, which did include the latter two ships, measuring 48×36 inches and originating from Doug Drexler's personal collection, was sold as Lot 83 on 8 August 2010 in Propworx' The official STAR TREK prop and costume auction for US$840 (including buyer's premium), having had an estimate of US$600-$800. Reports
1691	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Australia	Australia was an island-continent and country on Earth. The capital was Canberra. Its primary language was English. People from Australia were known as Australians. Indigenous inhabitants of the continent were known as Australian Aborigines. (; ; ; ; ) In the 17th century, Australia was known to Europeans as "Nova Hollandia" ("New Holland"). In a contemporaneous map, this continent was depicted on a map of the Indian Ocean region. (, opening credits) History In 2024, Australia participated in the Europa Mission. () In 2032, Australia took part in the Ares IV mission. () In 2141, when Hoshi Sato was twelve years old, she had a female pen pal from Brisbane, Australia. At the time, she loved getting letters from her, noting that "it was like this little window into distant places with strange-sounding names." () Earth Starfleet officers were known to have survival training in the outback of Australia, where they learned to survive drinking recycled sweat and eating snake meat. and Jonathan Archer once spent two weeks in Australia for their survival training during the 2140s. () A.G. Robinson also underwent survival training in Australia. () In the mid-22nd century, the Vulcans had a consulate in Canberra. () A 21st century-era political map of Earth was stored in the 's library computer in 2254. The Australian continent was seen on this map. This map was among the materials viewed by the Talosians when they scanned the Enterprise computer. () Sarah Sisko was killed in a hovercraft accident in Australia while working as a holophotographer in 2336. () In Kathryn Janeway's first year at Starfleet Academy in the 24th century, she went through zero-g training in the Coral Sea, a body of water off the coast of Australia in the Pacific Ocean. () When Lily Sloane claimed for a way out of the Jean-Luc Picard told her it would be difficult. He opened a hatch to space and showed Lily Earth, pointing at Australia, New Guinea, and the Solomons. () In an illusion created by the telepathic pitcher plant in 2375, where the crew had discovered a wormhole to Earth, Tom Paris was offered a position as a pilot at a new test flight center in Australia. () Geography Regions Botany Bay Outback Tasmania Cities Alice Springs Brisbane Canberra Legacy Several areas of Australia have been noted by having starships or planets named after them: , named after Australia's second-largest city and New Sydney, named after Australia's largest city , named after the Jenolan Caves located in the Blue Mountains of New South Wales , named after the historic penal colony at Botany Bay Wildlife Kangaroo Literature In The Big Good-Bye, one of the females who called the master criminal Silent Forrester at the Plaza lived at the Allcroft. The cops who interrogated her believed that she was from Australia and was born in England. She worked in a bank. () Appendices Background information The 17th century map, known as "Harmonia macrocosmica seu atlas universalis et novus, totius universi creati cosmographiam generalem, et novam exhibens", was created by .A scan of the original can be found here. Retroactive continuity: A 20th-century era map of the eastern hemisphere depicting the location of Australia was stored in the 's library computer in 2254. This map was among the materials viewed by the Talosians when they scanned the Enterprise computer. () It was a common belief that Australia was the last state to join the United Earth Government in 2150, but Australia holding out was only used by Beverly Crusher as a hypothetical example when discussing the eligibility of the fractured planet Kesprytt with Jean-Luc Picard in . A reference made to a Lake George in may have been made in reference to a lake located in Australia. The map used in the remastered was a Central Intelligence Agency map published either in April 2007 or September 2008. The difference, which was not noticeable at the resolution of the image from the episode, was the addition of Kosovo, which gained its independence between the releases. According to the map, the Australian capital was Canberra. Major cities in this continent were Adelaide, Alice Springs, Brisbane, Cairns, Darwin, Hobart, Melbourne, Newcastle, Perth, Sydney, and Wollongong. External links cs:Austrálie de:Australien fr:Australie it:Australia nl:Australië Earth geography Earth countries The Dixon Hill Series Retconned material in background
1694	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Starfleet personnel (23rd century)	The following is a list of Starfleet personnel who served during the 23rd century. See also Unnamed Starfleet personnel A Alden Arex Atkins B Barnhart Barstow Bates Beach Bekka Berkley Bob Bobby Boma Botax Branch Branz Brekt Brenner Brent Briel C Carlisle Cartwright Carver Chanak Cleary Compton Connors Corrigan D Danz Darnell Davison Daz DePaul DeSalle Dickerson DiFalco Donas E Elliott Enwright Erickson F Fambi Fields Finnegan Freeman G Gabler Gaetano Galloway Garison Garrovick (Captain) (Ensign) Garth Giotto H Hadley Hansen (Commander) (Lieutenant) Hannity Harold Harrison Hendorff Humbolt I Ilia Immamura Isang J Zahra Jarkra Jordan Josephs K Keenser Kelowitz Krasnovsky Kyle L Latimer Lemli Leslie (sociologist) (Captain) Lojur M Mallory Marple Marva Masada Matson Mathews McKenna Mears Mike Montgomery Moonsafi Morrow M'Ress N Nogura O O'Neil O'Neill Osborne O'Shea P Pashtor Perez Phillips Piper (Chief) (Lieutenant) Pitts Probert Puri R Ramart Rawlins Rayburn Raz Rahda Rizzo Rogg Rowe Russ S Saavik Salak Samno Sanarek Sanchez Sangrom Shea Sheeza Smalla Sofak Sonak Spock Spinelli Stocker Straeth Strath Stoyra Stran Sturgeon Suryan T Tamaron Tamura Tankris Taral Tashmom Teller Thelin Thule Trag Travers Trax Trillya Tuvok U V Valeris Vell Vinci W Walking Bear Washburn Watson West Westervliet (Commander) (Crewman) Worene Wyatt X Xon Z Zan Zanatos Zorath de:Liste von Angehörigen der Sternenflotte (23. Jahrhundert) fr:Personnel de Starfleet (23ème siècle) 01
1695	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Starfleet personnel (24th century)	The following is a list of Starfleet personnel in the 24th century. See also Unnamed Starfleet personnel A Abdon Ahn-Ahn Alans Albert Allenby Amaro Amasov Anaya Andrews Aquino Argyle Arjun Arkinson Aron Ashmore Asif Ayala B Barnaby Barnes Bartel (Captain) (Ensign) Benteen Biddle (Lieutenant Commander) (Starfleet) Blackwood Blain Boyce Boylan Boylen Brackett (Captain) (Commander) Branson Brice Brink (Admiral) (Ensign) Brossmer (Captain) (Lieutenant Commander) Brower Budrow (Chief) (Ensign) Burton C Cabot Cartaino (Ensign) (security) Castro Cavit Chakotay (Lieutenant) (Captain) Chekote Cheney (Lieutenant) (Captain) Chu'lak Clancy Cody Conklin Corelki Costa Culhane Curtis D Dahae Darson Data Davies Dayton Dean Deng (conn officer) (engineer) DeSeve Dorado Durga Dyson E Edwell Escher F Farley Farrell Felton (2380) (USS Enterprise-D) Fredericks (Ensign) (Lieutenant Commander) G Gates Gennaro (Ensign) (Vice Admiral) Giusti Gladstone (Captain) (Lieutenant) Golwat Gupta H Hacopian Haden Haftel Hahn Hargrove Haskell Hastur (Ensign) (Lieutenant) (Female Admiral) (Male Admiral) Hendriks Hickam Hickman Hildebrant Hilliard Hogan H'ohk Hoya Hutchinson I Icheb J Jae (Admiral) (Ensign) Juarez K Kane (Crewman) (Ensign) Karavitus Kayshon Keller Kelso Kennelly Kimolu Kira Nerys Kosinski Kowalski Kristin Kula Kustanovich L Laporin (Crewman) (Lieutenant jg) Lemonts Leyton Locklin (Lieutenant) (Yard engineer) (Ensign) (Lieutenant) Lynch M MacDougal (Commander) (Ensign) Manwaring Marika Wilkarah (Doctor) (Ensign) Matt McCauley McDowell McGreevey McKinney McKnight (Captain) (Lieutenant) Merp Migleemo Minnerly (Admiral) (Crewman) Monroe Mulchaey Munoz (science) (security) N Nagel Nakamura Nara Narth Nog O O'Connor Oh (Lieutenant) (Starfleet) P Pajal (Commander) (Crewman) Peanut Hamper (Captain) (Lieutenant) Perim Piersall Pinder P'jok Pon Darra Prixus Q Quintana Quinteros R (Captain) (Ensign) Ramos Raymond Reel (Captain) (Science Officer) Ro Laren Rollins Rollman (Lieutenant) (Starfleet) (Captain) (Lieutenant) S Salazar (Captain) (Ensign) (Lieutenant) Satelk Savar Selar Shanthi Shaxs Shelby Shipley Sito Jaxa (Captain) (Lieutenant) Stadi (Lieutenant) (Starfleet) (Antares Ship Yards) (USS Voyager) (Lieutenant) (Starfleet) Strek Sully Sutter Swinn Syvar T T'Ana T'Lor T'Lyn Taitt Tal Celes Taurik (Captain) (Lieutenant) Toddman Torres Tuvix Tuvok (female) (male) U Unai V Vargas Vendome Volis Vorik W Weldon Westlake Whalen (Female) (Male) Wong Worf (Admiral) (Ensign) (Lieutenant) Wrightwell Y Yosa Z Zakarian Zimbata 01 de:Liste von Angehörigen der Sternenflotte (24. Jahrhundert) fr:Personnel de Starfleet (24ème siècle)
1703	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Tug	In starship classification, a tug, tow ship, or towing vessel was a starship specialized for towing other starships or similarly large objects with tractor beams. () In 2257, the was towed by two s. () In 2285, the schematics of the Federation starship, designed as a tug / transport ship for large containers, was displayed on the monitors on the bridge of the Enterprise. (; ) Following the discovery of the in 2364, the received a communique from Starfleet Command informing them that a tug would rendezvous with them to tow the Stargazer back to Xendi Starbase 9. () When the Enterprise-D experienced a series of warp and impulse drive problems caused by interphasic organisms in 2370, leaving the vessel adrift and potentially thwarting Captain Picard's arrival at Starbase 219 for the Admirals' Banquet, Vice Admiral Nakamura inquired if they were going have have the problem fixed soon, or if he had to send a tow ship to bring the Enterprise in. Picard declined the offer for a tow, stating that he had the utmost confidence in his engineers to getting the problem fixed. () During the Dominion War, a was utilized in the evacuation of disabled vessels from a battle zone. The was one such starship to benefit from one of these utility vessels in 2374. () After acquiring a vessel, later named , from a Haakonian trader, Abaddon tried to turn the ship into a towing vessel. At first the ship cooperated, but later began to require constant repairs. He sold the ship to the crew of the in 2376. () Tugs by race Federation tug (2257-2385) Federation tug (2374) External link de:Bergungsschiff it:Rimorchiatore ja:タグ Spacecraft classifications
1713	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Earth starship classes	A list of Earth ship classes in service before the founding of the Federation in 2161. The listed classed have been used by Starfleet, Earth Cargo Service or by civilian operators. See also: Unnamed Earth starships External link de:Liste von irdischen Schiffsklassen nl:Aarde sterrenschip klassen
1719	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Lieutenant	Lieutenant (US: /luːˈtɛnənt/ loo-TEN-ənt, UK: /lɛfˈtɛnənt/ lef-TEN-ənt) was a junior officer military rank, the equivalent of which was used by the service organizations of many civilizations. The German word for "lieutenant" was "Leutnant". () The British pronunciation was "lef-tenant". () Origins The origins of the term were rooted in the role held by the individual who served as second-in-command of an hierarchical organization, so acted on behalf of a leader's interests in their absense. Following the Federation's reoganization of the leadership structure of the Iotians, Captain James T. Kirk tapped Jojo Krako to be the lieutenant to the new "top boss" Bela Okmyx. () Military rank Naval ranks As a traditional naval ranks, lieutenant was the grade between ensign and lieutenant commander. It was used on Earth in the Royal Navy of Old Britain. () The Andorian Imperial Guard in the 22nd century used the rank of lieutenant. () As did the Xindi-Reptilians. () From the 22nd through the 24th centuries, the Klingon Defense Force used the rank of lieutenant. (; ; ) When Lieutenant Commander Worf, who was posing as the Klingon Commander Sorval, was confronted by an inquisitive officer aboard the , he rebuffed the officer, threatening that he "will not be questioned by a Lieutenant who should be cleaning my quarters. Leave us, or I shall have you stripped of rank and sent home in a transport!" () In Starfleet, during the 22nd century, the rank of lieutenant was directly between ensign and commander. () By the 23rd century, the Federation used additional grades in this transition, adding lieutenant junior grade before lieutenant, and lieutenant commander before commander. (; ; ; ; ; ) When Lieutenant Commander Michael Eddington left Lieutenant in command of the Deep Space 9 until Sisko's return in 2372, the confused Reese felt "that it's unusual for a junior officer to be left in [charge]." Eddington then told Reese that "if you're not up to the job, [he'd] find someone else who is. The safety of this station may depend on you and I need to know if you can handle it." () After the had time travelled back to 2268 from 2373, the Defiant crew dressed in period attire in order to infiltrate the . As the crew emerged from their quarters, Julian Bashir address Sisko by his original rank of captain, but Sisko corrected him, showing his single sleeve stripe, and explained that it was "lieutenant, actually. I didn't want to push my luck." Bashir later took this knowledge into consideration when he questioned Miles O'Brien why he thought the man that was supposedly Captain James T. Kirk was wearing lieutenant's stripes. () Army ranks In army ranks on Earth, notably the United States Army, a lieutenant was the lowest officer grade, which fell below captain. () Military lieutenants Named Brilgar (Bajoran Militia) Bobby Davis (United States Army) Japar (Klingon Defense Force) Jaryn (Lokirrim military) J'Dan (Klingon Defense Force) John Kelly (ISA/NASA) (Klingon Defense Force) Konmel (Klingon Defense Force) Korax (Imperial Klingon Fleet) Laneth (Klingon Imperial Fleet) McMillan (NASA) Onara (Bajoran Militia) Paltani (Takret Militia) Synon (Klingon Defense Force) Talas (Andorian Imperial Guard) Tarah (Andorian Imperial Guard) Unnamed Argosian lieutenant Clement engineering lieutenant (Royal Navy) Drovana lieutenant (Klingon Defense Forces) Kor's lieutenant (Imperial Klingon Fleet) Lenaris' lieutenant (Bajoran Militia) Orion lieutenant Dolim's lieutenant (Xindi military) Police rank The New York City Police Department used the rank of lieutenant. Gary Seven had identification stating he was a lieutenant in the NYPD Homicide Squad when he was sent to Earth in 1968. () Additionally, the New Sydney Police also used the rank. Fuchida was a lieutenant in 2375. () Police lieutenants Dan Bell, SFPD, Dixon Hill series Fuchida, New Sydney police Gary Seven, NYPD External link bg:Лейтенант cs:Poručík de:Lieutenant eo:Leŭtenanto es:Teniente fr:Lieutenant it:Tenente ja:大尉 nl:Luitenant pl:Porucznik pt:Tenente ru:Лейтенант sr:Поручник sv:Kapten Military ranks
1721	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Chosen Realm (episode)	Enterprise is hijacked by a group of religious extremists who worship the mysterious spheres in the Expanse. Summary Teaser In November 2153, the has found another Delphic Expanse sphere. Commander and Ensign Travis Mayweather take several scans in a . Interestingly, the sphere is exactly the same as the others, down to the last detail. As they leave, they are observed discretely by an alien ship. The captain orders for information about their armaments, noting that they may have expected them. Act One The Enterprise soon comes to the aid of a Triannon vessel that has been disabled by spatial anomalies in the vicinity. Archer hails them and agrees to help, but tells Lieutenant Malcolm Reed to take full security precautions, making sure none of them are armed. In sickbay, Archer meets the group. Phlox informs him that they refuse invasive scans due to religious reasons, but are nevertheless not in danger. Archer meets the captain, Pri'Nam D'Jamat, who is grateful for his help, and asks him to dinner. The Triannons are a group of religious pilgrims that venerate the spheres and their "Makers". They believe that the Delphic Expanse is the "Chosen Realm" of the "Makers", and that the anomalies ("the Makers' Breath") are reshaping it into a paradise for the faithful. There's clearly a divide between the crew's scientific study of the spheres and the Triannons' reverence of them. Meanwhile, one of the Triannons, Indava, approaches Phlox with a difficult question. Later, D'Jamat eats with two of his people, and they talk about preparation for something. One questions whether the ship's arrival was just a coincidence, as they risked their lives to help them. D'Jamat doesn't believe it's a coincidence and questions the man's faith. He then goes to Archer and says he wants to repay the kindness, remarking on a "glorious journey" they're about to embark on. He reveals that organic explosives are implanted in the bodies of all of his followers, who are now positioned throughout the ship. After he instructs one to detonate, blowing a hole in the Enterprise's hull and killing a crewman, he threatens Archer with the destruction of the warp core if Archer does not hand over control. Act Two D'Jamat's crew arms themselves and forces the crew into quarters. He escorts Archer personally, but won't yet answer his questions about what he wants, simply saying he also lost a crewmember and he will say a prayer for them both. D'Jamat reveals his plans on the bridge, ordering Mayweather to take Enterprise to and T'Pol to destroy his old ship. Bringing Archer to the command center, he explains he wants to end a religious war that has consumed his people for a century by using the firepower of Enterprise to destroy their enemies, the "heretics". Archer questions whether he's just using a version of truth, but D'Jamat dismisses it. He also informs Archer he found data on the spheres in the ship's database, which he considers to be a crime punishable by death and destruction of the ship. With the fact that they risked their lives to save his people, however, he only asks that one of the crew dies, of Archer's choice. He quickly deletes the 19.3 of information on the spheres and gives Archer six hours to choose. In his quarters, Archer gets a visit from Yarrick, who gives him a report of the ship's repairs. Archer takes the opportunity to talk to him, since it was his wife, Indava, who had earlier talked to Phlox about ending her new pregnancy. Phlox had told Archer she had come to disagree with D'Jamat's interpretation of the faith, and that Yarrick had doubts as well. Yarrick insists he'll follow D'Jamat to his death, but Archer clearly made a mark. Yarrick leaves the room and argues with Indava, who hadn't told Yarrick she talked to Phlox. She doesn't want to raise a child in D'Jamat's war, which she doesn't believe will end even if they use the Enterprise. She doesn't think Yarrick believes that, either. Archer goes back to the ready room to face D'Jamat, who had been viewing his captain's logs. D'Jamat is eager to relate himself to Archer, saying they're both fighting for their people. Archer dismisses this, and is forced to listen to D'Jamat's story of a similar "hard choice" he had to make about killing a child rather than allowing it to alert a heretic village. He compares it to Archer's "torture" of a person via the Enterprise airlock. Seeing as there will be no agreement, Archer informs D'Jamat he chooses to sacrifice himself. Act Three D'Jamat asks Archer to reconsider, but Archer is sure. Impressed by Archer's sacrifice, D'Jamat also grants his request for the quick, painless death offered by the use of a special "disintegration device" used to dispose of hazardous waste. At the transporter, the Triannons are tricked into thinking Archer was killed, when in reality he was simply transported to another part of the ship. D'Jamat seems to buy it and gives T'Pol his sympathies. Later, Yarrick expresses his concerns again with D'Jamat in the command center, that three people are already dead. Further, that these non-believers may not necessarily be their enemy. D'Jamat doesn't entertain the conversation, restating that the Makers speak through him, and warning Yarrick that he's expressing heresy. Afraid, Yarrick acknowledges it and stops. Beamed to a secluded part of the ship, Archer begins fighting back against the Triannons; he contacts Phlox, who is under guard, to see what he needs to neutralize the explosives. Subduing and tying up a nearby Triannon, Lyaal, Archer takes a medical scan and sends it to him. Then, he disrupts main power, taking the ship out of warp. On the bridge, Lyaal is noticed missing and D'Jamat orders T'Pol to find both him and the disruption. In engineering, Tucker insists he didn't do anything, and Nalbis vouches for him. Then, Tucker's guard isolates a location and he goes to investigate with Yarrick. Archer then waits for them and stuns the guard, leaving Yarrick. He appeals to Yarrick one last time, that D'Jamat's actions aren't consistent with how he was brought up and, after noting his wife and child will die with the current path, Yarrick is convinced. They go back to his hideout where he will explain how to reroute environmental controls to sickbay. Phlox now has an airborne agent to nullify the organic explosives. Meanwhile, four ships intercept the Enterprise. They are the "heretics" D'Jamat is looking for, and, after a hail, a firefight is inevitable. D'Jamat orders T'Pol to fire, but she refuses, prompting another Triannon to take her place. Act Four Soon, one ship is disabled. D'Jamat orders the ship destroyed, and, despite T'Pol trying to interfere, the Triannon fires and destroys it. The Triannon crew continue to fire on the convoy, destroying two of the four ships. Yarrick arrives, informing D'Jamat that the warp engine will be back online soon, though, discretely, he does reroute the environmental system like Archer instructed. Meanwhile, Phlox lets out his Pyrithian bat to distract his guard. He's successful and subdues him, free to put the neutralizing agent into the environmental system. Archer frees Reed and secures the armory. The neutralizing agent enters the air before the Triannon guarding the armory can explode. With the MACOs free, Archer takes back engineering while Reed leads a team to search the rest of the ship. Reed and Money get in a fight and receive some help from Indava. They then continue to the bridge, where the alien ships have signaled surrender. D'Jamat ignores it and orders more firing, but finds that weapons are not in their control. Archer informs them he has control of the ship and that their explosives are neutralized. Soon, Reed's team stuns the rest of the aliens, with Yarrick's help. Archer hails the ships and halts the fight. Archer and T'Pol return D'Jamat and several others to Triannon, where Archer reveals that the war is already over. As they stand looking out over the charred remains of a city, Archer explains that the conflict decimated their planet eight months before. There were millions of deaths on both sides and no major cities are left. Archer remarks that D'Jamat thought that his faith was going to bring peace and coldly says "Here it is", before leaving D'Jamat and his followers on the devastated landscape. Memorable quotes "You wanted to kill someone? Kill me." - Archer, to D'Jamat "My people have certain… customs regarding death. There's a device on board – we use it to dispose hazardous materials… but, on rare occasions, when the situation arises, we've also used it for executions… It's considered humane." - Archer, tricking D'Jamat into "executing" him by transporter "What's wrong?" "We've just begun this mission, and already, three people are dead." "And that bothers you…" "Shouldn't it?!… These people are not our enemy!" "They are non-believers… that makes them our enemy!" - D'Jamat and Yarrick "When you question me, you question the Makers… and there's a word for that: heresy… When you begin to sympathize with the enemy, you risk becoming the enemy." - D'Jamat, to Yarrick "These people you're fighting… what makes them heretics?" "We believe the Makers created the Chosen Realm in nine days. They believe it took ten." "For that, you've been at war for over a century?!" - Archer and Yarrick "There'll be an extra helping of snow beetles for you tonight, young lady." - Phlox, to his pet Pyrithian bat, after the animal distracts the Triannon guard long enough for the doctor to sedate him Background information Production history Final draft script: Filmed: – Premiere airdate: Story Episode writer Manny Coto explained the story; "It's a very rigid theology and Enterprise has broken several taboos and must pay for it. The episode dramatises where the intractability of religious extremism ultimately leads. Fundamentalists of all stripes – it's a rigid belief that's not based on empirical evidence, that's what I'm attacking." This episode was formerly known as "Untitled Sphere Story". Production Filming for this episode ran simultaneously with the previous one, , for two days. The interior sets of the Triannon vessels were the only newly constructed sets for this episode. Props and costumes The design of the Triannon vessel was created by John Eaves who inked four different concepts for this ship in early . One of the sketches later became the Denobulan shuttle seen in the episode . A number of props and costumes from this episode was later sold off on the It's A Wrap! sale and auction on eBay. Among the items are Triannon computer interface panels, a Triannon communicator, several Triannon brooches, , and the costumes worn by Lindsey Stoddart, Gregory Wagrowski, and David Youse. The costume worn by Gregory Wagrowski as Ceris was previously worn by Alexander Slanger in the second season episode . Cast and characters This episode brought back Conor O'Farrell and Gregory Wagrowski. O'Farrell previously appeared in the episode and in the Enterprise first season episode while Wagrowski played in the Deep Space Nine episode . "Chosen Realm" was the second writing credit for Manny Coto. This was the seventh of ten directing credits for Roxann Dawson on Enterprise. Continuity The Triannons are also referenced in the third season episode . This episode shares several elements with the original series episode . Both episodes feature two factions of the same species fighting over what seems like an insignificant difference in their faith or physiology. Both of the factions share an immense hatred for the other, the ship is hijacked, and the episodes end with the species' home planets being shown as lifeless, decimated by war. D'Jamat talks to Archer about the time where he had to torture a prisoner in the airlock. He refers to Orgoth, whom Archer interrogated in . After Archer's "execution", he contacts Phlox with the phrase "Don't feed him cheese" to recognize him, from his advice in . This episode marks the final appearance of the Pyrithian bat. Deleted scene Actress received credit for playing a "Crewman" in the end credits of the episode. However, she did not appear in the final episode. A scene in the situation room including dialogue between T'Pol and D'Jamat was cut from the episode but is featured on the ENT Season 3 DVD and ENT Season 3 Blu-ray releases. The scene features Conor O'Farrell, Jolene Blalock, David Youse, Tayler Sheridan, and a background actor. Links and references Guest Stars Conor O'Farrell as D'Jamat Vince Grant as Yarrick Lindsey Stoddart as Indava Tayler Sheridan as Jareb David Youse as Nalbis Gregory Wagrowski as Ceris Co-Stars Matt Huhn as ND Triannon as Crewman (deleted scene) Uncredited Co-Stars Ron Balicki as Triannon Jorge Benevides as R. Azar Steve Blalock as Triannon Jackson Bolt as Triannon Breezy as Porthos Autumn Leigh Brown as sciences division crewman Jason Collins as R. Ryan Shawn Crowder as Triannon Evan English as Tanner Duncan K. Fraser as Walsh Jeremy Fry as Triannon Hilde Garcia as Rossi Michael Glover as Triannon Glen Hambly as operations division ensign Aldric Horton as operations division crewman Amina Islam as command division ensign Roy Joaquin as sciences division crewman Ricky Lomax as W. Woods Andrew MacBeth as E. Hamboyan Aouri Makhlouf as sciences division crewman Dorenda Moore as S. Money Cesar Rodriguez as sciences division lieutenant Aric Rogokos as sciences division crewman Lidia Sabljic as command division crewman Ron Sarchian as Triannon Paul Scott as Triannon Paul Sklar as R. Richards Chris Torres as B. Moreno Max Valentine as Triannon in engineering/ Triannon in armory Unknown performers as Armed Triannon Armed Triannon Armed Triannon Armed Triannon Female operations division crewman Female operations division crewman Lyaal Sciences division crewman Sciences division lieutenant Triannon Triannon bridge guard Triannon bridge guard Triannon bridge guard Triannon guard Triannon in engineering Stunt Double Unknown stunt performer as stunt double for Dominic Keating References abortion; antidote; armory; assembly line; barbarian; biohazard; biosign; brooch; cloaking barrier; communicator; convoy; ; death penalty; Delphic Expanse sphere; distress signal; divine; Earth; environmental controls; environmental controls console; environmental relay conduit; EPS manifold; faith; flunky; god-like being; hazardous material; heretic; heresy; histolytic analysis; Holy Regiments; Janaran tea; kindred spirit; Makers; malnutrition; medical care; medical scan; Muratas Star Cluster; mythology; non-believer; nonessential personnel; organic explosive; Orgoth; paradise; pilgrim; pilgrimage; prayer; pregnancy; Pri'Nam; Pyrithian bat; religion; snow beetle; spiritual leader; suicide; tattoo; text message; transporter; Triannons; Triannon (planet); Triannon boy; Triannon language; Triannon ruins; Triannon War; Triannon mythology; Triannon vessel; venom; village; External links cs:Chosen Realm de:Das auserwählte Reich es:Chosen Realm fr:Chosen Realm (épisode) ja:ENT:選ばれし領域 nl:Chosen Realm ENT episodes
1722	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Proving Ground (episode)	An Andorian ship commanded by Shran unexpectedly appears in the Expanse to help the Enterprise locate the Xindi primary weapon. Summary Teaser On the Kumari, Commander Thy'lek Shran is under orders to find a ship in the Delphic Expanse. His Lieutenant, Talas, informs him they've lost the warp trail, and is pessimistic that the ship survived, given it's been weeks. Shran is confident the ship survived, telling her not to underestimate the "pink skins." Act One During an impromptu meeting of the Xindi Council, Degra, frustrated, waits for the full council. After a bit of arguing, he reveals prematurely that while the primary weapon is not ready, he is testing the second prototype in the Calindra system in three days and will broadcast the test back to the Council. Meanwhile, the is hot on the trail of the Xindi primary weapon (thanks to Gralik's sabotage). Ensign Hoshi Sato and Sub-commander T'Pol have been able to reconstruct 30 percent of their database which was deleted by D'Jamat. The weapon is inside an exceptionally intense anomaly field, which they can't go around. Captain Archer orders the ship forward with T'Pol guiding. The anomalies begin merging, and a large anomaly forms that completely engulfs the ship. Enterprise is nearly destroyed, however, at the last moment, an unidentified ship locks on with a tractor beam and pulls the ship to safety. When Archer contacts the ship to express his gratitude, he is speechless to see Commander Shran looking back at him on the viewscreen. Shran comes aboard the ship and explains that he came to the Expanse as an ally to help stop the Xindi from destroying Earth. Shran phrases his speech so that it seems that the Andorians are using the occasion to show moral superiority to the Vulcans, who have not assisted their allies on Earth despite possessing the resources to do so. He does commend T'Pol's resignation of her commission to help Archer, however. After a moment of hesitation, Archer accepts Shran's offer of assistance, even if out of necessity. Archer meets Lieutenant Malcolm Reed in the armory to inform him of Shran's tactical officer coming to help. He's hesitant of allowing them access to critical systems, but Archer says they need help. T'Pol soon finds Archer to inform him the Andorian ship has docked, and to suggest posting security teams with each repair crew. Archer feels that will decrease efficiency, and, after more information about the Vulcans' bad experiences with Andorians, admits he doesn't trust them, but feels he can trust Shran. Andorian engineers and maintenance crews come aboard. Reed and , taking a break in the mess hall, meet Talas when she enters the room loudly asking the whole crew in the room who Reed is. She makes it clear she doesn't want to be there, and takes jabs at both of them as she reports for ordered duty. Tucker leaves the two to get acquainted. Tucker, back in engineering, eventually finds T'Pol arriving for an update, having only seen her for their Vulcan neuro-pressure sessions. He says the "blue guys" really know their stuff and that they should be operational in 12 hours. He also remarks T'Pol may be avoiding him, but she assures him she's busy. Meanwhile, Shran joins Archer for dinner, seemingly excited to work with him. He brought Archer some bottles of Andorian ale and, opening one, toasts to a quick victory. Through talking, Shran informs Archer he volunteered for the assignment, through his experience and also due to his unpaid debt to Archer for helping with the Vulcan conflict. He also alludes to future cooperation between Humans and Andorians. In the armory, Reed is aligning some relays with Talas only watching. Reed is dismissive toward her, clearly not wanting her help, despite that she brought equipment that can help. Sarcastically, she offers to get him coffee, and he accepts, which prompts her to take her leave. She notes as she goes that she's not there to steal secrets, and also that the weapons are inferior to what she knows anyway. Reed takes offense and goes back to working, however, when she notes that he forgot a step in the process, he pauses and apologizes. He'll get her some coffee and they'll work together. "Captain's starlog, December 6th, 2153. With some assistance from the Andorians we've managed to steer clear of anomalies." With the Enterprise in shape, and Shran on their bridge, they head for their target. They arrive just outside the Calindra system and, with the Andorians' more advanced sensors that won't give away their position, they find four ships, all Xindi. Act Two It appears the uninhabited moons are heavily scarred. Archer concludes that this is a proving ground, not unlike Bikini Atoll, which means they don't have much time. Shran notes the defenses are too much for a full assault, and he's not ready to risk his ship when they don't know if the weapon is there. Archer agrees, and wants more information. Shran decides to head back to his ship but on his way he is approached by Tucker for one of their advanced antimatter injectors. Shran is hesitant, as that is sensitive information and it remains to be seen to what extent they are allies. Shran tells Tucker he knows about the death of his sister, and relates through his losing of a brother in border disputes with the Vulcans. Tucker's eyes begin to water but he makes it clear that he doesn't want revenge, just wants to prevent the Xindi from finishing what they started. Shran then promises to give them the injector before he steps in the airlock and leaves. Degra, ready for the test, contacts the anxious Xindi Council again. Degra orders final calibrations and the weapon is launched. However, a proximity alarm sounds and Degra cancels the test, unable to identify the ship (not aware of the Andorians). He answers a hail from Shran, who is pretending to be with the "Andorian Mining Consortium" and searching for a valuable mineral called "Archerite." Degra is not amused and orders the Kumari to stop scanning the weapon and leave the system or else be fired upon. Shran, in character, concedes and ends the communication. Archer and T'Pol, who have hidden on the Kumaris bridge, observed the whole thing. With detailed scans in hand, the Kumari returns to Enterprise. T'Pol deduces that this test weapon is similar to the one that attacked Earth, but not large enough to destroy an entire planet. Shran notes that this is not the final weapon, so it's not absolutely critical they destroy it, rather, they could measure the results of the weapon themselves. Archer intends to steal it, so Starfleet can better find a defense. The crew focuses on repairs to the ship. Talas and Reed work together, though when it comes to a point that they need the weapons frequencies, Reed politely keeps that to himself by completing it on his own. They talk a bit about their similar family histories, being military families, and Talas notes his father, while earlier probably disappointed in Reed's choice, would be proud now that he is fighting for the survival of their race. Reed goes to complete the rest of the work, leaving Talas who decides to examine the device they fixed on her own. The crew of Enterprise is able to watch the Xindi test via a relay from the Kumaris more advanced sensors. The crew members are horrified to see the moon split in half by the weapon. Act Three The Xindi Council is disappointed at the results, as the moon was supposed to be more decimated, and wants answers. Degra was forced to shut the weapon down prematurely, and insists he needs time to analyze the data to decide how to proceed. Dolim, furious with Degra for this setback, exclaims that every failure puts them at further risk. On the Enterprise, T'Pol also determines that the weapon test was a failure. Archer, chuckling, is gratified that Gralik has kept his promise to sabotage their weapon. Right now, the weapon is too hazardous to approach. Archer wants to take it into the ship's launch bay, but T'Pol does not believe the weapon can be brought aboard due to lethal radiation it is emitting. At this point, Shran offers to steal the weapon and store it in the Kumaris (better shielded) cargo bay until it is safe to transfer it to Enterprise. Archer is immediately suspicious of Shran's motivations for this uncharacteristically altruistic offer, which leads to a confrontation. Archer accepts Shran's offer, but only on the condition that he be allowed to command the Kumari during the retrieval. Shran grudgingly agrees. Meanwhile, Talas and Reed have come to an understanding and are working together quite nicely, even getting phase cannon efficiency up to 94%. Reed mentions that Talas' talents would be appreciated in Starfleet, and Talas retorts that Reed should consider joining the Imperial Guard if he ever tires of exploring. Later, Reed catches Talas working on the sensor array without reason, but pretends to believe her flimsy excuse. Shran, back on his ship, has an ominous conversation with an Andorian general, during which he questions his mission and asks if it is worth making enemies of the Humans when they could take the chance to form an alliance instead. The general dismisses it, noting a fondness for the "pink skins" in Shran's argument. The two ships make their move. Enterprise enters the system first, drawing out two Xindi-Reptilian ships and successfully damaging their engines. While those ships are distracted, the Kumari enters the system from the opposite side and tractors the prototype into its cargo bay. Degra falls for the tactic, finding out too late that the ships are working together. After the surprisingly successful raid, Archer orders the Kumari to rendezvous with Enterprise. Talas looks to Shran, who then ends his cooperation, ordering a course for Andoria. Their real intention apparently was to steal the Xindi test weapon for themselves. Act Four Archer is furious, but Shran tries to defend his actions. First, Shran emphasizes that his loyalty is with the Imperial Guard, and not with the "pink skins." Shran reveals that the Imperial Guard wants to keep the Xindi weapon for themselves, as a weapon to potentially be used against the Vulcans. Archer states that Enterprise will fight for the weapon, but Shran counters that Talas has secretly sabotaged their sensor array and that Enterprise would not be able to find them. Furious that the Andorians would endanger Earth over a border dispute with the Vulcans, Archer punches Shran in the jaw, drawing blue blood from his lip (noting that it settles his own personal debt from their first encounter). Shran orders Archer dropped off in an Andorian escape pod equipped with a navigation beacon so Enterprise will know where to find him. The Andorians begin making detailed scans of the weapon. When Shran informs his superiors of the mission's success, he is visibly upset and refuses a commendation. When Enterprise arrives to pick up Archer, it is revealed that Lt. Reed had been closely watching Talas and her sabotage attempt was unsuccessful. When Enterprise catches up with the Kumari at an anomaly field, Archer hails Shran and reveals that T'Pol has decrypted the weapon's arming protocols; Archer threatens to detonate the weapon while it is in Shran's cargo bay, but Shran believes he is bluffing. Shran asks Archer why he would do this, and Archer counters that he can not take the risk that the Andorians would use the weapon against the Vulcans. Shran questions Archer's loyalty to the Vulcans, and Archer senses that there is no compromise to be had. With no other options, Archer orders the weapon armed, and it begins to overload while still on board. Shran orders the weapon jettisoned, and it explodes in space. "Captain's starlog, supplemental. Commander Shran graciously declined our offer of help. The last we saw of them, they were limping away on auxiliary power." Enterprise is far enough away to avoid damage, but the Kumari is heavily damaged. Archer offers help, but Shran graciously refuses. When the ships part ways, the Andorian vessel is limping away on auxiliary power. Just before it leaves sensor range, someone aboard Kumari sends a covert transmission to Enterprise, consisting of the detailed scans of the Xindi weapon. Archer orders the scans sent to Starfleet, and offers to share some Andorian ale with Tucker and T'Pol. Log entries "Captain's starlog, December 6th, 2153. With some assistance from the Andorians we've managed to steer clear of anomalies." "Captain's starlog, supplemental. Commander Shran graciously declined our offer of help. The last we saw of them, they were limping away on auxiliary power." Memorable quotes "Captain Archer. Look at the trouble you've gotten your pink skin into this time!" - Commander Shran, to Archer, after rescuing Enterprise from certain doom inside of an expanding anomaly "Your world is in jeopardy, and where are your friends, the Vulcans? Where is their mighty fleet? They couldn't even spare one officer! She was forced to abandon her career to remain on your ship – a remarkably selfless act… for a Vulcan. But we've come to your aid. We've come into the Expanse when they refused. We're here to help you." - Shran, to Archer and T'Pol, in response to the captain's query about his intentions "Well, I'll let you two get acquainted." - Tucker, to Reed and Talas, after witnessing their first meeting "So… how did you get picked for this assignment?" "I volunteered. It made sense. I've had the greatest amount of contact with pink… with Humans, and the last time we met you helped my people avert a war. I don't like unpaid debts." "We keep doing each other favors." "Isn't that how alliances are born?" - Archer and Shran "How long until we have warp?" "I would say at least two days, but, uh, the blue guys really know their stuff!" - T'Pol and Tucker "Is there anything else I can get you… some coffee, perhaps?" "Oh, that'll be lovely!" - Talas and Reed "The last time I saw weapons like these was during my early tactical training." "I'm sorry I wasted your time on our primitive systems." "Not at all… I found it nostalgic." - Talas and Reed "Lieutenant Talas… I apologize if I've been rude. Why don't I get us both a cup of coffee and we can align these relays… together." - Reed, to Talas "The Andorian Mining Consortium runs from no one." - Shran, sarcastically "You don't trust me." "No offense, but when it comes to our weapons frequencies, I wouldn't trust my own mother." "Is your mother considered a security risk?" "That's just an expression." "An odd one… my mother's security clearance is higher than mine!" - Talas and Reed "I'd take this ship into combat myself." "Even with our primitive weapons?" "It's not the weapon, it's the soldier who wields it." - Talas and Reed "This was a failure?!" "A spectacular one – but, yes." - Shran and T'Pol, watching the unsuccessful test of the weapon "Gralik…looks like he kept his word." - Archer, knowing why the test failed "For two hundred years, all that's kept them from invading Andoria is the threat of massive retaliation. With a weapon of this magnitude at our disposal, they wouldn't dare attack us." "You're putting Earth at risk because of a border dispute with the Vulcans?!" "We disrupted the Xindi test, took their weapon. We may have helped save your world!" "I guess I'm not familiar with the Andorian concept of help!" - Shran and Archer "You like to talk about repaying debts. I've owed you that for a long time." - Captain Archer, after sucker punching Shran in the jaw "Open a channel to Shran. Ask him if he requires our assistance." - Archer, to Hoshi Sato Background information A costume worn by an Andorian officer on the Kumari was auctioned off in the It's A Wrap! sale and auction. Title The title "Proving Ground" refers to a place where something is developed or tried out. In the episode, Degra is testing out the weapon prototype for the much larger Xindi weapon. It could also refer to the Calindra system where Degra is testing the weapon. Story and script The final draft of this episode's script was issued on . The post-production, archival version of the final draft script was submitted on . As evidenced by the archival final draft script of this installment, the episode's teaser was composed of "added scenes" that were written into the teleplay at a relatively late date. Cast and characters John Billingsley (Doctor Phlox) does not appear in this episode. The part of the Andorian general was originally played by actor Ted Sutton. Sutton was unable to do the re-shoots and the part went to actor Granville Van Dusen. Production This episode was produced between 30 October and . (Information from Larry Nemecek) Music and sound Guest composer John Frizzell composed the music for this episode. He went on to compose the music for the episode . Continuity As Enterprise passes through the field of spatial anomalies, the anomalies begin to merge, forming anomalies large enough to fully engulf Enterprise. This foreshadows the discovery of the much larger trans-dimensional disturbance in "Harbinger". This episode featured not only the first good look at the interior of an Andorian ship but also provided the first glimpse of Andoria, albeit briefly on a monitor. In this episode it became evident that the blood of an Andorian is blue. The Kumari's captain's chair is a reuse of either the 's captain's or XO's chair. Also, Shran's desk in his ready room was previously a table in Chakotay and Tuvok's offices in , specifically seen in the episodes and . Despite the destruction of the prototype well before the Andorians could make any use of it, the Vulcan High Command was told that Shran had been successful and that the Imperial Guard was, in fact, studying it for their own purposes, and a year later would use their supposed possession of the weapon in order to launch a "preemptive" invasion. The kemocite with the modified radiolytic signature in it from is finally detected and tracked down in this episode, six months after its inception. Commander Shran makes reference to Archer's love of Andorian ale, previously seen in season two's . They shared a bottle of it again in after Shran loses the Kumari in battle. When Shran contacts the Xindi, he pretends to be a scout from the "Andorian Mining Consortium". This could be a reference to the non-canon video game , which was the first (and only) source where the Consortium was mentioned. However it is not made clear in that episode that the Consortium really existed; it could be an invention improvised by Shran. Shran also foreshadows the creation of the Coalition of Planets when he talks about forming alliances, although here it is only between Andorians and Humans, with Vulcans pointedly absent. Shran justifies taking the Xindi weapon by claiming that Xindi technology would deter the Vulcans from attacking them, however it later has the opposite effect, when in , V'Las uses the (false) information that the Andorians have acquired Xindi technology to justify an invasion of Andoria. Links and references Starring Guest Stars Molly Brink as Talas Randy Oglesby as Degra Scott MacDonald as Dolim Tucker Smallwood as Xindi-Primate councilor Rick Worthy as Jannar Granville Van Dusen as Andorian General And Jeffrey Combs as "Shran" Co-Star Josh Drennen as Degra's Assistant Uncredited Co-Stars Mark Correy as Alex Hilde Garcia as Rossi Glen Hambly Doug Mirabello as Andorian officer David Venafro as Andorian officer CGI appearances Xindi-Insectoid councilor References Andoria; Andorians; Andorian ale; Andorian city; Andorian Imperial Guard; Andorian Mining Consortium; Andorian battle cruiser; Andorian escape pod; Andorian shuttle; anomaly; antimatter injector; archerite; auxiliary power; bathroom; bay doors; bearing; Bikini Atoll; "brace for impact"; caffeine; Calindra planet; Calindra system; career; cargo bay; coffee; crumpet; cup; ; damage; Degra's ship; Delphic Expanse; drink dispenser; Earth; emergency power; EPS synchronizer; evasive maneuvers; expression; eyebrow; first contact; force field; frontal assault; general; generation; gesture; ; G-type star; Imperial Infantry Unit; isotopic signature; kemocite; kilo; kilometer; Kumari; left hook; lieutenant; memory core; micro-spanner; navigation beacon; neuro-pressure; nuclear weapon; omni-directional sensors; phase coupler; phase regulator; photonic torpedo; pink skin; polarity; potato chip; power generator; prototype; ; ; Royal Navy; security clearance; ship of exploration; Shran's brother; Starfleet Command; tactical alert; tactical training; Talas' mother; tea; toast; tractor beam; ; variable compression nozzle; Vulcans; Vulcan (planet); Vulcan High Command; Xindi; Xindi-Arboreal; Xindi-Aquatic; Xindi-Insectoid; Xindi launch platform; Xindi-Primate; Xindi-Reptilian; Xindi-Reptilian warship; Xindi Council; Xindi weapon External links External link cs:Proving Ground de:Testgebiet es:Proving Ground fr:Proving Ground (épisode) ja:ENT:アンドリア人の協力 nl:Proving Ground pl:Proving Ground ENT episodes
1723	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	General	General was a military rank, the equivalent of which was used by the service organizations of many civilizations. As a traditional grade, general was the highest rank in the ground forces of a military organization. In comparison to naval ranking systems, this rank was equivalent to the admiral grade. The rank of marshal was usually considered senior to that of general. In the United States military, the general insignia was comprised of various silver stars with a four-star general considered a "full" general. History Earth In 6th century BC China, Sun Tzu was a general who also was a philosopher. (; ) On the planet Gothos, the entity Trelane displayed himself as an early 19th century general and called himself "General Trelane, retired". () In the 19th and 20th century, the rank of general was used by several countries including Mexico and the United States of America. (; ) In the 22nd century, the Military Assault Command Operations on Earth still used the rank of general. () Ekos On the planet Ekos in the 2260s, when historian John Gill recreated a government based on Nazi Germany, this government had a military with generals using the same insignia as their 20th century counterparts, as well as SS generals who displayed rank in the form of collar patches. () Other cultures The grade also existed in the Andorian Imperial Guard, the Bajoran Militia, the Klingon Defense Force, and the Romulan military. Many rank systems had several grades of the general officer rank, which included general, lieutenant general, major general, and brigadier general (also known simply as brigadier). The Friendly Angel considered the children of the Starnes Exploration Party on Triacus, which were under his mind control, to be his "future generals", as they approached their target of Marcos XII in 2268. He continued, stating that "together we can raise armies of followers." () Generals Human General of the Armies George Washington (US Army) General of the Army Douglas MacArthur (US Army) General (MACO) General Ulysses S. Grant (Union Army) General Antonio López de Santa Anna (Mexican army) General Diatta Ndoye (United Earth Defense Force) General Norman Schwarzkopf (US Army) Klingon General (Klingon Empire) General Chu'vok (Klingon Defense Force) General K'orin (Klingon Defense Force) General K'Trelan General K'Vagh (Klingon Imperial Fleet) General General (Klingon Defense Force) General Korrd (Klingon Imperial Fleet) General Martok (Klingon Defense Force) General ShiVang (Klingon Defense Force) General Stex (Klingon Empire) General Tanas Romulan This was a rank in both the Romulan military and the Tal Shiar. General Movar General Oh General Velal Sela's father Other General Gosis General Hazar (Bajoran Militia) General (Bajoran Militia) General Nassuc (Palamarian Freedom Brigade) General Resh (Ilari military) * General Miles O'Brien (Confederation Corps) * General Jean-Luc Picard (Confederation Corps) General Thy'lek Shran (Andorian Imperial Guard) General Ardelon Tandro (Klaestron military) General Valen (Annari) General Yiri (Trelonian military) External link de:General es:General fr:Général ja:大将 nl:Generaal Military ranks
1724	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Brigadier	Brigadier was the most junior military flag officer rank, the equivalent of which was used by the service organizations of many civilizations. As a traditional grade, brigadier, also known as brigadier general, was, by definition, the officer in charge of a brigade. In comparison to naval ranking systems, it was equivalent to the rank of commodore (or rear admiral lower half). In an alternate 1944 -era on Earth, the German Army brigadier general, know in by the German equivalent generalmajor, reported directly to Adolf Hitler from the American White House. () On the planet Ekos, there were the equivalent ranks, based on the original Earth ranks, carried by the Ekosian Nazis during the 2260s; the aforementioned Heer generalmajor, the SS-brigadeführer (brigade leader), and the Nazi Party rank hauptdienstleiter (head service leader). () During the 23rd century, brigadier was a rank in the Klingon Defense Force, and was someone who served as a military adviser to the Klingon chancellor, and had the authority to speak on behalf of the Klingon Empire. () Noted brigadiers Ekosian Ekosian brigadeführer () Ekosian generalmajor (Heer) Ekosian hauptdienstleiter (Nazi Party) Human Human generalmajor (Heer) Klingon Brigadier Kerla (Klingon Defense Force) Appendices Background information According to the , brigadier general was a rank in the Military Assault Command Operations in the 2150s. The insignia for this rank was on display in a diagram of MACO rank and insignia. For the episode "Patterns of Force", costuming for the Ekosian SS seemingly used the entire spectrum of Nazi rank insignia available, overlapping several variations of any one insignia's evolution. A prime example of this was the appearance of the SS brigadeführer's collar badge, as in the real world, the badge in question – two oak leaves and a pip – was replaced after April 1942 with three oak leaves. External links de:Brigadier es:Brigadier nl:Brigadier Military ranks
1725	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Colonel	Colonel (pronounced KUR-nal) was a military rank, the equivalent of which was used by the service organizations of many civilizations. As a traditional grade, colonel was the most senior line officer rank of a fighting organization, below the flag rank of general and senior to the rank of lieutenant colonel. In comparison to naval ranking systems, this rank was equivalent to the naval captain rank, the Romulan Star Empire's commander grade, the Ferengi Alliance's DaiMon, or the Cardassian Union's title of gul. A colonel commanded a group, consisting of several squadrons, or a regiment, consisting of several battalions. In Starfleet, a colonel named West was in charge of a military briefing to the Federation President. () This grade existed in some form in many cultures' rank arrangements, such as the Klingon Defense Force, and the United States military of Earth. The US insignia for a colonel was a silver rank pin or embroidery shaped like a stylized eagle, holding olive branches in one claw and arrows in the other. The Union Army of the US Civil War had colonel's insignia displayed on two epaulet shoulder straps with colored backgrounds, while later US forces wore the insignia on the collar or epaulet without a background field. The eagles on the two shoulders were not identical, as in each case, the eagle turns its head to face towards the wearer's front. In the Confederate Army during the US Civil War, a colonel wore three five-pointed stars on either side of his collar. () In the German armed forces of World War II, colonels wore silver shoulder knots with two metal pips. The SS equivalent officers wore a single oak leaf insignia on their collar patch, and two metal pips on their shoulder boards. Translated into German as Oberst, colonels of the SS were referred to by the title Standartenführer. (; ) In the Bajoran Militia, a colonel wore golden insignia in 2371, which was changed to a silver insignia by 2375. ()) In the Romulan Tal Shiar organization, a colonel wore a collar insignia of a gold triangle with two crescents lined up against it. () Noted colonels Colonel Jim Bowie (Earth, Texas Militia) Colonel Shaun Geoffrey Christopher (Earth, affiliation unclear) Colonel Davy Crockett (Earth, Tennessee Militia and Texas Militia) Colonel Balthazar Edison (Earth, Military Assault Command Operations) Colonel (Bajoran Militia) Colonel Grat (Tandaran Military) Colonel Phillip Green (Earth, affiliation unclear) Colonel Anastasia Komananov (Earth, KGB, fictional) Colonel Kira Nerys (Bajoran Militia) Colonel Lenaris Holem (Bajoran Militia) Colonel Lovok (Tal Shiar) Colonel M. March (Earth, USAF) Colonel Narissa (Tal Shiar/Zhat Vash) Colonel Jack Nesvig (Earth, McKinley Rocket Base security) Colonel (Q Continuum, illusory Confederate Army) Colonel Stephen Richey (Earth, USAF) *Colonel Cristóbal Rios (Confederation Corps, Confederation of Earth) Colonel Thaddius Riker (Earth, Union Army) Colonel Gary Seven (Central Intelligence Agency) – This was a false identity assumed by Seven. Colonel West (Starfleet) Colonel (Klingon Empire) External link de:Colonel es:Coronel fr:Colonel ja:大佐 nl:Colonel Military ranks Titles
1726	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Major	Major was a military rank, the equivalent of which was used by the service organizations of many civilizations. As a traditional grade, major was a line officer of a fighting organization, below a lieutenant colonel and above a captain. In comparison to naval ranking systems, this rank was equivalent to the naval lieutenant commander rank. Some rank systems used the term major in conjunction with other ranks to create a different grade, such as major general. The rank of major existed in some form in many other culture's ranking arrangements, such as the Romulan Tal Shiar and the Bajoran Militia. (; , et al.) Following the end of the Occupation of Bajor and during the discovery of the Bajoran wormhole, Deep Space 9 was confronted by three warships, with the lead ship commanded by Gul Jasad, who contacted the station wishing to speak with Commander Benjamin Sisko, however he was instead addressed by Major Kira Nerys, who explained that Sisko was not available. Jasad begrudged speaking to Kira, stating that he wasn't "used to talking to Bajoran Majors," to which Kira responded, "I'm all you've got." () Noted majors Major Balthazar Edison (United Earth – MACO) Major J. Hayes (United Earth – MACO) Major Jatarn (Bajoran – Bajoran Militia) Major Kira Nerys (Bajoran Militia) Major Klev (Tandaran military) Major (Romulan – Tal Shiar) Major (mirror universe – Terran Empire – MACO) Major Talok (Vulcan High Command, in fact covert Romulan agent) External link de:Major es:Mayor fr:Major nl:Majoor Military ranks
1732	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TOS Season 1	The first season of was produced and filmed from to by Desilu. It began airing in the fall season on NBC, running new episodes until the spring of , and continuing in repeats until the premiere of TOS Season 2 in the fall of 1967. Episodes First pilot Season 1 Summary The Starfleet vessel sets out on a five-year mission to explore new worlds and seek out new lifeforms in the Alpha Quadrant of the Galaxy. Under the command of Human Captain James T. Kirk and the Vulcan Spock, the Enterprise comes across many strange lifeforms in the first year of its mission – including shapeshifters, androids, and even more bizarre creatures. Elsewhere, there are run-ins with several prominent species, including the warrior race of the Klingons, the Romulan Star Empire, and the Gorn. The rest of the crew develop close bonds on the long journey, and even as each one experiences the joys of the brave new world of space, they all experience grief and sacrifices. Amongst those who grow close as part of the senior staff are one of the ship's nurses, Christine Chapel, the ship's doctor Leonard McCoy, Kirk's yeoman Janice Rand, helmsman Hikaru Sulu and communications officer Uhura. Background information Production for the initial season of Star Trek cost an average of US$190,635 per episode. (Some episodes went largely over budget, such as , which cost $250,396, the most expensive of all episodes except the two pilots). But this figure would gradually decrease in the two seasons to come. (Inside Star Trek: The Real Story) Each episode was scheduled to be filmed in six days; however, many of them went over schedule, resulting in one or two extra days of shooting. When Paramount Pictures took over Desilu in mid-season 2, schedules became much more strict, and episodes had to be completed in six days (closer to five and half days actually). The first season of TOS was nominated for two Emmy Awards in 1967 as "Outstanding Dramatic Series" and "Outstanding Performance by an Actor in a Supporting Role in a Drama – Leonard Nimoy". The episodes , , and won Hugo Awards as "Best Dramatic Presentation". and were also nominated. Credits Starring William Shatner as James T. Kirk Also starring Leonard Nimoy as "Mr. Spock" Featuring DeForest Kelley as "Dr. McCoy" James Doohan as "Scott" George Takei as "Sulu" Nichelle Nichols as "Uhura" Grace Lee Whitney as "Yeoman Rand" Majel Barrett as "Christine Chapel" Production staff This list excludes the two pilots. For the credits of those episodes, please see and . Star Trek Created by Gene Roddenberry Produced by Gene Roddenberry ("The Corbomite Maneuver" – "Dagger of the Mind", "The Menagerie, Part II") Gene L. Coon ("Miri" – "Space Seed") (not credited for "The Menagerie, Part II") Executive Producer Gene Roddenberry ("Miri" – "Operation--Annihilate!") (was credited as Producer rather than Executive Producer for "The Menagerie, Part II") Associate Producers Robert H. Justman John D.F. Black ("The Corbomite Maneuver" – "Miri") Byron Haskin ("The Menagerie, Part II") (credited for his work on "The Cage") Script Consultant Steven W. Carabatsos ("The Conscience of the King" – "A Taste of Armageddon") (not credited for "The Menagerie, Part II") D.C. Fontana ("This Side of Paradise" – "Operation -- Annihilate!") Theme Music by Alexander Courage Music Composed and Conducted by Fred Steiner ("The Corbomite Maneuver", "Mudd's Women", "Charlie X" – "What Are Little Girls Made Of?") Sol Kaplan ("The Enemy Within") Alexander Courage ("The Man Trap", "The Naked Time", "Dagger of the Mind", "Miri", "The Galileo Seven" – "The Menagerie, Part II", "The Squire of Gothos" – "Operation -- Annihilate!") Mullendore ("The Conscience of the King") Gerald Fried ("Shore Leave") Director of Photography Jerry Finnerman (all episodes; uncredited for "The Menagerie, Part II") William E. Snyder, ASC ("The Menagerie, Part II") (credited for his work on "The Cage") Art Directors Rolland M. Brooks Walter M. Jefferies (credited as Production Designer in "Mudd's Women", "The Man Trap", "The Naked Time" and "Charlie X"; not credited in "The Menagerie, Part II") Franz Bachelin ("The Menagerie, Part II") (credited for his work on "The Cage") Film Editors Robert L. Swanson ("The Corbomite Maneuver", "The Man Trap", "Balance of Terror", "The Galileo Seven", "The Menagerie, Part I" and "Part II") (uncredited for "The Menagerie, Part II") Bruce Schoengarth ("Mudd's Women", "The Naked Time", "Dagger of the Mind", "Court Martial", "The Squire of Gothos", "Tomorrow Is Yesterday", "A Taste of Armageddon", "Errand of Mercy") Fabien Tordjmann ("The Enemy Within", "Charlie X", "Miri", "Shore Leave", "Arena", "Return of the Archons", "The Devil in the Dark", "Operation -- Annihilate!") Frank P. Keller, A.C.E. ("What Are Little Girls Made Of?", "The Conscience of the King") Leo Shreve ("The Menagerie, Part II") (credited for his work on "The Cage") James D. Ballas, ACE ("The Alternative Factor", "Space Seed", "This Side of Paradise", "City on the Edge of Forever") Donald R. Rode Assistant Film Editor (also responsible for editing the episode trailers) Assistant to the Producer Edward K. Milkis ("The Conscience of the King" – "Operation -- Annihilate!") Assistant Directors Gregg Peters (odd-numbered episodes from "The Corbomite Maneuver" through "Arena", "Return of the Archons", "A Taste of Armageddon", "The Devil in the Dark", "City on the Edge of Forever") Michael S. Glick (even-numbered episodes from "Mudd's Women" through "The Alternative Factor", "Tomorrow Is Yesterday", "Space Seed", "This Side of Paradise", "Errand of Mercy", "Operation -- Annihilate!") Tiger Shapiro (Second Assistant Director) DGA Trainee Charles Washburn Set Decorator Carl F. Biddiscombe ("The Corbomite Maneuver" – "What Are Little Girls Made Of?") Marvin March ("Dagger of the Mind" – "Operation -- Annihilate!") (uncredited for "The Menagerie, Part II") Edward M. Parker ("The Menagerie, Part II") (credited for his work on "The Cage") Costumes Created by William Theiss Post Production Executive Bill Heath Music Editor Robert H. Raff ("The Corbomite Maneuver" – "The Conscience of the King", "Court Martial" – "Shore Leave") Jim Henrikson ("The Galileo Seven", "The Squire of Gothos" – "Operation -- Annihilate!") Sound Editor Joseph G. Sorokin ("The Corbomite Maneuver" – "Charlie X", "What Are Little Girls Made Of?" – "The Conscience of the King", "The Menagerie, Part I", "The Menagerie, Part II") Douglas H. Grindstaff ("Balance of Terror", "The Galileo Seven", "Court Martial", "Shore Leave" – "Operation -- Annihilate!") Sound Mixer Jack F. Lilly ("The Corbomite Maneuver" – "The Return of the Archons", "Space Seed") (uncredited for "The Menagerie, Part II") Stanford G. Haughton ("The Menagerie, Part II") (credited for his work on "The Cage") Cameron McCulloch ("A Taste of Armageddon") Carl W. Daniels ("This Side of Paradise" – "Operation -- Annihilate!") Photographic Effects Howard Anderson Company ("The Corbomite Maneuver", "The Enemy Within" – "Charlie X", "The Menagerie, Part II") Westheimer Company ("Mudd's Women", "What Are Little Girls Made Of?", "Dagger of the Mind", "The Conscience of the King", "Shore Leave", "Arena", "Tomorrow Is Yesterday", "Space Seed", "This Side of Paradise", "Errand of Mercy", "Operation -- Annihilate!") Film Effects of Hollywood ("Balance of Terror", "The Galileo Seven" – "The Menagerie, Part I", "The Squire of Gothos", "The Alternative Factor", "Return of the Archons", "A Taste of Armageddon", "The Devil in the Dark", "The City on the Edge of Forever") Cinema Research Corporation ("Miri") Script Supervisor George A. Rutter ("The Corbomite Maneuver" – "Arena", "Return of the Archons" – "This Side of Paradise") Billy Vernon ("The Alternative Factor", "Tomorrow Is Yesterday") Music Consultant Wilbur Hatch Music Coordinator Julian Davidson Special Effects Jim Rugg (all regular series episodes; uncredited for "The Menagerie, Part II" and "Where No Man Has Gone Before") Joe Lombardi ("The Menagerie, Part II") (credited for his work on "The Cage") Bob Overbeck ("Where No Man Has Gone Before", sole credit) Property Master Irving A. Feinberg (all episodes; uncredited for "The Menagerie, Part II") Jack Briggs ("The Menagerie, Part II") (credited for his work on "The Cage") Gaffer George H. Merhoff (all episodes; uncredited for "The Menagerie, Part II") Bob Campbell ("The Menagerie, Part II") (credited for his work on "The Cage") Head Grip George Rader Production Supervisor Bernard A. Widin (all episodes; uncredited for "The Menagerie, Part II") James A. Paisley ("The Menagerie, Part II") (credited for "The Cage") Makeup Artist Fred B. Phillips, SMA Hair Styles by Virginia Darcy, CHS (all episodes; uncredited for "The Menagerie, Part II") Gertrude Reade ("The Menagerie, Part II") (credited for her work on "The Cage") Wardrobe Mistress Margaret Makau (not credited in "The Menagerie, Part I" or "Part II") Casting Joseph D'Agosta (not credited in "The Man Trap", "Charlie X", "The Menagerie, Part I" or "The Menagerie, Part II") Sound Glen Glenn Sound Company Production Company Desilu In Association with Norway Corporation Executive in Charge of Production Herbert F. Solow Uncredited production companies Speed & Custom Shop ("The Galileo Seven") Uncredited production staff Franz Bachelin (Art Director – "The Cage") Richard C. Datin (Model Maker – "The Cage", "Where No Man Has Gone Before", "The Galileo Seven", et.al.) Linwood G. Dunn (Visual Effects Cinematographer) Pato Guzman (Production Designer – "The Cage") Thomas Kellogg (Production Illustrator – "The Galileo Seven") Reuben Klamer (Prop Maker – "Where No Man Has Gone Before") Craig Thompson (Office Manager Post-production) Gene Winfield (Model and Set Maker – "The Galileo Seven") See also TOS Season 1 performers Star Trek: The Original Series (VHS) TOS Season 1 DVD TOS Season 1 HD DVD TOS Season 1 Blu-ray pt-br:TOS 1ª Temporada cs:První sezóna TOS de:TOS Staffel 1 fr:TOS Saison 1 it:TOS Stagione 1 nl:TOS Seizoen 1 pt:Star Trek: The Original Series#Temporada 1 ru:Звёздный путь: Оригинальный сериал Сезон 1 sr:ОС: Сезона 1 sv:TOS, säsong 1
1733	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TOS Season 2	Episodes Summary This season saw Ensign Pavel Chekov added to the regular bridge crew. Although his first appearance in had him operating the science station, established him as the ship's primary navigator. Following their introduction near the end of the previous season, the Klingons were established as major adversaries, appearing in three episodes, , , and . The second of those would turn out to be one of the show's most popular and influential episodes, introducing Koloth and the Tribbles, who reappeared on Deep Space 9, with other characters reappearing in the episode . The Romulans also made a brief reappearance in while Harry Mudd returned for a second tussle with the crew in the comedic episode . saw Kirk and company paying a first visit to the mirror universe which also later featured prominently on Deep Space 9 and . The show began to explore the rest of the Federation, with the Enterprise making its first trip to as Spock underwent Pon farr in . saw the Enterprise transporting representatives of the Vulcans, Andorians, and Tellarites to a conference to admit the Coridanites to the Federation, among them Spock's father Sarek. provided an insight into Kirk's early Starfleet career, revealing some of the details of his tour of duty on the . Although most episodes centered around the triumvirate of Kirk, Spock, and McCoy, the other regular crewmembers began to appear more. After first commanding the ship in , Scotty was firmly established as the Enterprises third-in-command, with episodes like , , and giving screen time to his command. He was also given a spotlight in , in which he was accused of a series of murders. Chekov and Uhura were given a chance to accompany Kirk on an away mission in and Chekov also had a prominent role, and an opportunity for romance, in . Sulu, on the other hand, was absent from nine consecutive episodes in the middle of the season, the result of a film George Takei was working on over-running. The Enterprise visited several planets based on Earth history, either by coincidence or as a result of Human visitors, such as Ancient Rome (), Chicago gangsters (), Nazi Germany () and the American Constitution (). There were other surprising encounters with Zefram Cochrane, the father of warp technology (), the Greek god Apollo () and a giant space amoeba (). The show continued Gene Roddenberry's original idea of political fables, with two episodes identified as providing somewhat opposing commentary on the Vietnam War. saw the Federation and the Klingons supporting opposing sides in a civil war, with Kirk talking of the need to maintain the balance of power, while saw Kirk telling a race based around the American Constitution that the values of liberty and freedom of belief also applied to their enemies. The season closed with , a back door pilot for a proposed spin-off series which saw Kirk and Spock encountering Gary Seven, a man employed by mysterious aliens to watch over 20th century Earth. Credits Cast Regular cast William Shatner as James T. Kirk Leonard Nimoy as Spock DeForest Kelley as Leonard McCoy Recurring performers James Doohan as Montgomery Scott George Takei as Hikaru Sulu Nichelle Nichols as Uhura Walter Koenig as Pavel Chekov Majel Barrett as Christine Chapel Eddie Paskey as Leslie Crew Gene L. Coon – Producer ( – ) John Meredyth Lucas – Producer ( – ) Gene Roddenberry – Producer () Gene Roddenberry – Executive Producer Robert H. Justman – Associate Producer Herbert F. Solow – Executive in Charge of Production Edward K. Milkis – Assistant to the Producer Gregg Peters – Unit Production Manager D.C. Fontana – Script Consultant Walter M. Jefferies – Art Director Rolland M. Brooks – Art Director ( – ) John Jefferies – Set Designer John Dwyer – Set Decorator Joseph J. Stone – Set Decorator Jerry Finnerman – Director of Photography ( – ; – ) Keith Smith – Director of Photography () Elliot Schick – Assistant Director Rusty Meek – Assistant Director Phil Rawlins – Assistant Director Bruce Schoengarth – Film Editor Donald R. Rode – Film Editor Fabien Tordjmann – Film Editor John W. Hanley – Film Editor James D. Ballas – Film Editor William Ware Theiss – Costume Designer Fred B. Phillips – Make-Up Artist Pat Westmore – Hair Stylist George A. Rutter – Script Supervisor Joseph D'Agosta – Casting Director Irving A. Feinberg – Property Master Jim Rugg – Special Effects Douglas H. Grindstaff – Sound Effects Editor Jim Henrickson – Music Editor Elden E. Ruberg – Re-recording Mixer Gordon L. Day – Re-recording Mixer Carl W. Daniels – Production Mixer George H. Merhoff – Gaffer George Rader – Head Grip Ken Harvey – Key Costumer Directors Marc Daniels John Meredyth Lucas Vincent McEveety Gene Nelson Joseph Pevney Ralph Senensky Uncredited crew Arch Dalzell – Director of Photography () Richard C. Datin – Model Maker () Kellam de Forest – Researcher Linwood G. Dunn – Visual Effects Cinematographer Richard Edlund – The Companion effects artist () Al Francis – Camera Operator Al Jacoby – Assistant Property Master Joseph R. Jennings – Assistant Art Director Mike May – Props Bill McGovern – Clapper/Loader Tiger Shapiro – Second Assistant Director Charles Washburn – Second Assistant Director Andrea Weaver – Women's Costumer Background information There were some "upgrades" to bridge equipment made at the start of this season (most notably the helm console), but these changes aren't always visible because first-season footage was used in many bridge scenes. You can recognize this footage when you see the viewing screen and the back of Sulu's head – the navigator isn't shown because Walter Koenig hadn't signed on when this footage was filmed. The black viewer or scope at Spock's library computer station was replaced with a gray one (that came with a knob on the left side). A similar scope was added to Scott's engineering station. For the second season, the production budget per episode was around US$185,000, slightly less than Season 1. Lawrence Montaigne, who played Stonn in , and Mark Lenard were both being considered as possible replacements for Leonard Nimoy prior to the beginning of the second season if contract negotiations had fallen through. Nimoy's agent had asked for Nimoy's salary to be increased from US$1,250 per episode during the first season to US$9,000 for the second season. Eventually a compromise figure of US$2,500 per episode was reached and Nimoy signed on for the second season. (Inside Star Trek: The Real Story, pp. 317-324) Dr. McCoy's sickbay gained a lab this season. The back bulkhead of said lab appears to be one of the bulkheads of the from . A new expanded engineering set was built, including a small set called "Emergency Manual Monitor" built on stilts that looked down onto the engineering set. A completely new auxiliary control set was also built. In the second season more emphasis was put on the supporting characters (especially Scotty and Chekov), but the show didn't feature scenes of every-day activity around lower decks of the ship anymore as it did in the first season. Beginning with Season 2, the episode titles and credits were in the same font as the series title. Also, DeForest Kelley's and Gene Roddenberry's names were added to the opening credits. Also, during the opening credits, the Enterprise fly-by and the planet that the Enterprise orbited were different from that of Season 1. Walter Koenig joined the main cast as the Russian navigator Pavel Chekov. The theme music for the series was slightly re-arranged this season, with Loulie Jean Norman supplying vocal accompaniment. Season 2 was a period of behind-the-scenes transition from Desilu to Paramount production. On , Gulf+Western's purchase of Desilu was announced. It was commemorated with a ribbon-cutting ceremony on 26 July. Gulf+Western executives were known to have signed off on production of the then-upcoming Season 2 of Star Trek, as they would have been financially obligated to continue its production after the sale. Therefore, Season 2 technically began filming as a Desilu/Gulf+Western co-production. (Sanders, Coyne Steven and Tom Gilbert. Desilu: The Story of Lucille Ball and Desi Arnaz. HarperCollins. 1994. 297-298) However, the December 1967 intra-company merger between Paramount Pictures and Desilu caused later episodes of the season to be labeled "a Paramount production". Episodes throughout the season thus have a variety of different ownership claims. is a simple "Desilu production" under just the Desilu logo, while the later displays the Desilu logo, but a Paramount Pictures Corporation copyright. was the first to be filmed after the late July ribbon-cutting on the Gulf+Western/Desilu merger, but no episode of the season began filming prior to the February merger announcement. Gene L. Coon remained the producer, but he was replaced mid-season by John Meredyth Lucas. D.C. Fontana, who took the position of story editor near the end of season one, remained in this capacity during the second season. However, after the departure of Rolland M. Brooks (the last episode he worked on was ), Walter M. Jefferies remained the series' sole art director. Most of the seasons' episodes were helmed by one of three prominent directors, Joseph Pevney, Marc Daniels and Ralph Senensky. Assistant director Gregg Peters was promoted to unit production manager. Andrea Weaver became the women's costumer for the series at the time begins production. She would remain with the show throughout the remainder of the season and half of TOS Season 3. The first season and , , , and did not use a copyright until 1978 so starting with , all of the episodes have the correct copyright date to them at the end of each episode. See also TOS Season 2 performers TOS Season 2 UK VHS TOS Season 2 DVD TOS-R Season 2 DVD TOS Season 2 Blu-ray cs:Druhá sezóna TOS de:TOS Staffel 2 fr:TOS Saison 2 it:TOS Stagione 2 nl:TOS Seizoen 2 pt:Star Trek: The Original Series#Temporada 2 ru:Звёздный путь: Оригинальный сериал Сезон 2 sr:ОС: Сезона 2 sv:TOS, säsong 2
1734	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	TOS Season 3	Episodes Summary With Star Trek having narrowly avoided cancellation, the basic format remained the same as Season 2. The season opened with , a story in which , the priestess-leader of the underground Eymorg city, steals Spock's brain and transfers it to a receptacle so that he can rule their society. Other episodes continued to serve as political parables. carried a strong anti-war message, while dealt with racial hatred, ending with the Enterprise unable to prevent the destruction of a civilization or even dissuade the two survivors from continuing their feud. told a tightly constructed morality play with Kirk, Spock, and McCoy teach an alien woman the value of self-sacrifice. While may not have featured television's first interracial kiss, it was still groundbreaking enough to be banned in some states. Kirk had one of his most significant romances in , as he spent three months stranded on a planet, fell in love, and married, only for his pregnant wife to be killed in a tragic misunderstanding. He also fell in love with an android in , inadvertently bringing about her death. Spock attracted female attention in episodes like , , and , and McCoy and Scott found love in and , respectively. Of the junior crewmembers, Chekov had significant roles in and , the latter giving a rare insight into his past. Sulu was given a chance to command the ship in , for the first time since , and accompanied Kirk and McCoy on an away team in , while Uhura and Christine Chapel finally had an opportunity to get closer to the two leads in , albeit at the behest of telekinetic aliens. The Klingons made two major appearances in and . The latter introduced the character of Kang, who was later seen in and . The Romulans appeared in person for the first time since when they returned in , and the Tholians were introduced in . saw Kirk and Spock forced to play out the battle against good and evil, with three of the other participants, , , and , reappearing in later series as their original selves. The episode also marked the last appearance of Uhura on the show. The season closed with , in which Kirk found himself trapped in the body of bitter former lover Janice Lester, who proceeded to charge his comrades with mutiny. Credits Cast Regular cast William Shatner as James T. Kirk Leonard Nimoy as Spock DeForest Kelley as Leonard McCoy Recurring performers James Doohan as Montgomery Scott George Takei as Hikaru Sulu Nichelle Nichols as Uhura Walter Koenig as Pavel Chekov Majel Barrett as Christine Chapel Eddie Paskey as Leslie Crew Fred Freiberger – Producer Robert H. Justman – Co-Producer ( – ) Gene Roddenberry – Executive Producer Gregg Peters – Associate Producer Edward K. Milkis – Associate Producer Douglas S. Cramer – Executive in Charge of Production Gregg Peters – Unit Production Manager Arthur H. Singer – Story Consultant Walter M. Jefferies – Art Director John Dwyer – Set Decorator Jerry Finnerman – Director of photography ( – ) Al Francis – Director of photography ( – ) Gil Kissel – Assistant Director Claude Binyon, Jr. – Assistant Director Gene DeRuelle – Assistant Director Bill Brame – Film Editor Donald R. Rode – Film Editor William Ware Theiss – Costume Designer Fred B. Phillips – Make-Up Artist Pat Westmore – Hair Stylist George A. Rutter – Script Supervisor Joseph D'Agosta – Casting Director William J. Kenney – Casting Director Irving A. Feinberg – Property Master Jim Rugg – Special Effects Douglas H. Grindstaff – Sound Effects Editor Richard Lapham – Music Editor Gordon L. Day – Re-recording Mixer Carl W. Daniels – Production Mixer George H. Merhoff – Gaffer George Rader – Head Grip Uncredited Larry Abbott – Makeup artist ("The Way to Eden") George Barr – Makeup artist ("The Way to Eden") Kellam de Forest – Research John Finger – Director of Photography ("Requiem for Methuselah") Al Francis – Camera Operator ("Spectre of the Gun" – "The Empath") Ernest Haller – Director of Photography ("Requiem for Methuselah") Al Jacoby – Assistant Property Master Mike May – Props Bill McGovern – Clapper/Loader Mike Minor – Additional designs ("The Tholian Web") Tiger Shapiro – Second Assistant Director Charles Washburn – Second Assistant Director Andrea Weaver – Women's Costumer Directors David Alexander Marvin Chomsky Marc Daniels Herschel Daugherty John Erman Murray Golden Herb Kenwith Tony Leader John Meredyth Lucas Vincent McEveety Ralph Senensky (uncredited) Jud Taylor Herb Wallerstein Background information Some production staff members were disappointed with season three. In a 2006 interview, Leonard Nimoy called it "very weak in general, but it was especially not good for Spock." Ira Steven Behr once said that both he and his sister were disappointed with this third season. He also commented that his disappointment with the season was similar to the reaction of "most fans." For the third season, the title and credits were in a light blue color, much like the credits of . Kirk no longer wore a green wrap-around shirt in any of the episodes, though officers were seen wearing the full dress uniform in and . Also in the third season, Scott's dress uniform was accompanied by a traditional Scottish kilt. The uniforms were no longer made of velour (which shrank every time it was cleaned), but of double-knit polyester. Each episode of the third season now cost about US$175,000, the budget having been reduced even further, while the salaries of the main cast increased. Consequently, only two episodes out of the twenty-four this season ( and ) featured location scenery. Gene Roddenberry was initially promised an early evening time slot (Mondays at 7:30 pm) by NBC. However, this would have required their top-rated series Laugh-In to be moved from its 8 pm time slot to 8:30. Laugh-In Producer George Schaltter threatened to take his show to another network unless it was guaranteed the 8 pm slot. NBC capitulated, forcing Star Trek to air its third season in the only remaining slot on the schedule – Fridays at 10 pm. Roddenberry threatened to leave Star Trek entirely if it wasn't put back to the promised time slot, but NBC rejected his threats due to the show's low ratings. He technically kept the post of executive producer for this season, but had actually left for MGM to work on other projects. Because of Roddenberry's withdrawal, scripts were no longer revised or re-written by him, nor by either Gene L. Coon or D.C. Fontana, who both left the series earlier. Script quality greatly suffered because of this. (Inside Star Trek: The Real Story) After Roddenberry and most of the writing staff left after the second season, Fred Freiberger took over as producer, with Arthur Singer replacing D.C. Fontana as script consultant. According to Fontana, Singer came to the set one day, and asked, "By the way, what does that transporter thing do again?" Robert Justman was promoted to co-producer, but left the series after . Gregg Peters became the new associate producer. A most important change was the departure of cinematographer Jerry Finnerman after , and his replacement with his former camera operator, Al Francis, which affected the visual style of the series. Several new writers were brought in. Many of them were non-professionals, who sent in story outlines, which were read and recommended by Justman. These included Jean Lisette Aroeste, Joyce Muskat, and Judy Burns. While a few directors from prior seasons returned, none of them (save for John Meredyth Lucas and Ralph Senensky, the latter of whom was fired midway through his second episode) worked on more than one episode. The season was therefore mostly handled by a new set of directors, with Jud Taylor and Herb Wallerstein being the two most frequent. According to Star Trek Lives! writer Joan Winston, NBC passed on an option for two additional episodes (a twenty-fifth and twenty-sixth) for the third season. William Shatner would have directed the twenty-fifth episode, "The Joy Machine". Ultimately, it was another two decades before Shatner got the opportunity to direct a Star Trek production (the film , which was released almost twenty years to the day after TOS series finale ) and twenty-one years before a Star Trek episode would be directed by a member of the cast (, directed by Jonathan Frakes). See also TOS Season 3 UK VHS TOS Season 3 DVD TOS-R Season 3 DVD TOS Season 3 Blu-ray pt-br:TOS 3ª Temporada cs:Třetí sezóna TOS de:TOS Staffel 3 fr:TOS Saison 3 it:TOS Stagione 3 nl:TOS Seizoen 3 pt:Star Trek: The Original Series#Temporada 3 ru:Звёздный путь: Оригинальный сериал Сезон 3 sr:ОС: Сезона 3
1735	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 1	Episodes Summary The Provisional Government of Bajor invites Starfleet to help them rebuild after the Cardassian Occupation. Commander Benjamin Sisko is selected to take command of their space station, formerly known as Terok Nor that is then designated by Starfleet as Deep Space 9. As part of the agreement between the Federation and Bajor, Starfleet will help them to become a member of the Federation. The Federation involvement in the Bajor sector changes galactic history forever, as Starfleet discovers the Bajoran wormhole, the only stable wormhole known to exist, that leads to the largely unexplored Gamma Quadrant of the Galaxy. The other crew of Deep Space 9 include Kira Nerys, functioning as the Bajoran liaison officer, Odo as the security chief of the station, Julian Bashir as chief medical officer, Miles O'Brien as the station's chief of operations, and Jadzia Dax, a joined Trill as the station's science officer. Residents of the station include Quark, a Ferengi barkeeper, his brother Rom and Rom's son, Nog. Benjamin Sisko's son Jake and Miles' wife Keiko O'Brien and daughter Molly O'Brien also live aboard the station. The most enigmatic station resident is the station's tailor, Elim Garak, who has a mysterious past. In their first year together, the crew are infected with an aphasia virus, visited by aliens who make the wishes and fantasies or fears of all station residents come true, meet a hunted species of aliens, known as and have an encounter with the omnipotent Q. Quark briefly becomes Grand Nagus, Lwaxana Troi visits the station, a Cardassian called Aamin Marritza tries to get his people to admit to the crimes they committed on Bajor, and the disappearance of Kai Opaka thrusts Bareil Antos and Winn Adami into the spotlight. Background information Reception Production staff have admitted that the first season of DS9 was somewhat lacking in direction. According to co-creator and executive producer Michael Piller, "When you look at the first season of Deep Space Nine, essentially what I think you see is our intention to do stories that bring in fans of The Next Generation. If you create a space station that is at the crossroads of the universe, then you basically have the justification for bringing in old friends from past episodes. Their ships would normally come through this crossroads, and we felt that was a good way to bring viewers to the show. I think by the second season, we were looking more at standing on our own two feet, and we hadn't been entirely satisfied. When we really started doing stories about our space station, and really made it unique to itself, that's when the series, I think, really became special." (New Frontiers: The Story of Deep Space Nine, DS9 Season 2 DVD, Special Features) Ira Steven Behr commented, "There are things I find weak about some of these shows that have nothing to do with the writing. Many of the shows at the beginning of the season lacked pacing." (Captains' Logs Supplemental - The Unauthorized Guide to the New Trek Voyages, p. 42) Piller also explained, however, that the first season was something of a training exercise for the writers; "I think that when you have a wonderful group of actors, you learn how to write for them in the first season. Every show has a shake-down period during the first season, and Deep Space Nine was no different. But I can tell you that we learned so many things as we got to know our actors." (New Frontiers: The Story of Deep Space Nine, DS9 Season 2 DVD, Special Features) Rick Berman was pleased with the season, particularly compared to the first season of Star Trek: The Next Generation. Berman commented, "I'm very pleased with the way the first season has gone in a lot of respects. First seasons of television shows tend to be potentially very chaotic. The first season of Next Generation certainly was. This season has been very peaceful in terms of the actors, the crew, the writers and the budgets. As far as the episodes, there are things about them that I love and things about them I don't love. That's the way it is, if we were completely satisfied with what we did, we wouldn't be doing what we do. We're always looking to make things better. What I'm most pleased with is the fact that the concept is working and we've managed to create 20 stories that I think all hang pretty well on the armature that we've built, the backstory and the characters." (The Deep Space Log Book: A First Season Companion, p. 7) Behr commented:"I really liked the pilot. I thought the pilot gave us a great jumping-off point. But part of the frustration was the pilot really worked and now we're doing this scattershot kind of technique in season one, where we seem to be scrambling all over the place, trying to find our identity. And the identity was firmly established in the pilot, so why are we looking to change that, or go in other directions? Let's just follow the path that was laid out in the pilot. Why are we deviating and trying to go back in time or go back to "The Next Generation"? The pilot wasn't "TNG," why are we trying to do episodes that could easily be adapted for "TNG"? It was just finding our mojo, which we found towards the end of season one". Trivia This season was broadcast concurrent with Season 6. Gene Roddenberry was well aware of the concept of DS9 before his death so this was the last Star Trek series with which he was connected. Characters who 'crossover' from TNG include Miles O'Brien (as a main character), Jean-Luc Picard (also as Locutus) in , Lursa and B'Etor in , Keiko O'Brien & Molly O'Brien as recurring characters from , Q and Vash in , and Lwaxana Troi in . Many important recurring characters make their first appearances in this season, including Gul Dukat (), Nog (), Rom (, first named in ), Morn (, first named in ), Elim Garak (), Zek (), Maihar'du (), Winn Adami () and Bareil Antos (). Credits Guest and co-stars DS9 Season 1 performers Crew The following credits are based on the production order of the episodes. Executive Producers Rick Berman Michael Piller Co-Producer Peter Allan Fields (credited in all episodes except "Emissary") Producer Peter Lauritson Supervising Producers David Livingston Ira Steven Behr (credited in all episodes except "Emissary") Line Producer Robert della Santina ("The Nagus", "The Storyteller", "In the Hands of the Prophets") Associate Producer Steve Oster Casting by Junie Lowry-Johnson, CSA Ron Surma Music by Dennis McCarthy ("Emissary", "Babel"–"Q-Less", "The Passenger"–"Move Along Home", "Vortex"–"The Storyteller", "The Forsaken", "Duet", "In the Hands of the Prophets") Jay Chattaway ("A Man Alone", "Past Prologue", "Dax", "If Wishes Were Horses", "Dramatis Personae") John Debney ("The Nagus", "Progress") Main Title Theme by Dennis McCarthy (credit appears only in episodes not composed by McCarthy) Director of Photography Marvin Rush Production Designer Herman Zimmerman Editors Robert Lederman ("Emissary", every third episode after "Q-Less") Tom Benko, ACE (every third episode after "A Man Alone") Terry Kelley ("Past Prologue") Richard E. Rabjohn (every third episode after "Babel") Unit Production Manager Robert della Santina First Assistant Director Venita Ozols-Graham ("Emissary", "Past Prologue", "Captive Pursuit", even-numbered episode from "Move Along Home" through "In the Hands of the Prophets") Richard Wells (odd-numbered episodes from "A Man Alone" through "Duet") (credited as Richard D. Wells in "A Man Alone") Gail Fortmuller ("Dax") Second Assistant Director Alisa Matlovsky ("Emissary") Gail Fortmuller ("A Man Alone"–"Q-Less", "The Passenger"–"Progress") Michael Baxter ("Dax") B.C. Cameron ("If Wishes Were Horses"–"In the Hands of the Prophets") Costume Designer Robert Blackman Art Director Randy McIlvain Visual Effects Robert Legato Visual Effects Supervisors Robert Legato ("Emissary") Gary Hutzel (odd-numbered episodes from "A Man Alone" through "The Nagus", "Vortex"–"Progress", "The Forsaken", "Duet") Bob Bailey ("Past Prologue", "Captive Pursuit") Glenn Neufeld ("The Storyteller", "Dramatis Personae", "In the Hands of the Prophets") Post Production Supervisor Terri Martinez Scenic Art Supervisor / Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Set Decorator Mickey S. Michaels Make-up Designed and Supervised by Michael Westmore Set Designers Joseph Hodges ("Emissary"–"Dax") Alan S. Kaye ("Emissary") Nathan Crowley ("Emissary") Tom Betts ("The Passenger"–"In the Hands of the Prophets") Illustrator Ricardo F. Delgado Visual Effects Coordinators Michael Backauskas ("Emissary") Cari Thomas ("Emissary", even-numbered episodes from "Dax" through "In the Hands of the Prophets") Judy Elkins ("Emissary", odd-numbered episodes from "A Man Alone" through "Duet") Mari Hotaki ("Emissary") Sue Jones ("Past Prologue", "Captive Pursuit") Wardrobe Supervisor Carol Kunz Script Supervisor Judi Brown Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Richard J. Bayard Scenic Artists Doug Drexler ("Emissary", odd-numbered episodes from "A Man Alone" through "Q-Less", even-numbered episodes from "Dax" through "In the Hands of the Prophets") Denise Okuda ("Emissary", "Past Prologue", "Captive Pursuit", every other episode from "The Passenger" through "Duet") Hair Designer Candace Neal (credited as Candy Neal from "A Man Alone" through "Dax") Make-up Artists Janna Phillips Craig Reardon Jill Rockow Hair Stylists Richard Sabre ("Emissary") Gerald Solomon Ronald W. Smith Sound Mixer Bill Gocke Camera Operator Joe Chess, SOC Chief Lighting Technician William Peets First Company Grip Bob Sordal Key Costumers Maurice Palinski ("Emissary", even-numbered episodes from "Past Prologue" through "In the Hands of the Prophets") Phyllis Corcoran-Woods ("Emissary", odd-numbered episodes from "A Man Alone" through "Duet") Jerry Bono ("Emissary", even-numbered episodes from "Past Prologue" through "In the Hands of the Prophets") Patty Borggrebe-Taylor ("Emissary", odd-numbered episodes from "A Man Alone" through "Duet") Music Editor Stephen M. Rowe Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Jim Wolvington Sound Editors Ashley Harvey (all episodes except "Emissary") Miguel Rivera ("A Man Alone"–"The Storyteller") Dan Yale ("A Man Alone"–"Babel") Sean Callery ("Captive Pursuit"–"In the Hands of the Prophets") Steffan Falesitch ("Vortex"–"In the Hands of the Prophets") Production Coordinator Heidi Julian Post Production Coordinator Dawn Hernandez Visual Effects Associate Laura Lang-Matz ("Emissary", "Dax"–) Cari Thomas ("A Man Alone"–"Q-Less") Production Associate Kim Fitzgerald Science Consultant Naren Shankar Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Pre Production Associate Lolita Fatjo Casting Executive Helen Mossler, CSA Credited in "Emissary" only 2nd Second Assistant Director Michael Baxter Additional Visual Effects Supervision Gary Hutzel Video Playback Operator Joe Unsinn Video Consultant Liz Radley Re-Recording Mixers Chris Haire, CAS Doug Davey Richard Morrison, CAS Assistant Editor Eugene Wood Visual Effects Assistant Editor Ed Hoffmeister Transportation Coordinator Stewart Satterfield Uncredited crew Make-up Artists Dean Jones, Michael Key, Gil Mosko, Vincent Niebla, Karen WesterfieldNancy J. Hvasta Leonardi - Makeup Artist ("Dramatis Personae", "Duet", "In the Hands of the Prophets") Hairstylist Susan Maust Sound Editor Jeff Gersh On-Line Editor John Carroll Morphing Designer Dennis Blakey Wormhole Designer Michael Dallas Gibson Supervising Visual Effects Compositor Patrick Clancey Production Associate James Martin Orchestrator Joseph Smith Musician Bass: Norman Ludwin Rigging Gaffer/Lot Best Boy Daniel R. Purinton Production Accountant: Hala Gabriel Intern Marc Bernardin Set Teacher Rhoda Fine Companies Filmed with Panavision cameras and lenses Video Optical Effects Digital Magic Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation VisionArt Design & Animation Rhythm & Hues, Inc. ("Emissary") Editing facilities Unitel Video Post Production Sound Modern Sound Miniatures Brazil-Fabrication & Design ("Emissary") Gregory Jein, Inc. ("Emissary") Matte Paintings Illusion Arts ("Emissary") Major League Baseball Trademarks Licensed by Major League Baseball Properties, Inc. ("Emissary") Media releases DS9 Season 1 UK VHS DS9 Season 1 US VHS DS9 Season 1 DVD External link cs:První sezóna DS9 de:DS9 Staffel 1 fr:DS9 Saison 1 nl:DS9 Seizoen 1 sv:DS9, säsong 1 sr:ДС9: Сезона 1 Star Trek seasons
1736	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 2	Episodes Summary In their second year together, the crew of Deep Space 9 face problems that will affect the galaxy forever. A Bajoran extremist group attempts to force the Federation out of the Bajoran system. The Cardassians are secretly supplying them with weapons, hoping to return to reclaim the planet and hold the Bajoran wormhole for the Cardassian Union. However, the greatest enemy of all is lurking beyond it. Background information This season was broadcast concurrent with Season 7. Characters which 'cross over' from other incarnations of Star Trek include, from TOS: Kor, Kang and Koloth (), and from TNG: Admiral Alynna Nechayev (). All references (of which there were three) to the Dominion prior to the episode were specifically designed to create a sense of layering and to convey the idea that the Dominion were involved in many different activities: in , it is revealed that they are involved in trade and commerce; in , it is revealed that they have a military division; and in , it is revealed that they are imperialists who think nothing of invading and conquering an entire planet. Michael Piller was extremely proud of this season; "When we really started doing stories about our space station, and really made it unique to itself, that's when the series, I think, really became special. I think, if you look at the second season of Deep Space Nine, and I think that I would, personally, put that on a par with any single season in the history of Star Trek." (New Frontiers: The Story of Deep Space Nine, DS9 Season 2 DVD, Special Features) Robert Hewitt Wolfe also agreed that the show really found its footing during the second season; "By the second season we knew how to do the right things, I think with more consistency, and we started to nail them more often. And we also started to develop the Dominion arc and to really understand more about the Prophets and Bajor and understand the relationship with the characters. So it just became a stronger show." (New Frontiers: The Story of Deep Space Nine, DS9 Season 2 DVD, Special Features) This is the only season of Deep Space Nine in which the Prophets do not appear on screen. The first three installments of this season form a linked story arc. "The first three-parter was a commitment to say, 'Hey, look at us. Look at what we can do," recalled Michael Piller. "It was, in a sense, supposed to do for us what '' had done for Next Generation." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 338) Recollected Ira Steven Behr, "Michael Piller called me up and said, 'We're going to open season two with a three-part episode.' Something that had never been done in the franchise history. That's the moment where I started to think, 'Okay, Deep Space Nine gives us opportunities that the other shows do not have or did not have, and that's exciting." (What We Left Behind) Piller continued, "I think that we succeeded. Those three shows really did show the breadth of ambition of storytelling that we were able to do and the special effects were terrific, the guest stars were great, and the credibility was there." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 338) Colm Meaney observed that this triumvirate of episodes continued an exploration of the "very interesting" subject of religious fundamentalism which had begun in the first season finale . ("Colm Meaney – Miles O'Brien", ) Credits Guest and co-stars DS9 Season 2 performers Crew Executive Producers Rick Berman Michael Piller Producers Peter Allan Fields Peter Lauritson ("The Homecoming"– "The Alternate") Consulting Producer Peter Lauritson (from "Armageddon Game" onward) Supervising Producers James Crocker David Livingston Co-Executive Producer Ira Steven Behr Line Producer Robert della Santina ("Rules of Acquisition", "Rivals", "Playing God", "The Maquis, Part I", "Crossover") Associate Producer Steve Oster ("The Homecoming" – "The Alternate") Co-Producer Steve Oster ("Armageddon Game" – "The Jem'Hadar") Story Editor Robert Hewitt Wolfe ("Invasive Procedures" – "The Jem'Hadar") Casting by Junie Lowry-Johnson, C.S.A. Ron Surma Music by Dennis McCarthy ("The Homecoming" – "Invasive Procedures", "Paradise" – "Sanctuary", "The Alternate", "Whispers" – "Paradise", "Playing God", "Blood Oath", "The Maquis, Part II" – "Crossover", "The Jem'Hadar") Jay Chattaway ("Necessary Evil", "Rivals", "Armageddon Game", "Shadowplay", "Profit and Loss", "The Maquis, Part I", "The Collaborator" – "Tribunal") Main Title Theme by Dennis McCarthy (credit appears only in episodes in which McCarthy is not the episode's composer) Director of Photography Marvin Rush, A.S.C. Production Designer Herman Zimmerman ("The Homecoming" – "Shadowplay") Art Director Randy McIlvain Editors Robert Lederman ("The Homecoming", "Invasive Procedures", every third episode after "Sanctuary") Tom Benko, A.C.E. (every third episode after "The Circle") Richard E. Rabjohn (every third episode after "The Siege") William B. Stitch ("Rules of Acquisition") Unit Production Manager Robert della Santina First Assistant Director Richard Wells (every other episode from "The Homecoming" through "Rivals") Venita Ozols-Graham (every other episode from "The Circle" through "Sanctuary") Brian Whitley (every other episode from "The Alternate" through "The Jem'Hadar") B.C. Cameron (every other episode from "Armageddon Game" through "Tribunal") Second Assistant Director B.C. Cameron ("The Homecoming" – "The Alternate") Debra Kent ("Armageddon Game" – "The Jem'Hadar") Visual Consultant Herman Zimmerman ("Playing God" – "The Jem'Hadar") Costume Designer Robert Blackman Co-costume Designer Abram Waterhouse ("Blood Oath" – "The Jem'Hadar") Visual Effects Producer Dan Curry Visual Effects Supervisors Gary Hutzel (odd-numbered episodes) Glenn Neufeld (even-numbered episodes) Post Production Supervisor Terri Potts Supervising Editor J.P. Farrell (credited as John P. Farrell until "Invasive Procedures") Scenic Art Supervisor/Technical Consultant Michael Okuda (credited as Scenic Art Consultant from "Blood Oath" onward) Senior Illustrator/Technical Consultant Rick Sternbach Makeup Designed and Supervised by Michael Westmore Set Decorator Laura Richarz Set Designers Sharon Davis (every other episode from "The Homecoming" through "Rivals") Ron Wilkinson (every other episode from "The Circle" through "The Alternate", "Armageddon Game" – "Shadowplay") James Claytor ("Playing God" – "The Jem'Hadar") Illustrator James Martin Visual Effects Coordinators Judy Elkins (odd-numbered episodes) David Takemura (even-numbered episodes) Philip Barberio ("The Homecoming" – "Sanctuary") Visual Effects Series Editor Philip Barberio (from "Rivals" onward) Wardrobe Supervisor Carol Kunz Script Supervisor Judi Brown ("The Homecoming" – "Crossover") Marilyn Giardino-Zych ("The Collaborator", "Tribunal") Cosmo Genovese ("The Jem'Hadar") Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Thomas J. Arp ("The Homecoming" – "Playing God") Dave DeGaetano ("Profit and Loss" – "The Jem'Hadar") Scenic Artist Denise Okuda (every other episode from "The Homecoming" through "Tribunal") Doug Drexler (every other episode from "The Circle" through "The Jem'Hadar") Hair Designer Josée Normand Make-up Artists Camile Calvet-Sutfin ("The Homecoming", "The Siege", "Cardassians", "Rules of Acquisition" – "Second Sight", "Rivals", "Armageddon Game", "Paradise – "Playing God", "Blood Oath" – "The Maquis, Part II", "Crossover" – "Tribunal") Dean Gates ("The Circle" – "Invasive Procedures", "Melora" – "Necessary Evil", "Sanctuary" – "The Alternate", "Whispers" – "Shadowplay", "Profit and Loss" – "The Maquis, Part I", "The Wire" – "The Collaborator", "The Jem'Hadar") Dean Carl Jones ("The Homecoming" – "The Circle", "Invasive Procedures" – "Sanctuary", "The Alternate" – "Whispers", "Shadowplay" – "Profit and Loss", "The Maquis, Part I" – "The Wire", "The Collaborator" – "The Jem'Hadar") Karen J. Westerfield ("The Homecoming" – "Paradise", "Playing God" – "Blood Oath", "The Maquis, Part II" – "Crossover", "Tribunal" – "The Jem'Hadar") Hair Stylists Gerald Solomon (odd-numbered episodes) Norma Lee (even-numbered episodes) Ronald W. Smith Sound Mixer Bill Gocke Camera Operator Joe Chess, S.O.C. Chief Lighting Technician William Peets First Company Grip Bob Sordal Key Costumers Phyllis Corcoran-Woods ("The Homecoming", "The Siege", every other episode from "Rules of Acquisition" through "Tribunal") Jerry Bono (odd-numbered episodes) Mary Ellen Bosche (even-numbered episodes) Patti Borggrebe-Taylor ("The Circle", every other episode from "Invasive Procedures" through "The Alternate") Stephanie Colin (every other episode from "Whispers" through "The Jem'Hadar") Maurice Palinski ("Cardassians") Music Editor Stephen M. Rowe Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Jim Wolvington Sound Editors T. Ashley Harvey Sean Callery Paul Tade Production Coordinator Heidi Smothers ("The Homecoming" – "Sanctuary", "Armageddon Game" – "The Jem'Hadar") (credited as Heidi Julian until "Sanctuary") Sara Thornberg ("Rivals", "The Alternate") Post-Production Coordinator Dawn Velazquez Visual Effects Associate Laura Lang-Matz Production Associates Kim Fitzgerald Kristine Fernandes Science Consultant André Bormanis Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Location Manager Lisa White ("The Homecoming" – "The Circle", "Paradise" – "Shadowplay") Pre-Production Associate Lolita Fatjo Casting Executive Helen Mossler, C.S.A. Uncredited crew John Carroll, On-Line Editor Mike Edds, Makeup Artist Hala Gabriel – Production Accountant Nancy J. Hvasta Leonardi – Makeup Artist ("The Collaborator", "Tribunal", "The Jem'Hadar") Tina Kalliongis, Makeup Artist Michael Key, Makeup Artist Mike Little, Additional Camera Operator/Steadicam Operator Chuck Madalone – Stunt rigger () Gil Mosko, Makeup Artist Daniel R. Purinton – Rigging Gaffer/Lot Best Boy Dave Quaschnick, Makeup Artist Joseph Smith – Orchestrator Mike Smithson, Makeup Artist Companies Filmed with Panavision cameras and lenses Video Optical Effects Digital Magic Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation VisionArt Design & Animation (all except "The Alternate") Computer Animation Segments by VIFX ("The Alternate") Editing facilities Unitel Video Post-Production sound Modern Sound See also DS9 Season 2 UK VHS DS9 Season 2 US VHS DS9 Season 2 DVD cs:Druhá sezóna DS9 de:DS9 Staffel 2 fr:DS9 Saison 2 nl:DS9 Seizoen 2 sr:ДС9: Сезона 2 sv:DS9, säsong 2 Star Trek seasons
1737	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 3	Episodes Summary Benjamin Sisko brings the , a ship he helped to construct at the Utopia Planitia Fleet Yards, to Deep Space 9 to protect the station from a Dominion attack. He and his crew enter the Gamma Quadrant on a mission to locate the Founders of the Dominion. () During the same mission, Odo locates his people's homeworld in the Omarion Nebula. His joy at discovering others of his kind is short-lived, however, as the Changelings are discovered to be the Founders of the Dominion. Odo returns to DS9 with his crew mates. () Lieutenant Commander Michael Eddington is assigned to DS9 to oversee Starfleet security matters. () Several Bajoran station residents leave the station out of fear of a Dominion attack. Keiko O'Brien closes the station's school after the last Bajoran student leaves. At the urging of her husband, Chief Miles O'Brien, she embarks on a six-month agrobiological expedition on Bajor. () Jadzia Dax discovers the had previously been hosted by an unstable and murderous musician named Joran. () Thomas Riker, disguised as William T. Riker, defects to the Maquis and commandeers the Defiant, to use it against the Cardassian Union. Sisko, Kira Nerys, and Gul Dukat eventually negotiate Riker's surrender. During the incident, it is discovered the Obsidian Order is engaging in unauthorized military activity in the Orias system, the exact nature of which is unclear. () During a visit to Earth, Sisko, Dax, and Dr. Julian Bashir are accidentally transported back to the year 2024, which unintentionally leads to the death of noted civil rights activist Gabriel Bell, causing catastrophic changes in the timeline, which prevent the establishment of Starfleet and the United Federation of Planets. Sisko assumes Bell's role in the subsequent Bell Riots, thus restoring history. (, ) Kai Winn Adami and Legate Turrel begin negotiations for the Bajoran-Cardassian Treaty, with Vedek Bareil Antos acting as Winn's advisor. The negotiations are disrupted when Bareil is gravely injured in an accident aboard a transport ship. The location for the negotiations are moved to DS9, while Dr. Bashir takes extensive measures to save Bareil's life. Bareil guides Winn through the negotiations, leading to the signing of the treaty, however Bareil succumbs to his injuries soon after. () Nog requests a letter of recommendation from Sisko to apply to Starfleet Academy. () The Wormhole relay station experiment conducted by the Defiant in the Gamma Quadrant diverts a comet fragments laden with silithium towards the Bajoran wormhole. The silithium permanently wedges the wormhole slightly open, permitting the signal to DS9 from a Subspace relay station in the Gamma Quadrant. () Grand Nagus Zek acquires the Orb of Wisdom on Cardassia III, intending to sell it to the Bajorans at a substantial profit. () Dr. Bashir becomes the youngest-ever nominee of the prestigious Carrington Award, which is subsequently awarded to Dr. Henri Roget. () An engineering accident caused Miles O'Brien to repeatedly shift several hours forward in time for brief intervals, during which he discovers an impending Romulan attack on both the station and the Bajoran wormhole. O'Brien dies of radiation poisoning during one of his trips forward, however the O'Brien from several hours into the alternate timeline goes back to take his place, preventing the attack. () Sisko is abducted and brought to the Mirror universe by O'Brien's mirror counterpart, in order to assume the identity of Sisko's mirror counterpart to complete a mission the mirror Sisko had undertaken before his death. Sisko successfully persuades the mirror Jennifer Sisko to defect to the Terran Rebellion. Sisko is then returned to his own universe. () The Obsidian Order is found to be collaborating with its Romulan counterpart, the Tal Shiar, amassing numerous ships for an unsanctioned attack on the Founder homeworld. Odo and Elim Garak discover the plan and are taken prisoner. Despite having previously attempted to have Garak killed, Enabran Tain former head of the Order and architect of the plan, invites Garak to join the operation and regain his standing among his people, which Garak accepts. The operation is found to be a trap, however, as the Founder homeworld is found to be abandoned, and a fleet of 150 Jem'Hadar fighters overwhelm the Romulan and Cardassian ships in the ensuing Battle of the Omarion Nebula. Odo and Garak are the only individuals to escape, thanks to the timely arrival of the Defiant. The Obsidian Order is apparently disbanded soon after. (, ) Sisko's son Jake arranges for his father to meet freighter captain Kasidy Yates. The two quickly bond over a mutual love of Baseball. () Bajoran First Minister Kalem Apren dies of heart failure. Kai Winn is appointed as a replacement and soon enters into a dispute with former resistance leader Shakaar Edon over the return of soil reclamators. With the support of Kira Nerys and the Bajoran Militia, Shakaar announces his intention to run for office of First Minister himself. () Sisko is promoted to the rank of captain. During a subsequent mission to Tzenketh, the Defiant is sabotaged by a Changeling operative, attempting to incite a war between the Federation and Tzenkethi. The crew manages to regain control of the ship, and Odo is forced to become the first Changeling to kill another of his own kind, though the dying Changeling utters an ominous warning: "You're too late. We are everywhere." () Background information Most of this season was broadcast concurrent with Season 1, the first episode of which aired the same day as . was also released during its run, three days prior to the airing of the episode . Michael Piller leaves the show to focus on creating Star Trek: Voyager, although he remains a creative consultant. Ira Steven Behr becomes the series' new Executive Producer, and effectively becomes showrunner for the remainder of the series. At the end of season 2, the producers were alerted to the fact that feedback from the fans was not especially encouraging. In particular, young male viewers felt that DS9 didn't match up to TNG in terms of action and excitement. As well as this, many fans felt that there wasn't enough interaction with alien species and there wasn't enough traveling. Quark and Odo were the most popular characters, while Sisko was well-liked but seen as a very low-key character without much presence. Generally, episodes which dealt with religion and politics, such as from the first season and from the second were unpopular. () At the end of season 2, director of photography Marvin Rush left DS9 to begin work on VOY and was replaced by Jonathan West. West didn't bring a new lighting technique or visual style to the show, so most fans don't notice any major difference between Rush's cinematography and West's, but one thing that West did change was the type of camera lenses used. Throughout season 1 and season 2, Rush had used wide lenses which tend to separate foreground subjects from background objects by having the foreground in focus and the background out of focus and indistinct. From the start of season 3 however, West began to use telephoto lenses, which flatten the field of view between foreground and background, and as such, when characters are talking in the foreground, the station in the background is clearer to the viewer than ever seen up to this point. The producers were especially happy with this decision as they felt that it was during season 3 where characters like Sisko, Jake, and Keiko began to think of the station as their home for the first time, so it made sense that the station was now becoming more visible to the viewer. () Characters which "cross over" from other incarnations of Star Trek include Gowron (), Thomas Riker and Kalita (), and Lwaxana Troi () from TNG and Tuvok's mirror universe counterpart () from VOY. Also, beginning with Season 3 onward, the DS9 crew permanently switch to the new style combadges after it was designed for Star Trek Generations. This is also the final season to use the opening credits from Season 1. Credits Credits Guest and co-stars DS9 Season 3 performers Crew Executive Producers Rick Berman Michael Piller ("The Search, Part I" – "Distant Voices", "Through the Looking Glass") Ira Steven Behr ("Improbable Cause", "The Die Is Cast" – "The Adversary") Creative Consultant Michael Piller ("The Die Is Cast" – "The Adversary") Line Producer Robert della Santina Producers René Echevarria Peter Lauritson Supervising Producers Ronald D. Moore David Livingston Co-Executive Producer Ira Steven Behr ("The Search, Part I" – "Distant Voices", "Through the Looking Glass") Co-Producer Steve Oster Associate Producer Terri Potts ("Life Support" – "The Adversary") Executive Story Editor Robert Hewitt Wolfe Casting by Junie Lowry-Johnson, CSA Ron Surma Music by Jay Chattaway ("The Search, Part I" & "Part II", "Equilibrium", "The Abandoned" – "Civil Defense", "Defiant", "Visionary", "Through the Looking Glass", "Family Business", "The Adversary") Richard Bellis ("The House of Quark") David Bell ("Second Skin", "Past Tense, Part II", "Heart of Stone", "Improbable Cause") Dennis McCarthy ("Meridian", "Fascination" – "Past Tense, Part I", "Life Support", "Destiny" – "Prophet Motive", "Distant Voices", "The Die Is Cast" – "Explorers", "Facets") Paul Baillargeon ("Shakaar") Main Title Theme by Dennis McCarthy (credit only appears in episodes not composed by McCarthy) Director of Photography Jonathan West ("The Search, Part 1" – "Explorers", "Facets" – "The Adversary") Kris Krosskove ("Family Business" – "Shakaar") Production Designer Herman Zimmerman ("The Search, Part I" – "Civil Defense", "Life Support" – "Heart of Stone") Art Director Randy McIlvain Editors J.P. Farrell ("The Search, Part I") Robert Lederman ("The Search, Part II", "Second Skin", "Meridian") Tom Benko, A.S.C. ("The House of Quark", "The Abandoned") Richard Rabjohn (every third episode after "Equilibrium") Steve Tucker (every third episode after "Defiant") David Ramirez (every third episode after "Past Tense, Part I") Unit Production Manager Robert della Santina First Assistant Director B.C. Cameron (odd-numbered episodes, as well as "Heart of Stone") Brian Whitley (even-numbered episodes except "Heart of Stone") Second Assistant Director Paul Lawrence Costume Designer Robert Blackman Visual Consultant Herman Zimmerman ("Meridian" – "Past Tense, Part II") Visual Effects Producer Dan Curry Visual Effects Supervisor Gary Hutzel (odd-numbered episodes except "Improbable Cause") Glenn Neufeld (even-numbered episodes except "Past Tense, Part II") David Takemura ("Past Tense, Part II") Judy Elkins ("Improbable Cause") Post Production Supervisor Terri Potts ("The Search, Part I" – "Past Tense, Part II") Supervising Editor J.P. Farrell Scenic Art Supervisor/Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Makeup Designed and Supervised by Michael Westmore Set Decorator Laura Richarz Set Designer Ron Wilkinson (odd-numbered episodes) Scott Herbertson (even-numbered episodes) Illustrator James Martin Visual Effects Coordinator Judy Elkins (odd-numbered episodes through "Facets", except for "Family Business") David Takemura (even-numbered episodes through "The Adversary", except "Past Tense, Part II" and "Shakaar") Laura-Lang Matz ("Family Business", "Shakaar") Visual Effects Series Coordinator Philip Barberio ("The Search, Part I" – "Through the Looking Glass") Edward L. Williams ("The Die Is Cast" – "The Adversary" Wardrobe Supervisor Carol Kunz ("The Search, Part I" – "Civil Defense", odd-numbered episodes from "Defiant" through "Destiny", "Prophet Motive", odd-numbered episodes from "Improbable Cause" through "Facets") Camille Argus (even-numbered episodes from "Meridian" through "Heart of Stone", "Visionary", even-numbered episodes from "Distant Voices" through "The Adversary") Script Supervisor Judi Brown Special Effects Gary Monak ("The Search, Part I" – "Civil Defense", "Defiant" – "Life Support") R.J. Hohman ("Meridian") Property Master Joe Longo Construction Coordinator Thomas J. Arp Scenic Artists Denise Okuda (odd-numbered episodes) Doug Drexler (even-numbered episodes) Hair Designer Josée Normand Make-up Artists Camille Calvet ("The Search, Part I", "The House of Quark" – "Equilibrium", "The Abandoned" – "Past Tense, Part I", "Heart of Stone" – "Prophet Motive", "Distant Voices" – "Improbable Cause", "Family Business" – "Shakaar") (credited as Camille Calvert in "Heart of Stone") Dean Gates ("The Search, Part I" – "Second Skin", "Civil Defense" – "Defiant", "Past Tense, Part I" – "Past Tense, Part II", "Heart of Stone", "Visionary", "Improbable Cause" – "The Die Is Cast", "Shakaar" – "Facets") Karen J. Westerfield ("The Search, Part I" – "The House of Quark", "Second Skin" – "Past Tense, Part I", "Life Support" – "Through the Looking Glass", "Explorers" – "The Adversary") Dean Carl Jones ("The Search, Part II" – "The Abandoned", "Meridian", "Fascination", "Past Tense, Part II" – "Life Support", "Visionary" – "Distant Voices", "Through the Looking Glass" – "Explorers", "Facets" – "The Adversary") (credited as Dean Jones from "Visionary" through "Distant Voices") Karen Iverson ("Past Tense, Part II" – "Life Support", "Destiny" – "Prophet Motive", "The Die Is Cast" – "Family Business", "The Adversary") Hair Stylists Gerald Solomon (odd-numbered episodes) Norma Lee (even-numbered episodes) Ronald W. Smith Sound Mixer Bill Gocke Camera Operator Kris Krosskove ("The Search, Part 1" – "Explorers", "Facets" – "The Adversary") Raymond Stella ("Family Business" – "Shakaar") Chief Lighting Technician R.D. Knox ("The Search, Part I" – "Visionary", "Explorers" – "The Adversary") Ralph Johnson ("Distant Voices" – "The Die Is Cast") First Company Grip Steve Gausche Key Costumers Mary Ellen Bosche (odd-numbered episodes through "Family Business", "The Adversary") Len Levitt ("The Search, Part I", "The House of Quark") Phyllis Corcoran-Woods (even-numbered episodes through "Shakaar", "Facets") Cleo Severy (even-numbered episodes through "Shakaar", "Facets") Jerry Bono (odd-numbered episodes from "Second Skin" through "Family Business", "The Adversary") Music Editor Gerry Sackman ("The Search, Part I" – "Fascination") Stephen M. Rowe ("Past Tense, Part I" – "The Alternate") Supervising Sound Editor Bill Wistrom ("The Search, Part I" – "Fascination") Mace Matiosian ("Past Tense, Part I" – "The Adversary") Sound Editors Ruth Adelman ("The Search, Part I" through "Past Tense, Part I") Sean Callery T. Ashley Harvey Guy Tsujimoto Jivan Tahmizian ("Family Business" – "The Adversary") Production Coordinator Heidi Smothers Post Production Coordinator Cheryl Gluckstern Visual Effects Associate Laura Lang-Matz ("The Search, Part I" – "Explorers", "Facets", "The Adversary") Production Associates Kim Fitzgerald ("The Search, Part I" – "Heart of Stone") Kristine Fernandes Sandra Sena ("Destiny" – "The Adversary") Science Consultant André Bormanis Main Title Design Dan Curry Location Manager Lisa White ("Meridian") Stunt Coordinator Dennis Madalone Pre-Production Coordinator Lolita Fatjo Casting Executive Helen Mossler, CSA Uncredited crew Les Bernstein, Motion Control Programmer John Carroll, On-Line Editor Pat Clancey, Compositing Editor Caryl Codon, Hairstylist Joshua Cushner, Motion Control Programmer Rebecca De Morrio, Hairstylist Hala Gabriel – Production Accountant Adam Howard, Harry Paintbox Animation Artist Nancy J. Hvasta Leonardi – Makeup Artist ("Shakaar", "Facets", "The Adversary") Michael Key, Makeup Artist Nina Kraft – Makeup artist ("Destiny") Don Lee, Blue screen Compositor Lippman – Body makeup artist ("Meridian") Chris McBee, Hairstylist Michael Moore, Hairstylist Gil Mosko, Makeup Artist Erik Nash, Motion Control Programmer Joan Phillips, Hairstylist Dave Quaschnick, Makeup Artist Thom Surprenant, Makeup Artist Faith Vecchio, Hairstylist Scott Wheeler, Makeup Artist Companies Filmed with Panavision cameras and lenses Video Optical Effects Digital Magic (all episodes except "Facets") Pacific Ocean Post ("Facets") Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation VisionArt Design & Animation (all episodes except "Explorers", "Family Business") John Knoll ("Explorers") Matte Paintings by Illusion Arts ("Family Business") Editing Facilities Unitel Video Post Production Sound Modern Sound See also DS9 Season 3 UK VHS DS9 Season 3 US VHS DS9 Season 3 DVD External link cs:Třetí sezóna DS9 de:DS9 Staffel 3 fr:DS9 Saison 3 nl:DS9 Seizoen 3 sv:DS9, säsong 3 sr:ДС9: Сезона 3 Star Trek seasons
1738	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 4	Episodes Summary Life in the Alpha Quadrant has been uneasy since the revelation the Founders have infiltrated the Alpha Quadrant. Convinced the Dominion are behind a successful coup on Cardassia, Gowron orders a Klingon invasion of the Cardassian Union. When the Federation condemns the invasion, and Sisko protects the members of the Detapa Council, Gowron withdraws from the Khitomer Accords and attacks the station. Although the attack is unsuccessful, the Klingons refuse to give up the Cardassian colonies already seized. Consequently, Captain Benjamin Sisko asks Worf to join the crew of Deep Space 9. Worf however is exiled once again from his people for refusing to side with Gowron in the conflict. Julian Bashir attempts to find a way to remove the Jem'Hadar's addiction to ketracel-white. He clashes with his friend, Miles O'Brien, by doing so, and is eventually unsuccessful. Kira Nerys and Dukat embark on a personal journey to find the Cardassian ship Ravinok that disappeared six years previously. Kira is searching for a friend; Dukat is searching for his daughter, Tora Ziyal. He intends to kill her to protect his family, but once he finds her he is unable to do so and she returns with him to Cardassia with devastating consequences to Dukat. Jadzia Dax is reunited with Lenara Kahn, the wife of her former host. After spending time together, their feelings resurface. The two briefly reconcile, but while Dax is willing to face exile from Trill society, Kahn decides that she cannot and leaves, breaking Jadzia's heart. Nog leaves for Starfleet Academy on Earth, though a shuttle accident en route temporarily strands him, Quark, Rom, and Odo in 1947. Kor, along with Dax and Worf, discover the long-lost Sword of Kahless in the Gamma Quadrant. They conclude that the Klingon Empire is not yet ready for such a powerful symbol and leave it adrift in open space. After it is discovered that at least one Changeling infiltrator is active on Earth, Starfleet makes Benjamin Sisko acting head of Starfleet Security on Earth. After a power outage, Admiral Leyton manages to convince the President to let Starfleet declare martial law. However, Sisko soon discovers that the power outage was actually caused by Red Squad, Leyton is arrested for treason and Starfleet forces withdraw. First Minister Shakaar Edon begins a relationship with Major Kira, which forces Odo to deal with his feelings for her. Kira later helps Dukat capture a Klingon Bird-of-Prey and convinces him to let Tora Ziyal live aboard Deep Space 9. Dukat is angry the Detapa Council are unwilling to use information contained within the Bird-of-Prey's computers to launch an offensive and decides to begin his own campaign against them. Worf is reunited with his brother Kurn who has been banished from the Empire due to Worf's condemnation of Gowron's invasion of Cardassia. Worf decides to erase Kurn's memories and let him become a member of another house. Benjamin Sisko relinquishes the title of Emissary when a Bajoran, Akorem Laan, arrives at the station after being in the wormhole for 200 years. However when Akorem uses the position to resurrect a caste-based discrimination system that would, among other things, doom Bajor's petition for Federation membership, Sisko decides to reclaim the role. The challenge is taken to the wormhole aliens who confirm Sisko is their Emissary. They return Akorem to his time, and Sisko accepts his role fully. In the mirror universe, the Terran Rebellion captures from the Klingon-Cardassian Alliance. With the help of the Sisko from the primary universe and the rebellion's new ship, the , they successfully repel an Alliance attack, though the mirror is killed during the incident. Sisko's girlfriend Kasidy Yates is suspected by Odo and Eddington to be a Maquis smuggler. This turns out to be true, and Kasidy is sentenced to six months in prison, however Michael Eddington is also revealed to be a member of the Maquis and steals twelve industrial replicators intended for the Cardassians, using Kasidy to draw Sisko away from the station while he commits the crime. The crew of the helps a group of Jem'Hadar led by Weyoun eliminate another group of renegade Jem'Hadar. After an accident on the runabout, Keiko O'Brien is injured and her baby must be transplanted into Kira's womb in order to survive. Quark is forced by Brunt to break a contract, leading to the revocation of Quark's business license. Odo is infected with a morphogenic virus by the Founders, which forces him to return home to face charges for killing another Changeling. As punishment, he is made a Human. During the mission, Elim Garak makes an unsuccessful attempt to take control of the Defiants weapons to destroy the Founders, leading to his incarceration for six months. Upon Odo's return, as tensions continue to escalate between the Federation and the Klingon Empire, Odo realizes that Gowron has been replaced by a Changeling. Background information This season was broadcast concurrent with Season 2. Nana Visitor and Alexander Siddig began their relationship during this season. Michael Dorn joins the cast. Season changes received a new opening sequence beginning in this season, designed by Dan Curry who also designed the original. The DS9 main title score was given a faster tempo and a new musical ending, and the visual shots of the station were revised to show many ships docked and orbiting the station, including the Defiant and the . A CMU and two repairmen in EV suits can also be seen. The Defiant is shown departing the station and entering the wormhole. Michael Dorn's name is also added to the opening credits. The font of the credits is also changed slightly, as is its color scheme. Many of the new elements added to the sequence were executed as CGI. The CMU, the welders as well as an alien freighter were CGI elements built by John Knoll at Industrial Light & Magic. "I made about half a dozen little bits and pieces [rem: work bees and the welders on the pylons] for the sequence, including a generic alien ship with blue glowy engines." () Julian Bashir gained the rank of full lieutenant and Jadzia Dax became a lieutenant commander, both having presumably been promoted between the third and fourth seasons. Avery Brooks and Terry Farrell's credits were altered to reflect their characters' promotions. Alexander Siddig's credit changed from his old credit of Siddig El Fadil to the new one of Alexander Siddig. According to Siddig, the reason he altered his name was because "the other name said too much about what I wasn't. Siddig El Fadil is an important name. It is my name, officially, on my passport and all that, and one that I will keep. But for an actor it wasn't so suitable. So I started again, with half and half, which is more reflective of my character. As for Alexander, that was just a name out of a hat". () Siddig's name was also moved in the credit list from between Rene Auberjonois and Terry Farrell to between Armin Shimerman and Nana Visitor to reflect its new alphabetical placement. Benjamin Sisko appears with a shaved head beginning in the fourth season. Avery Brooks was required to have some hair on his head during the first three seasons as Paramount thought if he had a bald head, he might look like his previous role as Hawk in . (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 102) Brooks felt more comfortable acting with a shaved head, and so approached Rick Berman and Ira Behr. According to Behr, the two producers were expecting resistance at Paramount, but the studio had no problems. "We had geared ourselves up for this big fight and there was no fight. Paramount was fine with it. And Avery was very pleased." The change was positively received by the production staff. Director James L. Conway remarked, "It was a terrific idea. I was shooting the episode and I happened to look at some of the reruns of the earlier shows and I said to Avery, 'It's like a different actor.' And Avery said, 'I feel like a different guy.' And you can see it in his performance. With his head shaved, I think he feels much freer, much more himself." (). Robert Hewitt Wolfe noted, "He's actually a little scarier looking but the point is: That's what Avery looks like, so why shouldn't you let the guy look like himself? I think it lets him identify a little more with the character."(Captains' Logs: The Unauthorized Complete Trek Voyages, p. 102) Story arcs At the end of season 3, the writers had planned on doing a 'Changelings on Earth' storyline, which would end on a cliff-hanger. However, Paramount said that they didn't want a cliff-hanger ending, forcing the writers to go in a different direction. This not only necessitated a rethinking of the end of the third season, but also a rethinking of the opening of the fourth. Producers were also under a mandate to do 'something' to shake up the series. As such, they decided to bring the Klingons onto the show, with Rick Berman suggesting that they also bring in Worf. Obviously however, the Klingon conflict was not initially a part of the master-plan for season 4, and many fans thus feel that this season is basically just an interlude in anticipation of the writers getting back to the Dominion arc. This is supported by Ira Steven Behr who says "We only recovered our equilibrium in the middle of the fifth season following another meeting with the studio in which we said, 'How about making the Klingons our friends again? You'll see them as much as you want, but we want to get back to the Dominion'. While I like having brought Worf onto the show, and I love some of the things that he brought along, I think it had a fairly substantial impact that wasn't all for the good. It took us way off from where we'd intended to go and it was slow going getting back." () Behr has also commented, "It was not the direction we thought the show was going. We thought we were going to get into this whole Dominion thing, and we suddenly had to begin this problem with the Klingons, which I think was exciting for the audience, but took a lot of thought as to how it was all going to link up." (Charting New Territory: Deep Space Nine Season Four, DS9 Season 4 DVD, Special Features) Of the introduction of the character of Worf, Robert Hewitt Wolfe comments, "In the beginning it was difficult, I gotta be honest with you, to integrate this new character, but that was good because it challenged us, and made us sort of re-examine the show in a whole new light. How do we make this guy work? How do we bring him in? How does he change the relationships for all of our characters? He stirred up the whole thing again, gave the whole show a sort of a second phase. Suddenly, there's Worf and we've got to deal with him and his issues, and suddenly there's Klingons everywhere and that brought a new flavor to play with." (Charting New Territory: Deep Space Nine Season Four, DS9 Season 4 DVD, Special Features) Characters who 'crossover' from : Worf ( onwards) and his brother Kurn (). This is the only season of Deep Space Nine in which Vedek / Kai Winn, Grand Nagus Zek and Maihar'du do not appear. A recurring theme this season would be losses: Worf loses his standing among his people (again); The Federation loses its alliance with the Klingon Empire; Dukat loses his standing among his people; Quark loses his business license (and thus, effectively, his standing among his people); Odo loses his shapeshifting abilities; even Sisko loses Kassidy Yates for a time, after she's imprisoned for working with the Maquis. All of these losses would be restored the following season. Reception Edward Gross and Mark A. Altman commented, "For the first time in the thirty-year history of the Star Trek franchise, a season's worth of episodes was produced with a large percentage being solid storytelling. In terms of consistent quality, Deep Space Nines fourth season is the one by which others will be measured." (Captains' Logs Supplemental - The Unauthorized Guide to the New Trek Voyages, p 101) Anna L. Kaplan wrote in Cinefantastique in 1997: "The '95-'96 season was undeniably DS9's best, and quite possibly the best season of Star Trek ever". ("Taking the Fifth - With Style", Cinefantastique, Vol. 29, No. 6/7) This was the first season of DS9 that Una McCormack watched. She was of the opinion that the season maintains the level of quality she felt was established in season opener . "So I felt that I was watching a well-imagined show with plenty going on that I could learn about and discover," she remarked. "It didn't feel cardboard, it felt as if it had depth." Credits Cast Avery Brooks as Captain Sisko Rene Auberjonois as Odo Michael Dorn as Lt. Commander Worf Terry Farrell as Lt. Commander Dax Cirroc Lofton as Jake Sisko Colm Meaney as Chief O'Brien Armin Shimerman as Quark Alexander Siddig as Doctor Bashir Nana Visitor as Major Kira Crew Executive Producers Rick Berman Ira Steven Behr Creative Consultant Michael Piller Coordinating Producer Robert della Santina Co-Producer Robert Hewitt Wolfe Producers Hans Beimler (beginning with "Hippocratic Oath") Steve Oster René Echevarria Supervising Producers Peter Lauritson Ronald D. Moore Associate Producer Terri Potts Casting by Junie Lowry-Johnson, C.S.A. Ron Surma Music by Dennis McCarthy ("The Way of the Warrior", "The Visitor", "Indiscretion", "Homefront", "Crossfire", "Accession", "Hard Time", "Shattered Mirror", "Body Parts") Jay Chattaway ("Hippocratic Oath", "Rejoined", "Starship Down", "Our Man Bashir", "Paradise Lost", "Return to Grace", "Bar Association", "Rules of Engagement", "For the Cause", "To the Death", "Broken Link") Paul Baillargeon ("Little Green Men", "The Muse") David Bell ("The Sword of Kahless", "Sons of Mogh", "The Quickening") Main Title Theme by Dennis McCarthy (credit only appears in episodes not composed by McCarthy) Director of Photography Jonathan West, A.S.C. ("The Way of the Warrior"–"Paradise Lost", "Sons of Mogh"–"Rules of Engagement", "Shattered Mirror"–"Broken Link") (first credited with A.S.C. title in "Rules of Engagement") Kris Krosskove ("Crossfire", "Return to Grace", "Hard Times") Production Designer Herman Zimmerman ("The Way of the Warrior"–"Bar Association") Art Director Randy McIlvain Editors Steve Tucker ("The Way of the Warrior", every third episode after "Indiscretion") Richard Rabjohn (every third episode after "Hippocratic Oath") David Ramirez (every third episode after "The Visitor") Unit Production Manager Robert della Santina First Assistant Director B.C. Cameron ("The Way of the Warrior", even-numbered episodes starting with "The Visitor") Brian Whitley ("Hippocratic Oath") Conrad Irving (odd-numbered episodes starting with "Indiscretion") Second Assistant Director Paul Lawrence Costume Designer Robert Blackman Visual Constultant Herman Zimmerman ("Accession"–"Rules of Engagement") Visual Effects Producer Dan Curry Visual Effects Supervisors Gary Hutzel ("The Way of the Warrior", odd-numbered episodes from "The Sword of Kahless" through "Accession", "Shattered Mirror", "The Quickening", "Body Parts") Glenn Neufeld ("The Way of the Warrior", even-numbered episodes from "Little Green Men" through "Shattered Mirror") Dan Curry ("Hippocratic Oath", "Indiscretion", "Starship Down") David Takemura ("The Visitor", "Rejoined") Judy Elkins ("Hard Time", "The Muse") David Stipes ("For the Cause", "To the Death", "Broken Link") Post Production Supervisor Kristine Fernandes Supervising Editor J.P. Farrell Scenic Art Supervisor/Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Make-up designed and created by Michael Westmore Set Decorator Laura Richarz Set Designer Ron Wilkinson ("The Way of the Warrior"–"Bar Association") Fritz Zimmerman ("Accession", even-numbered episodes from "Rules of Engagement", through "Broken Link") Peter Samish (odd-numbered episodes from "Hard Time" through "Body Parts) Illustrator John Eaves Visual Effects Coordinator Judy Elkins ("The Way of the Warrior", odd-numbered episodes beginning with "The Sword of Kahless" except "Hard Time" and "The Muse") Kendell Shaffer ("The Visitor", "Rejoined") Edward L. Williams ("Hippocratic Oath", "Indiscretion", "Starship Down", "For the Cause", "To the Death", "Broken Link") David Takemura (even-numbered episodes beginning with "Little Green Men") Laura Lang-Matz ("The Muse") Visual Effects Series Coordinator Edward L. Williams ("The Way of the Warrior", "The Visitor", "Rejoined", "Little Green Men"–"The Muse") Visual Effects Associate Laura Lang-Matz ("The Way of the Warrior"–"Shattered Mirror", "The Quickening"–"Broken Link") Cheryl Gluckstern ("The Muse", "For the Cause") Script Supervisor Judi Brown Wardrobe Supervisor Carol Kunz ("The Way of the Warrior", even-numbered episodes from "The Visitor" through "For the Cause", "The Quickening", "To the Death", "Broken Link") Camille Argus (odd-numbered episodes from "Hippocratic Oath" through "The Muse", "Body Parts") Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Thomas J. Arp ("The Way of the Warrior"–"Rules of Engagement" Greg Medina ("Hard Time"–"Broken Link") Scenic Artist Denise Okuda ("The Way of the Warrior", even-numbered episodes beginning with "The Visitor") Doug Drexler (odd-numbered episodes beginning with "Hippocratic Oath") Hair Designer Shirley Dollé Make-up Artists Camille Calvet ("The Way of the Warrior", "The Visitor"–"Rejoined", "The Sword of Kahless"–"Homefront", "Return to Grace"–"Bar Association", "Shattered Mirror", "The Muse", "Body Parts", "Broken Link") Dean Jones ("The Way of the Warrior", "Indiscretion"–"Starship Down", "Our Man Bashir"–"Paradise Lost", "Bar Association", "Accession", "Shattered Mirror"–"For the Cause", "Body Parts", "Broken Link") Karen Iverson ("The Way of the Warrior", "Hippocratic Oath", "Starship Down", "Little Green Men", "Homefront"–"Crossfire", "Bar Association"–"Rules of Engagement", "The Muse"–"To the Death", "Broken Link") Mark Bussan ("Hippocratic Oath", "The Visitor", "Starship Down"–"The Sword of Kahless", "Crossfire", "Return to Grace", "Accession"–"Hard Time", "For the Cause"–"To the Death") Sonny Burman ("Hippocratic Oath", "The Visitor"–"Indiscretion", "The Sword of Kahless"–"Our Man Bashir", "Crossfire"–"Sons of Mogh", "Rules of Engagement"–"Shattered Mirror", "The Quickening"–"Body Parts") Karen J. Westerfield ("Rejoined", "Little Green Men", "Paradise Lost", "Sons of Mogh", "Hard Time") (credited as Karen Westerfield beginning with "Hard Time") Hair Stylists Brian Andrew-Tunstall ("The Way of the Warrior", "Hippocratic Oath", "Indiscretion", "Starship Down", "Little Green Men", "Our Man Bashir", "Homefront", "Crossfire", "Return to Grace", "Accession", "Rules of Engagement", "The Muse", "Body Parts", "Broken Link") Norma Lee ("The Way of the Warrior") Faith Vecchio ("Hippocratic Oath", "The Visitor", "Rejoined", "Little Green Men", "The Sword of Kahless") Leland Crawford ("The Visitor", "Indiscretion"–"Starship Down", "The Sword of Kahless", "Our Man Bashir", "Paradise Lost", "Crossfire", "Bar Association", "Accession", "Shattered Mirror", "The Muse", "To the Death", "Body Parts") Lee Ann Brittenham ("Homefront", "Paradise Lost", "Sons of Mogh", "Bar Association", "Hard Times", "Shattered Mirror", "The Quickening", "To the Death") Susan Zeitlow-Maust ("Return to Grace", "Sons of Mogh") Adrienne Kessler ("Rules of Engagement", "Hard Times", "The Quickening", "Broken Link") Sound Mixer Bill Gocke Camera Operator Kris Krosskove, S.O.C. William L. Asman ("Crossfire", "Return to Grace", "Hard Time") Chief Lighting Technician R.D. Knox First Company Grip Steve Gausche Key Costumers Mary Ellen Bosché ("The Way of the Warrior", "Indiscretion", "Rejoined", even-numbered episodes from "Our Man Bashir" through "Broken Link") Jerry Bono ("The Way of the Warrior", "Hippocratic Oath", "Rejoined", "Starship Down", even-numbered episodes from "Our Man Bashir" through "Broken Link") Phyllis Corcoran-Woods ("Hippocratic Oath", "The Visitor", "Starship Down"–"The Sword of Kahless", odd-numbered episodes from "Homefront" through "Body Parts") Cleo Severy ("The Visitor", "Indiscretion", "Little Green Men", odd-numbered episodes from "The Sword of Kahless" through "Body Parts") Music Editor Stephen M. Rowe Supervising Sound Editor Mace Matiosian Sound Editors T. Ashley Harvey Guy Tsujimoto Jivan Tahmizian Eric Williams Assistant Editor Craig Galloway ("Shattered Mirror", "The Quickening", "Broken Link") David Koeppel ("The Muse", "To the Death") Michael Westmore II ("For the Cause", "Body Parts") Visual Effects Assistant Editor Edward Hoffmeister ("Shattered Mirror"–"Broken Link") Production Coordinator Heidi Smothers Post Production Coordinator Cara Colombini ("The Way of the Warrior"–"The Sword of Kahless") ("Our Man Bashir"–"To the Death") (credited as April Nocifora in "Our Man Bashir") Production Associates David Rossi Robbin L. Slocum Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Pre-Production Coordinator Lolita Fatjo Science Consultant André Bormanis Casting Executive Helen Mossler, CSA Uncredited crew Ellis Burman, Makeup Artist John Carroll, On-Line Editor Josh Cushner, Visual Effects Cameraman Steve Fong, Visual Effects Compositor Hala Gabriel - Production Accountant Kevin Haney, Makeup Artist Dennis Hoerter, Prop Maker Adam Howard, Visual Effects Artist Cherie Huffman, Hairstylist Nancy J. Hvasta Leonardi - Makeup Artist ("The Quickening", "Body Parts", "Broken Link") Don Lee, Visual Effects Compositor Brad Look, Makeup Artist Fredric Meininger, Model Maker Gil Mosko, Makeup Artist Ellen Powell, Hairstylist Dave Quaschnick, Makeup Artist Scott Rader, Visual Effects Compositor Jim Rider, Visual Effects Cameraman Barbara Ronci, Hairstylist Joshua Rose, Model Maker Thom Surprenant, Makeup Artist Steve Weber, Makeup Artist Scott Wheeler, Makeup Artist Companies Filmed with Panavision cameras and lenses Digital Optical Effects Pacific Ocean Post Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation VisionArt Design & Animation (all episodes except "For the Cause", "The Quickening") Computer Generated Effects Digital Muse ("For the Cause") Matte painting Illusion Arts ("The Quickening") Editing facilities Unitel Video Post-Production sound Modern Sound See also DS9 Season 4 performers DS9 Season 4 UK VHS DS9 Season 4 US VHS DS9 Season 4 DVD External link cs:Čtvrtá sezóna DS9 de:DS9 Staffel 4 fr:DS9 Saison 4 nl:DS9 Seizoen 4 sr:ДС9: Сезона 4 sv:DS9, säsong 4 Star Trek seasons
1739	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 5	Episodes Summary Sisko, Odo, O'Brien, and Worf are sent on a mission to expose Chancellor Gowron as a Changeling infiltrator, only to discover that it was Martok who had been replaced. The Changeling impersonating Martok is killed, but Gowron is still not ready to end the war with the Federation but does agree to call a cease fire and begin talks. The crew is able to capture a crashed Jem'Hadar ship and return it to Starfleet. Worf helps Quark woo his ex-wife Grilka, while he and Jadzia Dax start a relationship initiated by Dax. Jake Sisko is doing a report on Julian Bashir in a later episode when they are called to help a Federation colony against a Klingon attack, and Jake has his first real dealings with death and the horrors of war. Keiko O'Brien later gets possessed by a strange noncorporeal being who forces Miles to do whatever she says or else she'll kill Keiko. Miles is, of course, able to outwit the entity, which turns out to be a pah-wraith, who was attempting to kill the Prophets. The crew travels back in time to the 23rd century and thwarts a plot by Arne Darvin to kill James T. Kirk, (unwittingly reintroducing the previously-extinct tribble species to the galaxy in the process). Odo is forced to reveal that during the occupation, he had three innocent Bajorans executed as he had placed order over justice and did not investigate the crime fully. Later, he and Quark crash on an L-class planet and must climb a mountain in order to get a signal through to Deep Space 9. After an accident in the holosuite, Sisko begins having visions of past, present and future, preventing Bajor from joining the United Federation of Planets by claiming that it will be disastrous for Bajor to do so. A few weeks before giving birth to Kirayoshi O'Brien, Kira Nerys tracks down an insane Cardassian who has been killing members of the Shakaar resistance cell as revenge for civilians who were killed in one of their attacks. Odo receives a sick infant Changeling from Quark which he attempts to nurse back to health, but with no success. However, before it "dies", it absorbs itself into Odo's body and gives Odo back his shape-shifting abilities. Sisko vows to track down and arrest Maquis renegade Michael Eddington after he attacks a Federation starship. Sisko poisons a Maquis colony and Eddington agrees to surrender. Garak receives a signal from Enabran Tain, indicating that he is alive in a Dominion prison. He and Worf attempt a rescue, but are captured themselves, where they discover the real Martok and Julian Bashir, who has also been captured and replaced by a shapeshifter. Tain acknowledges Garak as his son before he dies. The rest escape and return to the station. An attempt to seal the wormhole to prevent the impending arrival of a Dominion fleet is unsuccessful, thanks to an act of sabotage by Bashir's Changeling replacement, who is later killed during a failed attempt to destroy the Bajoran system by triggering a supernova within the Bajoran sun. Dukat reveals that he has negotiated Cardassia's entry into the Dominion, becoming absolute ruler of his planet under Dominion rule. In response to the sudden change of fortune in the Klingon's war against the Cardassians, Gowron agrees to Sisko's proposal to reinstate the Khitomer Accords, restoring the alliance between the Federation and the Klingon Empire. General Martok stays on DS9 as Klingon representative for the new alliance. Julian Bashir meets Lewis Zimmerman, the creator of the EMH, who wants to use Bashir for his next Emergency Medical Holographic program. It is discovered that Bashir had been genetically altered to make him stronger and smarter as he was "slow" as a child. Odo falls in and out of love with a mysterious woman, Quark begins smuggling weapons "illegally," but has a change of heart. Tekeny Ghemor returns to the station and reveals all his secrets to Kira before he dies. Dukat and Weyoun 5 try to prevent it, but are too late. Quark finds out his mother and the Grand Nagus had fallen in love, and Worf accompanies Martok on a mission to rescue another Klingon ship from the Jem'Hadar. In return, Martok lets Worf into his House. The crew discovers an alternate timeline by the crew aboard the which has the Defiant being thrown back in time and crashing on a planet, and a world of eight thousand being created by the survivors of this crash. This event, however, is prevented by an alternate version of Odo, who confesses his love to Kira. After the Cardassian-Dominion alliance has nearly wiped out the Maquis, Eddington tricks Sisko into releasing him so they can prevent a last strike. He dies in a blaze of glory, allowing the survivors to escape from the Jem'Hadar. O'Brien, Garak, and Nog travel to Empok Nor to salvage station parts, but Garak is infected by a Cardassian virus and turns to a murderous rage. Jake and Nog manage to cheer Sisko up by offering him a baseball card. The Dominion offers Bajor a nonaggression pact, which they resist at first, but Sisko endorses it so they will stay out of the fighting. After the crew decides to mine the wormhole to prevent further Dominion reinforcements from coming through, the Dominion attacks and the crew – including Garak – is forced to abandon the station, escaping on the Defiant. Odo, Kira, Quark and Jake stay behind as Dukat, Weyoun, and the Jem'Hadar occupy the station. The Dominion War has begun… Background information This season was broadcast concurrent with Season 3, and was released during its run, three days prior to the airing of the episode . The writers' primary goal during season 5 was to get the show back on the track they'd been on in season 3, i.e. moving towards war with the Dominion. Season 3 was originally supposed to conclude with the episode that ultimately became , while season 4 was to open with . However, towards the end of season 3, Paramount had told the writers that they didn't want a cliffhanger ending, and they also wanted 'something' done to shake up the show, which ultimately led to the introduction of Worf and the Klingons. The Klingon war arc took up most of season 4, so now that the writers were moving into the next season, they wanted to end the Klingon conflict and get back to the inevitable conflict with the Dominion. As executive producer and writer Ira Steven Behr states, "Season 4 threw us for a loop, with the whole Klingon thing, and bringing Worf into the show. So the seminal thing about our fifth season was that we wanted to get back on the track we'd anticipated being on a year earlier. We were moving back toward making the shape-shifters and the Dominion our enemies. Not the Klingons. I didn't want to have the Klingons as our enemies." () Art Director Randy McIlvain took over Herman Zimmerman's role as production designer for the first five episodes of the season, while Zimmerman was working on . After production of First Contact was complete, Zimmerman resumed his regular role on the show. Characters which "crossover" from other incarnations of Star Trek: Arne Darvin in new materials and James T. Kirk, Spock, Leonard McCoy, Montgomery Scott, Nyota Uhura, Pavel Chekov, Cyrano Jones, Freeman, Lurry, Korax, Galloway, Nilz Baris, and K-7's bartender in stock footage, () and the Emergency Medical Hologram. () Also starting with , the DS9 crew switch to the new Starfleet uniforms which were designed for . However, the crew on continued to use the old DS9 Starfleet uniforms, due to being stranded in the Delta Quadrant. Credits Crew Executive Producers Rick Berman Ira Steven Behr Creative Consultant Michael Piller Coordinating Producer Robert della Santina Co-Producer J.P. Farrell Producers Robert Hewitt Wolfe Steve Oster René Echevarria Co-Supervising Producer Hans Beimler Supervising Producers Peter Lauritson Ronald D. Moore Associate Producer Terri Potts Casting by Junie Lowry-Johnson, CSA Ron Surma Music by Dennis McCarthy ("Apocalypse Rising", "Nor the Battle to the Strong", "Trials and Tribble-ations", "Rapture", "For the Uniform", "In Purgatory's Shadow", "Doctor Bashir, I Presume", "A Simple Investigation", "Ferengi Love Songs", "Blaze of Glory") Jay Chattaway ("The Ship", "Things Past", "The Darkness and the Light", "The Begotten", "By Inferno's Light", "Ties of Blood and Water", "Ferengi Love Songs", "Empok Nor", "Call to Arms"") David Bell ("Looking for par'Mach in All the Wrong Places", "The Ascent", "Business as Usual", "Soldiers of the Empire", "In the Cards") Gregory Smith ("The Assignment") Paul Baillargeon ("Let He Who Is Without Sin...", "Children of Time") Main Title Theme by Dennis McCarthy (credit appears only in episodes not composed by McCarthy) Director of Photography Jonathan West, A.S.C. ("Apocalypse Rising" – "Looking for par'Mach in All the Wrong Places", "The Assignment" – "Things Past") Kris Krosskove ("Nor the Battle to the Strong", "Trials and Tribble-ations", "The Ascent" – "Rapture") Production Designer Herman Zimmerman ("Trials and Tribble-ations" – "Let He Who Is Without Sinhellip;") Art Director Randy McIlvain Editors David Ramirez (every third episodes after "Apocalypse Rising") Steve Tucker (every third episode after "The Ship") Michael Westmore II (every third episode after "Looking for par'Mach in All the Wrong Places") Unit Production Manager Robert della Santina First Assistant Directors B.C. Cameron (odd-numbered episodes) Lou Race (even-numbered episodes) Second Assistant Director Paul Lawrence (all episodes except "Trials and Tribble-ations") Robin Winter ("Trials and Tribble-ations") Costume Designer Robert Blackman Visual Consultant Herman Zimmerman ("Apocalypse Rising" – "Nor the Battle to the Strong") Visual Effects Producer Dan Curry Visual Effects Supervisors Gary Hutzel ("Apocalypse Rising", "Trials and Tribble-ations", "The Ascent") David Stipes (even-numbered episodes) Edward L. Williams ("Looking for par'Mach in All the Wrong Places") Dan Curry ("Let He Who Is Without Sinhellip;") Post Production Supervisor Kristine Fernandes Scenic Art Supervisor/Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Make-up Designed and Supervised by Michael Westmore Set Decorator Laura Richarz Set Designers Fritz Zimmerman ("Apocalypse Rising", "Nor the Battle to the Strong", "The Assignment", "Things Past") Anthony Bro ("The Ship") Ron Wilkinson ("Looking for par'Mach in All the Wrong Places", "Trials and Tribble-ations", "Let He Who Is Without Sinhellip;", "The Ascent") Illustrator John Eaves Visual Effects Coordinators Judy Elkins ("Apocalypse Rising", "Trials and Tribble-ations", "The Ascent") Adam Buckner (even-numbered episodes) Visual Effects Series Coordinator Edward L. Williams Visual Effects Associate Laura Lang-Matz Script Supervisor Stuart Lippman ("Apocalypse Rising", "The Ship") Judi Brown ("Looking for par'Mach in All the Wrong Places" – "The Ascent") Wardrobe Supervisor Carol Kunz (odd-numbered episodes) Camille Argus (even-numbered episodes) Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Thomas J. Arp Scenic Artists Anthony Fredrickson ("Apocalypse Rising") James Van Over ("The Ship") Doug Drexler (odd-numbered episodes starting with "Looking for par'Mach in All the Wrong Places") Denise Okuda (even-numbered episodes starting with "Nor the Battle to the Strong") Hair Designer Norma Lee Make-up Artists Sonny Burman ("Looking for par'Mach in All the Wrong Places" – "Trials and Tribble-ations") Mark Bussan ("The Ship" – "Nor the Battle to the Strong", "Things Past", "The Ascent") Camille Calvet ("Apocalypse Rising", "Trials and Tribble-ations" – "Let He Who Is Without Sinhellip;") Karen Iverson ("Apocalypse Rising" – "Looking for par'Mach in All the Wrong Places", "Let He Who Is Without Sinhellip;" – "The Ascent") Dean Jones ("Apocalypse Rising", "The Ship", "Trials and Tribble-ations" – "Things Past") Karen Westerfield ("Nor the Battle to the Strong", "The Assignment", "The Ascent") Hair Stylists Jacklin Masteran ("Apocalypse Now", "Looking for par'Mach in All the Wrong Places", "Nor the Battle to the Strong", "The Assignment", "Let He Who Is Without Sinhellip;") Brian Andrew-Tunstall ("Apocalypse Now", "The Ship", "Nor the Battle to the Strong", "Trials and Tribble-ations", "Let He Who Is Without Sinhellip;", "Things Past") Alicia Tripi ("The Ship", "Looking for par'Mach in All the Wrong Places", "The Assignment") Linle White ("Trials and Tribble-ations", "Things Past") Caryl Codon-Tharp ("The Ascent") Rebecca De Morrio ("The Ascent") Sound Mixer Bill Gocke Camera Operator Kris Krosskove, SOC (all episodes except those on which he served as Director of Photography) Bill Asman ("Nor the Battle to the Strong", "Trials and Tribble-ations", "The Ascent") Gary Huddleston ("Rapture") Chief Lighting Technician R.D. Knox First Company Grip Steve Gausche Key Costumers Mary Ellen Bosché (odd-numbered episodes) Jerry Bono (odd-numbered episodes) Phyllis Corcoran-Woods (even-numbered episodes except "The Assignment") Stephanie Levanda-Lipsky ("The Ship", "Nor the Battle to the Strong") (credited as Stephanie Lipsky in "The Ship") Carol Kunz ("The Assignment") Cleo Severy ("The Assignment", "Things Past") Music Editor Stephen M. Rowe Supervising Sound Editor Mace Matiosian Sound Editors T. Ashley Harvey Guy Tsujimoto Jivan Tahmizian Eric Williams Assistant Editors Jonathan Paul Ramirez (every third episode after "Apocalypse Rising") (credited as Jonathan Ramirez in "Apocalypse Rising") Craig Galloway (every third episode after "The Ship") Jonathan Posell (every third episode after "Looking for par'Mach in All the Wrong Places") Visual Effects Assistant Editor Edward Hoffmeister Production Coordinator Heidi Smothers Post Production Coordinator Production Associates David Rossi Robbin L. Slocum Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Pre-Production Coordinator Lolita Fatjo Science Consultant André Bormanis Casting Executive Helen Mossler, CSA Assistants to Producers Chad Zimmerman ("Apocalypse Rising", "Trials and Tribble-ations", "The Ascent") Meril Davis ("The Ship", "The Assignment") Mike Mistovich ("Looking for par'Mach in All the Wrong Places", "Let He Who Is Without Sinhellip;") Jill Sherwin ("Nor the Battle to the Strong", "Things Past") Uncredited crew Hala Gabriel – Production Accountant Gary Kerr – Production Illustrator ("Trials and Tribble-ations") Companies Digital Optical Effects Pacific Ocean Post Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation VisionArt Design & Animation ("Apocalypse Rising", "The Ship", "Trials and Tribble-ations", "Things Past", "The Begotten", "In Purgatory's Shadow", "By Inferno's Light", "A Simple Investigation", "Call to Arms") Digital Muse ("The Begotten") Foundation Imaging ("Business as Usual") Editing facilities Unitel Video Post Production sound Modern Sound Filmed with Panavision Cameras and Lenses See also DS9 Season 5 performers DS9 Season 5 UK VHS DS9 Season 5 US VHS DS9 Season 5 DVD cs:Pátá sezóna DS9 de:DS9 Staffel 5 fr:DS9 Saison 5 nl:DS9 Seizoen 5 sr:ДС9: Сезона 5 sv:DS9, säsong 5 Star Trek seasons
1740	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 6	Episodes Summary The season begins three months into the Dominion War, and things do not go well for the former crew of Deep Space 9. The crew enters Cardassian space to destroy a ketracel-white installation, Sisko leads a battle to reclaim DS9, O'Brien infiltrates the Orion Syndicate, the Romulans enter the Dominion War, and Jadzia Dax is killed by a pah-wraith-possessed Dukat. Many episodes in this season focus on moral issues in wartime, especially the hard choice between different calamities such as betrayal of principles, treason, and the deaths of dear or unknown people, e.g.: : Saving the people from the Dominion vs. granting the people a greater chance of survival : Letting a friend walk into a trap vs. supporting organized crime : Probable death of the spouse vs. sure death of a stranger who is important for the mission : Collaborating with an occupying force and contributing to the oppression of your people to obtain benefits for one's family vs. using one's position to fight for the greater good at the expense of yourself and your family. : Engaging in criminal activities to win an ally in the war Background information This season was broadcast concurrent with Season 4. Bradley Thompson and David Weddle joined the staff at the beginning of this season as story editors, replacing the departed Robert Hewitt Wolfe, while Hans Beimler replaced Wolfe as Ira Steven Behr's writing partner. Both René Echevarria and Steve Oster were promoted from producers to co-supervising producers, with Oster supervising the day-to-day operation of the set and Echevarria supervising the composition of the scripts. During part of the production of this season the producers were not sure if DS9 would have a seventh season and were prepared to tie up the series at its conclusion. However, DS9 had always been assured that it would have at least six seasons. As a result of the Dominion War, the Gamma Quadrant is not visited a single time this season. It is seen for the final time in the series finale . Although over the course of the first five seasons, the show's handling of Bajoran religion had been a somewhat controversial and not always popular subject, during season six, religion would become more important than ever, with Sisko's relationship with the Prophets brought to the fore, occupying an increasingly important position in the narrative. There had been several episodes which dealt with his role as Emissary of the Prophets (the third season episode , the fourth season episode , and the fifth season episode ), but this season, and the next, would attach more and more importance to Sisko's relationship with the Prophets, as established in the show's pilot, . As well as this, the Prophets (who we had seen only three times prior to this season; in , and ) would become far more important and would begin to get directly involved in corporeal matters. Characters which 'crossover' from other incarnations of Star Trek: Alexander Rozhenko (). Credits Cast Avery Brooks as Captain Sisko Rene Auberjonois as Odo Michael Dorn as Lt. Commander Worf Terry Farrell as Lt. Commander Dax Cirroc Lofton as Jake Sisko Colm Meaney as Chief O'Brien Armin Shimerman as Quark Alexander Siddig as Doctor Bashir Nana Visitor as Major Kira Crew Executive Producers Rick Berman, Ira Steven Behr Associate Producer Terri Potts Casting by Junie Lowry-Johnson, CSA, Ron Surma Music By Dennis McCarthy ("A Time to Stand", "Behind the Lines", "You Are Cordially Invited", "The Magnificent Ferengi", "Far Beyond the Stars", "Change of Heart", "Inquisition", "The Reckoning", "The Sound of Her Voice") David Bell ("Rocks and Shoals", "Sacrifice of Angels", "Statistical Probabilities", "Who Mourns for Morn?", "In the Pale Moonlight", "Profit and Lace") Jay Chattaway ("Sons and Daughters", "Favor the Bold", "Resurrection", "One Little Ship", "Wrongs Darker Than Death or Night", "His Way", "Time's Orphan", "Tears of the Prophets") Paul Baillargeon ("Waltz", "Valiant") Gregory Smith ("Honor Among Thieves") Main Title Theme By Dennis McCarthy (credit appears only in episodes not composed by McCarthy) Director of Photography Jonathan West, ASC Production Designer Herman Zimmerman Editor Michael Westmore, Jr. Unit Production Manager Robert della Santina First Assistant Director B.C. Cameron Second Assistant Director Joe Candrella Costume Designer Robert Blackman Visual Consultant Herman Zimmerman Visual Effects Producer Dan Curry Visual Effects Supervisor Gary Hutzel Post Production Supervisor Supervising Editor J.P. Farrell Scenic Art Supervisor/Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Make-Up Designed and Supervised by Michael Westmore Set Decorator Laura Richarz Set Designers Anthony Bro Andrew Reeder (uncredited) Senior Illustrator John Eaves Visual Effects Coordinator Judy Elkins Visual Effects Series Coordinator Edward L. Williams Visual Effects Associate Laura Matz Script Supervisor Stuart Lippman Wardrobe Supervisor Carol Kunz Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Thomas J. Arp Scenic Artist Doug Drexler Hair Designer Norma Lee Make-up Artists Sonny Burman, Camille Calvet, Dean Jones Hair Stylists Brian Andrew-Tunstall, Rebecca De Morrio Sound Mixer Bill Gocke Camera Operator Kris Krosskove, SOC Chief Lighting Technician R.D. Knox First Company Grip Steve Gausche Key Costumers Michael Chapman, Jerry Bono Music Editor Stephen M. Rowe Supervising Sound Editor Mace Matiosian Sound Editors Ruth Adelman, Guy Tsujimoto, Jivan Tahmizian, Eric Williams Assistant Editor Noel A. Guerra Visual Effects Assistant Editor Edward Hoffmeister Production Coordinator Heidi Smothers Post Production Coordinator Monique K. Chambers Production Associates David Rossi, Kristina Kochoff, Robbin L. Slocum Science Consultant André Bormanis Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Pre Production Coordinator Lolita Fatjo Casting Executive Helen Mossler, CSA Companies Filmed with Panavision cameras and lenses Digital Optical Effects POP Television Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation Foundation Imaging ("Sacrifice of angels", "Favor the bold", "The Sound of her Voice") VisionArt Design & Animation ("Behind the Lines", ) Digital Muse ("Favor the bold", "Sacrifice of angels", "Who Mourns for Morn?", "Change of Heart", "Inquisition", "His Way", "The Valiant", "Tears of the Prophets") Matte Paintings Open Films ("Honor Among Thieves") Editing Facilities Editel/LA Post Production Sound Modern Sound See also DS9 Season 6 performers DS9 Season 6 UK VHS DS9 Season 6 DVD cs:Šestá sezóna DS9 de:DS9 Staffel 6 fr:DS9 Saison 6 nl:DS9 Seizoen 6 sr:ДС9: Сезона 6 sv:DS9, säsong 6 Star Trek seasons
1741	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	DS9 Season 7	Episodes Summary Benjamin Sisko discovers his mother was a Prophet, a new Dax host arrives on Deep Space 9, Odo discovers that his people have been infected with a fatal disease and Julian Bashir undertakes an assignment for Section 31. Kai Winn turns on the Prophets, and with the assistance of Dukat summons the pah-wraiths. The Breen join the war and side with the Dominion. In the concluding episodes of the season (and the series), the Cardassian-Dominion alliance breaks down, Colonel Kira leads a Cardassian resistance movement involving Legate Damar and Elim Garak, and the alliance of Federation, Klingon, and Romulan forces claim victory in the Dominion War. Background information Nicole de Boer joins the cast as Ezri Dax. This season was broadcast concurrent with Season 5, and (featuring Worf) was released during its run, between the episodes and Several sources, including an episode guide book of the first six seasons, entitled SFX: The Essential Guide to Deep Space Nine, mentioned an episode called "Dysfunctional", where Ezri was to secretly arrange to have Dax removed. The guide also made predictions for season seven and was right about most of them. The writer accurately predicted the return of Section 31, either Bashir or Jake gets the hots for Ezri, and Sisko will die a hero's death or move onto a higher plane of existence. In this season, the makers of DS9 were allowed to do what they liked to the show, within reason. ""As Rick Berman said to me, 'Look, Ira, I want you to know something. Deep Space Nine might be going off the air, but the Star Trek franchise has to continue on. So you can't destroy the Federation," laughed Executive Producer/writer Ira Steven Behr. "Which we weren't planning on doing, but I think what that comment said to me was that there's no limits to what we can possibly do." Speaking just prior to the season beginning, Behr went on to say, "In the seventh season, I want to make sure that no story remains on the sidelines. I've told everyone this should be the strangest season yet. We should do whatever we want, get every story out of our system we want to tell. Go places where people don't expect the show to go. Wrap up as many threads of this series as possible. And end on a satisfying note." Behr also planned for the new season to deal with the death of Jadzia Dax, saying, "It's going to give us a hell of a lot of great Worf and Sisko stories next year." (Sci-Fi Universe, issue 33, p. 47) Not everyone gave the series' creative personnel free reign to do whatever they wanted, though. Behr later commented, "It wasn't like we had everyone saying, 'Oh good – give us serialized episodes, give us anything.' People had definite opinions about the show. It was a journey into the unknown every time we dared to try something different, even in the seventh season, by which time you'd think they'd be saying, 'Oh, just go do what you want already.' That never happened." () In terms of the first half of the season being composed of stand-alone episodes, and the second half comprising a single 10-episode arc, co-executive producer/writer Ronald D. Moore comments, "Going into Season 7, we knew everything was canted towards the end. We were seeing plot threads and characters and where they were going. Even in the stand-alones, we could see that the tapestry was getting woven tighter and tighter. So we had to be careful, especially on the stand-alones. Because on these episodes, I wasn't walking into René Echevarria's office telling him, 'I'm doing this on ,' and I hope it doesn't contradict what you're doing now'." () Characters which 'crossover' from other incarnations of Star Trek: Neral in (). Credits Guest and co-stars DS9 Season 7 performers Crew Executive Producers Rick Berman, Ira Steven Behr Co-Producer Terri Potts Executive Story Editors Bradley Thompson, David Weddle Casting by Junie Lowry-Johnson, CSA, Ron Surma Music By Dennis McCarthy ("Image in the Sand", "Shadows and Symbols", "Once More Unto the Breach", "Prodigal Daughter", "The Emperor's New Cloak", "Inter Arma Enim Silent Leges", "Penumbra", "Extreme Measures", "What You Leave Behind") Jay Chattaway ("Afterimage", "Chrysalis", "It's Only a Paper Moon", "Chimera", "Badda-Bing, Badda-Bang", "Strange Bedfellows", "The Changing Face of Evil") David Bell ("Take Me Out to the Holosuite", "Treachery, Faith and the Great River", "Covenant", "'Til Death Do Us Part", "Tacking Into the Wind", "The Dogs of War") Paul Baillargeon ("The Siege of AR-558", "When It Rains...") Gregory Smith ("Field of Fire") Main Title Theme By Dennis McCarthy (credit appears only in episodes not composed by McCarthy) Directors of Photography Jonathan West, ASC, Kris Krosskove Production Designer Herman Zimmerman Editors Michael Westmore, Jr., Steve Rucker, David Ramirez Unit Production Manager Robert della Santina First Assistant Directors Joe Candrella, Louis Race, B.C. Cameron Second Assistant Director Tamu Blackwell, Joe Candrell Costume Designer Robert Blackman Art Director Randy McIlvain Visual Effects Producer Dan Curry Visual Effects Supervisors David Takemura, Adam Buckner, Judy Elkins, David Stipes Scenic Art Supervisor/Technical Consultant Michael Okuda Post Production Supervisor Make-Up Designed and Supervised by Michael Westmore Set Decorator Laura Richarz, SDSA Set Designer Anthony Bro, Fritz Zimmerman Senior Illustrator John Eaves Visual Effects Coordinator A.Y. Delara, Adam Buckner Visual Effects Associate Laura Matz Script Supervisor Judi Brown Wardrobe Supervisor Carol Kunz Special Effects Gary Monak Property Master Joe Longo Construction Coordinator Thomas J. Arp Scenic Artists Denise Okuda, Doug Drexler, Anthony Fredrickson Hair Designer Norma Lee Make-up Artists Camille Calvet, Karen Westerfield, Sonny Burman, Mark Bussan, Dean Jones, Mary Kay Morse Hair Stylists Brian Andrew-Tunstall, Rebecca De Morrio, Gloria Casney Sound Mixer Bill Gocke Camera Operator Kris Krosskove, SOC, Michael St. Hilaire, SOC Chief Lighting Technician Ralph Johnson First Company Grip Steve Gausche Key Costumers Michael Chapman, Jerry Bono, Phyllis Corcoran-Woods, Cleo Mannell Music Editor Stephen M. Rowe Supervising Sound Editor Mace Matiosian Sound Editors Ruth Adelman, Guy Tsujimoto, Jivan Tahmizian, Eric Williams Assistant Editors Noel A. Guerra, Craig Galloway, Jonathan Paul Ramirez Visual Effects Assistant Editor Edward Hoffmeister Production Coordinator Heidi Smothers Post Production Coordinator Monique K. Chambers Production Associates David Rossi, Maril Davis, Robbin L. Slocum Main Title Design Dan Curry Stunt Coordinator Dennis Madalone Pre-Production Coordinator Lolita Fatjo Science Consultant André Bormanis Casting Executive Helen Mossler, CSA Assistants to Producers Nicole Ann Gravett, Philip Kim, Barbara Covington, Michael Gerbosi Companies Filmed with Panavision cameras and lenses Visual Effects Compositing POP Television Special Video Compositing CIS Hollywood Motion Control Photography Image "G" Computer Animation Digital Muse ("Shadows and Symbols", "Treachery, Faith and the Great River", "The Siege of AR-558", "Chimera", "'Til Death Do Us Part", "The Changing Face of Evil", "Tacking Into the Wind", "The Dogs of War", "What You Leave Behind") View Studio, Inc. ("Chimera", "Badda-Bing, Badda-Bang", "Penumbra", "Strange Bedfellows", "Tacking Into the Wind") Foundation Imaging ("Inter Arma Enim Silent Leges", "What You Leave Behind") Station X Studios ("What You Leave Behind") Matte Painting(s) Illusion Arts, Inc. ("Prodigal Daughter", "What You Leave Behind") Special Visual Effects Illusion Arts, Inc. ("The Changing Face of Evil") Miniature Brazil-Fabrication & Design ("Penumbra", "'Til Death Do Us Part", "Strange Bedfellows", "The Changing Face of Evil", "What You Leave Behind") Editing Facilities Four Media Company Post Production Sound 4MC Sound Services See also DS9 Season 7 performers DS9 Season 7 UK VHS DS9 Season 7 DVD cs:Sedmá sezóna DS9 de:DS9 Staffel 7 fr:DS9 Saison 7 nl:DS9 Seizoen 7 sr:ДС9: Сезона 7 sv:DS9, säsong 7 Star Trek seasons
1742	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 1	Episodes Summary Captain Kathryn Janeway's chief of security, Lieutenant Tuvok, has disappeared while involved in a counter-espionage mission aboard a Maquis ship, whose last known position was somewhere in the Badlands. While en route to investigate Tuvok's disappearance, the maiden voyage of the Federation starship ends in disaster as the ship and her crew are pulled seventy thousand light years into the far reaches of the Delta Quadrant. After locating the missing Maquis ship nearby, and learning of the enormity of their predicament, the crew ascertains that an extra-galactic entity called the is responsible for pulling them across the galaxy in an attempt to find a compatible species to mate with. The Caretaker confides in Janeway that he is dying and requires a mate to continue caring for a species who live nearby known as the Ocampa. After witnessing the death of the Caretaker, Janeway makes the decision to destroy his technology to prevent it falling into the hands of a local malevolent species known as the Kazon. The firefight which ensues results in both the destruction of the Caretaker's "array" and the renegade Maquis ship; in an act of self-sacrifice, the only way for Voyagers crew to return to the Alpha Quadrant is lost. After incorporating the Maquis crew, as well as a Talaxian, Neelix, and an Ocampa, Kes, Voyager sets a course for home. Initial tension and mistrust between the opposing Starfleet and Maquis crews is explored in , , and . The consequences of isolation and loss on the crew begin to develop in and , and the crew are also teased with the possibility of returning home several times throughout the first season, only to have it cruelly snatched away. The Kazon reappear and prove to be a powerful nemesis, while in an additional threat is introduced, in the disease ravaging organ-harvesting Vidiians. Crucially, Janeway's decision to maintain Voyager as a Starfleet vessel is brought sharply into focus when a member of the former Maquis crew, Ensign Seska, is revealed to be a Cardassian spy, and in a showdown with Janeway, defects to the Kazon. Each of the primary cast members gets a chance to develop their characters in the first season. Chakotay's heritage and relationship with Janeway are highlighted in , , , and . B'Elanna Torres becomes the ship's new Chief Engineer in , reveals more of her Klingon character in , and begins to adjust to Starfleet's code of conduct in . Lieutenant Tom Paris is falsely accused of murder in , Ensign Harry Kim experiences death in , while Lieutenant Tuvok learns to adapt in . Neelix loses a lung in and faces up to the loss of his family, and his species' virtual genocide in . Kes' mental abilities begin to assert themselves in and , and The Doctor (EMH) slowly begins to experience new emotions, and gain new rights, privileges, and responsibilities in and . Background information This season was broadcast concurrently with Season 3. Four VOY Season 2 episodes – , , , and – were filmed as part of Season 1, but were held over to air during the second season. In the UK, these four episodes were originally screened and released on video as part of Season 1. Filming on this season wrapped on . () In its final form, the season is comprised of one episode () consisting of a teaser and eight acts, six episodes (–) that each include a teaser and four acts, and eight episodes (–) that each have a teaser and five acts. Although all the regular episodes of the series were originally intended to each have a teaser and five acts, Rick Berman announced – on Monday, 5 December, 1994 – that the regular episodes would be changing to a four-act format. This decision was reversed in the first week of January 1995, with additional air time for commercials apparently being the reason. (A Vision of the Future - Star Trek: Voyager) Characters which 'crossover' from are Evek, Quark and Morn (). One plot concept began development in this season and was intended to be included in the season, but was kept back so that the episode could be produced instead. The story idea was later used as the basis for the third season installment . Credits Based Upon Star Trek created by Gene Roddenberry Guest and co-stars VOY Season 1 performers Crew Created by Rick Berman Michael Piller Jeri Taylor Theme by Jerry Goldsmith Co-Producer Wendy Neuss Producers Merri Howard Peter Lauritson Brannon Braga ("Parallax"–"Learning Curve") Supervising Producer David Livingston Executive Producers Rick Berman Michael Piller Jeri Taylor Executive Story Editor Kenneth Biller ("Parallax"–"Learning Curve") Casting by Nan Dutton, CSA ("Caretaker") Kathryn S. Eisenstein ("Caretaker") Junie Lowry-Johnson, CSA ("Parallax"–"Learning Curve") Ron Surma ("Parallax"–"Learning Curve") Original Casting by Nan Dutton, CSA ("Parallax"–"Learning Curve") Kathryn S. Eisenstein ("Parallax"–"Prime Factors") Music by Jay Chattaway ("Caretaker", "Time and Again", "The Cloud", "Emanations"–"Prime Factors", "Cathexis", "Learning Curve") Dennis McCarthy ("Parallax", "Phage", "Eye of the Needle"–"Ex Post Facto", "State of Flux"–"Heroes and Demons", "Jetrel") David Bell ("Faces") Director of Photography Marvin V. Rush, ASC ("Caretaker"–"Ex Post Facto", "Prime Factors"–"Learning Curve") Joe Chess, Jr. ("Emanations") Production Designer Richard D. James Edited by/Editors J.P. Farrell ("Caretaker") Daryl Baskin ("Caretaker", "Time and Again", "Eye of the Needle", "Prime Factors", "Cathexis", "Learning Curve") Tom Benko, ACE ("Parallax", "The Cloud", "Emanations", "Heroes and Demons", "Jetrel") Robert Lederman ("Phage", "Ex Post Facto", "State of Flux", "Faces") Unit Production Manager Brad Yacobian First Assistant Directors Jerry Fleck ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") James S. Griffin ("Parallax") Adele Simmons ("Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Second Assistant Director Arlene Fukai 2nd Second Assistant Director Michael DeMeritt ("Caretaker") Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Producer Dan Curry Visual Effects Supervisors David Stipes ("Caretaker", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Philip Barberio ("Parallax") Robert D. Bailey ("Time and Again", "Eye of the Needle") Joe Bauer ("Phage") Ronald B. Moore ("The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Post Production Supervisor Dawn Velazquez Supervising Editor J.P. Farrell ("Parallax"–"Learning Curve") Scenic Art Supervisor/Technical Consultant Michael Okuda Senior Illustrator/Technical Consultant Rick Sternbach Make-Up Designed and Supervised by Michael Westmore Art Director Andrew Neskoromny ("Caretaker"–"Time and Again") Michael L. Mayer ("Phage"–"Learning Curve") Set Designers Gary Speckman ("Caretaker"–"Parallax", "Phage", "Eye of the Needle", "Emanations") Louise Dorton ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors"–"Learning Curve") John Chichester ("Caretaker") Visual Effects Coordinators Michael Backauskas ("Caretaker", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Joe Bauer ("Caretaker"–"Parallax", "Emanations", "State of Flux", "Cathexis", "Jetrel") Edward L. Williams ("Caretaker", "Time and Again", "Eye of the Needle") Visual Effects Assistant Editor Arthur J. Codron ("Caretaker") Visual Effects Series Coordinator Philip Barberio ("Phage"–"Prime Factors") Edward L. Williams ("State of Flux"–"Learning Curve") Visual Effects Associate Frederick G. Alba ("Caretaker") Edward L. Williams ("Parallax", "Phage"–"The Cloud", "Ex Post Facto"–"Prime Factors") Arthur J. Codron ("State of Flux"–"Learning Curve") Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Master Alan Sims Construction Coordinator Al Smutko Scenic Artists Jim Magdaleno ("Caretaker"–"Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Wendy Drapanas ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Illustrator Jim Martin ("Caretaker") Video Coordinator Denise Okuda Video Consultant Elizabeth Radley ("Caretaker") Video Playback Operators Larry Markart ("Caretaker") Ben Betts ("Caretaker") Hair Designer Josée Normand Make-Up Artists Greg Nelson ("Caretaker"–"Phage", "Ex Post Facto"–"Emanations", "State of Flux"–"Learning Curve") Tina Hoffman ("Caretaker"–"Time and Again", "The Cloud"–"Ex Post Facto", "Prime Factors"–"Heroes and Demons", "Jetrel"–"Learning Curve") Scott Wheeler ("Caretaker"–"Parallax", "Phage"–"Eye of the Needle", "Emanations"–"State of Flux", "Cathexis"–"Jetrel") Mark Shostrom ("Caretaker", "Time and Again"–"The Cloud", "Ex Post Facto"–"Prime Factors", "Heroes and Demons"–"Faces", "Learning Curve") Hair Stylists Patricia Miller Karen Asano-Myers ("Caretaker"–"Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Shawn McKay ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Wardrobe Supervisor Carol Kunz ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Camille Argus ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Sound Mixer Alan Bernard, CAS Camera Operator Joe Chess, SOC ("Caretaker"–"Ex Post Facto", "Prime Factors"–"Learning Curve") Ron High, SOC ("Emanations") Chief Lighting Technician Bill Peets First Company Grip Bob Sordal Key Costumers Tom Siegel ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Camille Argus ("Caretaker") Matt Hoffman ("Caretaker", "Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", Heroes and Demons", "Faces", "Learning Curve") Jamie Thomas ("Caretaker"–"Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Kimberley Shull ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel", credited as Kimberly Thompson-Shull until "Emanations") Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Jim Wolvington Sound Editors Miguel Rivera Masanobu Tomita Ruth Adelman Assistant Editor Lisa De Moraes ("Caretaker") Post Production Sound Modern Sound (credited as Modern Sound Hollywood, CA in "Caretaker") Production Coordinator Diane Overdiek Post Production Coordinator Cheryl Gluckstern Production Associates Kristine Fernandes ("Caretaker") Zayra Cabot David Rossi Sandra Sena ("Parallax"–"Learning Curve") Pre-Production Coordinator Lolita Fatjo Casting Assistant Libby Goldstein ("Caretaker") Casting Executive Helen Mossler, CSA Stunt Coordinator Dennis Madalone ("Caretaker"–"Time and Again", "The Cloud", "Ex Post Facto", "State of Flux"–"Faces", "Learning Curve") Transportation Captain Stewart Satterfield ("Caretaker") Location Manager Lisa White ("Caretaker", "Time and Again", "State of Flux") Science Consultant Andre Bormanis Main Title Design by Santa Barbara Studios Dan Curry Re-Recording Mixers Chris Haire, CAS ("Caretaker") Doug Davey ("Caretaker") Richard Morrison, CAS ("Caretaker") Filmed with Panavision ® Cameras and Lenses Motion Control Photography Image G Digital Optical Effects Digital Magic ("Caretaker"–"Jetrel") Pacific Ocean Post ("Learning Curve") Computer Animation Amblin Imaging ("Caretaker", "Phage") Santa Barbara Studios ("The Cloud") Computer Generated Effects Amblin Imaging ("Eye of the Needle", "Emanations") Special Video Compositing CIS, Hollywood Editing Facilities Unitel Video Matte Paintings Illusion Arts ("Caretaker") Eric Chauvin ("Caretaker") Miniatures Tony Meininger ("Caretaker") Wonderworks ("Caretaker") Don Pennington ("Caretaker") Tony Doublin ("Caretaker") Copyright © MCMXCV By Paramount Pictures Dolby Surround™ Paramount® A Company Uncredited Patric J. Abaravich – Camera Electrician ("Caretaker"–"Learning Curve") Greg Agalsoff – 2nd Unit Sound Mixer ("Caretaker"–"Emanations", "State of Flux"–"Cathexis") John Agalsoff – Mike Operator ("Caretaker"–"Learning Curve")/Sound Mixer ("Time and Again", "The Cloud")/2nd Unit Sound Playback Operator ("Phage"–"Eye of the Needle") M. Anderson – Playback Machine Operator ("Caretaker") Fred Apolito – Propmaker ("Caretaker") Karen Asano-Myers – Hair Stylist ("Time and Again", "The Cloud", Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve")/2nd Unit Hair Stylist ("Phage"–"Eye of the Needle") Jane Aull – Makeup Artist ("Caretaker") Michael Backauskas – Cover Visual Effects Supervisor ("Caretaker") Bales – 2nd Unit Extra Grip ("Time and Again"–"The Cloud") Philip Barberio – Visual Effects Coordinator ("Caretaker") Marilyn Basaker – Costume First Hand ("Caretaker"–"Learning Curve") Kathleen Barrett – DGA Trainee ("Caretaker"–"Time and Again") Jeffrey Baxter – Special Effects Artist/Digital Compositor ("Caretaker"–"Learning Curve") Richard J. Beban – Extra Camera Assistant ("Emanations", "Jetrel") Pamela Berggren – Key Costumer ("Caretaker", "Emanations"–"Prime Factors", "Heroes and Demons", "Jetrel")/2nd Unit Costumer ("Caretaker", "Phage"–"Eye of the Needle") David Bernard – Sound Cable Person ("Caretaker"–"Learning Curve") Bernstien – 2nd Unit Lamp Operator/Electrician ("Phage"–"Eye of the Needle") Ben Betts – Video Operator ("Parallax"–"Learning Curve")/2nd Unit Video Playback Operator ("Time and Again"–"Eye of the Needle", "Emanations", "State of Flux"–"Cathexis", "Learning Curve") Billy Blackman – Gang Boss ("Caretaker"–"Learning Curve") Dustin Blauvelt – Extra Camera Operator ("Caretaker") Rob Bloch – Animal Trainer/Wrangler: Critters of the Cinema ("Caretaker", "The Cloud", "Ex Post Facto") T. Blue – 2nd Unit Mike Operator/Blue Box ("Faces") Robert Bonchune – Visual Effects Artist: Miniatures – WonderWorks, Inc. ("Caretaker") Cathy Bond – Additional Second Assistant Director ("Caretaker") Jason Bond – Color Compositor ("Emanations") Boris – Greensperson ("Caretaker", "Prime Factors", "Heroes and Demons", listed as "Goris" on the latter two) Grant Boucher – CGI Supervisor: Amblin Imaging ("Emanations") Roger Bourse – Electrician/Lamp Operator ("Caretaker"–"Learning Curve")/Assistant Chief Lighting Technician ("Emanations", "State of Flux") Janice D. Brandow – Hair Stylist ("Caretaker") Richard Briere – 2nd Unit Extra Grip ("Caretaker") M. Brown – Extra First Assistant Camera ("Caretaker") Belinda Bryant – Makeup Artist ("Caretaker"–"Phage", "Heroes and Demons", "Faces", "Learning Curve") Randy Burgess – 2nd Grip ("Caretaker"–"Learning Curve")/2nd Unit Key Grip ("Time and Again"–"Emanations", "State of Flux"–"Learning Curve") – Second Assistant Camera Operator ("Prime Factors") Christian H. Burton – Second Assistant Visual Effects Camera Operator ("Parallax") Sal Butera – Pool Technical Adviser ("The Cloud", "Jetrel"–"Learning Curve") Byers – Electrician ("Caretaker") John Calvin Byrd – Promotions Coordinator ("Learning Curve") Ron Calvaruzo – Grip ("Caretaker"–"Parallax") Carlucci – Special Effects Labor Artist ("Caretaker"–"Prime Factors") John Carroll – On-Line Editor Adolfo Castanon – Greensman ("Caretaker"–"Learning Curve") Violet Cazanjian – Additional Second Assistant Director ("State of Flux"–"Heroes and Demons", "Learning Curve")/Second Assistant Director ("Emanations") Vartan Chakarian – Craft Service ("Caretaker")/2nd Unit Craft Service ("Caretaker", "Time and Again"–"Eye of the Needle", "Learning Curve") Chambers – Makeup Artist ("Caretaker") Joe Chess – 2nd Unit Director of Photography ("Time and Again–"Emanations", "State of Flux"–"Jetrel") Ian Christenberry – Electrician/Lamp Operator ("Caretaker"–"Learning Curve") Richard Chronister – Special Effects Artist ("Caretaker"–"Learning Curve")/2nd Unit Special Effects Artist ("Phage"–"Eye of the Needle") Clairmont – Power Pod Technician ("Caretaker") – Swing Gang ("Caretaker"–"Parallax") Caryl Codon – Hair Stylist ("Caretaker", also listed as Caryl Codon-Tharp''') Richmond G. Cogswell – Video Operator ("Caretaker") Lisa Collins – Makeup Artist ("Caretaker") George Colucci – Stunt Safety ("Caretaker", "The Cloud") Armando Contreras – Grip/Key Grip ("Caretaker"–"Learning Curve")/2nd Unit Crab Dolly Grip ("Caretaker"–"Parallax", "State of Flux"–"Cathexis") Cooley – Electrician ("Parallax") Brian Cooper – Electrician/Lamp Operator ("Caretaker", "Phage"–"Learning Curve")/2nd Unit Assistant Chief Lighting Technician ("Caretaker") Cynthia Coulter – Animal Trainer: Critters of the Cinema ("Ex Post Facto") Cremin – Special Effects Artist ("Caretaker") Ruth Ann Crudup – Studio Teacher ("Time and Again") Dan Curry – Cover Visual Effects Supervisor ("Caretaker")/2nd Unit Director ("Caretaker"–"Time and Again")/2nd Unit Visual Effects Producer ("Caretaker", "Phage"–"Emanations", "State of Flux"–"Faces") Joshua Cushner – Motion Control Camera Operator: Image G ("Caretaker") Dick D'Angelo – Swing Gang ("Caretaker"–"Learning Curve") D'Aquino – Grip ("Caretaker") Jim Davidson – Additional Miniatures ("Caretaker") – Electrician ("Caretaker") Andrea F. Davis – Propmaker ("Caretaker"–"Learning Curve") Robert De La Garza – Swing Gang ("Caretaker"–"Learning Curve") Michael DeMeritt – Second Assistant Director ("Caretaker"–"Learning Curve")/2nd Unit Second Assistant Director ("Parallax"–"Emanations", "State of Flux"–"Learning Curve") Rebecca De Morrio – Hair Stylist ("Caretaker") Jay Devlin – Grip/Rigging Grip/Extra Grip ("Caretaker"–"Learning Curve") David Dittmar – Makeup Artist ("Caretaker") Jon Djanrelian – Craft Service ("Caretaker"–"Learning Curve") Daren Dochterman – Production Illustrator ("Caretaker") Chris Doyle – Stunt Safety ("Caretaker") Doug Drexler – Production Illustrator/Scenic Artist ("Caretaker") Durling – Electrician ("Caretaker") Hank Edds – Makeup Artist ("Caretaker"–"Eye of the Needle") David Emmerichs – Steadicam Operator ("Caretaker", "The Cloud", "Ex Post Facto") – Body Makeup Artist ("Eye of the Needle") Estes – Video Operator ("Caretaker") Lennie Evans – Extra Camera Operator ("Caretaker") Robert Eyslee – Electrician/Lamp Operator ("Caretaker"–"Learning Curve")/Assistant Chief Lighting Technician ("Caretaker", "Phage"–"Ex Post Facto", "Learning Curve")/2nd Unit Assistant Chief Lighting Technician ("Phage"–"Eye of the Needle") Ted Fay – 2D Animation Supervisor ("Caretaker") Feld – Still Photographer ("Prime Factors") Alfred T. Ferrante – ADR Mixer ("Caretaker"–"Learning Curve") L. Fife – Studio Teacher ("Time and Again", "Learning Curve") Sue Forrest-Chambers – Makeup Artist ("Caretaker") – Hair Stylist ("Caretaker") – 2nd Unit Lamp Operator ("Caretaker") Edward French – Makeup Artist ("Caretaker", "Eye of the Needle") Dino Ganziano – Hair Stylist ("Caretaker") James A. Garrett – Assistant Editor ("Parallax", "The Cloud", "Emanations", "Heroes and Demons") B. Gary – 2nd Unit Script Supervisor ("Caretaker", "Time and Again"–"Emanations", "State of Flux"–"Cathexis")/Script Supervisor ("Ex Post Facto") Rusty Geller – Extra Camera Operator ("Emanations", "Jetrel") – Extra Assistant Camera Operator ("Caretaker") Jeff Gersh – Sound Editor ("Caretaker"–"Learning Curve") John E. Glassco – Medical Adviser ("Eye of the Needle", "Emanations", "State of Flux") – 2nd Unit Lamp Operator/Electrician ("Phage"–"Eye of the Needle") Don Greenberg – Visual Effects Compositing Editor: Digital Magic ("Caretaker")/Visual Effects Compositor ("Parallax", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") J. Griffin – 2nd Unit First Assistant Director ("Caretaker") John Gross – Computer Graphics Supervisor: Amblin Imaging ("Caretaker", "Phage") John Grower – Effects and Animation Supervisor: Main Title: Santa Barbara Studios ("Caretaker") Eric Guaglione – Main Title Animation Supervisor: Santa Barbara Studios ("Caretaker")/Animation Supervisor: SBS ("The Cloud") John Guiterrez – Electrician ("Caretaker")/2nd Unit Lamp Operator/Electrician ("Time and Again"–"Eye of the Needle") Dennis Hammermeister – Sound Engineer ("Caretaker")/2nd Unit Mike Operator ("Time and Again"–"Eye of the Needle") Hammond – Electrician ("Caretaker")/2nd Unit Kamp Operator/Electrician ("Time and Again"–"Eye of the Needle") Michael Haney – Makeup Artist ("Caretaker", "Phage")/2nd Unit Makeup Artist ("Time and Again"–"Phage") Peter Hapke – Extra Camera Operator ("Faces")/Camera Operator ("Learning Curve") Harkin – Extra Camera Operator ("Caretaker") Stan Harrison – Cogswell Video Operator ("Faces"–"Jetrel") Hartley – Crab Dolly Grip ("Caretaker") June Haymore – Makeup Artist ("Caretaker") – Electrician ("Caretaker") Jaime Heintz – Grip ("Caretaker", also listed as "Heinz" and "Hinds") David E. Hengstellar – Electrician ("Caretaker") Herrera – Set Security ("Caretaker"–"Learning Curve") Rick Hester – Special Effects Labor Artist ("Prime Factors"–"Learning Curve") Ron High – Extra Camera Operator ("Time and Again"–"The Cloud", "Prime Factors", "Cathexis")/Camera Operator ("Ex Post Facto") Matt Hoffman – Set Costumer ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Tina Hoffman – Makeup Artist ("Phage", "Emanations", "Cathexis"–"Faces") Robert Hollocks – International Marketing ("Caretaker"–"Learning Curve") Adam Howard – Visual Effects Animator: Digital Magic ("Caretaker") William Howard – Hair Stylist ("Caretaker") J. Hughs – Electrician ("Caretaker") Darrell Huntsman – Greensperson ("Time and Again") Nancy J. Hvasta – Makeup Artist ("Caretaker", "Cathexis"–"Jetrel") D. Isaac – Sideline Musician ("Prime Factors") D. Jackson – Teleprompter Operator: Q-TV Paramount Promo 2nd Unit ("The Cloud") M. Jennings – 2nd Unit Playback Machine Operator ("Caretaker")/2nd Unit Mike Operator ("Parallax")/2nd Unit Sound Cable Person ("Time and Again"–"Eye of the Needle")/Boom Operator ("The Cloud") David Jones – CGI Animator: Amblin Imaging ("Emanations") Ian Jones – Grip/Memory Head: Digital Filmworks ("Caretaker") Tammy Kalka – First Aid ("Caretaker") Karnes – Special Effects Artist ("Caretaker"–"Parallax") Ted Katzoff – Sword Technical Adviser ("Heroes and Demons") Virginia Kearns – Hair Stylist ("Caretaker") Brian Q. Kelley – Electronical Editorial – Video Segments ("Heroes and Demons") Nina Kent – Makeup Artist ("Emanations") Michael Key – Makeup Artist ("Caretaker", "State of Flux", "Faces"–"Jetrel") Janie Kleiman – Production Executive ("Caretaker"–"Parallax")/2nd Unit Unit Production Manager ("Caretaker", "Time and Again"–"Eye of the Needle")/2nd Unit Assistant Unit Production Manager ("The Cloud"–"Emanations", "State of Flux")/Assistant Unit Production Manager ("Prime Factors"–"Learning Curve") Douglas Knapp – Camera Operator ("The Cloud", "Emanations")/Extra Camera Operator ("State of Flux") Spencer Knapp – Digital Effects Artist: Digital Magic ("Heroes and Demons") Barry R. Koper – Makeup Artist ("Caretaker", "State of Flux", "Faces", "Learning Curve") Kevin Koster – DGA Trainee ("Learning Curve") Andrzej Kozlowski – Production Assistant ("Caretaker"–"Learning Curve") Nina Kraft – Makeup Artist ("Caretaker", "Prime Factors", "Heroes and Demons") – 2nd Unit Assistant Chief Lighting Technician ("Phage"–"Eye of the Needle") – Makeup Artist ("Prime Factors") Steve Kruzlock – 2nd Unit Second Grip/2nd Unit Crab Dolly Grip ("Caretaker"–"Eye of the Needle") Yvonne Kubis – Key Costumer ("Caretaker") Joe Kudlack – Grip ("Caretaker", also listed as "Kudach" and "Kudlach") Carol Kunz – Costumer Foreperson ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Erwin H. Kupitz – Wig Designer ("Caretaker"–"Learning Curve") Rick Lamb – Assistant Camera Operator ("Caretaker", "Ex Post Facto") Steve LaPorte – Makeup Artist ("Caretaker") Lasher – First Aid ("Caretaker") Daryl Lathrop – ADR Recordist ("Caretaker"–"Learning Curve") Lavine – Makeup Artist ("Caretaker") John Leamer – Casting Associate ("Caretaker") Leavitt – Costumer ("Caretaker", "Time and Again") Stephen Lebed – Motion Control Operator ("Caretaker") Don Lee – Digital Colorist/Compositor: CIS Hollywood ("Caretaker") Jessica W. Leung – DGA Trainee ("Emanations"–"Learning Curve") Audrey Levy – Hair Stylist ("Caretaker") Lippman – Body Makeup Artist ("Caretaker", "Prime Factors") Stephanie Lipsky – Key Costumer ("Caretaker", "Time and Again") David Livingston – Cover Director ("Caretaker")/2nd Unit Director ("Time and Again"–"Eye of the Needle") – Grip ("Caretaker")/2nd Unit Extra Grip ("Phage"–"Eye of the Needle") Lombardi – Costumer ("Prime Factors") Lott – Electrician ("Caretaker") J. Lowe – Location Manager ("Caretaker") Lucas – Grip ("Caretaker") Norman Ludwin – Musician: Bass ("Caretaker"–"Learning Curve") F. Macchia – Sideline Musician ("Prime Factors") C. Mack – Choreographer ("Caretaker") Chuck Madalone – Stunt Safety ("Caretaker") John Maffe – Executive in Charge: Q-TV Paramount Promos ("The Cloud") John Maldonado – Makeup Artist ("Caretaker", "Emanations") Malinovik – Electrician ("Caretaker") Larry Markart – 2nd Unit Video Playback ("Jetrel") Mather – 2nd Unit Lamp Operator ("Caretaker")/Lamp Operator ("State of Flux") Michael L. Mayer – Art Director: Re-shoots ("Caretaker")/2nd Unit Art Director ("Time and Again"–"Emanations") Mayhew – 2nd Unit Second Grip ("Time and Again"–"Eye of the Needle") Tania McComas – Makeup Artist ("Emanations") Shawn McKay – Hair Stylist ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Scott McKnight – Assistant Chief Lighting Technician ("Caretaker"–"Learning Curve")/2nd Unit Chief Lighting Technician ("Caretaker"–"Emanations", "State of Flux"–"Learning Curve")/Lamp Operator: Re-shoots ("Caretaker") Michael Meinardus – Extra Camera Operator: Steadicam ("Heroes and Demons"–"Cathexis") Richard Craig Meinardus – Extra Camera Operator: Steadicam ("Heroes and Demons"–"Cathexis") Meyer-Arnold – Dialect Coach ("Learning Curve") Ed Miarecki – Propmaker ("Caretaker"–"Learning Curve") S. Middleton – Extra Assistant Camera Operator ("Caretaker", "Time and Again"–"Phage", "Ex Post Facto", "Learning Curve")/2nd Unit Second Assistant Camera Operator ("Caretaker", "Time and Again"–"Eye of the Needle")/Second Assistant Camera Operator ("Time and Again"–"Phage", "Ex Post Facto"–"Emanations", "State of Flux"–"Heroes and Demons", "Faces"–"Jetrel") Middleton – 2nd Unit Extra Grip ("Phage"–"Eye of the Needle") Glen David Miller – Digital Artist ("Caretaker") P. Miller – 2nd Unit Cable Person/Blue Box ("Jetrel"–"Learning Curve") Andrew Millstein – Motion Control Camera Operator: Image G ("Caretaker") Minsky – Extra First Assistant Camera Operator "B" ("Caretaker") Barbara Minster – Hair Stylist ("Caretaker") Susie Money – Key Costumer ("Caretaker") Michael Moore – Hair Stylist ("Caretaker", "Phage") – Propmaker ("Caretaker"–"Learning Curve") Tom Moore – Grip ("Caretaker"–"Learning Curve")/2nd Grip ("Eye of the Needle"–Emanations", "Learning Curve") Robert Morey – Extra Camera Assistant ("Time and Again"–"Phage") – Electrician ("Caretaker") Gil Mosko – Makeup Artist ("Caretaker"–"Phage", "Eye of the Needle"–"Learning Curve") – Electrician ("Caretaker") Bill Myer – Makeup Artist ("Faces") Greg Nelson – Makeup Artist ("The Cloud", "Prime Factors") Janet Nemecek – Assistant Script Supervisor John Nesterowicz – Set Assistant Property Person ("Caretaker"–"Learning Curve")/2nd Unit Property Person ("State of Flux"–"Cathexis") A. Novis – Sideline Musician:Banjo ("Caretaker") Frank O'Hea – Painter ("Caretaker"–"Learning Curve") Oliver – Sideline Consultant ("Caretaker") Rose Ordile – Animal Wrangler: Criiters of the Cinema ("Caretaker") Orr – Makeup Artist ("Caretaker") Barbara Pace – Location Contact ("Caretaker") Maurice Palinski – Costumer ("Caretaker", "Heroes and Demons") John Palmer – Special Effects Project Supervisor: WonderWorks ("Caretaker") John Parenteau – Computer Animator: Amblin Imaging ("Caretaker") Peirano – Greensperson ("Caretaker") Brian Penikas – Makeup Artist ("Caretaker") Lowell Peterson – 2nd Unit Director of Photography ("Learning Curve") Janna Phillips – Makeup Artist ("Caretaker") – Special Effects Artist ("Caretaker") Catherine Pittman – Animal Wrangler: Critters of the Cinema ("Caretaker") Domi Piturro – Supervisor 3D Modeling and Scanning ("Caretaker") Dwayne Platz – Grip ("Caretaker") Gloria Ponce – Hair Stylist ("Caretaker") Brick Price – Visual Effects: Miniatures: WonderWorks ("Caretaker") – Film Loader ("State of Flux") David Quashnick – Makeup Artist ("Caretaker", "Faces") Elizabeth Rabe – Hair Stylist ("Caretaker") Scott Rader – Visual Effects Compositing Editor: Digital Magic ("Caretaker") Maricella Ramirez – First Assistant Camera Operator ("Caretaker"–"Learning Curve") Randsdell – Makeup Artist ("Caretaker") J. Rathbun – 2nd Unit Property Person ("Caretaker"–"Emanations", "State of Flux", "Jetrel"–"Learning Curve") Craig Reardon – Makeup Artist ("Caretaker") Katherine Rees – Hair Stylist ("Caretaker") Mark Reilly – Electrician/Film Loader ("Caretaker")/Second Extra Camera Assistant ("Cathexis", "Learning Curve") Renich – Swing Gang ("Caretaker"–"Heroes and Demons") – Hair Stylist ("Caretaker") Michael Risner – DGA Trainee: Re-shoots ("Caretaker")/DGA Trainee ("Time and Again"–"Prime Factors") Robbie Robinson – Still Photographer ("Caretaker", "Phage"–"The Cloud", "Ex Post Facto"–"Learning Curve") Jill Rockow – Makeup Artist ("Caretaker", "Emanations") – Makeup Artist ("Heroes and Demons") Joshua D. Rose – Computer Animator ("Caretaker") – Production staff ("Caretaker") Karen Rose – Production staff ("Caretaker") Wally Rose – Stunt Safety ("Caretaker") Rosenberg – Hair Stylist ("Caretaker") Charlie Russo – Assistant Property Master/Set Property Person ("Caretaker"–"Learning Curve") Barry Safley – Digital Effects Artist: VisionArt ("Caretaker") George Santo Pietro – Dolly Grip ("Parallax"–"Learning Curve") Stewart Satterfield – Transportation Captain ("Parallax"–"Learning Curve") Chris B. Schnitzer – Motion Control Technician ("Caretaker") Bob Scribner – Makeup Artist ("Caretaker") Tony Sears – Art Department Assistant ("Caretaker"–"Learning Curve") Fernando Sepulveda – Swing Gang Lead Person ("Caretaker"–"Learning Curve") Daren Sherman – Second Second Assistant Director/Additional Second Assistant Director: Re-shoots ("Caretaker")/Second Assistant Director ("Time and Again"–"Ex Post Facto") Mark Shostrom &Ndash; Makeup Artist ("Parallax", "Eye of the Needle", "State of Flux", "Jetrel")/2nd Unit Makeup Artist ("Phage"–"Eye of the Needle") Tom Siegel – Costumer ("Parallax", "Phage", "Eye of the Needle", "Emanations", "State of Flux", "Cathexis", "Jetrel") Debbie Silverman – Animal Wrangler: Critters of the Cinema ("Caretaker") Judith Silverman – Makeup Artist ("Caretaker") Adele Simmons – 2nd Unit First Assistant Director ("Time and Again"–"Eye of the Needle") Adam Richard Sklena – Extra Camera Assistant ("The Cloud") B. Smith – Grip ("Caretaker") – Extra Camera Operator ("Caretaker") Richard Snell – Makeup Artist ("Caretaker") L. Spadaccin – Teleprompter Operator: Q-TV 2nd Unit Paramount Promo ("The Cloud") Tim Stell – Motion Control Camera Operator: Image G ("Caretaker") Mark Stimson – Special Effects Artist ("Caretaker"–"Learning Curve")/2nd Unit Special Effects Person ("Learning Curve") Phil Stirling – 2nd Unit Boom Operator ("Time and Again", "The Cloud", "Ex Post Facto"–"Emanations", "State of Flux"–"Cathexis")/Sound Cable Person ("Jetrel")/Mike Operator ("Learning Curve") (also listed as "R. Stirling") B. Stradling – 2nd Unit Camera Operator ("Time and Again"–"Eye of the Needle")/Extra Camera Assistant ("The Cloud", "Ex Post Facto"–"Prime Factors", "Heroes and Demons", "Faces") J. Stradling – 2nd Unit Second Assistant Camera Operator ("Caretaker") Michael Stradling – 2nd Unit First Assistant Camera Operator ("Caretaker"–"Emanations", "State of Flux"–"Jetrel")/First Assistant Camera Operator/Film Loader ("Caretaker")/Second Assistant Camera Operator ("Caretaker"–"Ex Post Facto", "Prime Factors"–"Learning Curve") Robert Stromberg – Matte Artist ("Caretaker") Surika – Grip ("Caretaker") Thomas E. Surprenant – Makeup Artist ("Caretaker", "Phage", "Learning Curve") Ken Suzuki – Electrician/Lamp Operator ("Caretaker"–"Learning Curve") Gerald Szillinsky – Crab Dolly Grip ("Caretaker"–"Heroes and Demons") Tandy – Electrician ("Caretaker") S. Tate – 2nd Unit Extra Camera Operator ("Time and Again"–"The Cloud") – Electrician ("Caretaker") Jamie Thomas – Costumer ("Time and Again", "The Cloud", "Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Kimberly Thompson – Costumer ("Caretaker", "Time and Again", "The Cloud", Ex Post Facto", "Prime Factors", "Heroes and Demons", "Faces", "Learning Curve") Wil Thoms – Special Effects Artist ("Caretaker"–"Learning Curve") Erik Tiemens – Main Title Storyboard/Design: Santa Barbara Studios ("Caretaker") – Craft Service ("Caretaker") Nancy P. Townsend – Additional Second Assistant Director ("Caretaker") Chris Trent – Foley Mixer ("Caretaker"–"Learning Curve") Jerry Trent – Foley Artist ("Caretaker"–"Learning Curve") Barry Tugendhaft – Greensperson ("Prime Factors") Donna Turner-Culver – Hair Stylist ("Caretaker") Pernell Youngblood Tyus – Camera Operator ("Time and Again", "Phage"–"The Cloud", "Ex Post Facto") Faith Vecchio – Hair Stylist ("Caretaker") Patricia Vecchio – Hair Stylist ("Caretaker"–"Parallax") Patrick J. Vitolla – Grip ("Caretaker"–"Learning Curve") S. Volpe – Hair Stylist ("Caretaker") – First Assistant Camera Operator ("Cathexis") Lazard Ward – Set Security ("Caretaker"–"Learning Curve") Wyatt Weed – Visual Effects: Miniatures ("Caretaker") Mark Wendell – Digital Effects Artist: Santa Barbara Studios ("Caretaker", "The Cloud") Karen Westerfield – Makeup Artist ("Caretaker", "Heroes and Demons") Scott Wheeler – Makeup Artist ("Time and Again", "Ex Post Facto", "Heroes and Demons", "Learning Curve") – Hair Stylist ("Caretaker") Joe White – Visual Effects Artist ("Caretaker") Chris Whitman – Electrician/Lamp Operator ("Caretaker"–"Parallax") R. Wilbar – 2nd Unit First Assistant Camera Operator ("Learning Curve") J. Williams – 2nd Unit Sound Video Blue Box Operator ("Emanations", "State of Flux")/Boom Operator ("Ex Post Facto") Natalie Wood – Lens Tech ("Faces"–"Jetrel")/Makeup Artist ("Jetrel") Edmond Wright – 2nd Unit Key Grip ("Caretaker"–"Parallax") Brad Yacobian – Line Producer ("Parallax") Production companies Brazil-Fabrication & Design – Visual Effects Cogswell Video Services, Inc. – Post Production Video Company ("Faces") Critters of the Cinema – Animals ("Caretaker", "The Cloud", Ex Post Facto") Cynthia's Distinctive Catering – Catering ("Caretaker", "Eye of the Needle") Digital Filmworks – Special Visual Effects ("Caretaker") Joan Pearce Research Associates – Research Company (Pre-Production) Mario's – Catering ("Caretaker") Michaelsons – Catering ("Caretaker") The Arrangement – Catering ("State of Flux") VisionArt Design & Animation – Digital Effects ("Caretaker") Media releases VOY Season 1 UK VHS VOY Season 1 US VHS VOY Season 1 DVD External link cs:První sezóna VOY de:VOY Staffel 1 fr:VOY Saison 1 nl:VOY Seizoen 1 sr:ВОЈ: Сезона 1 sv:VOY, säsong 1 Star Trek seasons
1743	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 2	Episodes Summary Recurrent themes of tension and mistrust between the Starfleet and Maquis crews, although largely resolved in the season one episode , once again resurface in and . Inter-crew relations are brought to a head while under intense, continuous attack by the Kazon in , and when Janeway is cajoled into initiating a Maquis-led idea of a deal between the and the warring Kazon factions, narrowly averted disaster is enough to quell the two crews into a marriage of Starfleet ideals and ethics. Indeed, increased and more dramatic conflict between Voyager and the Kazon is the main feature of the second season, aided and abetted as the Kazon are by the vengefully villainous and by now, more Cardassian-looking Seska. Her vendetta against Janeway brings Voyager to the brink of destruction more than once during the season in , , and , and culminates in the season finale when Voyagers crew is marooned by Seska and Culluh of the Kazon-Nistrim on a world inhabited by creatures and prehistoric humanoids. Alongside the Seska/Kazon story arc of the second season sits another spy in Voyagers ranks. Michael Jonas, a disillusioned former Maquis crewmember assigned to engineering, is revealed to have been secretly communicating with Seska as she attempts to seize control of Voyager. Events leading up to the exposure of Jonas traverse the entire middle of the season, as does Tom Paris' apparent malcontent and ultimate decision to leave Voyager (revealed in as an attempt by Tuvok and Janeway to ascertain who the spy is). With Seska and the conflict with the Kazon as central themes, the rest of the season continues to develop the main characters, and more particularly their relationships with each other. Of singular note is the birth (in ) of Ensign Samantha Wildman's baby, Naomi, but firm bonds and friendships develop between individual crew members as the series continues to evolve and find its feet. A connection between Paris and B'Elanna Torres is hinted at as she confides past mistakes to him and communicates concern at his increasingly errant behavior in . Paris also finally makes peace with Neelix when forced to work with him to ensure their survival in . Kes and The Doctor's relationship solidifies in and , and Kes's trust in Tuvok is pivotal when dealing with her burgeoning and uncontrollable mental abilities in . Tuvok and Neelix continue to make the perfect "odd couple", but their pairing takes on special significance when a transporter accident fuses them into a single being in . Finally and conclusively, Janeway and Chakotay find a common understanding, and any allusion to a romantic interest between the two is finally laid to rest in . A few of these relationships, though in their infancy in season two, would go on to become increasingly important as the series moved on. Background information This season was broadcast concurrently with Season 4. Four episodes – , , , and – were filmed as part of the first season, but were held over to air during this season. In the UK, these four episodes were originally screened and released on video as part of season 1, with and beginning season 2. Discounting the episodes that were moved from the first season to this season, filming on this season began on . () Four episodes produced during this season were intentionally kept back for the third season. (Captains' Logs Supplemental - The Unauthorized Guide to the New Trek Voyages, p. 169) These episodes were , , and . () Characters which 'crossover' from other incarnations of Star Trek: William T. Riker and Q in . Credits Guest and co-stars VOY Season 2 performers Crew The following credits are based on the production order of the episodes. Note that "Projections", "Elogium", "Twisted", and "The 37's" were filmed as part of season one. Based Upon Star Trek Created by Gene Roddenberry Created by Rick Berman Michael Piller Jeri Taylor Theme by Jerry Goldsmith Line Producer Brad Yacobian ("Initiations” – “Basics, Part I") Co-Producers Kenneth Biller ("Dreadnought” – “Basics, Part I") Wendy Neuss ("Projections” – “The 37's") Producers Brannon Braga ("Projections” – “The 37's") Merri Howard (credited as Merri D. Howard beginning with "Deadlock") Peter Lauritson ("Projections” – “The 37's") Wendy Neuss ("Initiations” – “Basics, Part I") Supervising Producers David Livingston ("Projections” – “The 37's") Peter Lauritson ("Initiations” – “Basics, Part I") Brannon Braga ("Initiations” – “Basics, Part I") Executive Producers Rick Berman Michael Piller Jeri Taylor Executive Story Editor Kenneth Biller ("Projections” – “Meld") Music by Paul Baillargeon ("Lifesigns") David Bell ("Projections", "Persistence of Vision", "Meld", "The Thaw") Jay Chattaway ("Twisted", "Non Sequitur", "Maneuvers", "Death Wish", "Threshold", "Investigations", "Innocence", "Tuvix") Dennis McCarthy ("Elogium", "The 37's", "Initiations", "Parturition", "Tattoo", "Cold Fire", "Resistance", "Prototype", "Alliances", "Dreadnought", "Deadlock", "Resolutions", "Basics, Part I") Director of Photography Marvin V. Rush, ASC ("Projections” – “Deadlock", "Tuvix” – “Basics, Part I") Douglas H. Knapp ("Innocence” – “The Thaw") Production Designer Richard D. James Editors Daryl Baskin (every third episode after and including "Twisted") Tom Benko, ACE (every third episode after and including "Elogium") Robert Lederman (every third episode after and including "Projections") Unit Production Manager Brad Yacobian First Assistant Directors Jerry Fleck (even-numbered episodes from "Elogium" through "Innocence") Arlene Fukai ("Tuvix") Louis Race ("Basics, Part I") Adele Simmons (odd-numbered episodes) Second Assistant Directors Michael DeMeritt ("The Thaw", "Tuvix") Arlene Fukai ("Projections” – “Innocence", "Resolutions", "Basics, Part I") Casting by Junie Lowry-Johnson, CSA Ron Surma Original Casting Nan Dutton, CSA Casting Executive Helen Mossler, CSA Costume Designer Robert Blackman Set Decorators Leslie Frankenheimer ("Initiations” – “Basics, Part I") Jim Mees ("Projections” – “The 37's") Visual Effects Producer Dan Curry Visual Effects Supervisors Joe Bauer ("Resolutions") Ronald B. Moore (even-numbered episodes) David Stipes (odd-numbered episodes from "Projections" through "Deadlock") Edward L. Williams ("The Thaw") Post Production Supervisor Dawn Velazquez Supervising Editor J.P. Farrell Scenic Art Supervisor/Technical Consultant Michael Okuda ("Projections” – “Deadlock") Scenic Art Consultant Michael Okuda ("Innocence” – “Basics, Part I") Senior Illustrator/Technical Consultant Rick Sternbach Make-Up Designed and Supervised by Michael Westmore Art Director Michael L. Mayer Set Designer Louise Dorton Assistant Editors Lisa De Moraes ("Tuvix") James A. Garrett ("The Thaw", "Basics, Part I") Eugene Wood ("Resolutions") Visual Effects Coordinators Michael Backauskas ("Elogium", "The 37's") Joe Bauer (odd-numbered episodes except "Resolutions") Arthur J. Codron (even-numbered episodes from "Non Sequitur" through "Basics, Part I") Ziad Seirafi ("Resolutions") Visual Effects Series Coordinator Edward L. Williams (all episodes except "The Thaw") Visual Effects Associates Arthur J. Codron ("Projections” – “The 37's") Cheryl Gluckstern ("Initiations” – “Basics, Part I") Script Supervisor Cosmo Genovese Special Effects Dick Brownfield Property Master Alan Sims Construction Coordinator Al Smutko Scenic Artists Wendy Drapanas (even-numbered episodes) Jim Magdaleno (even-numbered episodes from "Projections" through "Maneuvers"; "The Thaw") Junior Illustrator Jim Magdaleno (even-numbered episodes from "Prototype" through "Resolutions", except for "The Thaw") Video Coordinator Denise Okuda Hair Designers Suzan Bagdadi ("Initiations” – “Basics, Part I") Josée Normand ("Projections” – “The 37's") Make-Up Artists Tina Hoffman ("Elogium” – “The 37's", "Non Sequitur” – “Persistence of Vision", "Cold Fire” – “Resistance", "Death Wish” – “Threshold", "Dreadnought” – “Lifesigns", "Innocence", "The Thaw", "Basics, Part I") Gil Mosko ("Innocence” – “Tuvix") Greg Nelson ("Projections", "Twisted” – “Initiations", "Parturition” – “Tattoo", "Maneuvers” – “Prototype", "Alliances” – “Meld", "Investigations” – “Deadlock", "The Thaw” – “Resolutions") Mark Shostrom ("Projections", "Elogium", "The 37's” – “Non Sequitur", "Persistence of Vision” – “Cold Fire", "Resistance” – “Death Wish", "Threshold” – “Dreadnought", "Lifesigns", "Deadlock", "Tuvix” – “Basics, Part I") Scott Wheeler ("Projections” – “Twisted", "Initiations” – “Parturition", "Tattoo” – “Maneuvers", "Prototype” – “Alliances", "Meld” – “Investigations", "Deadlock", "Innocence", "Resolutions", "Basics, Part I") Hair Stylists Karen Asano-Myers ("Projections", "Twisted", "Initiations” – “Parturition", odd-numbered episodes from "Tattoo" through "Resolutions") Laura Connolly (even-numbered episodes from "Persistence of Vision" through "Basics, Part I") Shawn McKay ("Elogium", "The 37's") Patricia Miller ("Projections” – “The 37's") Barbara Minster ("Initiations” – “Basics, Part I") Wardrobe Supervisors Camille Argus ("Projections", "Twisted", even-numbered episodes from "Non Sequitur'" through "Basics, Part I") Carol Kunz ("Elogium", "The 37's", odd-numbered episodes from "Initiations" through "Resolutions") Sound Mixer Alan Bernard, CAS Camera Operators Joe Chess, SOC ("Projections” – “The 37's") Doug Knapp, SOC ("Initiations” – “Deadlock", "Tuvix” – “Basics, Part I") Ron E. High, SOC ("Innocence", "The Thaw") Chief Lighting Technician Bill Peets First Company Grips Randy Burgess ("Initiations” – “Basics, Part I") Bob Sordal ("Projections” – “The 37's") Key Costumers Matt Hoffman ("Elogium", "The 37's", odd-numbered episodes from "Initiations" through "Resolutions") Kimberley Shull ("Projections", "Twisted", even-numbered episodes from "Persistence of Vision" through "Basics, Part I") Jamie Thomas ("Projections", "Twisted", even-numbered episodes from "Non Sequitur" through "Basics, Part I") Tom Siegel ("Elogium", "The 37's", "Initiations” – “Parturition", odd-numbered episodes from "Tattoo" through "Resolutions") Music Editor Gerry Sackman Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Jim Wolvington Sound Editors Miguel Rivera Masanobu Tomita Ruth Adelman Post Production Sound by Modern Sound Visual Effects Assistant Editor Elizabeth Castro ("The Thaw" – "Basics, Part I") Production Coordinator Diane Overdiek Post Production Coordinators Cara Colombini ("Initiations" – "Death Wish") Cheryl Gluckstern ("Projections" – "The 37's") ("Alliances" – "Basics, Part I") Production Associates Kristine Fernandes ("Projections" – "The 37's") Zayra Cabot ("Projections" – "The Thaw") David Rossi Sandra Sena Eric A. Stillwell ("Basics, Part I") Pre-Production Coordinator Lolita Fatjo Stunt Coordinator Dennis Madalone ("Projections", "Elogium", "The 37's” – “Persistence of Vision", "Cold Fire” – “Resistance", "Alliances", "Threshold", "Investigations", "Deadlock", "The Thaw", "Basics, Part I") Location Manager Lisa White ("The 37's", "Initiations", "Tattoo", "Death Wish", "Resolutions", "Basics, Part I") Science Consultant Andre Bormanis Main Title Design by Santa Barbara Studios Dan Curry Colorization CST Entertainment, Inc. ("Cold Fire") Filmed with Panavision Cameras and Lenses Motion Control Photography Image G Digital Optical Effects Pacific Ocean Post ("Projections", "Elogium", "The 37's") Digital Magic ("Twisted", "Initiations” – “Basics, Part I") Special Video Compositing CIS, Hollywood Computer Generated Imagery Pacific Ocean Post ("Threshold") Computer Animation Amblin Imaging ("Threshold") Santa Barbara Studios ("Elogium", "The 37's", "Cold Fire", "Death Wish", "Lifesigns") VisionArt Design & Animation ("Non Sequitur", "Persistence of Vision", "Cold Fire", "Dreadnought") Editing Facilities Unitel Video Computer Generated Effects Amblin Imaging ("Twisted", "Parturition", "Prototype", "Investigations") Digital Muse ("Deadlock", "Innocence", "Basics, Part I") Foundation Imaging ("Basics, Part I") VisionArt Design & Animation ("Basics, Part I") Uncredited John Agalsoff – Boom Operator/Sound Cable Person ("Resistance") Gail Arias – Choreographer ("Lifesigns") Jamie Arias – Choreographer ("Lifesigns") Karen Asano-Myers – Hair Stylist ("Resistance") John Baldwin – Animal Trainer: Critters of the Cinema ("Elogium") David Bernard – Sound Cable Person ("Resistance") Ben Betts – Video Playback Operator ("Resistance") T. Blue – Second Unit Sound Cable Person ("Resistance") Roger Bourse – Lamp Operator ("Resistance") Sal Butera – Pool Technical Adviser ("Twisted", "Non Sequitur", "Meld", "Lifesigns", "Tuvix") Ron Calvaruzo – Extra Grip/Second Unit Second Grip ("Resistance") Ian Christenberry – Lamp Operator ("Resistance") Richard Chronister – Special Effects Artist ("Resistance") Brian Cooper – Lamp Operator ("Resistance") Dick D'Angelo – Swing Gang ("Resistance") Michael DeMeritt – Second Assistant Director ("Resistance") Jay Devlin – Extra Grip/Second Unit Crab Dolly Grip ("Resistance") Jon Djanrelian – Craft Service ("Resistance") Doug Drexler – Model Maker ("Lifesigns") Kathryn S. Eisenstein – Original Casting Robert Eyslee – Lamp Operator/Assistant Chief Lighting Technician ("Resistance") Danny Feld – Still Photographer ("Resistance") Anthony Fredrickson – Model Maker ("Lifesigns") Tom J. Furginson – Swing Gnag ("Resistance") Peter Hapke – Camera Operator/Extra Camera Operator ("Resistance") Herrera – Set Security ("Resistance") Rick Hester – Special Effects Laborer ("Resistance") Ron E. High – Camera Operator/Extra Camera Operator ("Resistance") Matt Hoffman – Set Costumer ("Resistance") Nancy J. Hvasta Leonardi – Makeup Artist ("Tuvix", "Resolutions", "Basics, Part I") Chris Ishii – First Assistant Camera Operator ("Resistance") Amanda Karnes – Special Effects Artist ("Resistance") – Hair Stylist ("Resistance") Dinah LeHoven – Second Assistant Director ("Resistance") David Lombardi – Extra Costumer ("Resistance") Scott McKnight – Assistant Chief Lighting Technician/Second Unit Chief Lighting Technician ("Resistance") Scott Middleton – Second Assistant Camera Operator ("Resistance") – Sound Cable Person/Boom Operator ("Resistance") Tom Moore – Extra Grip/Second Grip ("Resistance") Gil Mosko – Lab Tech Makeup Artist ("Resistance") John Nesterowicz – Set Assistant Property Person/Second Unit Property Master ("Resistance") Frank O'Hea – Painter ("Resistance") Dave Quashnick – Makeup Artist ("Resistance") Erin Regan – Extra Costumer/Second Unit Costumer ("Resistance") Greg Renta – Property Lead Person ("Resistance") Charlie Russo – Set Property Person ("Resistance") George Santo Pietro – Crab Dolly Grip ("Resistance") Stu Satterfield – Transportation Captain ("Resistance") Fernando Sepulveda – Property Lead Person ("Resistance") David Sireika – Second Grip/Second Unit Key Grip ("Resistance") Mark Stimson – Special Effects Artist ("Resistance") Phil Stirling – Sound Cable Person ("Resistance") Michael Stradling – Extra Camera Assistant/Second Unit First Assistant Camera Operator ("Resistance") Thomas E. Surprenant – Makeup Artist ("Resistance") Ken Suzuki – Lamp Operator ("Resistance") Karen Thomas-Kolakowski – Animal Trainer: Critters of the Cinema ("Elogium") Wil Thoms – Special Effects Artist ("Resistance") Ira Toles – Second Unit Video Playback Operator ("Resistance") Pat Vitolla – Extra Grip ("Resistance") Lazard Ward – Set Security ("Resistance") R. Stephen Weber – Makeup Artist ("Resistance") Scott Wheeler – Makeup Artist ("Resistance") Wainani Young-Tomich – DGA Trainee ("Resistance") Media releases VOY Season 2 UK VHS VOY Season 2 US VHS VOY Season 2 DVD External link cs:Druhá sezóna VOY de:VOY Staffel 2 fr:VOY Saison 2 nl:VOY Seizoen 2 sr:ВОЈ: Сезона 2 sv:VOY, säsong 2 Star Trek seasons
1744	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 3	Episodes Summary Season three begins with the departure of the Kazon. The Doctor gains freedom from sickbay in , by way of an autonomous mobile emitter. The same episode also has Harry Kim taking command of Voyager for the first time when the four ranking bridge officers beam to 1996 Earth. Voyager enters the Nekrit Expanse in . This area of space marks the farthest extent of Neelix' knowledge and the end of his usefulness as Voyagers guide to the Delta Quadrant. Three episodes later, features a brief introduction of the Borg to the series, the inclusion of which would have serious and far-reaching ramifications for the franchise from this point onwards. "Blood Fever" also introduced the very real possibility of a romantic interest between Tom Paris and B'Elanna Torres, a relationship of singular importance not only to the development of the two characters involved, but also to the other crucial evolutionary step taken by the series in season three – the crew of Voyager as family. It is towards the end of that Janeway, while disciplining Neelix, first mentions this notion of familial allegiance. "I'm prepared to leave the ship, captain." "Oh no, it's not that easy. You can't just run away from your responsibilities because you made a mistake. You're part of a family now, and you have obligations." - Neelix and Janeway It is also around this midpoint in the season that other, more subtle changes were being made to the overall look and feel of the franchise. Stage lighting underwent significant changes, most notably in where for the first time, darkened or blacked out set pieces were used to add tension to scenes. Prior to this, Voyagers decks and corridors were always largely flood-lit except in times of emergency. While attending a Sacramento, USA, Convention in 2003 (uploaded onto YouTube), Kate Mulgrew commented that by early season three, she felt as if she had successfully married the actress to the character, to the extent that the writers were able to "back-off." "And when they finally allowed Mulgrew to inhabit Janeway, she took off. I'd say that was about the end of the second/beginning of the third season. Every nuance that I could give to her, all those subtle endowments that were mine, that Mulgrew brought to Janeway. That's when you fall in love. I couldn't do it without her, and she couldn't do it without me." : – Kate Mulgrew It would therefore appear that the writers, producers, and performers had begun to find a direction and with it came a developing continuity. The Borg, introduced in , popped up again in , and throughout the remainder of the series. John de Lancie returned as Q in , providing continuity back to the suicide of Quinn in the second season episode . Also, the events of linked not only , but also the season two finale . Writers also used events to tease the audience with what was to come in season four, namely and the . Possibly most significant is the season three finale , which sees Voyager entering a war-torn Borg space. As Voyager came of age, audience figures leaped through the roof, and within half a season the show's writing and cinematography was largely unrecognizable from its previous seasons. Certainly, once Voyager entered the Nekrit Expanse in "Fair Trade", and later traversed Borg space in "Scorpion", the franchise was never the same. Background information This season was broadcast concurrently with Season 5, and was released during its run. Four episodes that aired as part of this season were produced during the second season. These episodes were (in production order) , , , and . Each of the four episodes that were moved from the second season to this one refer, in their opening credits, to actress Roxann Dawson as "Roxann Biggs-Dawson", whereas the opening titles sequences in the rest of this season's installments refer to her without the "Biggs" part of her name; this change signifies the fact that, between the second and third seasons, Dawson was divorced from Casey Biggs. Apparently, one story that Voyagers team of writer-producers planned to include in the season was discarded. During the hiatus between the second and third seasons, actor Robert Picardo said of the writers, "They […] have a comic story in mind in which some alien computer hacker hijacks the holographic Doctor's program and actually steals him off the ship! He's held hostage with a zany alien family, which should be fun." () Although this plot – in its entirety – was not included in the season, elements from the story do appear, such as The Doctor being kidnapped by a hacker ( and ) and interacting with an unusual family (), so it is another possibility (besides outright abandonment) that the aforementioned story line was an early version of an episode that was produced. Characters which "crossover" from other incarnations of Star Trek: Hikaru Sulu, Janice Rand, Kang, Dimitri Valtane, and Lojur in from , and Arridor and in from the episode . Because of being stranded in the Delta Quadrant, the s worn by the Voyager crew are still used rather than replacing them with the which were seen in the Star Trek: Deep Space Nine Season 5 episode and in Star Trek: First Contact. Credits Guest and co-stars VOY Season 3 performers Crew Executive Producerss Rick Berman Jeri Taylor Supervising Producers Brannon Braga Peter Lauritson Producers Merri D. Howard Wendy Neuss Joe Menosky Co-Producers Kenneth Biller J.P. Farrell Line Producer: Brad Yacobian Creative Consultant: Michael Piller Theme By: Jerry Goldsmith Associate Producer: Dawn Velazquez Story Editor: Lisa Klink Music By Dennis McCarthy Basics, Part II (episode), False Profits (episode), The Swarm (episode), The Q and the Grey (episode), Macrocosm (episode), Coda (episode), Favorite Son (episode), Real Life (episode), Worst Case Scenario (episode) Jay Chattaway Sacred Ground (episode), The Chute (episode), Future's End (episode), Future's End, Part II (episode), Blood Fever (episode), Rise (episode), Before and After (episode), Displaced (episode), Scorpion (episode) David Bell Flashback (episode), Remember (episode), Warlord (episode), Fair Trade (episode), Unity (episode), Distant Origin (episode) Paul Baillargeon Darkling (episode), Alter Ego (episode) Director of Photography: Marvin V. Rush, A.S.C. Production Designer: Richard D. James Editor Daryl Baskin Robert Lederman Unit Production Manager: Brad Yacobian First Assistant Director Adele Simmons Jerry Fleck Second Assistant Director: Arlene Fukai Casting By Junie Lowry-Johnson, C.S.A. Ron Surma Original Casting By: Nan Dutton, C.S.A. Casting Executive: Helen Mossler, C.S.A. Costume Designer: Robert Blackman Set Decorator: Leslie Frankenheimer Visual Effects Producer: Dan Curry Visual Effects Supervisor Mitch Suskin Ronald B. Moore Scenic Art Supervisor / Technical Consultant: Michael Okuda Senior Illustrator / Technical Consultant: Rick Sternbach Make-Up Designed and Supervised By: Michael Westmore Assistant Art Director: Louise Dorton Assistant Editor Jacques Gravett Lisa De Moraes Visual Effects Coordinator Arthur J. Codron Cheryl Gluckstern Visual Effects Assistant Editor: Elizabeth Castro Visual Effects Associate: Cheryl Gluckstern Script Supervisor: Cosmo Genovese Special Effects: Dick Brownfield Property Master: Alan Sims Construction Coordinator: Al Smutko Scenic Artist: Wendy Drapanas Junior Illustrator: Jim Magdaleno Video Coordinator: Denise Okuda Hair Designer: Josee Normand Make-Up Artists Scott Wheeler Mark Shostrom Greg Nelson Bradley M. Look Hair Stylists Suzan Bagdadi Karen Asano-Myers Charlotte A. Gravenor Wardrobe Supervisor: Carol Kunz Sound Mixer: Alan Bernard, C.A.S. Camera Operator: Doug Knapp, S.O.C. Chief Lighting Technician: Bill Peets First Company Grip: Randy Burgess Key Costumers Tom Siegel Matt Hoffman Kimberley Shull Jamie Thomas Music Editor: Gerry Sackman Supervising Sound Editor: Bill Wistrom Supervising Sound Effects Editor: Jim Wolvington Sound Editors Masanobu Tomita Ruth Adelman Dale Chaloukian Visual Effects Assistant Editor: Elizabeth Castro Production Coordinator: Diane Overdiek Post Production Coordinator: Production Associate: David Rossi Pre-Production Coordinator: Lolita Fatjo Assistants to Producers Robert J. Doherty Christopher Culhane Stunt Coordinator: Dennis Madalone Science Consultant: Andre Bormanis Main Title Design By Santa Barbara Studios Dan Curry Post Production Sound: Modern Sound Filmed with PANAVISION® Cameras and Lenses Motion Control Photography Image G Digital Optical Effects: Digital Magic Special Video Composting: CIS, Hollywood Editing Facilities: Unitel Video Computer Generated Effects: Foundation Imaging Uncredited Emmerson Denney – Voice/Dialogue Coach for Albie Selznick ("Macrocosm") Nancy J. Hvasta Leonardi – Makeup Artist ("Displaced", "Worst Case Scenario", "Scorpion") Media releases VOY Season 3 UK VHS VOY Season 3 US VHS VOY Season 3 DVD External link cs:Třetí sezóna VOY de:VOY Staffel 3 fr:VOY Saison 3 nl:VOY Seizoen 3 sr:ВОЈ: Сезона 3 sv:VOY, säsong 3 Star Trek seasons
1745	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 4	Episodes Summary Season four furthered and even embellished upon the changes to the franchise already seen by the middle to end of season three. concluded the season three finale and—most crucially to the future of the series—introduced a new character, Seven of Nine. One episode later, Jennifer Lien left the cast and Kes departed Voyager, not to return until the season six episode . Seven of Nine had plenty of character development on which to catch up when compared to the other principal actors. Season four could be described as the "Seven of Nine season", heavy with episodes centering solely on developing Jeri Ryan's new character. Relationships between Seven of Nine and all the other main characters needed to be quickly established, and so conflict between Seven and B'Elanna Torres was introduced in , and Harry Kim's infatuation with Seven became a hallmark of the season in . The Doctor, for so long a student under Kes' tutelage, turned teacher to Seven in , kinship with Tuvok was explored in and, quintessential to the remainder of the series, Seven's relationship with Janeway took center-stage in , , , , and the season finale, . However, with audience figures ballooning, it appeared that the producers of Voyager had finally found a character that appealed to the crucial 16-24-year-old male demographic. Prior to season four, story writers had given Voyager six thwarted opportunities to return to the Alpha Quadrant, aside from the series premiere . However, as the series continued to mature, episodes presenting the Voyager crew with the possibility of returning home were absent throughout season four, until the finale . Instead, making large jumps closer to Earth became a regular occurrence. Kes' "gift" at the start of the season provided Voyager with its first big jump, knocking 10,000 light years and 10 years off their journey, as well as placing them well outside Borg space. These "jumps" would continue throughout the remainder of the series, getting Voyager out of danger while simultaneously removing years from their journey. Consequently, fewer opportunities to return to Earth in one "giant leap" were presented for this and remaining seasons, with season five's , season seven's and the series finale being notable exceptions. Alongside this change of pace, the concept of the crew as "family" and Voyager as "home" started in season three was continued in season four and script writers clearly made a conscious effort to include these references in their scripts. Examples of this can be found scattered throughout many season four episodes: "So, how's the newest member of our family?" - Janeway, to The Doctor () "This ship has become our home, it's part of our family." - Janeway, to Tuvok () "We do not stand alone. We are in the arms of family." - Tuvok, to the crew () "It's time to meet your new family." - Janeway, to Harry Kim () Other notable developments in season four included the cementing of Tom Paris and B'Elanna Torres' relationship in , the Krenim conflict (hinted at in season three's ) and the opening of Voyagers new astrometrics lab in . Additionally, introduced "grey mode" in which all non-essential ship functions are shut down to conserve power. However, one of the biggest developments for the series arc as a whole occurred midway through the season in when The Doctor is transported back to the Alpha Quadrant using alien technology and makes Voyagers first contact with Starfleet since being stranded. Voyagers use of the alien technology has unforeseen consequences however, as the crew are introduced to the Hirogen, a hunting species who would re-assert themselves throughout the remainder of the season in , , and , and at least once in each subsequent season. By the end of the series, the Hirogen joined the Kazon, the Borg, and the Vidiians as one of the few species to interact regularly with Voyager and whose interactions often created or furthered a particular story arc involving that species. It is fair to say that by mid-season four, the introduction of Seven of Nine, the departure of Kes, and the new "jump" method of moving Voyager closer to home meant the series had become quite different from the previous three seasons. Background information This season was broadcast concurrent with Season 6. Beginning with , the screen credits for the cast were modified to remove the ranks of their characters, as was presented in the pilot, except for Kate Mulgrew as Captain Janeway. They would remain unchanged from this point on through the end of the series. Jeri Ryan joins the cast as Seven of Nine and Jennifer Lien, as Kes, leaves the cast. Roxann Dawson was pregnant during Season 4. B'Elanna Torres wears a lab coat to hide Dawson's pregnancy for most of the season. This is the only season of Voyager not to feature Earth, but did feature a visit to the Alpha Quadrant in . The lone character to "crossover" from another Star Trek series this season is Admiral , in and . Shortly after the completion of production on this season, a wrap party was held on . () Credits Guest and co-stars VOY Season 4 performers Crew Executive Producers Rick Berman Jeri Taylor Associate Producer: Dawn Velazquez Executive Story Editor: Lisa Klink Music by (not a complete list) Jay Chattaway ("Scorpion, Part II", "Scientific Method", "Random Thoughts", "Hunters", "Retrospect", "Unforgettable", "One") Dennis McCarthy ("The Gift", "Day of Honor", "The Raven", "Year of Hell", "Year of Hell, Part II", "Concerning Flight", "Prey", "Vis à Vis", "Living Witness", "Hope and Fear") David Bell ("Nemesis", "Revulsion", "Waking Moments", "The Killing Game", "The Killing Game, Part II", "Demon") Paul Baillargeon ("Mortal Coil", "Message in a Bottle", "The Omega Directive") Director of Photography: Marvin V. Rush, ASC Production Designer: Richard D. James Editor: Daryl Baskin Unit Production Manager: Brad Yacobian First Assistant Director: Adele Simmons Second Assistant Director: Arlene Fukai Casting by Junie Lowry-Johnson, CSA Ron Surma Original Casting by: Nan Dutton, CSA Casting Executive: Helen Mossler, CSA Costume Designer: Robert Blackman Set Decorator: Jim Mees Visual Effects Producer: Dan Curry Visual Effects Supervisor: David Takemura Scenic Art Supervisor/Technical Consultant: Michael Okuda Senior Illustrator/Technical Consultant: Rick Sternbach Make-Up Designer/Make-Up Supervisor: Michael Westmore Art Director: Louise Dorton Set Designer: Greg Hooper Assistant Editor: Keith Dabney Visual Effects Coordinator: A.Y. Dexter Delara Visual Effects Assistant Editor: Elizabeth Castro Visual Effects Associate: Chad Zimmerman Script Supervisor: Cosmo Genovese Special Effects: Dick Brownfield Property Master: Alan Sims Construction Coordinator: Al Smutko Scenic Artist: Wendy Drapanas Video Supervisor: Denise Okuda Hair Designer: Josée Normand Make-Up Artists Natalie Wood Tina Hoffman Scott Wheeler Hair Stylists Suzan Bagdadi Charlotte A. Gravenor Wardrobe Supervisor: Carol Kunz Sound Mixer: Alan Bernard, CAS Camera Operator: Judd Kehl Chief Lighting Technician: Bill Peets First Company Grip: Randy Burgess Key Costumers Kimberley Shull Jamie Thomas Music Editor: Gerry Sackman Supervising Sound Editor: Bill Wistrom Supervising Sound Effects Editor: Jim Wolvington Sound Editors Masanobu Tomita T. Ashley Harvey Dale Chaloukian Production Coordinator: Diane Overdiek Post Production Coordinator: Production Associates David Rossi Kristina Kochoff Sandra Sena Pre-Production Coordinator: Lolita Fatjo Assistant to Producers: Michael O'Halloran Stunt Coordinator: Dennis Madalone Science Consultant: André Bormanis Main Title Design by: Dan Curry Companies Main Title Design by: Santa Barbara Studios Post Production Sound: Modern Sound Filmed with: Panavision cameras and lenses Motion Control Photography: Image "G" Digital Optical Effects: Digital Magic Special Video Compositing: CIS Hollywood Editing Facilities: Unitel Video Computer Generated Effects: Foundation Imaging Media releases VOY Season 4 UK VHS VOY Season 4 DVD External link Star Trek seasons cs:Čtvrtá sezóna VOY de:VOY Staffel 4 fr:VOY Saison 4 nl:VOY Seizoen 4 sr:ВОЈ: Сезона 4 sv:VOY, säsong 4
1747	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Chase Masterson	Chase Masterson , real name Christianne Carafano, played Leeta in numerous episodes of during the final five seasons. Masterson originally auditioned to play the role of Mardah, Jake Sisko's girlfriend in the episode . She was originally told that the age difference between Cirroc Lofton and herself would have made the relationship improbable. Avery Brooks (who directed the ) has subsequently indicated at conventions that he felt Masterson was too sexy to play Jake's girlfriend and that he hoped she would be introduced as a different, regular character at a later date – possibly as a love interest for Sisko. The role of Leeta was subsequently created for Masterson as a one-episode character, but the producers were so impressed with Masterson's performance that they wrote the character into , and subsequently decided to add her to the list of recurring characters. () She commented: "I’ve had the privilege of being on some shows that were highly acclaimed for their effects but still have incredible stories, which of course is the most important thing. That balance obviously doesn’t always happen. I don’t like or watch films that are primarily effects-based, but they certainly have a place in the market, a huge audience. The stronger the effects are in a film, the stronger, more intricate, the story has to be, or it can get blown away. Being on DS9 probably spoiled us because the writing was truly some of the best ever on television. Ira Steven Behr, Ron Moore, Rene Echevarria, Hans Beimler and of course Michael Piller are some of the best writers in the business, because they have such a wide range of ability, sensitivity and creativity in both comedy and drama. It’s rare to find a show that covers the bases as DS9 did. Not everyone knows this, but we were the #1 syndicated show in the world when we closed. And from everything I’ve heard, the resurgence of DS9 on DVD and on Spike is bringing a new audience to the show, ironically, years after we closed. After 7 years. it’s great to see such a worthy piece finding the audience that it deserves". In 2010, Masterson lent her voice as a holographic Leeta for the video game Star Trek Online and can still be found at the dabo table in Quark's on DS9, along with other dabo tables found throughout the game. This hologram mentions various canon-inspired references, including her "missing Rom". In 2015, Masterson returned to Star Trek Online to voice mirror universe , and again in 2018 to reprise the original Leeta as part of the Victory is Life expansion. She most recently lent her voice again in 2021 as mirror Leeta. Career Masterson guest-starred a number of times in the short-lived series Live Shot. Other Star Trek stars who were cast members include David Birney, Karen Austin, Ron Canada, Jeff Yagher, Bruce McGill and Sam Anderson. Star Trek stars who also guest-starred include Casey Biggs, Dion Anderson, John Schuck, Lee Arenberg, Hal Landon, Jr., Cully Fredricksen, and Kenneth Tigar. In 2012 Masterson guest voiced Peggy Brooks opposite Tom Baker's Doctor in the Big Finish Productions Doctor Who audio drama . During the recording she was offered the role of bounty hunter Vienna Salvatori in , another Doctor Who audio, this time starring Sylvester McCoy. Her role was so well received that Masterson's character was spun off into her own audio series, Vienna, beginning with a pilot episode in 2013 and running for four seasons up to 2018. Masterson also played Maddie Price in seasons one and three of Big Finish's audio adaptation of cult 1970s British sci-fi series Survivors. Recent projects include a starring role opposite Kipleigh Brown (Jane Taylor from ) in the film and a guest role as Sherry in "The Nuclear Man" (a 2015 episode of The Flash), as well as the upcoming announced film Appearances as Leeta (Season Three) (Season Four) (Season Five) (Season Six) (Season Seven) Other characters Background information Masterson appeared in the TV movie Manticore with Voyager star Robert Beltran (Chakotay). She starred in the Star Trek fan film Star Trek: Of Gods and Men, directed by Voyager star Tim Russ, as the Orion communicator Xela. One unfortunate result of her involvement with Star Trek was the creation of a fake matchmaking profile for her, which used the name Chase and supplied her real phone number and address through an e-mail autoresponder. The matchmaking information was of a nature that provoked threatening and sexually explicit phone calls to be made to her, and she and her son moved out of her home for several months. In 2003 she took legal action against the hosting company, but that action failed because the hosting company hadn't created the bogus entry itself, so it was protected by the US Communications Decency Act. The case is known as Carafano v. Metrosplash.com or often as the Star Trek Actress case. Another side effect of Star Trek had a more favorable result. Masterson's strong fan base has enabled her to get more work from the Sci-Fi Channel and other feature film production companies. In 2013 Masterson co-founded the Pop Culture Hero Coalition, a non-profit organization that works to combat bullying, racism, misogyny, cyber-bullying, LGBT-bullying, and other forms of hate, incorporating superheroes and other pop culture icons in anti-bullying programs for schools and local communities. The Coalition’s work features global experts and advocates, including representatives from the United Nations, the Anti-Defamation League, the NOH8 Campaign, Justice League New York, and other major organizations, and holds panels and rallies at various conventions around the world. Filmography Yesterday Was a Lie (2009, with Kipleigh Brown) Star Trek: Of Gods and Men (2008, with Tim Russ, Garrett Wang, Alan Ruck, Crystal Allen, and Ethan Phillips) Manticore (2006, with Robert Beltran) Married People, Single Sex (1993, with Robert L. Zachar, Bob Rudd, and Joseph Pilato) External links – official site – official fan club – Masterson's anti-bullying charity de:Chase Masterson es:Chase Masterson nl:Chase Masterson Performers DS9 performers Video game performers
1748	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Vulcan starship classes	The following is a list of Vulcan starship classes, including shuttles and low altitude aircraft. de:Liste der vulkanischen Schiffsklassen nl:Vulcan sterrenschip klassen
1753	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 5	Episodes Summary With Brannon Braga taking up the showrunner's role after Jeri Taylor's retirement, season five saw the franchise settle into what was to become a familiar pattern of story-telling following the changes made during the latter half of season three, and the tumultuous events of season four. A desire to return to Earth remained the Voyager crew's singular mission, but the themes of "family" and of Voyager as "home" introduced in seasons three and four meant that the series paradigm gently shifted in season five, evidenced best by Janeway's remark at the end of Voyagers 100th episode, ; "It no longer seems a case of if we get home, but when!" Nevertheless, season five could also be characterized as having a darker, more brooding atmosphere than had gone before, with several of the principal characters facing extremely dark moments in their development. None more so than in the season premiere which sees Voyager attempting to traverse a dark region of space, devoid of all matter and energy. It is during this episode that Janeway is forced to confront her unceasing guilt over the initial decision she made to destroy the Caretaker's array at the beginning of the series, and strand Voyager in the Delta Quadrant. "I made an error in judgment, Chakotay. It was short-sighted and it was selfish, and now all of us are paying for my mistake!" Other similar crises of confidence are played out throughout the season. B'Elanna Torres, racked with grief over the death of her friends in the Maquis, begins to self-harm in , Seven of Nine becomes overwhelmed by the voices of the Collective in , Tom Paris faces demotion and incarceration in , The Doctor's decision-making skills are tested as he revisits the greatest threat to his program in , and Harry Kim's spotless record receives a dent for the first time when he continues a sexual relationship against orders in (according to Garrett Wang in an interview for the Season 5 DVD set, the episode was titled "Alien Love Story"). Arguably Captain Janeway experiences the most of the dark traits in Season 5, most notably in her getting angry with Tom Paris, Harry Kim and The Doctor in the episodes "Thirty Days," "The Disease," and "Latent Image," respectively. This sombre bleakness arguably reaches a crescendo with two episodes midway through the season. In , a bio-plasmic lifeform uses neurogenic fields to induce illusions amongs the crew, convincing them to enter what they believe is a wormhole leading directly to the Alpha Quadrant. Once inside the creature, the audience is treated to shots (for the first time since the series began) showing Voyagers return to Earth. The fact that the images are merely telepathic delusions makes "Bliss" one of the darkest episodes of the season. And in , in a throw-back to season four's , the crew realize they are nothing but bio-mimetic copies of the original crew and slowly, one by one, succumb to radiation poisoning from Voyagers enhanced warp drive. The episode closes with the entire ship and crew reduced to a cloud of dichromate particulates, with no record of their existence surviving. "Course: Oblivion" marks a departure from the usual style of Star Trek (and American) story-telling in general with no "happy ending", no moral at the end, and nothing to redeem the crew's struggle as being ultimately "worth it". Other developments of note in season five include the use of a new multi-spatial probe, which makes its first appearance in , and the construction of a new and improved shuttle. Christened the , the new ship would take center stage during away missions for the remainder of the series. A tentative resolution to the conflict with Species 8472 is negotiated during , and Kate Mulgrew's favorite episode makes an appearance towards the middle of the season. Leading antagonists include the Borg who appear in multiple episodes throughout the season, most notably in Voyagers first movie length episode . Marketing at the time trumpeted this episode as featuring the return of the Borg Queen, first introduced in the Star Trek movie, . The Malon are introduced as polluting industrialists and another species for Voyager to contend with, during the season premiere, . Although the Malon make only two more appearances in season five, namely and , and a passing reference in and season seven's , they could perhaps be considered alongside the Kazon, the Borg, the Hirogen, the Vidiians and the Hierarchy as being stalwart species of the series as a whole, and contributing greatly to Voyagers overall journey. The season finale (the first cliffhanger season finale since season three's "Scorpion," in 1997) sees Voyager make contact with their first Federation starship, the , under the command of Captain Ransom (John Savage). Initial celebrations at finding kindred spirits quickly turn sour however when it is revealed that Ransom and his crew have all but abandoned the Prime Directive by killing innocent lifeforms in an attempt to get home faster. The tension between Janeway and Chakotay (begun as far back as the season three finale, ), is heightened to a mutinous fever-pitch, as Janeway's vendetta against Ransom drives a wedge between her and her crew as the sixth season begins. Aside from the action, it should perhaps be noted that it is within season five that the first hints of dissension in the ranks of the principal actors begins to make itself known. A closer look at the episodes reveals that season five remained top-heavy with stories centering on Seven of Nine and her relationship with Janeway, and if anything, encounters with the Borg increased as a result. The one other principal actor whose story-lines and character development appears to have suffered as a result is clearly Robert Beltran as Chakotay. With this in mind, it is perhaps not surprising that during and after season five, Beltran began to become more vocal and illustrative of his dissatisfaction with the direction the series appeared to be taking. Beltran was however not alone, as some critics of the show had begun to liken Voyager to the "Janeway and Seven of Nine show." It may be fair to say that Voyagers high-water mark had been reached with the advent of and the rapturous applause for the series during season four had perhaps begun to wear off. Background information The writing staff of Star Trek: Voyager began their work on this season by . (Star Trek: Action!, p. 93) This season was broadcast concurrent with Season 7, and was released during its run. Characters which, during this season, 'crossover' from other incarnations of Star Trek: Geordi La Forge (), two different versions of Boothby ( & ), and the Borg Queen (). Fire The Deck 1 sets, such as the bridge, suffered smoke and sprinkler damage as a result of a fire during this season on . Robert Picardo once jokingly claimed he had started the fire with a lit cigar. The blaze was actually started by one of the studio arc lamps' bulbs exploding. (, p. 281) "One of the light bulbs popped," offered Tom Paris and Captain Proton actor Robert Duncan McNeill. "I guess the spark smoldered down in the dust, and caught fire on the ceiling of the bridge." (Cinefantastique, Vol. 31, No. 11, p. 52) The sparks also set fire to the starfield backdrop curtain. (, p. 281; Beyond the Final Frontier, p. 326) The fire was only a minimal one, however, and the main damage was caused by the sprinklers that doused the flames. (, p. 281; Beyond the Final Frontier, p. 326) Robert Duncan McNeill remarked, "No one was hurt, but we had a hungry crew and our lunch was on that stage." (Cinefantastique, Vol. 31, No. 11, p. 52) The small blaze occurred during a publicity photo shoot with executive producer Rick Berman. (Cinefantastique, Vol. 31, No. 11, p. 52; , p. 281) According to the unofficial reference book Delta Quadrant (p. 281), Berman's presence on the bridge at the time prompted some deprecating humorists to claim that "the lightning missed." Robert Duncan McNeill also commented on the link between Berman being on the bridge and parts of the same set meanwhile igniting; "I don't know what the connection is but I am sure there is some meaning." (Cinefantastique, Vol. 31, No. 11, p. 52) Minor repairs were required, largely owing to the water damage that the small fire had caused. () According to Delta Quadrant (p. 281), these repairs were used – by the construction crew and the art department – as an excuse to make a few slight modifications, such as reupholstering the chairs. Credits Guest and co-stars VOY Season 5 performers Crew Executive Producers Rick Berman Brannon Braga Supervising Producers Peter Lauritson Joe Menosky Kenneth Biller Co-Supervising Producer: Merri D. Howard Co-Producer: J.P. Farrell Line Producer: Brad Yacobian Creative Consultants Michael Piller Jeri Taylor Theme By: Jerry Goldsmith Co-Producer: Dawn Velazquez Associate Producer: Stephen Welke Story Editors Bryan Fuller Nick Sagan Music by (not a complete list) Jay Chattaway ("Night", "In the Flesh", "Counterpoint", "The Fight", "Think Tank", "Warhead", "Equinox") Dennis McCarthy ("Drone", "Timeless", "Infinite Regress", "Nothing Human", "Gravity", "Bliss", "The Disease", "Juggernaut", "Someone to Watch Over Me", "Relativity") David Bell ("Extreme Risk", "Once Upon a Time", "Bride of Chaotica!", "Dark Frontier", "11:59") Paul Baillargeon ("Thirty Days", "Latent Image", "Course: Oblivion") Director of Photography: Marvin V. Rush, A.S.C. Production Designer: Richard D. James Editors Robert Lederman Daryl Baskin Tom Benko Unit Production Manager: Brad Yacobian First Assistant Directors Arlene Fukai Jerry Fleck Second Assistant Director: Michael DeMeritt Casting by Junie Lowry-Johnson, C.S.A. Ron Surma Original Casting by: Nan Dutton, C.S.A. Casting Executive: Helen Mossler, C.S.A. Costume Designer: Robert Blackman Set Decorator: Jim Mees Visual Effects Producer: Dan Curry Visual Effects Supervisors Mitch Suskin Ronald B. Moore Scenic Art Supervisor/Technical Consultant: Michael Okuda Senior Illustrator/Technical Consultant: Rick Sternbach Make-Up Designed and Supervised By: Michael Westmore Art Director: Louise Dorton Set Designer: Greg Berry Assistant Editors Jacques Gravett Keith Dabney David A. Koeppel Visual Effects Coordinators Arthur J. Codron Elizabeth Castro Visual Effects Assistant Editor: Paul Villasenor Visual Effects Associate: Chad Zimmerman Script Supervisor: Cosmo Genovese Special Effects: Dick Brownfield Property Master: Alan Sims Construction Coordinator: Al Smutko Scenic Artist: Wendy Drapanas Video Supervisor: Denise Okuda Hair Designer: Josee Normand Make-up Artists Suzanne Diaz Tina Hoffman Scott Wheeler James Rohland Hair Stylists Charlotte A. Gravenor Gloria Montemayor Viviane Normand Wardrobe Supervisor: Carol Kunz Sound Mixer: Alan Bernard, C.A.S. Camera Operator: Douglas Knapp, S.O.C. Chief Lighting Technician: Bill Peets First Company Grip: Randy Burgess Key Costumers Tom Siegel Matt Hoffman Kimberley Shull Erin Regan Music Editor: Gerry Sackman Supervising Sound Editor: Bill Wistrom Supervising Sound Effects Editor: Jim Wolvington Sound Editors Masanobu Tomita T. Ashley Harvey Dale Chaloukian Production Coordinator: Diane Overdiek Post Production Coordinator: Monique K. Chambers Production Associates David Rossi Maril Davis Michael O'Halloran Pre-Production Coordinator: Lolita Fatjo Assistants to Producers Christopher Culhane Robert J. Doherty Stunt Coordinator: Dennis Madalone Science Consultant: Andre Bormanis Main Title Design by Santa Barbara Studios Dan Curry Post Production Sound by: 4MC Sound Services Filmed with Panavision cameras and lenses Motion Control Photography Digital Optical Effects: Digital Magic Special Video Compositing: CIS, Hollywood Editing Facilities: Four Media Company Computer Generated Effects Foundation Imaging Black Pool Studios Media releases VOY Season 5 UK VHS VOY Season 5 DVD External link cs:Pátá sezóna VOY de:VOY Staffel 5 fr:VOY Saison 5 nl:VOY Seizoen 5 sr:ВОЈ: Сезона 5 sv:VOY, säsong 5 Star Trek seasons
1754	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 6	Episodes Summary Star Trek: Voyagers sixth season was the first to be televised without running concurrently with seasons of , and can be characterized as having the feel of being oddly disconnected from seasons four and five that preceded it. As a result, Voyager's season six could be said to have more in common with the story-telling of season one, being populated by numerous episodes with story lines wholly independent of each other and the greater series arc, which by this point, was very well established. There are of course exceptions, most notably in when real-time communication is made with Starfleet, with the help of an obsessed Reginald Barclay. However, it was not until the end of the season in that this significant plot development was revisited. Numerous new aliens were introduced throughout the season, again indicative of the reliance on wholly independent story lines. However, the Hirogen make a re-appearance in , the Klingons in , the Borg make a (by now familiar) resurgence in , , and the season finale . The Vidiians also return in , as does a vengeful Kes intent on sabotaging the ship, killing B'Elanna Torres in the process. Only one of the newly introduced alien species (the Hierarchy) reappeared later, in the seventh season episodes and . Worthy of particular note in the sixth season is the introduction of the treacherous Vaadwaur in . While being vaunted as a possible season six nemesis for Voyager during a conversation towards the end of the episode, it was perhaps a missed opportunity on the part of the show's producers that the possibility of having the Vaadwaur return later on, was never taken up; "I doubt we've seen the last of them." - Janeway, to Seven of Nine () Despite Janeway's warning, and aside from a couple of conversational "nods" in the season seven episodes, and , the Vaadwaur were in fact, never seen again. halfway through the season added a significant development to the evolution of the series as Voyagers crew manifest grew by four with the introduction of the "Children of the Borg". Season six storylines featuring the children served as an addition to Seven of Nine's learning curve, as she took on the role of surrogate mother to the lost, and disconnected children. Although never directly spoken of in the script for either episode, with the knowledge of hindsight it is possible to note that in , a surreptitious link to the series finale is planted when Icheb's parents send him back to the Borg full of neurolytic pathogen. It is this same pathogen that Admiral Janeway uses when assimilated by the Borg Queen during the climax to the series finale, which infects the Collective and disables the transwarp hub, enabling Voyager to return home, and deal a crippling blow to the Borg at the same time. A couple of small "jumps" closer to home were realized in the episodes and but nothing like the huge leaps which helped characterize the previous two seasons, and for the majority of season six, any significant "jumps" forward were missing, again likening the sixth season to the first. The process of overcoming the difficulty in portraying Janeway as both authoritative and feminine that had dogged most of the first four seasons may have begun with season five's and her dalliance with the Devore Imperium's Kashyk, but the dilemma finally found some resolution with the introduction of another of Tom Paris' holodeck programs and the character of Michael Sullivan. In and Janeway is finally able to let her hair down (in more ways than one), and the issue of fraternizing with her subordinates is happily laid to rest. This resolution however, was not without its detractors, including Kate Mulgrew herself. "When I read that one, I went right over to (Rick) Berman's office and I said "What are you smoking?" I mean, how desperado is this broad!" - Kate Mulgrew (speaking at Sacramento, USA Convention 2003 (uploaded on YouTube)) Voyagers sixth season culminated in the assimilation of Janeway, Tuvok, and Torres, as the crew again went head to head with the Borg Queen, this time to assist an underground Borg Resistance threatened with annihilation. Background information This is the first Star Trek season since TNG Season 6, in 1992, to premiere on its own. This coincided with the end of the seven season run of in June 1999. Discounting season premieres/finales, this was the first season since season 2 not to feature a two-part/movie length episode during its run. featured Karen Austin as B'Elanna Torres' mother, one of the actresses apparently short-listed for the original role of Kathryn Janeway. "Survival Instinct" is the first time since "Living Witness" in Season 4 that Jeri Ryan appeared in a full Borg outfit. When asked what stood out about season six, Robert Beltran commented that he didn't have fun during this season, calling it "dreary and tedious" for him. Characters that "crossover" from other incarnations of Star Trek: Deanna Troi and Reginald Barclay ( and ); Admiral (); Borg Queen () Credits Guest and co-stars VOY Season 6 performers Crew Executive Producers Rick Berman Brannon Braga Co-Executive Producers Joe Menosky Ken Biller Creative Consultants Michael Piller Jeri Taylor Supervising Producers Peter Lauritson Merri Howard Producers Robin Burger J.P. Farrell Co-Producer: Dawn Velazquez Associate Producer: Stephen Welke Executive Story Editor: Bryan Fuller Story Editor: Michael Taylor Staff Writers Robert Doherty Raf Green Unit Production Manager: Brad Yacobian Production Coordinator: Diane Overdiek First Assistant Directors Jerry Fleck Arlene Fukai Second Assistant Directors Michael DeMeritt David Trotti Script Supervisors Cosmo Genovese Jan Rudolph Science Consultant: Andre Bormanis Production Designer: Richard James Art Director: Louise Dorton Senior Illustrator/Technical Consultant: Rick Sternbach Scenic Arts Supervisor/Technical Consultant: Michael Okuda Scenic Artists Wendy Drapanas James Van Over Construction Coordinator: Al Smutko Property Master: Alan Sims Set Decorator: Jim Mees Director of Photography: Marvin Rush, A.S.C. Chief Lighting Technician: Bill Peets Key Grip: Randy Burgess Special Effects: Dick Brownfield Stunt Coordinator: Dennis Madalone Video Supervisor: Denise Okuda Hair Designer: Josee Normand Hair Stylists Charlotte Parker Viviane Normand Gloria Montmayor Make-Up Designed and Supervised By: Michael Westmore Make-Up Artists Tina Hoffman Scott Wheeler James Rohland Suzanne Diaz Costume Designer: Robert Blackman Wardrobe Supervisor: Carol Kunz Key Costumers Susie Money Tom Siegel Kim Shull Matt Hoffman Erin Regan Set Security Lazard Ward Steve D'Errico Casting Executive: Helen Mossler Casting Directors Junie Lowry-Johnson Ron Surma Original Casting By: Nan Dutton, C.S.A. Film Editors Daryl Baskin Bob Lederman Tom Benko Composers (Not a complete list) Jay Chattaway ("Equinox, Part II", "Riddles", "Dragon's Teeth", "Pathfinder", "Collective", "Spirit Folk", "Fury", "The Haunting of Deck Twelve") Dennis McCarthy ("Survival Instinct", "Tinker Tenor Doctor Spy", "The Voyager Conspiracy", "Virtuoso", "Tsunkatse", "Ashes to Ashes", "Life Line", "Unimatrix Zero") David Bell ("Barge of the Dead", "Alice", "Fair Haven", "Memorial", "Child's Play", "Muse") Paul Baillargeon ("One Small Step", "Blink of an Eye", "Good Shepherd", "Live Fast and Prosper") Music Editor: Gerry Sackman Visual Effects Producer: Dan Curry Visual Effects Supervisors Ronald B. Moore Mitch Suskin Visual Effects Coordinators Art Codron Liz Castro Sound Mixer: Alan Bernard Post Production Coordinator: Monique K. Chambers Pre-Production Coordinator/Script Coordinator: Lolita Fatjo Assistant Script Coordinator: Maggie Allen Production Associates David Rossi Maril Davis Michael O'Halloran Nicole Gravett Eric Norman Terry Matalas Production Assistants Jenny Pray Rodney Dugins Christopher Petrus Gerald Saavedra Transportation Captain: Stu Satterfield Drivers Larry Dukes Cameron Calder John Moore Ray McLaughlin Location Manager: Lisa White DGA Trainee: Melissa St. Onge Filmed with Panavision cameras and lenses Main Title Design by Santa Barbara Studios Dan Curry Post Production Sound by: 4MC Sound Services Digital Optical Effects: Digital Magic Special Video Compositing: CIS, Hollywood Editing Facilities: Four Media Company Computer Generated Effects Foundation Imaging Digital Muse Uncredited Emmerson Denney - Voice/Dialogue Coach for Albie Selznick ("The Voyager Conspiracy") Media releases VOY Season 6 UK VHS VOY Season 6 DVD External link cs:Šestá sezóna VOY de:VOY Staffel 6 fr:VOY Saison 6 nl:VOY Seizoen 6 sr:ВОЈ: Сезона 6 sv:VOY, säsong 6 Star Trek seasons
1755	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	VOY Season 7	Episodes Summary This was the final season of . A multitude of familiar aliens are revisited for a final shout including the Ferengi in , the Hirogen in , the Klingons in , the Hierarchy in and , the Q in , and the Talaxians in . sees Tom Paris and B'Elanna Torres pilot the in a "trans-stellar rally" before finally tying the knot, and in , Seven of Nine is forced to hide The Doctor's program in her cybernetic implant. In John de Lancie returns with his errant son, desperate for the assistance of "Aunt Kathy" which completes the "Q" story arc begun in seasons two and three, and in , the crew get to play in the holodeck alongside adulterated versions of themselves, when The Doctor publishes his first holonovel to less than stellar reviews. After marrying in , B'Elanna Torres and Tom Paris' relationship, Torres discovers that she is pregnant in , before contending with a group of Klingons convinced she is carrying the Klingon Messiah in . Ultimately, Torres gives birth at the very moment Voyager bursts into the Alpha Quadrant from inside an exploding Borg sphere in the series finale . The series finale, "Endgame" was watched by 8.8 million viewers, significantly less than the show's premiere episode, with 21.3 million viewers. Still, it pulled in the highest ratings since the premiere episode of the fourth season, . Referring to "Endgame" as "the right kind of Star Trek programming", UPN President Tom Nunan publicly declared, "The Voyager finale bodes extremely well for Enterprises première next fall." () Background information Brannon Braga steps down as showrunner to spend a year of pre-production on Enterprise, and is replaced for Voyagers final season by Kenneth Biller. Filming for this season began on with . After the series, Janeway was promoted to vice admiral and made a cameo appearance in . Alice Krige reprised her role of the Borg Queen in the Voyager series finale for the first time since starring in . All other appearances of the Borg Queen were played by Susanna Thompson. Characters with "crossovers" from other incarnations of Star Trek seen this season: the aforementioned Borg Queen (, ); Deanna Troi (); Reginald Barclay (, , and ); Q (). Credits Guest and co-stars VOY Season 7 performers Crew Executive Producers Rick Berman Kenneth Biller Consulting Producer: Brannon Braga Creative Consultants Michael Piller Jeri Taylor Supervising Producers Merri D. Howard Peter Lauritson James Kahn Producer: J.P. Farrell Co-Producers Dawn Velazquez Bryan Fuller Associate Producer: Stephen Welke Executive Story Editor: Michael Taylor Story Editors Robert Doherty Raf Green Phyllis Strong Mike Sussman Unit Production Manager: Brad Yacobian Production Coordinator: Diane Overdiek First Assistant Directors Jerry Fleck Arlene Fukai Second Assistant Director: Michael DeMeritt Second Second Assistant Director: Lorri Fischer Script Supervisor: Jan Rudolph Science Consultant: Andre Bormanis Production Designer: Richard James Art Director: Louise Dorton Set Designer: Tim Earls Senior Illustrator/Technical Consultant: Rick Sternbach Scenic Arts Supervisor/Technical Consultant: Michael Okuda Scenic Artists Geoffrey Mandel James Van Over Construction Coordinator: Al Smutko Property Master: Alan Sims Set Decorator: Jim Mees Director of Photography: Marvin Rush, ASC Chief Lighting Technician: Bill Peets First Company Grip: Randy Burgess Video Operator: Ben Betts Special Effects: Richard Ratliff Stunt Coordinator: Dennis Madalone Video Supervisor: Denise Okuda Hair Designer: Josee Normand Hair Stylists Charlotte A. Parker Viviane Normand Gloria Montemayor Make-Up Designed and Supervised By: Michael Westmore Make-Up Artists Tina Hoffman Scott Wheeler James Rohland Suzanne Diaz Natalie Wood Costume Designer: Robert Blackman Wardrobe Supervisor: Carol Kunz Key Costumers Susie Money Tom Siegel Kim Shull Matt Hoffman Erin Regan Jamie Thomas Supervising Sound Editor: Bill Wistrom Supervising Sound Effects Editor: Jim Wolvington Sound Editors Masanobu Tomita T. Ashley Harvey Dale Chaloukian Set Security Lazard Ward Steve D'Errico Casting Executive: Helen Mossler Casting Directors Junie Lowry-Johnson Ron Surma Original Casting By: Nan Dutton, CSA Film Editors Daryl Baskin Bob Lederman Tom Benko Assistant Editor: Noel A. Guerra Composers (Not a complete list) Dennis McCarthy ("Unimatrix Zero, Part II", "Critical Care", "Body and Soul", "Lineage", "Workforce", "Workforce, Part II", "Natural Law", "Renaissance Man") David Bell ("Imperfection", "Flesh and Blood", "Nightingale", "Prophecy", "Homestead") Jay Chattaway ("Drive", "Repression", "Shattered", "The Void", "Human Error", "Author, Author", "Endgame") Paul Baillargeon ("Inside Man", "Repentance", "Q2", "Friendship One") Music Editor: Gerry Sackman Visual Effects Producer: Dan Curry Visual Effects Supervisors Ronald B. Moore Mitch Suskin Visual Effects Coordinators Art Codron Liz Castro Visual Effects Assistant Editor: Edward Hoffmeister Visual Effects Associate: Chad Zimmerman Sound Mixer: Alan Bernard Camera Operator: Douglas Knapp Post Production Coordinator: Monique K. Chambers Script Coordinator: Maggie Allen Production Associates David Rossi Maril Davis Joanna Fuller Michael O'Halloran Nicole Gravett Eric Norman Terry Matalas Production Assistants Aaron Segal Joanna Fuller Jim Daley Jeremy Leo Transportation Captain: Stu Satterfield Drivers Larry Dukes Cameron Calder John Moore Bobby Guillory Location Manager: Lisa White Publicity: Rachel Fox Assistant to Publicist: Candice Clark Production Accountant: Suzi Shimizu DGA Trainee: Mark Rabinowitz Filmed with Panavision Cameras and Lenses Main Title Design by Santa Barbara Studios Dan Curry Post Production Sound by 4MC Sound Services Todd Studios Burbank Digital Optical Effects: Composite Image Systems Editing Facilities Four Media Company Level 3 Post Computer Generated Effects Foundation Imaging Digital Muse Media releases VOY Season 7 UK VHS VOY Season 7 DVD External link cs:Sedmá sezóna VOY de:VOY Staffel 7 es:VOY Temporada 7 fr:VOY Saison 7 nl:VOY Seizoen 7 sr:ВОЈ: Сезона 7 sv:VOY, säsong 7 Star Trek seasons
1756	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	ENT Season 1	Episodes Summary In 2151, Humanity finally prepares to take its first steps into deep space by way of the prototype warp five starship , led by Captain Jonathan Archer. Following an incident in which a lone Klingon courier crashes in Broken Bow, Oklahoma, Archer launches the ship from Earth spacedock in order to bring the Klingon homeworld. He then takes Enterprise on a mission of exploration. Season one of establishes several long-running plot lines that continue until the end of the series, including the Temporal Cold War and a conflict between Vulcan and Andoria; several episodes throughout this season focus on those story arcs. Background information Characters which "crossover" from other incarnations of Star Trek: Zefram Cochrane (). was filmed concurrent with this season, to be released during the next. This is the last season of any Star Trek series to have been released on VHS in the UK. Subsequent seasons were released on DVD only, due to the rise in popularity of that medium for home entertainment. Rick Berman's original idea for this entire first season was for it to be set on Earth as Humanity's first-ever warp starship was constructed. This was soon decided to be too far removed from the style of the franchise as a whole, and so the premise was redrafted. By midway through the production schedule on the pilot episode , Rick Berman and fellow Executive Producer Brannon Braga had written one additional hour-long episode as well as the stories for three or four other regular installments. () While was in production, the series' writing staff had planned out about twice as many episodes as had been produced, as the writers had "broken a dozen stories," according to staff writer Chris Black. () Showrunner Brannon Braga wanted to put together a writing staff of people who had never worked on Star Trek before, to bring a fresh air and new creative energies to the series, leading to the hiring of writers-producers Chris Black, Stephen Beck, Fred Dekker, Antoinette Stella, André Jacquemetton, and Maria Jacquemetton, working alongside Phyllis Strong, Mike Sussman and André Bormanis, who had already worked on the franchise. However, creative differences and arguments over the direction of the series and the way the writers' room was run, led to every newcomer sans Chris Black leaving the show in or after the first season. (The Fifty-Year Mission: The Next 25 Years) This season aired on UPN alongside the third season of , the show which Ronald D. Moore moved to after leaving and Jonathan Frakes was an executive producer and frequent director (and starring William Sadler). So for this one season, former partners Braga and Moore were writing for the same network. John Billingsley even guest-starred as himself, alongside Frakes, in an episode of Roswell (directed by Frakes) where the main character auditions for a part on an Enterprise episode, directed by Frakes – despite Frakes never actually directing an episode of Enterprise. This was the first season of any Star Trek series in which Majel Barrett-Roddenberry did not participate. Credits Guest and co-stars ENT Season 1 performers Crew Based upon Star Trek created by Gene Roddenberry Created by Rick Berman and Brannon Braga Theme by Diane Warren, performed by Russell Watson Consulting Producer Fred Dekker ("Fight or Flight” – “Shockwave") Co-Producers Brad Yacobian Stephen Welke Tim Finch ("Fight or Flight” – “Dear Doctor", "Shadows of P'Jem") Producers Dawn Velazquez Antoinette Stella ("Fight or Flight” – “Dear Doctor") J.P. Farrell ("Fight or Flight” – “Shockwave") Supervising Producers Merri D. Howard Peter Lauritson Chris Black ("The Andorian Incident” – “Shockwave") Executive Producers Rick Berman Brannon Braga Associate Producer David Rossi Executive Story Editors Phyllis Strong ("Fight or Flight” – “Shockwave") Mike Sussman ("Fight or Flight” – “Shockwave") Stephen Beck ("Fight or Flight” – “Oasis") Story Editors André Jacquemetton ("Fight or Flight” – “Shockwave") Maria Jacquemetton ("Fight or Flight” – “Shockwave") André Bormanis ("Acquisition” – “Shockwave") Music by Dennis McCarthy ("Broken Bow", "Strange New World", "Breaking the Ice", "Fortunate Son", "Sleeping Dogs", "Oasis", "Shockwave") Jay Chattaway ("Fight or Flight", "Unexpected", "Civilization", "Cold Front", "Shuttlepod One", "Detained", "Two Days and Two Nights") David Bell ("Terra Nova", "Dear Doctor", "Fusion", "Fallen Hero") Paul Baillargeon ("The Andorian Incident", "Shadows of P'Jem", "Rogue Planet", "Vox Sola") Velton Ray Bunch ("Silent Enemy", "Acquisition", "Desert Crossing") Director of Photography Marvin V. Rush, ASC Production Designer Herman Zimmerman Editors J.P. Farrell ("Broken Bow") Robert Lederman ("Fight or Flight", "Terra Nova", "Civilization", "Silent Enemy", "Sleeping Dogs", "Rogue Planet", "Detained", "Desert Crossing") Daryl Baskin ("Strange New World", "The Andorian Incident", "Fortunate Son", "Dear Doctor", "Shuttlepod One", "Acquisition", "Vox Sola", "Two Days and Two Nights") David A. Koeppel ("Unexpected", "Breaking the Ice", "Cold Front", "Shadows of P'Jem", "Fusion", "Oasis", "Fallen Hero", "Shockwave") Unit Production Manager Brad Yacobian First Assistant Directors Jerry Fleck ("Broken Bow", "Strange New World", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Arlene Fukai ("Fight or Flight", "Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Two Days and Two Nights") Michael DeMeritt ("Detained", "Fallen Hero") Second Assistant Directors Michael DeMeritt ("Broken Bow” – “Acquisition", "Desert Crossing” – “Shockwave") Michael Risner ("Oasis” – “Fallen Hero") Casting by Junie Lowry Johnson, CSA (credited as Junie Lowry-Johnson in "Broken Bow" and "Fight or Flight") Ron Surma Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Producer Dan Curry Visual Effects Supervisors Ronald B. Moore ("Broken Bow", "Strange New World", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Mitch Suskin ("Fight or Flight", "Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") David Stipes ("Terra Nova", "Breaking the Ice") Visual Effects Coordinators Elizabeth Castro ("Broken Bow", "Strange New World", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Arthur J. Codron ("Broken Bow", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Kevin Blank ("Fight or Flight", "Unexpected") Adam Buckner ("Terra Nova", "Breaking the Ice") Art Director Louise Dorton Scenic Art Supervisor/Technical Consultant Michael Okuda Production Illustrators Doug Drexler ("Broken Bow") David E. Duncan ("Civilization", "Silent Enemy", "Sleeping Dogs", "Rogue Planet", "Detained", "Desert Crossing") John Eaves ("Fortunate Son", "Dear Doctor", "Shuttlepod One", "Acquisition", "Vox Sola", "Two Days and Two Nights") Make-Up Designed and Supervised by Michael Westmore Senior Illustrator Doug Drexler ("Fight or Flight” – “Breaking the Ice", "Cold Front", "Shadows of P'Jem", "Fusion", "Oasis", "Fallen Hero", "Shockwave") Script Supervisor Jan Rudolph Stunt Coordinator Vince Deadrick, Jr. Special Effects Rich Ratliff (credited as Richard Ratliff in "Broken Bow") Assistant Editors Jacques Gravett ("Broken Bow", "Terra Nova", "Civilization", "Silent Enemy", "Sleeping Dogs", "Rogue Planet", "Detained", "Desert Crossing") Michael O'Halloran ("Broken Bow", "Unexpected", "Breaking the Ice", "Cold Front", "Shadows of P'Jem", "Fusion", "Oasis", "Fallen Hero", "Shockwave") Jonathan Paul Ramirez ("Fight or Flight") Harry Jierjian ("Strange New World", "The Andorian Incident", "Fortunate Son", "Dear Doctor", "Shuttlepod One", "Acquisition", "Vox Sola", "Two Days and Two Nights") (credited as Harry Jeirjian in "Strange New World") Visual Effects Assistant Editor Edward Hoffmeister Visual Effects Associate Armen V. Kevorkian Property Master Craig Binkley Construction Coordinator Thomas J. Arp Set Designers Fritz Zimmerman, III ("Broken Bow” – “Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Anthony Bro ("Broken Bow", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Scenic Artists Wendy Drapanas ("Broken Bow") Anthony Fredrickson ("Broken Bow", "Strange New World", "The Andorian Incident", "Fortunate Son", "Dear Doctor", "Shuttlepod One", "Acquisition", "Vox Sola", "Two Days and Two Nights") James Van Over ("Fight or Flight", "Terra Nova", "Civilization", "Silent Enemy", "Sleeping Dogs", "Rogue Planet", "Detained", "Desert Crossing") Geoffrey Mandel ("Unexpected", "Breaking the Ice", "Cold Front", "Shadows of P'Jem", "Fusion", "Oasis", "Fallen Hero", "Shockwave") Video Supervisor Denise Okuda Video Operator Ben Betts Hair Designer Michael Moore Hair Stylists Gloria Pasqua Casny Charlotte A. Parker ("Broken Bow") Roma Goddard ("Broken Bow", "Strange New World", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Laura Connolly ("Fight or Flight", "Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Wardrobe Supervisor Carol Kunz Make-Up Artists Suzanne Diaz-Westmore Ellis Burman ("Broken Bow” – “Fight or Flight", "Unexpected” – “Terra Nova", "Breaking the Ice” – “Civilization", "Cold Front” – “Silent Enemy", "Sleeping Dogs” – “Shadows of P'Jem", "Fusion” – “Rogue Planet", "Oasis” – “Detained", "Fallen Hero” – “Desert Crossing", "Shockwave") Jeff Lewis ("Broken Bow” – “Strange New World", "Terra Nova” – “The Andorian Incident", "Civilization” – “Fortunate Son", "Silent Enemy” – “Sleeping Dogs", "Shuttlepod One", "Rogue Planet” – “Acquisition", "Detained” – “Vox Sola", "Desert Crossing” – “Two Days and Two Nights") Bradley M. Look ("Broken Bow", "Strange New World” – “Unexpected", "The Andorian Incident” – “Breaking the Ice", "Fortunate Son” – “Cold Front", "Dear Doctor", "Shadows of P'Jem” – “Fusion", "Acquisition” – “Oasis", "Vox Sola” – “Fallen Hero", "Two Days and Two Nights” – “Shockwave") Key Costumers Tom Siegel ("Broken Bow” – “Fight or Flight", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Matt Hoffman ("Broken Bow” – “Fight or Flight", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Susie Money ("Broken Bow", "Strange New World” – “Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Jamie Thomas ("Broken Bow", "Strange New World” – “Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Camera Operator Douglas Knapp, SOC Chief Lighting Technician Bill Peets Sound Mixer Greg Agalsoff First Company Grip Randy Burgess Transportation Captains Stu Satterfield ("Broken Bow") Gary Edelman ("Broken Bow") Music Editor Stephen M. Rowe Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editors Jim Wolvington ("Broken Bow") Masanobu Tomita ("Fight or Flight” – “Shockwave") Sound Editors Masanobu Tomita ("Broken Bow") T. Ashley Harvey Dale Chaloukian Shaun Varney Jim Wolvington ("Fight or Flight” – “Shockwave") Re-Recording Mixers Christopher Haire, CAS ("Broken Bow") Richard Morrison, CAS ("Broken Bow") Douglas W. Davey, CAS ("Broken Bow") Senior Colorist George Cvjetnicanin ("Broken Bow") Online Editor John Carroll ("Broken Bow") Production Coordinator Diane Overdiek Post Production Coordinator Joanna K. McMeikan Production Associates Joanna Fuller Terry Matalas Pre-Production Coordinator Maggie Allen Assistant to Producers Eric Norman J.C. Fernandez (credited as Juan Fernandez in "Broken Bow") Location Managers Lisa White ("Broken Bow", "Strange New World", "Terra Nova", "Desert Crossing") Claudia Eastman ("Terra Nova") Production Accountant Suzi Shimizu Casting Executive Helen Mossler, CSA Casting Assistant Chadwick Struck Main Title Design by Montgomery/Cobb For Whom the Bell Tolls Courtesy of Universal Licensing, Inc. ("Dear Doctor") Water Polo Consultant Richard Corso ("Vox Sola") Matte Paintings Bill Mather ("Two Days and Two Nights") Post Production Sound Todd Studios Burbank Digital Optical Effects CIS, Hollywood R!ot ("Terra Nova") Editing Facilities Hollywood Digital ("Broken Bow") Level 3 Post ("Fight or Flight” – “Shockwave") Computer Generated Effects Foundation Imaging ("Broken Bow” – “Fight or Flight", "Unexpected", "The Andorian Incident", "Civilization” – “Sleeping Dogs", "Fusion” – “Acquisition", "Detained” – “Fallen Hero", "Two Days and Two Nights” – “Shockwave") Eden FX ("Broken Bow", "Strange New World” – “Terra Nova", "Breaking the Ice", "Cold Front” – “Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Black Pool Studios ("Broken Bow", "Strange New World", "The Andorian Incident", "Civilization", "Dear Doctor") Illusion Arts ("Broken Bow", "Unexpected", "Shockwave") Strange Engine ("Fortunate Son", "Desert Crossing") Filmed with Panavision Cameras and Lenses Uncredited John Agalsoff – Boom Operator ("Broken Bow", "Strange New World” – “Fusion", "Acquisition” – “Shockwave"), Sound Mixer ("Fight or Flight", "Fortunate Son"), Utility Sound ("Broken Bow” – “Shockwave"), Splinter Unit Sound Mixer ("Breaking the Ice", "Dear Doctor", "Shadows of P'Jem"), Second Unit Sound Mixer ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Terry Ahern – Second Assistant Camera Operator ("Broken Bow") Peter Albiez – Special Effects Artist ("Broken Bow") Gavin Ames – Steadicam Operator ("Broken Bow” – “Breaking the Ice", "Fortunate Son” – “Dear Doctor", "Fusion” – “Rogue Planet", "Oasis” – “Vox Sola", "Two Days and Two Nights"), Camera Operator ("Breaking the Ice"), "B" Camera Operator ("Rogue Planet", "Fallen Hero") Art Anthony – Additional Makeup Artist ("Civilization", "Fusion") Greg Argarin – Lamp Operator ("Unexpected” – “Breaking the Ice", "Silent Enemy"), Additional Electrician ("Terra Nova” – “Civilization", "Cold Front", "Shadows of P'Jem", "Rogue Planet", "Oasis"), Fixture ("Fortunate Son” – “Dear Doctor", "Shadows of P'Jem"), Rigger ("Silent Enemy", "Shadows of P'Jem") (also listed as Gregg Argarin/Greg Agarin) Jeff Arndt – Greensman ("Rogue Planet") (also listed as Jeff Arnt) Sam Arroyo – Craft Service ("Broken Bow") Larry Ballard – Medic ("Terra Nova") Jeff Bellamy – Additional Props ("Fight or Flight” – “Strange New World", "The Andorian Incident"), Property ("The Andorian Incident” – “Breaking the Ice", "Shadows of P'Jem") (also listed as Jeff Belemy/ Jeff Bellemy) Corey Berg – Medic ("Broken Bow", "Desert Crossing") Abbie Bernstein – Journalist, interviewed cast & crew on on set Les Bernstien – Motion Control Technician ("Broken Bow") Mev Blount – DGA Trainee ("Strange New World” – “Cold Front") (also listed as Mev Maxon) Jason Bonet – UPN Affiliate Relations, set visiting on to let the cast sign posters Tom Bookout – Best Boy Grip/Rigging Grips ("Broken Bow") Mary Ellen Bosche – Additional Costumer ("Fight or Flight", "Shadows of P'Jem") Matt Bosson – Video Operator ("Broken Bow", "Breaking the Ice” – “Civilization"), Second Unit Video Operator ("Fallen Hero", "Two Days and Two Nights") (also listed as Matt Bossen) Roger Bourse – Additional Electrician ("Broken Bow” – “Shockwave"), Lamp Operator ("The Andorian Incident” – “Civilization", "Cold Front” – “Silent Enemy", "Shuttlepod One", "Vox Sola"), Rigger ("Shadows of P'Jem"), Fixtures ("Shadows of P'Jem", "Desert Crossing"), Rigging Electrician ("Desert Crossing"), Second Unit Lamp Operator ("Vox Sola") Ruth Ann Brown – Set Teacher ("Broken Bow") Belinda Bryant – Makeup Artist ("Broken Bow"), Additional Makeup Artist ("The Andorian Incident") Brandon Burgess – Grip ("Broken Bow” – “Rogue Planet"), Best Boy Grip ("Breaking the Ice") Sonny Burman – Lab Makeup Artist ("Strange New World", "The Andorian Incident", "Fortunate Son", "Dear Doctor", "Shuttlepod One", "Acquisition", "Vox Sola", "Two Days and Two Nights") (also listed as Sonny Berman) Cameron Calder – Driver ("Broken Bow” – “Shockwave") Ron Calvaruzo – Splinter Unit Grip ("Broken Bow"), Grip ("Strange New World” – “Shockwave"), Best Boy Grip ("The Andorian Incident", "Silent Enemy"), Dolly Grip ("Dear Doctor"), Additional Grip ("Broken Bow", "Desert Crossing” – “Two Days and Two Nights"), Load Grip ("Desert Crossing"), Second Unit Dolly Grip ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") (also listed as Ron Calvaruso) Kevin A. Canamar – Medic ("Strange New World") Gregg Cantrell – Additional Electrician ("Broken Bow") – Greensman ("Civilization") Adolfo Castanon – Greensman ("Civilization", "Rogue Planet") (also listed as Adolpho Castanon) Vartan Chakarian – Craft Service ("Broken Bow", "Strange New World", "Terra Nova", "Cold Front", "Desert Crossing") Amanda Chamberlin – Photo Costumer ("Fight or Flight") Michael Chambliss – Axis Technician ("Broken Bow") Ken Chase – Additional Makeup Artist ("Broken Bow") Ian Christenberry – Lamp Operator ("Broken Bow” – “Shockwave"), Assistant Chief Lighting Technician ("Fight or Flight", "Unexpected” – “Civilization", "Cold Front” – “Dear Doctor", "Rogue Planet", "Oasis", "Vox Sola", "Two Days and Two Nights") Richmond G. Cogswell – Cogs Video ("Broken Bow") Matt Cohen – Video Operator ("Fight of Flight” – “Strange New World", "Civilization” – “Fortunate Son"), Prep Video ("Fight or Flight") Laura Connolly – Hair Stylist ("Strange New World", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Jenny Cooks – Catering ("Broken Bow", "Shadows of P'Jem") Brian Cooper – Splinter Unit Assistant Chief Lighting Technician/Redondo Gaffer ("Broken Bow"), Rigging Gaffer ("Broken Bow” – “Strange New World", "Sleeping Dogs" re-shoot, "Fusion” – “Acquisition", "Two Days and Two Nights” – “Shockwave"), Additional Electrician ("Sleeping Dogs", "Shuttlepod One", "Rogue Planet", "Detained” – “Desert Crossing"), Lamp Operator ("Shuttlepod One", "Acquisition"), Rigger ("Shuttlepod One"), Assistant Chief Lighting Technician ("Acquisition"), Rigging Electrician ("Oasis” – “Desert Crossing") – Utility Sound ("Breaking the Ice” – “Dear Doctor", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Two Days and Two Nights” – “Shockwave") Ron Cooper – Utility Sound ("Broken Bow", "Strange New World” – “Fusion", "Acquisition” – “Shockwave"), Boom Operator ("Broken Bow” – “Shockwave") Brian Cotton – Additional Costumer ("Broken Bow” – “Fight or Flight", "Breaking the Ice” – “Civilization"), Second Unit Costumer ("Fallen Hero", "Two Days and Two Nights") Cousins – Rigging Grip ("Acquisition"), Additional Grip ("Desert Crossing” – “Two Days and Two Nights") V. Covarrubias – Additional Grip ("Broken Bow", "Desert Crossing") (also listed as V. Covarribus) Josh Cunningham – Set Production Assistant ("Broken Bow", "Terra Nova", "Desert Crossing") Dan Curry – Visual Effects Supervisor ("Broken Bow") Anette Czagany – Additional Costumer ("Broken Bow") Stephen D'Amato – DGA Trainee ("Two Days and Two Nights” – “Shockwave") – Additional Grip ("Desert Crossing") David DeLeon – Still Makeup Artist ("Fight or Flight"), Additional Makeup Artist ("Civilization", "Shadows of P'Jem", "Rogue Planet” – “Vox Sola", "Desert Crossing") (also listed as Dave DeLeon) Damian Della Santina – Second Assistant Camera Operator ("Terra Nova", "Shockwave") Michael DeMeritt – Splinter Unit First Assistant Director ("Broken Bow", "Breaking the Ice", "Shadows of P'Jem"), First Assistant Director ("Cold Front", "Acquisition"), Second Unit First Assistant Director ("Vox Sola") Steve D'Errico – Set Security ("Broken Bow” – “Shockwave") Larry DeUnger – Special Effects Artist ("Broken Bow") William De Vital – Stunt Safety ("Terra Nova") Jay Devlin – Rigging Grips/Additional Grip ("Broken Bow"), Best Boy Grip ("Broken Bow” – “Shockwave"), Splinter Unit Key Grip ("Broken Bow", "Breaking the Ice"), Key Grip ("Silent Enemy"), Second Unit Key Grip ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Robert S. Dilly – Rigger ("Fortunate Son") Tony DiMase – Best Boy Grip ("Broken Bow", "Strange New World", "Terra Nova", "Fortunate Son” – “Cold Front", "Dear Doctor", "Shuttlepod One", "Rogue Planet"), Rigging Grip ("Broken Bow” – “Vox Sola"), Additional Grip ("Silent Enemy", "Shadows of P'Jem", "Rogue Planet", "Detained” – “Two Days and Two Nights"), Grip ("Rogue Planet", "Fallen Hero” – “Shockwave") Jon Djanrelian – Craft Service ("Broken Bow” – “Shockwave") Perry Dodgson – Splinter Unit Boom Operator ("Breaking the Ice") Adrian Dominguez – Additional Grip ("Fight or Flight", "Cold Front", "Desert Crossing") Dennis Drozdowski – Special Effects Artist ("Broken Bow", "Strange New World", "Terra Nova") Larry Dukes – Transportation Captain ("Broken Bow” – “Terra Nova", "Fusion"), Driver ("Unexpected” – “Shockwave") David Dunn – Swing Gang ("Acquisition” – “Shockwave") Syd Dutton – Matte Painter: Qo'noS surface ("Broken Bow"), Special Effects Artist/Consultant ("Shockwave") Brian Dyzack – Additional Second Assistant Camera Operator/Splinter Unit Second Assistant Camera Operator ("Broken Bow"), Second Assistant Camera Operator ("Oasis") (also listed as Brian Dzyak) John Eaves – Production Illustrator ("Civilization") Gary Edelman – Transportation Coordinator ("Fight or Flight” – “Terra Nova", "Fusion"), Transportation Captain ("Unexpected” – “Shockwave") Paul Elliot – Puppeteer ("The Andorian Incident", "Shadows of P'Jem") Earl Ellis – Additional Makeup Artist ("Broken Bow” – “Fight or Flight", "Unexpected” – “The Andorian Incident", "Civilization” – “Cold Front", "Dear Doctor", "Shadows of P'Jem", "Two Days and Two Nights"), Additional Lab Makeup Artist ("Broken Bow"), Lab Makeup Artist ("Fight or Flight” – “Terra Nova", "Civilization” – “Cold Front", "Dear Doctor"), Sculptor ("Unexpected", "Civilization” – “Fortunate Son", "Rogue Planet", "Two Days and Two Nights") Tom Embree – Additional Electrician ("Desert Crossing") Robert Eyslee – Assistant Chief Lighting Technician ("Broken Bow” – “Shockwave"), Photo Gaffer ("Fight or Flight"), Splinter Unit Gaffer ("Breaking the Ice"), Prep Second Unit ("Breaking the Ice"), Rigging Gaffer ("Acquisition"), Fixtures ("Vox Sola"), Second Unit Gaffer ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Sean Fairburn – Camera Operator ("Shuttlepod One") (also listed as Shawn Fairburn) John Fifer – Puppeteer ("The Andorian Incident", "Shadows of P'Jem") Lorri Fischer – Second Second Assistant Director ("Broken Bow” – “Fight or Flight", "Unexpected” – “Civilization", "Dear Doctor", "Shadows of P'Jem", "Fusion", "Acquisition” – “Detained", "Fallen Hero” – “Two Days and Two Nights"), Additional Second Second Assistant Director ("The Andorian Incident"), Second Assistant Director ("Shadows of P'Jem") Jerry Fleck – First Assistant Director Splinter Unit ("Dear Doctor") Jason Flores – Best Boy Grip ("Broken Bow", "Two Days and Two Nights"), Grip ("Broken Bow” – “Strange New World", "Fallen Hero” – “Two Days and Two Nights"), Rigging Grip ("Desert Crossing"), Additional Grip ("Two Days and Two Nights” – “Shockwave") Forrester – Redondo Grip ("Broken Bow") Bill Forster – Additional Grip ("Terra Nova” – “Fortunate Son") B. Fraley – Additional Grip ("Broken Bow") Arlene Fukai – Second Unit First Assistant Director ("Fallen Hero", "Two Days and Two Nights") Bill Gahret – "B" Camera Operator ("Oasis"), Second Unit Camera Operator ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Joe Gallo – Lamp Operator ("Breaking the Ice", "Shuttlepod One", "Vox Sola"), Rigger ("Fortunate Son", "Shuttlepod One"), Additional Electrician ("Dear Doctor", "Shadows of P'Jem"), Rigging Gaffer ("Sleeping Dogs” – “Shuttlepod One"), Rigging Electrician ("Shadows of P'Jem") Jake Garber – Sculptor ("Unexpected", "Dear Doctor"), Additional Makeup Artist ("The Andorian Incident", "Dear Doctor"), Lab Makeup Artist ("Dear Doctor") Jane Garcia, Journalist of the Guardian, interviewed Scott Bakula on on set Rusty Geller – Steadicam Operator ("Acquisition") Jeff Gershman – Steadicam Assistant ("Fusion") Geno Ghiselli – Swing Gang ("Broken Bow” – “Fight or Flight"), Lead Person ("Fight or Flight” – “Shockwave") Mark Ginther – Stunt Safety ("Terra Nova") Bill Gocke – Sound Mixer ("Broken Bow") Roma Goddard – Hair Stylist ("Fight or Flight", "Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Deborah Greaney – DGA Trainee ("Sleeping Dogs" re-shoot, "Rogue Planet” – “Desert Crossing") (also listed as Deb Greany) Grgich – Swing Gang ("Unexpected” – “Rogue Planet") Paul Guyer – Grip ("Broken Bow") Dennis Hammermeister – Second Unit Boom Operator/Blue Box ("Vox Sola") Peter Hapke – "B" Camera Operator ("Broken Bow", "Strange New World” – “Terra Nova", "Civilization", "Silent Enemy", "Shadows of P'Jem", "Acquisition", "Fallen Hero” – “Desert Crossing", "Shockwave"), Camera Operator ("Broken Bow", "Strange New World", "Terra Nova” – “Fortunate Son", "Silent Enemy” – “Dear Doctor", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Fallen Hero” – “Two Days and Two Nights") Maggie Hayes – Additional Hair Stylist ("Terra Nova” – “The Andorian Incident") Heil – Swing Gang ("Rogue Planet” – “Shockwave") Jaime Heintz – Additional Grip ("Dear Doctor") David E. Hengstellar – Rigger ("Fortunate Son") Rick Hester – Special Effects Artist ("Broken Bow” – “Shockwave") Matt Hoffman – Costumer ("Strange New World” – “Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Tina Hoffman – Additional Makeup Artist ("Fortunate Son", "Sleeping Dogs", "Rogue Planet” – “Vox Sola") Gary Holland – Utility Sound ("Broken Bow” – “Fight or Flight") Robert Hooven – Additional Grip ("Rogue Planet", "Desert Crossing"), Grip ("Acquisition” – “Vox Sola", "Two Days and Two Nights"), Second Unit Best Boy Grip ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights"), Rigging Grip ("Two Days and Two Nights") Mark Hotchkiss – Motion Control Technician ("Broken Bow") Mike Hunter – Swing Gang ("Terra Nova” – “Shuttlepod One", "Rogue Planet” – “Shockwave") Nancy J. Hvasta Leonardi – Makeup Artist ("Rogue Planet", "Acquisition") Chris Ishii – Prep First Assistant Camera ("Terra Nova") Phil Jacobson – Lamp Operator ("Broken Bow” – “Shockwave"), Assistant Chief Lighting Technician ("Vox Sola", "Shockwave") – Additional Grip ("Rogue Planet") – STRADA ("Broken Bow") Paul Kaloyeropoulos – Additional Costumer ("Broken Bow", "Fortunate Son” – “Cold Front", "Dear Doctor” – “Shadows of P'Jem", "Detained") Mark Karen – Camera Operator ("Fight or Flight", "Breaking the Ice", "Silent Enemy"), Splinter Unit Camera Operator ("Breaking the Ice", "Dear Doctor", "Shadows of P'Jem"), "B" Camera Operator ("Breaking the Ice” – “Silent Enemy", "Shadows of P'Jem"), Second Unit Camera Operator ("Fallen Hero") Marc Keating – Lead Prop Person ("Broken Bow") Steve Klinghoffer – Second Unit Boom Operator/Blue Box ("Vox Sola", "Fallen Hero") Douglas Knapp – Splinter Unit Director of Photography ("Broken Bow", "Breaking the Ice", "Dear Doctor", "Shadows of P'Jem"), Director of Photography ("Fortunate Son", "Shuttlepod One", "Fallen Hero” – “Desert Crossing"), Second Unit Director of Photography ("Vox Sola", "Fallen Hero", "Two Days and Two Nights") Barry R. Koper – Additional Makeup Artist ("Broken Bow", "Civilization” – “Fortunate Son", "Sleeping Dogs") Christopher J. Lama – Rigger/Additional Electrician ("Shadows of P'Jem") Rick Lamb – Steadicam Assistant ("The Andorian Incident", "Fortunate Son", "Dear Doctor", "Acquisition", "Oasis", "Vox Sola"), First Assistant Camera Operator ("Oasis", "Vox Sola") Laux – Swing Gang ("Broken Bow” – “Fortunate Son") Lane Leavitt – Stunt Rigger ("Broken Bow") Leavittation, Inc. – Stunt Rigging Company ("Broken Bow") Jeff Lewis – Makeup Artist ("Unexpected", "Breaking the Ice", "Cold Front", "Shadows of P'Jem", "Fusion", "Oasis", "Fallen Hero", "Shockwave") (also listed as "Big Daddy" Jeff Lewis) Stuart Lippman – Splinter Unit Script Supervisor ("Broken Bow", "Breaking the Ice", "Dear Doctor", "Shadows of P'Jem"), Script Supervisor ("Terra Nova", "Silent Enemy” – “Dear Doctor", "Shuttlepod One"), Second Unit Script Coordinator ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") (also listed as Stuart Lipman) Stephanie Lipsky – Additional Costumer ("Dear Doctor") Brad Look – Makeup Artist ("Fight or Flight", "Terra Nova", "Civilization", "Silent Enemy", "Sleeping Dogs", "Rogue Planet", "Detained", "Desert Crossing") Bruce MacRae – Model Maker, subcontracted for the remote controlled model spaceship build ("Broken Bow") Alex Luu – Journalist, interviewed cast and crew on on set Marino – Rigger ("Fortunate Son") Larry Markart – Video Operator ("Broken Bow") Ivan Marquez – Additional Costumer ("Vox Sola", "Two Days and Two Nights” – “Shockwave") Jim Martin – Production Illustrator ("Broken Bow” – “The Andorian Incident") William Mayer – Dolly Grip ("Broken Bow” – “Shockwave") Scott McKnight – Fixture Electrician ("Broken Bow"), Additional Electrician ("Desert Crossing") Michael T. McNerney – DGA Trainee ("Fortunate Son” – “Rogue Planet") (also listed as Mike McNerney) Jamie Medina – Lens Technician ("Vox Sola") Merrill – STRADA ("Broken Bow") Robert Meyers – Splinter Unit Gaffer ("Broken Bow"), Lamp Operator ("Broken Bow” – “Shockwave"), Assistant Chief Lighting Technician ("Unexpected” – “Terra Nova", "Breaking the Ice", "Cold Front", "Shuttlepod One", "Two Days and Two Nights"), Chief Lighting Technician ("Silent Enemy") (also listed as Bobbo Meyers/Bob Meyers) Scott Middleton – Splinter Unit First Assistant Camera Operator ("Broken Bow", "Breaking the Ice", "Dear Doctor", "Shadows of P'Jem"), First Assistant "B" Camera Operator ("Broken Bow” – “Terra Nova", "Breaking the Ice” – “Dear Doctor", "Shadows of P'Jem", "Acquisition", "Vox Sola” – “Fallen Hero", "Shockwave"), Second Assistant Camera Operator ("Broken Bow” – “Vox Sola", "Desert Crossing” – “Shockwave"), Prep First Assistant Camera Operator ("Strange New World", "The Andorian Incident” – “Breaking the Ice", "Silent Enemy” – “Sleeping Dogs", "Shockwave"), First Assistant Camera Operator ("Unexpected"), Prep Assistant Camera Operator ("Civilization", "Rogue Planet” – “Acquisition", "Fallen Hero"), Second Unit First Assistant Camera Operator ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Susie Money – Costumer ("Fight or Flight", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Ronald B. Moore – Vusal Effects Supervisor ("Terra Nova", "Breaking the Ice") Moreno – Swing Gang ("Broken Bow” – “Acquisition") Mary Kay Morse – Additional Makeup Artist ("Sleeping Dogs") Fran Murphy – Additional Costumer ("Broken Bow", "Oasis” – “Detained", "Desert Crossing” – “Shockwave") John Nesterowicz – Splinter Unit Prop Master ("Broken Bow", "Dear Doctor"), Property ("Broken Bow” – “Shockwave") Mary Ann Newfield – Second Unit Script Supervisor ("Fallen Hero") S. Nolen – Power Pod Technician ("Broken Bow") Frank O'Hea – Painter ("Broken Bow” – “Shockwave") Chris Olvera – Additional Grip ("Broken Bow", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem", "Rogue Planet", "Fallen Hero” – “Desert Crossing"), Splinter Unit Best Boy Grip ("Broken Bow"), Rigging Grip ("Terra Nova", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem", "Acquisition” – “Detained", "Fallen Hero” – “Shockwave"), Grip ("Vox Sola” – “Fallen Hero"), Second Unit Best Boy Grip ("Fallen Hero"), Load Grip ("Desert Crossing") Mark Overton – Boom Operator ("Broken Bow") Cristina Patterson Ceret – Contact Lens Technician ("Broken Bow") Ron Peebles – Grip ("Dear Doctor"), Additional Grip ("Sleeping Dogs” – “Shadows of P'Jem") Heide Pendergast – Puppeteer ("The Andorian Incident") Diane Pepper – Hair Stylist ("Terra Nova") John Peyser – Special Effects Artist ("Broken Bow” – “Shockwave") Butch Pierson – Assistant Steadicam Operator ("Broken Bow” – “Unexpected"), First Assistant Camera Operator ("Fight or Flight", "Unexpected", "The Andorian Incident", "Fallen Hero"), First Assistant "B" Camera Operator ("Unexpected") Ray Poblick – Rigger ("Fortunate Son") Joe Podnar – Additional Makeup Artist ("Broken Bow", "Terra Nova” – “The Andorian Incident", "Acquisition” – “Desert Crossing"), Lab Makeup Artist ("Oasis") (also listed as Joe Podner) Dave Pondella – Lamp Operator ("Broken Bow” – “Shockwave"), Assistant Chief Lighting Technician ("Terra Nova” – “The Andorian Incident", "Silent Enemy"), Second Unit Assistant Chief Lighting Technician ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") Nancy Pyne-Hapke – Set Teacher ("Broken Bow") Dave Quashnick – Additional Makeup Artist ("Fallen Hero") Bradford Ralston – Cogs Video ("Broken Bow") Jim Rathburn – Property ("Detained") Russ Rayburn – Swing Gang ("Sleeping Dogs") Rayner – Swing Gang ("Sleeping Dogs" re-shoot, "Shuttlepod One” – “Rogue Planet") Susan Reccius – Set Teacher ("Terra Nova") Erin Regan – Additional Costumer ("Fight or Flight", "The Andorian Incident", "Fortunate Son” – “Cold Front", "Sleeping Dogs” – “Shadows of P'Jem", "Acquisition", "Vox Sola"), Set Costumer ("Unexpected"), Splinter Unit Costumer ("Dear Doctor"), Second Unit Costumer ("Fallen Hero") Mark Reilly – Steadicam Assistant ("Terra Nova” – “Breaking the Ice", "Fortunate Son” – “Silent Enemy", "Rogue Planet", "Oasis” – “Vox Sola", "Two Days and Two Nights"), First Assistant Camera Operator ("The Andorian Incident", "Civilization” – “Cold Front", "Dear Doctor", "Shadows of P'Jem” – “Fusion", "Detained” – “Fallen Hero", "Two Days and Two Nights"), First Assistant "B" Camera Operator ("Civilization", "Rogue Planet", "Desert Crossing") (also listed as Mark Rielly/Mark Riley) Michael Risner – Second Second Assistant Director ("Broken Bow” – “Acquisition", "Desert Crossing” – “Shockwave"), Key Second Assistant Director ("Broken Bow", "Terra Nova” – “Civilization", "Cold Front” – “Dear Doctor", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet” – “Acquisition", "Two Days and Two Nights"), Key Second Assistant Director Photo Shooting ("Fight or Flight"), Second Unit First Assistant Director ("Fallen Hero"), Second Unit Second Assistant Director ("Fallen Hero", "Two Days and Two Nights") Gene Rizzardi – Model Maker, subcontracted for the remote controlled model spaceship build ("Broken Bow") Eric Roberts – Video Operator ("Broken Bow", "Breaking the Ice", "Silent Enemy", "Sleeping Dogs", "Shockwave"), Prep Video ("Silent Enemy” – “Dear Doctor") Jill Rockow – Additional Makeup Artist ("Two Days and Two Nights") Tim Roller – Assistant Steadicam Operator ("Broken Bow") Melissa Roth – Additional Second Assistant Camera Operator ("Broken Bow", "Strange New World"), Second Assistant Camera Operator ("Broken Bow” – “Shuttlepod One", "Rogue Planet” – “Acquisition", "Vox Sola” – “Shockwave"), First Assistant "B" Camera Operator ("Civilization", "Dear Doctor", "Shockwave"), Loader ("Sleeping Dogs", "Shockwave"), Assistant "B" Camera Operator ("Oasis", "Fallen Hero") Linda Rowe – Animal Handler ("Broken Bow” – “Unexpected", "Fortunate Son” – “Dear Doctor", "Acquisition", "Vox Sola” – “Two Days and Two Nights") Scott Rowe – Animal Handler ("Broken Bow” – “Unexpected", "Fortunate Son” – “Dear Doctor", "Acquisition", "Vox Sola” – “Shockwave") Cheri Ruff – Additional Hair Stylist ("Fight or Flight” – “Unexpected", "The Andorian Incident” – “Breaking the Ice", "Fortunate Son", "Silent Enemy", "Sleeping Dogs", "Fusion” – “Rogue Planet", "Oasis", "Vox Sola” – “Desert Crossing", "Shockwave"), Hair Stylist ("Civilization"), Second Unit Hair Stylist ("Fallen Hero", "Two Days and Two Nights") Charlie Russo – Property ("Broken Bow” – “Shockwave") (also listed as Charles Russo/Chucky Russo) Melissa St. Onge – Additional DGA Trainee ("Broken Bow") Schelling – Prep Video ("Dear Doctor") David Schwartz – Rigging Gaffer ("Broken Bow", "Unexpected” – “Dear Doctor", "Shadows of P'Jem"), Best Boy Rig ("Broken Bow"), Lamp Operator ("Terra Nova", "Breaking the Ice", "Fortunate Son"), Additional Electrician ("Breaking the Ice", "Fortunate Son” – “Cold Front"), Splinter Unit Gaffer ("Dear Doctor") (also listed as Dave Schwartz/D. "Lolly" Schwartz) Mark Scott – Video Operator ("Dear Doctor", "Fusion") Fernando Sepulveda – Swing Gang ("Broken Bow” – “Fortunate Son", "Sleeping Dogs", "Shuttlepod One” – “Shockwave") Francine Shermaine – Additional Hair Stylist ("Broken Bow") Kim Shull – Additional Costumer ("Broken Bow” – “Fight or Flight", "Terra Nova” – “Civilization", "Shadows of P'Jem", "Oasis” – “Detained"), Still Costumer ("Fight or Flight"), Set Costumer ("Dear Doctor") Tom Siegel – Costumer ("Strange New World” – “Unexpected", "The Andorian Incident", "Civilization", "Cold Front", "Dear Doctor” – “Sleeping Dogs", "Fusion", "Acquisition", "Detained", "Fallen Hero", "Two Days and Two Nights") Paul Simpson – Journalist, interviewed cast & crew on on set Laurie Smith – Lens Technician ("Broken Bow") Mychal Smith – Splinter Unit Boom Operator ("Dear Doctor") Carol Sonheim – Animal Handler ("Desert Crossing") Soufle – Splinter Unit Boom Operator ("Shadows of P'Jem") David Stipes – Visual Effects Supervisor ("Civilization") Rod Stoick – Additional Props ("Broken Bow", "Cold Front", "Dear Doctor"), Property ("Cold Front” – “Silent Enemy", "Sleeping Dogs", "Fusion") (also listed as Rod Stoic/Rod Stoik) Mitch Suskin – Visual Effects Artist ("Breaking the Ice") Gary Tachell – First Assistant Camera Operator ("Broken Bow” – “Shockwave"), "B" Camera Operator ("Unexpected", "Civilization” – “Cold Front", "Dear Doctor", "Shadows of P'Jem", "Vox Sola” – “Fallen Hero"), Camera Operator ("Cold Front", "Oasis") Jamie Thomas – Costumer ("Fight or Flight", "Terra Nova", "Breaking the Ice", "Fortunate Son", "Silent Enemy", "Shadows of P'Jem” – “Shuttlepod One", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing", "Shockwave") Ruth Thomas – Journalist, interviewed cast & crew on on set Wil Thoms – Special Effects Set Artist ("Broken Bow” – “Shockwave") Ron Tom – Still Photographer ("Fight or Flight” – “Strange New World", "Terra Nova", "Civilization” – “Dear Doctor", "Fusion", "Acquisition” – “Detained", "Fallen Hero” – “Shockwave") Brad Traver – Additional Second Assistant Camera Operator ("Terra Nova"), Splinter Unit Second Assistant Camera Operator ("Breaking the Ice", "Dear Doctor"), Second Assistant Camera Operator ("Civilization", "Vox Sola” – “Fallen Hero"), Loader ("Sleeping Dogs"), Second Unit Second Assistant Camera Operator ("Vox Sola” – “Fallen Hero", "Two Days and Two Nights") David Trotti – Second Second Assistant Director ("Broken Bow", "Breaking the Ice", "Cold Front” – “Silent Enemy", "Rogue Planet", "Oasis", "Vox Sola", "Desert Crossing” – “Two Days and Two Nights"), Splinter Unit Key Second Assistant Director ("Dear Doctor"), Splinter Unit Second Assistant Director ("Shadows of P'Jem"), Second Assistant Director ("Shadows of P'Jem"), Second Unit Second Assistant Director ("Vox Sola") Aristomenis Tsirbas – Digital Effects Artist Carrie Urzua – DGA Trainee ("Broken Bow” – “Strange New World") Mario A. Veloso – Additional Grip ("Desert Crossing") Eric Vesper – Splinter Unit Grip/Strike Grip ("Broken Bow"), Grip ("Fight or Flight") Patrick J. Vitolla – Additional Grip ("Rogue Planet"), Grip ("Rogue Planet") Lazard Ward – Set Security ("Broken Bow” – “Shockwave") Bobby Weisman Caterers, Inc. – Catering ("Broken Bow") Karen Westerfield – Additional Makeup Artist ("The Andorian Incident") June Westmore – Additional Makeup Artist ("The Andorian Incident", "Fortunate Son") Barry Wexler – Additional Grip/Key Grip ("Broken Bow” – “Fight or Flight") Richard Wicklund – Set Teacher ("Fortunate Son", "Dear Doctor", "Detained") (also listed as Richard Wickland) J. Wok's Catering – Catering ("The Andorian Incident") Natalie Wood – Additional Makeup Artist ("The Andorian Incident” – “Breaking the Ice") Julie Woods – Hair Stylist ("Terra Nova"), Additional Hair Stylist ("The Andorian Incident") Ilbra Yacoob – Lens Technician ("Unexpected") Michael Yarish – Still Photographer ("Broken Bow” – “Fight or Flight", "The Andorian Incident") Greg Yeffeth – Splinter Unit Dolly Grip ("Broken Bow"), Grip ("Fight or Flight"), Additional Grip ("Strange New World") See also ENT Season 1 DVD ENT Season 1 Blu-ray External link bg:ENT Сезон 1 cs:První sezóna ENT de:ENT Staffel 1 fr:ENT Saison 1 nl:ENT Seizoen 1 sr:ЕНТ: Сезона 1 sv:ENT, säsong 1 Star Trek seasons
1757	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	ENT Season 2	Episodes Summary The second season of sees less focus on the Temporal Cold War and the conflicts between Vulcan and Andoria. Instead, the season embraces a more episodic format than that of the previous year. However, some service is given to the aforementioned story arcs and a new one is introduced involving the Klingon Empire's attempts to capture and incarcerate Captain Archer. The biggest change to impact Enterprise occurs in the season finale, when an attack against Earth by the Xindi wipes out seven million people. is refitted and sent on a new mission: to locate the Xindi and do everything possible to prevent a second attack. Background information was released during the run of this season, two days after the airing of . This is the first season of any Star Trek series not to be released on VHS in the UK, owing to the rise in popularity of DVD as a medium for home entertainment. As the bulk of the writing staff had left in or after the first season, executive producer / showrunner Brannon Braga was desperate to find new staff writers for the series. He hired Emmy-nominated John Shiban, well-known as a writer and producer for The X-Files, who he hoped will be the "genius" of the show. However, Shiban, who brought his own ideas and wanted to "turn things upside down" met with resistance from the already established format and working methods of Star Trek, and left after one season due to creative differences. (The Fifty-Year Mission: The Next 25 Years) Braga's other choice for staff was writer-producer Jose Molina, however, Molina received an offer to join the staff of 's new sci-fi series and chose that job instead. After Molina's refusal, Braga hired David A. Goodman, a former and writer, and avid Star Trek fan, for the position. (The Fifty-Year Mission: The Next 25 Years) Credits Guest and co-stars ENT Season 2 performers Crew Based upon Star Trek created by Gene Roddenberry Created by Rick Berman and Brannon Braga Theme by Diane Warren Performed by Russell Watson Consulting Producer David A. Goodman Co-Producers Brad Yacobian Mike Sussman Phyllis Strong Stephen Welke Producers Dawn Velazquez J.P. Farrell Supervising Producers Merri D. Howard Peter Lauritson Co-Executive Producer Chris Black Executive Producers Rick Berman Brannon Braga Associate Producer David Rossi Story Editor André Bormanis Music by (Not a complete list) Dennis McCarthy ("Shockwave, Part II", "Dead Stop", "The Communicator", "Stigma", "Future Tense", "Cogenitor", "The Expanse") Jay Chattaway ("Carbon Creek", "The Seventh", "Vanishing Point", "The Catwalk", "Cease Fire", "The Breach", "Bounty") David Bell ("Minefield", "Singularity", "Dawn") Paul Baillargeon ("A Night in Sickbay", "Precious Cargo", "The Crossing", "First Flight") Velton Ray Bunch ("Marauders", "Judgment") Brian Tyler ("Canamar", "Regeneration") Mark McKenzie ("Horizon") Director of Photography Marvin V. Rush, ASC Production Designer Herman Zimmerman Editor David A. Koeppel Unit Production Manager Brad Yacobian First Assistant Director Jerry Fleck Second Assistant Director Michael DeMeritt Casting by Junie Lowry Johnson, CSA Ron Surma Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Producer Dan Curry Visual Effects Supervisor Ronald B. Moore Art Director Louise Dorton Scenic Art Supervisor/Technical Consultant Michael Okuda Make-Up Designed and Supervised by Michael Westmore Senior Illustrator Doug Drexler Set Designer Ahna Packard Property Master Craig Binkley Construction Coordinator Thomas J. Arp Scenic Artist Alan Kobayashi Video Supervisor Denise Okuda Video Operator Ben Betts Script Supervisor Jan Rudolph Special Effects Rich Ratliff Assistant Editor Michael O'Halloran Visual Effects Coordinator Elizabeth Castro Visual Effects Assistant Editor Edward Hoffmeister Visual Effects Associate Armen V. Kevorkian Hair Designer Michael Moore Make-Up Artists Suzanne Diaz-Westmore Bradley M. Look Ellis Burman Hair Stylists Gloria Pasqua Casny Roma Goddard Wardrobe Supervisor Carol Kunz Camera Operator Douglas Knapp, SOC Chief Lighting Technician Bill Peets Sound Mixer Greg Agalsoff Stunt Coordinator Vince Deadrick, Jr. First Company Grip Jay Devlin Key Costumers Tom Siegel Matt Hoffman Music Editor Stephen M. Rowe Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Masanobu Tomita Sound Editors Jim Wolvington T. Ashley Harvey Dale Chaloukian Shaun Varney Production Coordinator Diane Overdiek Post Production Coordinator Joanna K. McMeikan Production Associates Joanna Fuller Terry Matalas Pre-Production Coordinator Juan Carlos Fernandez Assistant to Producers Eric Norman Joshua Cunningham Production Accountant Suzi Shimizu Casting Executive Sheila Guthrie, CSA Casting Assistant Christine L. Smith Main Title Design by Montgomery/Cobb Post Production Sound Technicolor Sound Services Digital Optical Effects Complete Post, Inc. Editing Facility Level 3 Post Computer Generated Effects Eden FX Filmed with Panavision Cameras and Lenses Uncredited Eric Adamson – Rigging Gaffer ("The Catwalk") John Agalsoff – Boom Operator/Sound Utility ("The Catwalk") Roger Bourse – Additional Electrician ("The Catwalk") Sonny Burman – Lab Makeup Artist ("The Catwalk") Cameron Calder – Driver ("The Catwalk") Ron Calvaruzo – Grip ("The Catwalk") Ian Christenberry – Lamp Operator ("The Catwalk") Byron Cohen – Still Photographer ("The Catwalk") Laura Connolly – Hair Stylist ("The Catwalk") Ron Cooper – Sound Department Utility/Boom Operator ("The Catwalk") Phyllis Corcoran-Woods – Costumer ("The Catwalk") Brian Cotton – Additional Wardrobe ("The Catwalk") V. Covarrubias – Rigging Grip ("The Catwalk") Roxy D'Alonzo – Additional Makeup Artist ("The Catwalk") David DeLeon – Additional Makeup Artist ("The Catwalk") Rebecca DeMorrio – Additional Hair Stylist ("The Catwalk") Steve D'Errico – Set Security ("The Catwalk") Jon Djanrelian – Craft Service ("The Catwalk") Adrian Dominguez – Grip ("The Catwalk") Rene Dominguez – Best Boy Grip ("The Catwalk") Dennis Drozdowski – Special Effects Artist ("The Catwalk") Larry Dukes – Driver ("The Catwalk") David Dunn – Swing Gang ("The Catwalk") Gary Edelman – Transportation Captain ("The Catwalk") Earl Ellis – Makeup Artist ("The Catwalk") Robert Eyslee – Assistant Chief Lighting Technician ("The Catwalk") Shawn Fairburn – "B" Camera Operator ("The Catwalk") Gino Ghiselli – Set Dressing Lead Man ("The Catwalk") Peter Hapke – "B" Camera Operator ("The Catwalk") Roy Heath – Additional Grip ("The Catwalk") Rick Hester – Special Effects Artist ("The Catwalk") Mike Hunter – Swing Gang ("The Catwalk") Nancy J. Hvasta Leonardi – Makeup Artist ("The Crossing", "Judgment") Phil Jacobson – Lamp Operator ("The Catwalk") Mark Karen – "B" Camera Operator ("The Catwalk") Barry Koper – Additional Makeup Artist ("The Catwalk") Rick Lamb – "B" Camera First Assistant Camera Operator ("The Catwalk") Jeff Lewis – Makeup Artist ("The Catwalk") Ivan Marquez – Additional Wardrobe ("The Catwalk") William Mayer – Dolly Grip ("The Catwalk") Jack McLean – Rigging Gaffer ("The Catwalk") Bobbo Meyers – Lamp Operator ("The Catwalk") Abe Morrison – DGA Trainee ("The Catwalk") John Nesterowicz – Set Property ("The Catwalk") Frank O'Hea – Set Painter ("The Catwalk") Chris Olvera – Rigging Grip ("The Catwalk") Cristina Patterson Ceret – Contact Lens Designer/Painter John Peyser – Special Effects Artist ("The Catwalk") Butch Pierson – First Assistant Camera Operator ("The Catwalk") Dave Pondella – Lamp Operator ("The Catwalk") Russ Rayburn – Swing Gang ("The Catwalk") Mark Reilly – Prep First Assistant Camera Operator/First Assistant Camera Operator/"B" Camera First Assistant Camera Operator ("The Catwalk") Eric Roberts – Video Operator ("The Catwalk") Tim Roller – "B" Camera First Assistant Camera Operator ("The Catwalk") Linda Rowe – Animal Handler ("The Catwalk") Scott Rowe – Animal Handler ("The Catwalk") Charlie Russo – Set Property Master ("The Catwalk") Lorri Sanders – Additional Hair Stylist ("The Catwalk") Terry Shroth – Second Assistant Camera Operator ("The Catwalk") Kelly Stevens – DGA Trainee ("The Catwalk") Gary Tachell – First Assistant Camera Operator ("The Catwalk") Jamie Thomas – Set Costumer ("The Catwalk") Wil Thoms – Set Special Effects Artist ("The Catwalk") David Trotti – Second Second Assistant Director ("The Catwalk") Lazard Ward – Set Security ("The Catwalk") See also ENT Season 2 DVD ENT Season 2 Blu-ray External link bg:ENT Сезон 2 cs:Druhá sezóna ENT de:ENT Staffel 2 fr:ENT Saison 2 nl:ENT Seizoen 2 sr:ЕНТ: Сезона 2 sv:ENT, säsong 2 Star Trek seasons
1758	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	ENT Season 3	Episodes Summary The third season of focuses on 's mission to prevent a second Xindi attack from destroying Earth. Unlike the show's second season, Enterprises third season embraces a heavily serialized format dedicated to the search for the Xindi primary weapon. Additionally, Archer, Trip, and T'Pol receive considerable character development throughout the year. The season concludes with the destruction of the Xindi weapon and the beginning of a brief story line that will bring the unpopular Temporal Cold War to an end the following season. Background information Season three of Enterprise marks a Star Trek first: the use of a single story arc for an entire season. The Xindi arc actually begins with , the cliffhanger ending of the previous season, and extends indirectly into the first three episodes of the next, , and . The episode order for this season was cut from 26 to 24 episodes by Paramount, following some disappointing early ratings. As the season drew to a close, rumors grew that cancellation was close at hand, but the fourth season was on . The title of the series changed to Star Trek: Enterprise after was broadcast. For the season 3 DVD set, the first episodes were updated to reflect the change. The theme music was changed to have a more up-beat tempo, in line with s new theme starting with season four's premiere, , which was also changed to having a more up-beat tempo. Recaps of previous events are included at the start of the episodes , , , , , , , , , , and . Season 3 is the first live-action season of the entire franchise in which no Klingons appear. This is the only season of Enterprise in which Admiral Maxwell Forrest, Silik, and Commander do not appear. Credits Guest and co-stars ENT Season 3 performers Crew Opening credits Created By Rick Berman Brannon Braga Theme By Diane Warren Performed By Russell Watson Consulting Producers Brent V. Friedman David A. Goodman Co-Producer Brad Yacobian Producers Dawn Velazquez J.P. Farrell Supervising Producers Merri D. Howard Peter Lauritson Co-Executive Producers Chris Black Manny Coto ("Exile"– ) Closing credits This list is incomplete Executive Producers Rick Berman Brannon Braga Co-Producers Stephen Welke Mike Sussman Phyllis Strong Note that Sussman's and Strong's credits alternated the second and third position every other episode (odd and even, respectively). Associate Producer David Rossi Executive Story Editor André Bormanis Story Editor Jonathan Fernandez ("Extinction"– ) Credited as Jonathan D. Fernandez ("The Xindi", "Anomaly") Co-Stars See above Music by Dennis McCarthy ("The Xindi", "Impulse", "Twilight", "Carpenter Street", "Doctor's Orders", "Damage", "Countdown") Jay Chattaway ("Anomaly", "The Shipment", "North Star", "Stratagem", "Azati Prime", "E²", "Zero Hour") Velton Ray Bunch ("Extinction", "Exile", "Similitude", "Harbinger", "The Council") Paul Baillargeon ("Rajiin", "Chosen Realm", "Hatchery", "The Forgotten") John Frizzell ("Proving Ground") Kevin Kiner ("Doctor's Orders", "Damage", "Countdown") Director of Photography Marvin V. Rush, A.S.C. Production Designer Herman Zimmerman Editor David A. Koeppel ("The Xindi", "Rajiin", "The Shipment") Robert Lederman ("Anomaly", "Impulse") Daryl Baskin ("Extinction", "Exile") Unit Production Manager Brad Yacobian First Assistant Director Jerry Fleck ("The Xindi", "Extinction", "Impulse", "The Shipment") Arlene Fukai ("Anomaly", "Exile") Michael DeMeritt ("Rajiin") Second Assistant Director Michael DeMeritt ("The Xindi", "Anomaly", "Impulse", "Exile") David G. Trotti ("Extinction", "Rajiin", "The Shipment") Casting By Junie Lowry Johnson, C.S.A. Ron Surma Costume Designer Robert Blackman Set Decorator Jim Mees Visual Effects Producer Dan Curry Visual Effects Supervisor Ronald B. Moore ("The Xindi", "Extinction", "Impulse", "The Shipment") Mitch Suskin ("Anomaly", "Rajiin", "Exile") Art Director Louise Dorton Scenic Art Supervisor/Technical Consultant Michael Okuda Make-Up Designed and Supervised By Michael Westmore Senior Illustrator Doug Drexler ("The Xindi", "Extinction", "Impulse", "The Shipment") Production Illustrator John Eaves ("Anomaly", "Rajiin", "Exile") Set Designer Fritz Zimmerman, III ("The Xindi", "Rajiin", "The Shipment") Lee Cole ("Anomaly", "Impulse") Ahna Packard ("Extinction", "Exile") Property Master Craig Binkley Construction Coordinator Thomas J. Arp Scenic Artist James Van Over ("The Xindi", "Rajiin", "The Shipment") Anthony Fredrickson ("Anomaly", "Impulse") Alan Kobayashi ("Extinction", "Exile") Video Supevisor Denise Okuda Video Operator Ben Betts Script Supervisor Jan Rudolph ("The Xindi", "Extinction", "Impulse", "The Shipment") Judi Brown ("Anomaly", "Rajiin", "Exile") Special Effects Rich Ratliff Assistant Editor Michael O'Halloran ("The Xindi", "Rajiin", "The Shipment") David Milhous ("Anomaly", "Impulse") Harry Jierjian ("Extinction", "Exile") Visual Effects Coordinator Elizabeth Castro ("The Xindi", "Impulse", "The Shipment") Arthur J. Codron ("Anomaly", "Rajiin", "Exile") Elizabeth Castro ("Extinction") Visual Effects Assistant Editor Christopher Petrus Visual Effects Associate Armen V. Kevorkian Hair Designer Michael Moore Make-Up Artists Suzanne Diaz-Westmore Earl Ellis ("The Xindi", "Extinction", "Rajiin", "Exile", "The Shipment") Jeff Lewis ("The Xindi", "Anomaly", "Rajiin", "Impulse", "The Shipment") Bradley M. Look ("Anomaly", "Extinction", "Impulse", "Exile") Hair Stylists Gloria Pasqua Casny Laura Connolly ("The Xindi", "Extinction", "Impulse", "The Shipment") Roma Goddard ("Anomaly", "Rajiin", "Exile") Wardrobe Supervisor Carol Kunz Camera Operator Douglas Knapp, S.O.C. Chief Lighting Technician Bill Peets Sound Mixer Greg Agalsoff Stunt Coordinator Vince Deadrick, Jr. First Company Grip Jay Devlin Key Costumers Tom Siegel ("The Xindi", "Extinction", "Impulse", "The Shipment") Matt Hoffman ("The Xindi", "Extinction", "Impulse", "The Shipment") Barbara K. Scott ("Anomaly", "Rajiin", "Exile") Jamie Thomas ("Anomaly", "Exile") Erin Regan ("Rajiin") Music Editor Stephen M. Rowe Supervising Sound Editor Bill Wistrom Supervising Sound Effects Editor Masanobu Tomita Sound Effects Jim Wolvington T. Ashley Harvey Dale Chaloukian Shaun Varney Production Coordinator Diane Overdiek Post Production Coordinator Joanna K. McMeikan Production Associates Joanna Fuller Terry Matalas Pre-Production Coordinator Juan Carlos Fernandez Assistant to Producers Eric Norman Joshua Cunningham ("The Xindi"&dnash;"Impulse", "The Shipment") Donna Rooney ("Exile") Production Accountant Suzi Shimizu Casting Executive Sheila Guthrie, C.S.A. Casting Assistant Christine L. Smith Main Title Design By Montgomery/Cobb Post Production Sound TCS, Glendale Digital Optical Effects TCS, Hollywood Editing Facility Level 3 Post Computer Generated Effects Eden FX Filmed with Panavision® Cameras and Lenses Uncredited Mike Cassidy – Assistant Stunt Coordinator ("Rajiin") Eric Hester – Associate Composer ("The Council") Nancy J. Hvasta Leonardi – Makeup Artist ("Damage", "The Forgotten") Cristina Patterson Ceret – Contact Lens Designer/Painter Wil Thoms – Set Special Effects Artist ("Countdown") See also ENT Season 3 DVD ENT Season 3 Blu-ray bg:ENT Сезон 3 cs:Třetí sezóna ENT de:ENT Staffel 3 fr:ENT Saison 3 nl:ENT Seizoen 3 sr:ЕНТ: Сезона 3 sv:ENT, säsong 3 Star Trek seasons
1759	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Niagara class	The Niagara-class was a type of Starfleet vessel in service in the late 24th century. This class of starship had the unusual distinction of having three warp nacelles. Ships of the class Named (NCC-59804) Uncertain (NCC-33821) Appendices Appearances Background information Both the Princeton and the Wellington were classified as Niagara-class starships in an internal list of starships, from 26 September 1990. This information was the source for the . The registry for the Princeton was taken directly from the model itself. Production photos of this class appeared in the special features section of the TNG Season 3 and TNG Season 4 DVDs. The scratch-built "kit-bash" studio model of the pre-damaged Niagara-class USS Princeton was created at Gregory Jein, Inc. by Jein and his staff for the "graveyard" scene that the traveled through following the Battle of Wolf 359 in . For further information on the studio model, see: Galaxy-class derivative ship class studio models According to Issue #126 of the Star Trek: The Official Starships Collection, the Niagara-class starship had a crew of 530, a length of 565 meters, and was capable of reaching warp 9.6. It was depicted with 10 phaser arrays. External link de:Princeton-Typ es:Clase Niagara ja:ナイアガラ級 nl:Niagara klasse Federation starship classes Memory Alpha articles named from supplementary resources
1761	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Wellington	The USS Wellington (NCC-33821) was a 24th century Federation starship operated by Starfleet. Early in her career, Ensign Ro served aboard the Wellington when the vessel visited Garon II, provoking an incident that would get her court martialed. This incident was noted in Ro's personnel file in the crew manifest database for the in 2368. () Bynar technicians upgraded computers on the Wellington at Starbase 74 in 2364. () In 2365, Captain Thomas Pucer was the commanding officer of this ship. In that year, the Wellington was assigned to patrol the Neutral Zone in Sector 130. The ship was named on the Starship Deploy Status chart in the Starbase 173 courtroom. (, okudagram) In 2367, in the reality created by Beverly Crusher, the Wellington was in the same sector as Starbase 133. It reported no unusual readings after Wesley Crusher had performed warp field experiments aboard the Enterprise-D. () Personnel Appendices Background information The registry of the Wellington was derived from the chart in "The Measure Of A Man". In an internal list of starships, dated , the Wellington was classified as a starship and the registry was changed to NCC-28473. This information would become the original source for the main Wellington entry found in the . The first draft script for "11001001" called this ship the Washington. An early draft of stated that the USS Wellington was docked at Deep Space 9 for refueling in 2373. External link de:USS Wellington es:USS Wellington fr:USS Wellington (NCC-33821) ja:USSウェリントン nl:USS Wellington Wellington
1765	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Andorian Imperial Guard	The Andorian Imperial Guard was the primary military force of the Andorian Empire, and maintained both starships and Imperial Infantry Units. The Guard was also skilled in espionage, able to monitor secure transmissions and utilize operatives. () It maintained the ranks of general, captain, commander, and lieutenant, and was staffed with both male and female personnel. The Imperial Guard had been in existence for at least four Andorian generations prior to 2153. Members of the Imperial Guard could be recruited at a very young age, as some were said to be trained in combat since childhood. The standard sidearm issued to Imperial Guardsmen was an assault rifle-sized weapon which fired blue energy beams. It did not have a stun setting. () When a Guardsman died far from home, it was his or her companions' duty to take a piece of the fallen back with them to Andoria (for example, a vial of their blood). This item was to be taken to the Wall of Heroes. () The Andorian Imperial Guard warship Kumari led a task force against the Vulcan invasion of Andoria in 2154. () It was later destroyed, with the loss of all but nineteen crewmembers, by a Romulan craft disguised as a Tellarite vessel. () Commanders who lost starships under their command were seldom reassigned to the command of another starship. () Personnel Named (honorary member) Keval (General) Talas (Lieutenant) Tarah (Lieutenant) Telev (Captain) Tholos Thon Unnamed General 1 General 2 Kumari personnel Shran's brother Soldier of Weytahn 1 Soldier of Weytahn 2 Soldier of Weytahn 3 Talas' mother Technology Andorian pistol Andorian rifle Andorian scanner de:Andorianische Imperiale Garde ja:アンドリア帝国防衛軍 nl:Andorian rijkswacht Military organizations Andoria
1775	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	40 Eridani A Starfleet Construction Yards	The 40 Eridani A Starfleet Construction Yards were 24th century Federation shipyards located at 40 Eridani A in the Vulcan system. The starship was built by Yoyodyne Division at these yards on stardate 22519.5. () The starship was built by Yoyodyne Division at these yards on stardate 40250.5. () The Nebula-class starship was built by Yoyodyne Division at these yards. () After the attack on Mars in 2385, Admiral Jean-Luc Picard and Commander Raffaela Musiker proposed to Starfleet that mothballed ships from Eridani A and Beta Antares be used to maintain the evacuation of Romulans from the Romulan supernova, albeit at a severely reduced level. The proposal was rejected. () cs:Loděnice 40 Eridani A de:40-Eridani-A-Flottenwerft ja:エリダヌス座40番星A宇宙艦隊造船所 nl:40 Eridani A Starfleet scheepswerf pl:40 Eridani A Starfleet Construction Yards Shipyards
1777	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Brattain	The USS Brattain (NCC-21166) was a 24th century Federation starship operated by Starfleet. On stardate 22519.5, the Brattain, which had been constructed by the Yoyodyne Division, was commissioned at the 40 Eridani A Starfleet Construction Yards. During the mid-2360s, this science vessel had a crew complement of thirty-five, among which included Captain Chantal Zaheva, her first officer Commander Brink, and Betazoid scientific advisor Andrus Hagan. In mid-2367, the Brattain was trapped in a Tyken's Rift near an uncharted binary star system, when it sent a distress call. Its effects rendered the engines inoperative and its power levels slowly dropped. In the next few weeks, the crew became unable to operate the ship and eventually died under circumstances of violent suicides and homicides, determined to be caused by severe REM deprivation. This left the ship adrift. The ship was re-discovered by the , on stardate 44631.2, following Starfleet's receipt of its call and subsequent silence. The Enterprise crew boarded and found the engines inoperative. Attempting to tow the ship, the Enterprise crew found itself trapped by the same mechanism. However, they learned of the alien ship that was trapped in the Rift and disabled the effects. When last seen, the Brattain was still trapped within the Rift. () Personnel USS Brattain personnel Appendices Background information The Brattain was named after physicist , one of the inventors of the transistor. The name was mistakenly spelled "Brittain" on the studio model. () The correct spelling, "Brattain", was legible on several display graphics seen in the episode. It was also the spelling used in the script. The Brattain was a re-use of the studio model from , with minor modifications. (). The commissioning data and motto were derived from the ship's dedication plaque; the motto was an in-joke reference to the opening lyrics of the 1960s TV show . External link bg:USS Братейн cs:USS Brattain de:USS Brattain ja:USSブラッテン Brattain
1784	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	NCC-1700	NCC-1700 was the registry of a 23rd century Federation starship operated by Starfleet. (; ; ) In 2267, NCC-1700 was listed as one of several vessels undergoing repair. Commodore referred to this chart when the arrived at Starbase 11 following an encounter with an ion storm. () Appendices Background information This starship has never been named in the Star Trek canon. The registry number was first seen in "Court Martial" and was associated with a Constitution-class vessel via a schematic in "Datalore". This ship was named the USS Constitution, and stated that it was the class leader of the Constitution-class according to the . Michael Okuda, author of the Encyclopedia, based his marrying of the registry to the name by taking his cue from Gregory Jein's influential 1973 article, "The Case of Jonathan Doe Starship". Star Trek studio model builder Jein in turn, had made an attempt in the article to "logically" couple the registry numbers as seen in "Court Martial" with the names listed in the 1968 reference book The Making of Star Trek, and selected the Constitution as the class vessel for a newer "MK IX sub-class", in order to make sense of the lower registry numbers. The "MK IX" specifier was actually used, but unreadable on a graphic on a computer screen that Scott was reading, showing a phaser bank diagram for the class in the second season episode of . The name Constitution had already been established by the producers at the start of the second season of the Original Series, when they composed a definitive fourteen ship list belonging to the , then still referred to as "Starship-class" by them, including the Constitution. D.C. Fontana's earlier "(…)famous fighting ships of the past(…)" annotation on her first memo proposal, not yet featuring the name, indicated that the producers had the 18th century American warship – one of the commissioned by the United States Navy – in mind when adding the name to the list, making her, like her fictional counterpart, a class sister of the . (The Making of Star Trek, pp. 164-165) But unlike the fictional , the Original Series has afforded no opportunity to actually feature the ship. Diagrams seen on monitors of any Constitution-class ship created for the second and third outings of the , depict graphics derived from the Star Fleet Technical Manual by Franz Joseph, who incidentally also coupled the registry number to the USS Constitution as the likewise MK IX class vessel, of the ship being labeled "NCC-1700". The complete original drawing (which was otherwise near indiscernible and/or illegible in its on-screen movie appearances) in the Star Fleet Technical Manual bears the label "Constitution class" in the accompanying text. Incidentally, it was only in the manual and its companion publication, Star Trek Blueprints, both fully licensed and considered "official" by the franchise at the time – which Jein's article as a fan publication was not – , that the name "USS Constitution" was married to its registry for the first time, that is, officially at least. It is therefore somewhat ironic that Jein's article implicitly became official in later years due to its full endorsement by Encyclopedia author Mike Okuda, whereas Joseph's work has subsequently been debunked as official by the franchise, relegated to the status of apocrypha. () Subtle differences between the depictions of NCC-1700 in the Franz Joseph drawings used, and that of NCC-1701 in suggests that some minor design differences existed between the two ships. The TOS Enterprise had different dimensions than the Franz Joseph Constitution, as Joseph's drawing had bulkier nacelles and different curves on the saucer and primary hull. Joseph's depiction of the Constitution also featured external phaser mounts and other technical details the original Enterprise model lacked. It's as of 2018 continued non-canon status notwithstanding, both production and fan circles alike have endorsed the notion of the "USS Constitution (NCC-1700)", and is consistently adhered to in the plethora of in-universe reference works that have been published since. Apocrypha This vessel has also been mentioned in several licensed publications. The depictions of the ship vary as those sources were created separately from the filmed version. Novels: , , Crisis on Centaurus, , The Wounded Sky, The Pandora Principle and the Errand of Vengeance series all mention the ship (as "NX-1700", circa 2240s, Admiral commanding). The novel by Diane Carey lists the background of the Constitution as NCC-1700, however the contract was drawn prior to certain technological advancements. Rather than changing the contract, Starfleet chose to draw another contract, NCC-1701. Captain Robert April was given discretion as to the name of the vessel, leaning towards the USS Constitution, however George Kirk advised April to name the starship Enterprise for the ideals that the naval ships of that name represented. Games and reference works: Cadet's Orientation Sourcebook, Federation Ship Recognition Manual, The Federation Sourcebook, The Four Years War, Return to Axanar, Among the Clans, Spacedock Ship Recognition Manual (volume 4), and the Star Fleet Technical Manual all mention the ship. Other sources have listed additional starships that have borne this name: Torpedoed by the (Pocket TNG: The Forgotten War) (NCC-2025) (Star Trek: The Next Generation Officer's Manual) () Commanded by Captain in 2364 (Pocket TNG: ) Commanded by Captain in 2370 (Pocket TNG: ) USS Constitution (NCC-41869) In an alternate reality, commanded by Captain Robert Picard (Pocket TNG: Forever Dark) External links Forgotten Starships at TrekPlace.com – an article discussing the canon appearance of this class bg:NCC-1700 de:NCC-1700 fr:NCC-1700 ja:USSコンスティチューション 1700
1786	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Danube class	The Danube-class, also known as Runabout-class, was a type of Federation runabout in operation during the latter half of the 24th century. All runabouts assigned to Deep Space 9 were named after rivers on Earth. () History The Danube-class was first commissioned by Starfleet in 2368 as a small, short-range interstellar craft. () The following year, the space station Deep Space 9 took on three runabouts for use in their daily operations: the , the , and the . They were transported to the station aboard the and were housed within the landing bays situated around the habitat ring. () In the first two years of the space station's use by Starfleet, the runabout remained the primary method of transport and defense support, as they were instrumental in discovering many new worlds and civilizations within the Gamma Quadrant, as well as the Bajoran wormhole itself. (, ) In mid-2370, DS9 sent its runabouts into the Gamma Quadrant to make contact with the fleet of Skrreean refugee ships that were on the other side of the wormhole. () In 2371 of an alternate timeline, the , which offered an alternate form of drive than the Danube-class, was introduced. () Even after DS9 took delivery of the in 2371, the runabouts were still widely used, and for a time, the station was equipped with at least four of these runabouts. () Just before the beginning of the Dominion War, Elim Garak and Worf used a runabout to stealthily rescue crew members at Internment Camp 371. () They were also used to help defend DS9 against a Dominion fleet. () The later were used in exercises with the Ninth Fleet in 2374. () Colonel Kira Nerys used a runabout to covertly travel to Cardassia Prime to aid Damar's resistance movement. () Technical data Specifications Danube-class runabouts were about a quarter the size of an personnel transport. () Their overall width was 14 meters. () Runabouts were designed to have a maximum speed of warp 5. () Operations According to Jadzia Dax, runabouts "practically fly themselves", in fact, they were capable of operating with automatic helm control, yet were easy for anyone to pilot, especially someone who had third level flight experience. (; ) When asked by his father, Commander Sisko, if he could do any science project he wanted to in late 2370, Jake Sisko immediately chose, "pilot a runabout", but was shot down as that was "not exactly a science project." () Although typically customary for both seats to be enabled so that a second individual could pilot the craft in the event of an emergency, Commander Sisko intentionally did not illuminate the ship's controls at the other pilot's station where Gul Dukat was seated during a joint mission to the Volan colonies in the Demilitarized Zone in 2370. Dukat assured Sisko that he would not "steal [his] little technical secrets." It was later revealed that despite Starfleet's best efforts, the Cardassian Central Command already possessed knowledge on the operations of this class vessel, as Dukat later stated that he "knew all about these controls before I ever came on board" and pointed out to Sisko the correct location of the photon launcher control. () The Danube-class runabouts were also equipped with an aft tractor beam emitter. This emitter could be used to tow starships at least as large as a . Jean-Luc Picard once commented, in 2369, that he suspected "that the sight of [a Cardassian] warship being towed back [from the Gamma Quadrant] by a Starfleet runabout took the heart out of their fight." () They were also capable of being rigged to tow at warp velocities. () However, they did not possess the strength necessary to haul a Jem'Hadar fighter buried under ninety meters of rock and into orbit. () A runabout did not possess the ability to generate a subspace isolation field of the magnitude required to lock on and surround the warp core of a in order to beam it into space. () The hull of a Danube-class ship was made up of metallic composites that could interact with magnetic fields. Lost ships could be found by using a differential magnetometer to detect fluctuations in the hysteresis curve. () In the case of low power, each runabout had a contingency fuel cell to provide an emergency supply of power. The vessels also had the ability to eject their antimatter pods if so needed. () A runabout could be modified so as to prevent sensors from picking up its power signature by modulating the engine's power emissions, reconfiguring the deflector shield grid, and installing field buffers around the subspace emitter coil. If done properly, it could be made to appear as a Lissepian transport. However, if not done correctly, the field buffers would distort the runabout's power signature, causing it to appear to outside scans as to be operating with malfunctioning subspace field emitters, a malfunction that could be passed off as problematic phase modulators. () Defensive systems For defense, the runabouts were armed with phasers and photon torpedoes. The torpedo launcher assembly was accessible via a hatch on the floor of the forward cabin. () In late 2370, Chief Miles O'Brien of Deep Space 9 began retrofitting the weapon systems of the runabouts and with extra banks of photon torpedoes in preparation to the Federation's first engagement with the Dominion. () He also made some modifications to the phaser arrays and shield generators of the station's runabouts. () As DS9's original lifeline to the rest of the Alpha Quadrant, the runabouts often dealt with many skirmishes on the frontier. They were utilized in fighting off Maquis raiders. () Sisko believed that a runabout could handle a Bajoran patrol. () They were not, however, a match against a T'Lani cruiser. () Nor could they outrun a , a Klaestron starship, or a Jem'Hadar attack ship. () According to Gul Dukat, Cardassian pursuit vessels were "years ahead" of the runabout design. () Although surviving their initial engagement alongside the in a confrontation with three Jem'Hadar fighters, alone they were no match for a of said fighters. () Nevertheless, with proper instruction, a runabout had the ability to destroy a Jem'Hadar fighter if allowed to get past the enemy ship's defenses. () A runabout was small enough to be able to get close enough to another ship in order to overload the other ship's shield generators with directed phaser fire. () Interior configuration Ideally, a runabout was piloted by two crewmembers, although one pilot would suffice. () The pilots' consoles faced forward upon two large portholes. The cockpit had stations for up to four crewmembers. The two large portholes were equipped with retractable blast shutters. () Small square viewscreens mounted within the forward corners of the cabin were used for video communication and ship status displays. () In the original configuration, a food replicator and a compact personnel transporter were located immediately behind the cockpit stations. After the class underwent a refit as hostilities arose between the Federation and the Dominion, the transporter and replicator were moved further back and a secondary tactical console was positioned in the cockpit. The transporter was capable of transporting multiple persons simultaneously. () The rear of the craft could be configured as a passenger cabins complete with sleeping and dining areas for extended travel. (; ) This area could also be used as a cargo bay. () In the center of the craft, between the two wing pylons, a series of replaceable modules could be connected. These modules could be swapped to suit mission requirements. Examples of available modules included science laboratories, crew quarters, and photon or quantum torpedo bays. () The craft was also equipped with an emergency unit for medical emergencies. () Also carried aboard runabouts were medkits, covariant oscillators, communications probes, portable generators, and a stasis chamber. () The runabout was equipped with at least one manual emergency hatch, located amidship on the port side of the vehicle. () A small Jefferies tube was also present, immediately underneath the warp core that ran along the spine of the vessel. () Ships commissioned Named (NCC-72454) (NCC-72452) (NCC-72936) (NCC-73024) Unnamed Unnamed Danube-class runabouts NCC-73918 Appendices Appearances Danube-class, standard design (docking port hatch only) (archive video footage) (docking port hatch only) (hologram interior) (interior only) Danube-class with pod () () Background information Although originally called "Runabout-class" by Benjamin Sisko in "Emissary," the official class designation was "Danube-class." The official name was originally mentioned in the , but was later seen in episodes as part of display graphics and reiterated in the Star Trek: Deep Space Nine Technical Manual (p. 140). The term "Danube-class" was first used in dialogue in . Interestingly enough, the aft cabin sections were never seen in any of the Deep Space Nine episodes in which they were a staple, yet the aft cabin was featured prominently in , the only TNG episode in which the runabout appeared. Early in , the writers planned to occasionally drop in runabouts named for rivers on other worlds, but producer Michael Piller noted that the need to include the explanation in dialogue would probably detract from an episode's storytelling. As a result, all runabouts on screen ended up named for Earth rivers. (Star Trek Sticker Book, pg. 13) Studio model The Danube-class runabout was designed by Rick Sternbach and Jim Martin, and the interior cockpit set was designed by Joseph Hodges, all under the direction of Herman Zimmerman. The aft compartment was designed by Richard James. The miniature was built by Tony Meininger. According to Sternbach, the studio model of the , first seen in , was to have become the basis for DS9's runabouts, before a new design was ordered. Computer generated model VisionArt Design & Animation created a computer generated model of the runabout. The CG model proved a boon when featured the runabout Shenandoah flying through an asteroid belt and landing in the Soukara jungle. Commented Adam Buckner: "That was another one of those shots that would have been almost impossible to do with motion control. Where do you mount the ship? Because you see it coming, its bottom, one side, and its nose. It turns around, you see its back, the other side, and its top. Where do you mount it if it's a motion control model? David [Stipes] was able to do it because it was a computer generated model." (Cinefantastique, 146, Vol 30 #9/10, 1998) Technical Manual The following specifications were included in the Star Trek: Deep Space Nine Technical Manual (p. 140): Height: 5.4 meters Length: 23.1 meters Width: 13.7 meters Crew: Up to 40 passengers Phasers: 6 emitters Photons: 2 launch tubes, Stock: 2 micro-photon torpedoes Cruise speed: warp 2 Max speed: warp 5 Impulse: Standard units The runabout's modular platform allowed easy configuration for a multitude of missions. Two such modules were the "mission module" and "sensor pod". The runabout could carry four different sizes of mission modules. (Star Trek: Deep Space Nine Technical Manual, p. 143) The Technical Manual also states that the USS Danube (NX-72003) was the prototype of this class, constructed at Utopia Planitia Fleet Yards in 2365. (p. 140) See also Apocrypha The Danube-class runabout is in the game Star Trek Online, and can be customized with or without the rollbar. It features as both a playable ship of the shuttle/fighter tier or as a hangar 'pet' launchable from other craft with hangar bays, such as vessels. External link Federation starship classes de:Danube-Klasse es:Clase Danube fr:Classe Danube ja:ドナウ級 nl:Danube klasse
1787	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Federation class	The Federation-class was a type of 23rd century Federation dreadnought-type starship constructed by Starfleet. A faint outline of a Federation-class starship was depicted on bridge displays aboard the in 2285. () Appendices See also Background information The bridge monitors in and made use of a cycling video depicting whole pages from the Star Trek Star Fleet Technical Manual by Franz Joseph. At one point, a diagram of a starship (pictured above) also depicts a barely visible outline above it - which the Star Fleet Technical Manual shows to be the Federation-class. (pg. 01-04-00) Apocrypha The Technical Manual listed the USS Federation as being the prototype of the class. The Federation-class was included in the Star Fleet Battles series because the company was allowed to use material from the original series and the Technical Manual only. The Dreadnought! by Diane Carey also featured a vessel of similar design, the USS Star Empire. The game Star Trek: Tactical Assault also featured a variant of this class as a "Federation Dreadnought". According to the Star Fleet Technical Manual, a total of twenty vessels were planned: External links Forgotten Starships at TrekPlace - an article discussing the canon appearance of this class de:Federation-Klasse Federation starship classes
1791	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Korolev	USS Korolev (NCC-2014) was a 23rd century Federation starship operated by Starfleet. In 2293, the Korolev was assigned a diplomatic mission. The ship was named on a Starship Mission Assignments chart on the bridge. Later that year, in the "Operation Retrieve" command briefing, the Korolev was depicted as being in the theater of operations. () Appendices Background information The Korolev was not mentioned in dialogue, but was listed on a display screen on the bridge set. While not official sources, both Last Unicorn Games and Decipher RPG supplements state that this vessel may be a starship. It is unclear if this ship is related to the which was employed during the 2360s, though this ship is likely also named after the Russian scientist and engineer . According to a ship listing included in the plans, and not seen in the extended cut of the movie, this ship was commanded by J. Downer, and the ship was located in Sector 21399. On a page seen in the movie, showing the relation of Starbase 24 to Rura Penthe, the Korolev was represented by the silhouette of a heavy cruiser. The ship's captain was named after the sixth movie's art production assistant John Downer. External link de:USS Korolev fr:USS Korolev (NCC-2014) Federation starships
1792	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Merced	The USS Merced (NCC-87075) was a Federation starship operated by Starfleet during the late 24th century. In 2380, the Merced was under the command of Captain . On stardate 57538.9, the Merced and worked together to recover a recently discovered ancient generation ship. As the two ships simultaneously towed the derelict with their tractor beams, a moment of one-upmanship from Durango led to a leakage of terraforming fluid from the alien vessel. The terraforming fluid transformed the hulls of both ships into organic materials. While Captain Carol Freeman and Lieutenant Beckett Mariner managed to reverse the effects of the transformation before major functions were lost aboard the Cerritos, the Merced was too heavily damaged with its life support failing. Fortunately, the entire crew complement of the Merced were saved when Captain Freeman and Lt. Mariner performed an emergency transport from the Cerritos, and placed them into the still-sealed-off stasis chamber of the generation ship, safe from effects of the terraforming fluid. () Crew Background information "Merced" is Spanish for "mercy." It is also a and in the of California and is known as the "Gateway to Yosemite." The Merced has blue markings on its hull. According to series creator Mike McMahan, a ship with blue hull markings is "usually deployed to places where there has to be more medical expertise." See also , a starship type different from the California class Federation starships
1797	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Oberth	The USS Oberth (NCC-602) was a 23rd century Federation starship operated by Starfleet. It was the prototype of the class. In 2293, the Oberth was assigned a deep space exploration mission. The ship was named on a Starship Mission Assignments chart on the bridge. () External link de:USS Oberth es:USS Oberth nl:USS Oberth Federation starships
1808	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Yorkshire	The Yorkshire (NCC-330) was a 23rd century Federation starship operated by Starfleet. In 2267, the Yorkshire was in orbit of Starbase 11 when the put in for repairs after suffering damage from a severe ion storm. () de:Yorkshire fr:Yorkshire NCC-330 Federation starships Memory Alpha articles named from supplementary resources
1810	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Bonchune	The USS Bonchune (NCC-70915) was a 24th century Federation starship operated by Starfleet. In 2374, the Bonchune was assigned to pursue the prototype vessel after it was commandeered by Romulan agents. The ship was quickly overpowered by the Prometheus superior firepower resulting from its multi-vector assault mode. () In 2378, the Bonchune was in the Sol system and was part of the fleet gathered to respond to an anticipated Borg incursion. It later escorted the back to Earth upon its return from the Delta Quadrant through a Borg transwarp conduit. () Appendices Background information The Bonchune was named for Foundation Imaging visual effects supervisor Rob Bonchune, with the registry being his birthday (1970/9/15). The ship was not identified in dialogue and its on-screen appearance was the first time a computer-generated effect was used of the ship class (rather than a physical model). Its presence in "Message in a Bottle" was confirmed by Rob Bonchune, who built the CGI model, and one of the Nebula-class ships seen in "Endgame" carried its registry. (SciFi & Fantasy Models, issue 32, p. 2) As Bonchune told it, its appearance in "Message in a Bottle" was "kind of" a mistake, where portions of footage of the ship were combined with recycled footage of the from the episode . Close-ups of a later rendering of the Bonchune were published in several works such as the calendar and the Ships of the Line book, in which the ship was identified as the . A port side profile of the Bonchune later appeared in the . Apocrypha In the PC game Star Trek: Legacy, the name USS Bonchune is a possible name for a starship. External link bg:USS Боншун cs:USS Bonchune de:USS Bonchune es:USS Bonchune ja:USSボンチューン nl:USS Bonchune Bonchune
1811	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Emden	The USS Emden (NCC-1856) was a 23rd century Federation starship operated by Starfleet. In 2293, the Emden was assigned a Neutral Zone patrol mission. The ship was named on a Starship Mission Assignments chart on the bridge. Later that year, in the "Operation Retrieve" command briefing, the Emden was depicted as being in the theater of operations. Furthermore, it was named as one of the ships on station in Sectors 21166-8. () Appendices Background information On the plans, the Emden was represented by the silhouette of a refit starship. An unseen element from the Operation Retrieve charts included a list of starships, their registries and their commanders. According to this list, the Emden was commanded by C. Thomas, named after that film's photographic effects editor Robert C. Thomas. Emdens last reported location was in Sector 21803. The Emden'' might have been named after one of several German of the same name, which were, in turn, named after the city of . Apocrypha The Decipher roleplaying game supplements stated that this vessel may have been a starship. External link de:USS Emden fr:USS Emden (NCC-1856) nl:USS Emden pl:U.S.S. "Emden" NCC-1856 Emden
1813	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Entente	The USS Entente (NCC-2120) was a 23rd century Federation starship operated by Starfleet. In the mid-2270s, this dreadnought sent a message to Epsilon IX station. () External links Forgotten Starships at TrekPlace de:USS Entente fr:USS Entente (NCC-2120) pl:U.S.S. "Entente" NCC-2120 Entente, USS
1814	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Fredrickson	The USS Fredrickson (NCC-42111) was a 24th century Federation starship operated by Starfleet. In 2371, the Fredrickson was docked at Utopia Planitia Fleet Yards in orbit of Mars. () The ship became a member of the Second Fleet, which was deployed in the early battles of the Dominion War. In 2374, the Fredrickson was heavily damaged and needed to be towed away from a battle zone. () Appendices Background information stated that this ship "was named for Anthony Fredrickson, a scenic artist on ." This ship was featured in the Inside Starfleet Archives feature of the TNG Season 2 DVD release. It was represented by the relabeled studio model, built for for its first appearance, and was the last time this physical model was used. It was later rendered as a CGI version. External link bg:USS Фредриксън cs:USS Fredrickson de:USS Fredrickson es:USS Fredrickson ja:USSフレドリクソン nl:USS Fredrickson Fredrickson
1817	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Frigate	In starship classification, a frigate was a fast, medium-sized starship intended to protect other vessels. In the 2260s of the alternate reality, information on Starfleet operated frigates was located in the Federation database. () During the 23rd and 24th centuries, Starfleet employed vessels designated as frigates. (, ) Types of frigates Cardassian frigate Federation frigates: (medical frigate) Kazon frigate Kinjal frigate External links de:Fregatte ja:フリゲート nl:Fregat Spacecraft classifications Spacecraft classifications (alternate reality)
1818	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Light cruiser	A light cruiser was a type of cruiser utilized by Starfleet, capable of sustained independent operation like other cruiser types, but more lightly-armed and not necessarily intended for front-line combat. The 24th century starship was an example of a light cruiser. () Appendices Background information According to the Star Trek: Deep Space Nine Technical Manual, the was classified as a light cruiser, as was the . During the Dominion War the was a light cruiser variant built from an Intrepid-class primary hull. Another type of light cruiser used in the Dominion War was a variant of the of starship, a saucer with two warp nacelles. External links de:Leichter Kreuzer ja:軽巡洋艦 nl:Lichte kruiser Spacecraft classifications
1819	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Heavy cruiser	In starship classification, a heavy cruiser was a large multi-purpose starship. While the Federation considered their starships to be heavy cruisers in their heyday, the Klingons referred to the refit version of the same vessel, in their terms, as a battle cruiser. () starships were also classified as heavy cruisers. () In an alternate timeline, the Ambassador-class was simply referred to as a cruiser. () starships were identified as heavy cruisers. () The Emerald Chain flagship Viridian was identified as a heavy cruiser-class starship in 3189. () Appendices Background information The term "heavy cruiser" was first used in the for for describing the Klingon starships. It was used later for an on-screen display of the Constitution-class, which was from the Star Fleet Technical Manual, and it was spoken in reference to the Ambassador-class. According to the Star Trek: Deep Space Nine Technical Manual, the , , Jem'Hadar battle cruiser, and es were all referred to as "heavy cruisers". In a dossier for the alternate reality , her class, the , was classified as heavy cruisers. External links de:Schwerer Kreuzer ja:重巡洋艦 nl:Zware kruiser Spacecraft classifications Deleted and unused material in background
1824	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Exploration vessel	In starship classification, an exploration vessel or exploratory vessel was a type of spacecraft designed for exploring unknown regions of space, operated by individuals who fancied themselves as explorers. The 21st century NASA ship Charybdis was classified as a "exploratory shuttle" or later as an "explorer ship" . It was Earth's third manned attempt to travel beyond the Sol system. () The 22nd century United Earth Starfleet starship was designed as a "ship of exploration". () Andorian Lieutenant Talas once criticized Enterprise Lieutenant Reed, who came from a military family of three generations, for betraying his family tradition by serving on a ship of exploration. () The was classified as an "exploration vessel" by Drexler outpost. (). The Federation flagship served Starfleet in the capacity of that of a vessel of exploration. () During her time in the Delta Quadrant, served as a "ship of exploration." () External links de:Forschungsschiff ja:探査艦 nl:Verkenner ru:Исследователь (Тип судна) Spacecraft classifications
1827	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Phoenix	The USS Phoenix (NCC-65420) was a 24th century Federation starship operated by Starfleet. This ship was constructed by the Yoyodyne Division at 40 Eridani A Starfleet Construction Yards and commissioned on stardate 40250.5 in 2363. In 2367, the Phoenix was under the command of Captain Benjamin Maxwell. History In 2367, Captain Maxwell turned vigilante with the Phoenix, destroying a Cardassian outpost and several ships in Sector 21505 seemingly without provocation. He claimed his actions were justified because the Cardassians were preparing to renew hostilities only a year after peace had been settled with the . As a result, Starfleet dispatched the , to intercept the Phoenix. Captain Jean-Luc Picard was assigned to intercept and stop Maxwell. En route to intercept the Phoenix, the Enterprises sensors revealed that Captain Maxwell was attempting to destroy another supply ship. In an attempt to prevent the further destruction of Cardassian lives and property, Captain Picard gave a nearby Cardassian warship the Phoenixs prefix code to give the Cardassians an advantage. Despite taking a direct hit with its shields down, the Phoenix still managed to destroy the attacking ship with a salvo of torpedoes. When the Enterprise finally caught up with the Phoenix, Picard ordered Maxwell back to Starbase 211; however, during their return, Maxwell veered from course and headed towards another supply ship. When the Enterprise arrived at their position, Maxwell demanded Picard search the vessel as proof that Maxwell's actions were justified. Picard refused and a stand-off ensued. Ultimately the stand-off ended successfully with no further loss of lives when Chief Miles O'Brien was able to beam over during a 1/50th of a second scan cycle "window" in the Phoenixs shields caused by its high energy sweeps. Once on board he managed to convince Maxwell to stand down his ship. In spite of the situation, Picard warned Gul Macet that Maxwell's suspicions may have had a basis in truth. () Personnel See USS Phoenix personnel Appendices Background information Construction data was taken from the ship's dedication plaque found in Star Trek: The Next Generation - The Continuing Mission; the ship's motto was "No matter where you go, there you are", the same motto found on the plaque of the ; the line was taken from the movie , as is the name Yoyodyne. The plaque was located in the ready room of the Phoenix, the only known ship to have a plaque in that location. (With few exceptions, plaques are almost always located on the bridge.) This particular configuration of the Nebula-class ship was never seen again in any future productions, instead replaced with the more familiar tripod mount. On his blog, Doug Drexler explained that the original Nebula-class pod did not suit the ship and it was a collective decision between himself, Rick Sternbach, and Michael Okuda to replace the pod. The reference book Star Fleet Technical Manual by Franz Joseph featured a listing of an earlier with the registry NCC-625 (it was of the Cygnus sub-class). The ship was a MK-VIIB courier authorized for appropriation on stardate 5099. Although was written and produced several years before , the retroactively speculated that the Phoenix was named for Zefram Cochrane's warp ship of the same name. A replica model of the Phoenix was produced for issue #112 of the Star Trek: The Official Starships Collection. External link bg:USS Феникс de:USS Phoenix es:USS Phoenix fr:USS Phoenix (NCC-65420) ja:USSフェニックス Phoenix
1828	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	Madred	Gul Madred was a Cardassian officer placed in charge of the interrogation of Captain Jean-Luc Picard on Celtris III in 2369. History As a starving, homeless child living on the streets of Lakat, Madred scavenged for and ate raw taspar eggs, straight from the shell. He later recalled being beaten and having his arm broken by an older boy who stole the eggs, an experience from which he clearly never recovered. As an adult, he came to endorse the Cardassian military establishment, believing that it had the power to eradicate the poverty and violence that plagued Cardassia during his childhood. Madred later had a daughter named Jil Orra. Although she was very young, Madred allowed her to visit him during Picard's interrogation. During intensifying hostility between the Cardassian Union and the United Federation of Planets over territorial s, Madred captured Captain Jean-Luc Picard of the starship by fabricating evidence of a metagenic weapon on the Cardassian planet Celtris III. There, Madred sought to uncover Starfleet's defense operations for Minos Korva by first drugging, then torturing Picard. Proving himself to be both cunning and brutal, Madred employed unique tactics which he felt stripped his victim of his individuality, stripping Picard of his clothing and referring to him simply as "Human". At the height of his sadism, Madred repeatedly showed Picard four bright lights, telling him that there were in fact five lights. When the captain refused to submit, he was tortured: a small device implanted in the captain's chest allowed Madred to inflict pain in any part of the body. Ultimately, the Cardassians' intentions were exposed, and Picard's release was ordered. Despite his best efforts, Madred was not able to successfully break Picard's will – although the captain later admitted that he came perilously close to breaking. () Appendices Background information Madred was played by David Warner in his third of three Star Trek appearances. His name comes from the episode's credits and was never spoken onscreen. Warner took over the role of Madred on three days' notice and, though he had previously appeared in and , he knew nothing about the Cardassians from The Next Generation, as he recalled in a interview; "I took over on three days' notice. It was another makeup job. It was with Pat Stewart, who's an old colleague. It was great to be a part of that. I thought, 'Oh, I've done two of the others, the old classic ones, and here I am in The Next Generation. I'll go for it.' So I wasn't aware of it, of the Cardassians. I didn't know their history at all, except of course, that they weren't very nice." Due to the limited duration in which he had to prepare for the role, Warner did not have enough of time to memorize his lines. As such, they were written down on cue cards. He commented, "There was too much technobabble and dialogue that doesn't come naturally to me. So they wrote everything up for me. I don't mind people knowing this. Every line I said, I actually was reading it over Patrick's shoulder or they put it down there for me to do it." According to the for "Chain of Command, Part I", the pronunciation for Madred was "muh-DRED". Apocrypha Madred has appeared in several DS9 novels, including Andrew Robinson's A Stitch in Time (post-Dominion War) and Ship of the Line by Diane Carey. In Robert Simpson's Lesser Evil, Madred appeared in scenes set in 2347 on Kora II, where he was a Glinn. Madred also appeared in the TNG short story "Four Lights" by Keith R.A. DeCandido in the anthology book The Sky's the Limit, in which Picard and Madred are reunited during the Dominion War, with Madred in the brig. Madred and Picard met again in the novel Ship of the Line, when Picard was sent into Cardassian space to free captured Starfleet officers, with Picard revealing that they were aided in their efforts by Madred's own daughter, who had become disgusted with her father's work after seeing him torture Picard. During the comic miniseries Star Trek: The Next Generation - Perchance to Dream, when Picard was forced to enter his own mind to defeat a telepathic virus called the Chova with the aid of his other personalities (Sarek, Locutus, and Kamin), he used the mental image of the four lights Madred confronted him with to remind him of past victories while in his mind. Using the strength from this image, he was able to overcome Locutus when the latter attempted to gain control of his body, coldly informing Locutus that he would not give in before he was awakened. In the original Cardassian Struggle arc for Star Trek Online, Madred had become the leader of the True Way organization and formed an alliance with a faction of Alpha Jem'Hadar to protect the True Way's mining operations. The player eventually captured him at Empok Nor. Madred was removed from the game when the Cardassian Struggle arc was revamped in early 2015. His mirror universe appeared in the novella "". External links de:Madred es:Madred it:Madred nl:Madred Cardassians Cardassian military personnel Guls
1829	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Merrimac	There have been two Federation starships known to bear the name USS Merrimac: , a 23rd century starship , a 24th century Nebula-class ship de:USS Merrimac es:USS Merrimack fr:USS Merrimac ja:USSメリマック nl:USS Merrimac
1830	http://s3.amazonaws.com/wikia_xml_dumps/e/en/enmemoryalpha_pages_current.xml.7z	USS Titan (NCC-80102)	The USS Titan (NCC-80102) was a Federation starship operated by Starfleet during the late 24th century. Service history 2379 In 2379, newly-promoted Captain William T. Riker became the commanding officer of the USS Titan. He transferred from the , along with his new wife, Counselor Deanna Troi. That year, the first assignment for the Titans crew was to head up the new task force investigating the possibility of peaceful relations with the Romulan Star Empire in the wake of the recent events involving the coup d'état of Shinzon of Remus. () 2380 By 2380, the Titan under Riker's command was considered a distinguished posting and a step up from ships such as the . In this year, Ensign was promoted and briefly assigned to the Titan from the Cerritos. Within six days, however, he had been demoted and fired for dumping garbage into the Titans warp core and was transferred back to Earth. () The Titan later engaged three Pakled Clumpships that had captured the Cerritos, forcing them to withdraw and saving the latter ship. Shortly afterward, Bradward Boimler accepted a promotion and transfer to the Titan. The Titan was then given the task to escort Commander Troi to Tulgana IV. () 2381 Three months later, the Titan was attacked by eight Pakled battle harpies. To escape, Riker ordered the ship into an anomaly, whereupon it experienced gluonic disruption. () The Titan crew also investigated the Pakled takeover of a Varuvian mining colony on Karzill IV but were unable to determine whether any other power was involved in the operation. During this mission, a transporter duplicate of Brad Boimler, William Boimler, was created. The duplicate remained on the Titan, while the original Boimler returned to the Cerritos. () During the Command Conference later that year, the Titan was stationed on the far side of the star system from Starbase 25 to deter Pakled attack. () 2401 In 2401, Starfleet Academy cadet Rew P'Cott Claudia-Jean was assigned to the Titan. () Technical data Embarked craft The Titan carried a complement of Type 6A shuttlecraft, all named after 20th century jazz musicians, in its shuttlebay. () Barash's illusion In 2367, while exploring a cavern on Alpha Onias III, then-Commander Riker was rendered unconscious by gases. While unconscious, neural scanners scanned Riker's brain. The scanners used elements of Riker's expectations of his future and constructed a holoprogram of the year 2383 from those elements. A fictional service record, within the holoprogram, was displayed in Riker's quarters on the . According to his fabricated record, in 2370 on Stardate 47203, Commander Riker was promoted to the rank of captain, with his first command being the Titan. Under his command, the Titan was ordered to patrol the Romulan Neutral Zone, provide tactical support to Starbase 384, and prevented a Romulan preemptive strike into the Gamma Hydra Sector. ( okudagram) Crew Command crew Commanding officer William T. Riker (2379–) First officer Titan first officer (2380s) Counselor Deanna Troi (2379–) Conn officer Bradward Boimler (2380–2381) William Boimler (2381–) See also: USS Titan personnel Appendices Appearances Background information In the original script for Star Trek Nemesis, Wesley Crusher was to explain at the wedding scene that he was being assigned to the Titan under the command of William T. Riker. On the Titan, he became the assistant chief engineer with the rank of lieutenant commander. In a filmed but deleted scene, Crusher mentions he is on the night shift and that the Titan was equipped with a "double refracting warp core matrix with twin intermix chambers." In the "" episode of The Ready Room, that week's trivia question stated the USS Titan was a Luna-class starship, named after the moon of Saturn (see "Apocrypha" below). In the "" Ready Room episode, prop master Jeff Lombardi stated a photograph of Jean-Luc Picard and Thaddeus Troi-Riker was taken aboard the Titan. The ship's design was created by Sean Tourangeau and first appeared on the cover and in bonus pages of the 2007 novel Sword of Damocles of the Pocket Books Star Trek: Titan series. Tourangeau's design was the winning entry in a reader contest announced by the publisher in the first volume of the series, Taking Wing, in 2005. In the observation lounge of this starship, as seen in the Lower Decks episode "Kayshon, His Eyes Open", there were four images of spacecraft, including the Titan herself, suggesting a history of ships named Titan. The first image was that of the Titan II, the launch vehicle for Earth's first warp capable ship, the Phoenix. The second image was of a ship from an unidentified class, which was based on an early concept for the by Matt Jefferies in the 1960s. The third image was of the (NCC-2752), a frigate, from FASAs Federation Ship Recognition Manual. This ship was listed, with other spacecraft, under "Assignment" on a PADD used by a Starfleet Academy officer. This PADD is seen in the episode "Mercy". Apocrypha While mentioned in , remastered TNG, and early episodes of , the Titan wasn't seen on screen until . The ship's class wasn't mentioned by name in the episode. According to various apocrypha, Wesley Crusher, Sariel Rager, Alyssa Ogawa, Melora Pazlar, , and Tuvok also served onboard the Titan. The supplement released for the Decipher states that the Titan was a brand-new vessel. Pocket Books has released a series of novels, called Star Trek: Titan, which are based aboard Riker's ship. It was stated that the Titan was not the first ship of its class, with that honor going to the pathfinder of the class, the . The Titan was the most varied multispecies crew in Starfleet history; less than 15% of the crew is Human. The motto of the Titan according to the novels is "Infinite Diversity in Infinite Combinations" (IDIC), a maxim often associated with Vulcan philosophy. Due to Riker's love for 20th century Earth jazz and its varieties, he was compelled to have all issued shuttles christened with the names of musicians from the era. One, in particular, was named the Armstrong for Louis Armstrong; though it was mistaken to be named for Neil Armstrong by Tiburonian chief engineer Nidani Ledrah. In a rare exception, the class and registry of the Titan from the novels were referenced in the fourth edition of the . Included with the entry, there was an image of the Titan. The USS Titan was released as a starship miniature by Eaglemoss/Hero Collector, as a Bonus issue within its Star Trek: The Official Starships Collection partwork. External link de:USS Titan es:USS Titan fr:USS Titan ja:USSタイタン nl:USS Titan pl:U.S.S. "Titan" Titan, USS

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